180:
474:, Institute of Advanced Musical Studies (1995). Graduation in Law at University of Lisbon (1968). PhD in musicology at the Humboldt-University, Berlin (1985). Intense activity as music critic between 1967 and 1990. Liszt Medaille of the Republic of Hungary (1986). He is author of many scientific publications on history, philosophy and sociology of music, and of many hundreds of press articles and reviews.
242:
66:
25:
429:
Scientific dean of the
Faculty of Human and Social Sciences (Universidade Nova de Lisboa) (1998–2002). vice-rector of this university (2003–2004). Scientific dean of the Department of Musicology (1987–1990 and 1996–1998). Secretary of State for Culture of the Portuguese Socialist Government
413:, Faculdade de Ciências Sociais e Humanas. He founded in 1997 and is chairman of CESEM - Centro de Estudos de Sociologia e Estética Musical (Research Centre for Aesthetics and Sociology of Music) at this university. He is member of the
38:
270:
250:
431:
90:
of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
939:
907:
871:
324:
142:
296:
114:
1099:
889:
730:
1042:
303:
121:
1084:
925:
361:
343:
223:
201:
161:
52:
439:
76:
44:
310:
128:
951:"Between Political Engagement and Aesthetic Autonomy: Fernando Lopes-Graça's Dialectical Approach to Music and Politics", in:
1089:
435:
430:(2005–2008). Member of the Research Committee 37 - Sociology of Arts - and Research Committee 51 – Sociocybernetics - of the
417:(elected in March 2008) and of the Direction of the European Academy of Music-Theatre (Europäische Musiktheater-Akademie -
787:
Actas do
Congresso de Estudos Queirosianos — IV Encontro Internacional de Estudos Queirosianos (6 a 8 de Setembro de 2000)
782:, Jürgen Kühnel, Ulrich Müller, Oswald Panagl, Franz Viktor Spechtler) Anif-Salzburg: Verlag Meier-Speiser, 2001: 196–207.
692:"Productive Misreading of Baroque Opera: The Staging of Handel’s Serse by Herz (1972) and Giustino by Kupfer (1984)", in:
459:
292:
110:
87:
1094:
1079:
881:
629:
Le Parole della Musica, vol.: II: Studi sulla Lingua della
Critica del Teatro per Musica in onore di Gianfranco Folena
386:
434:(ISA). Member of the International Musicological Society (IMS), and of the Portuguese PEN Club. Research grants from
414:
274:
266:
83:
656:(ed. by Carmelo Alberti and David Bryant), Venice: Istituto Internazionale per la Ricerca Teatrale, 1995: 233–244.
767:"Art as Autopoiesis? A critical approach beginning with the European musical avant-garde in the early 1950s", in
467:
99:
774:"Verfilmte Oper als episches Theater: Am Beispiel von Bergmanns Zauberflöte und Oliveiras Die Kannibalen", in:
410:
255:
194:
188:
930:"Der Trug der Bedeutungen oder die Fesseln der Sprache: Von Eichendorffs zu Adornos musikalischer Poetik", in
827:"Belcanto-Kultur und Aufklärung: Blick auf eine widersprüchliche Beziehung im Lichte der Opernrezeption", in:
471:
848:“La partitura como ‘espíritu sedimentado’: En torno a la Teoría de la Interpretación Musical de Adorno”, in:
616:"Sociologia da Música — Elementos para uma retrospectiva e para uma definição das suas tarefas actuais", in:
463:
442:, Germany (1992), and Portuguese Foundation for Science and Technology (1995). Joachim Herz's assistant for
259:
645:"From Opera to Soap Opera: On Civilizing Processes, the Dialectic of Enlightenment and Postmodernity", in:
317:
135:
1074:
205:
917:
866:, ed. by Álvaro Costa Matos and João Carlos Oliveira, Lisbon: Câmara Municipal de Lisboa, 2011: 187-229.
394:
385:
and author. His main research fields are sociology of music, philosophy and aesthetics of music, opera,
948:, ed. by Paulo Ferreira de Castro, Gabriela Cruz and David Cranmer (DVD), Lisbon: CESEM, 2012: 182–195.
1069:
686:
806:"A partitura como espírito sedimentado: Em torno da teoria da interpretação musical de Adorno", in:
677:"Lebendige Aktion gegen geträumte Aktion: Musik und antifaschistischer Widerstand in Portugal", in:
884:
and
Wieland Reich), 2 vols., Münster: Verlagshaus Monsenstein und Vannerdat OHG, 2011: I, 150-164.
591:"Parsifal oder der Gegensatz zwischen Theorie und Praxis als Dilemma der herrschenden Klasse", in:
817:(ed. by José Manuel Santos), Covilhã: Universidade da Beira Interior / TA Pragmata, 2005: 165-184;
634:"Illusion und Selbstdarstellung - Zur Entwicklung der Kommunikationssysteme im Musiktheater", in:
934:, edited by Katrin Bicher, Jutta Toelle and Jin-Ah Kim, Berlin: Ries & Erler, 2011: 245-265.
95:
958:"Politics of Identity and Counter-Hegemony: Lopes-Graça and the Concept of National Music", in:
831:(ed. by Christian Kaden / Karsten Mackensen), Kassel / Basel / London: Bärenreiter, 2006: 35–55.
756:"Fernando Lopes-Graça: Une biographie marquée par la tension antre l’art et la politique", in:
727:"Roman als Offenbachiade - Ein Beispiel von Intertextualität zwischen Musik und Literatur", in
935:
921:
903:
885:
867:
713:"New Music between Search of Identity and Autopoiesis, or: The ‘Tragedy of Listening’", in:
91:
652:"Goldoni et le chemin vers le ‘naturel’ dans le théâtre et l’opéra au XVIIIème siècle", in:
557:, Lisbon: Edições Colibri / CESEM - Centro de Estudos de Sociologia e Estética Musical, 2009;
1028:
965:"Idiom, Trauerspiel, Dialektik des Hörens. Zur Benjamin-Rezeption im Werk Luigi Nonos", in:
1008:
736:
406:
281:
859:(ed. by Isolde Schmid-Reiter), Vienna: EMA / ConBrio Verlagsgesellschaft, 2010: 181–190.
836:
Expression, Truth and
Authenticity: On Adorno's Theory of Music and Musical Performance
776:«…Ersichtlich gewordene Taten der Musik»: Das Musiktheater in den audiovisuellen Medien
555:
Expression, Truth and
Authenticity: On Adorno's Theory of Music and Musical Performance
390:
1063:
822:
Forum Européen des
Orchestres, sous le parrainage de Pierre Boulez et Henri Dutilleux
796:(ed. by Maria Helena Mateus and Clara Nunes Correia), Lisbon: Colibri, 2002: 599–605.
779:
720:"Towards Dialectic Listening: Quotation and Montage in the work of Luigi Nono", in:
680:
517:
Razão e sentimento na comunicação musical — Estudos sobre a Dialéctica do
Iluminismo
674:, vol. 31, ed. by Otto Kolleritsch), Graz-Vienna: Universal Edition, 1996: 187–219.
642:, vol. 29, ed. by Otto Kolleritsch), Graz-Vienna: Universal Edition, 1995: 141–149.
511:
Pensar é morrer ou o Teatro de São Carlos na mudança de sistemas sociocomunicativos
466:(2001), São Paulo, Brasil (2002), and Minho, Portugal (2004). 'Research fellow' at
694:
Cinquant’anni di
Produzioni e Consumi della Musica dell’Età di Vivaldi (1947–1997)
857:
Richards
Wagners Der Ring des Nibelungen - Europäische Traditionen und Paradigmen
636:
Vom Neuwerden des Alten - Über den Botschaftscharakter des musikalischen Theaters
810:(ed. by Rodrigo Duarte), Porto Alegre (Brasil): Escritos Editora, 2005: 203-224;
799:"Erros de diagnóstico na arte e na vida: Wozzeck no consultório do Doutor", in:
764:), vol. XXXIX, Lisboa/Paris, Centro Cultural Calouste Gulbenkian, 2000: 291–303.
575:
Abstracts and tables of contents of these books on the openlibrary.org website.
855:“Der Ring in Lissabon im Paradigmenwechsel der Kommunikation (1909–2009)”, in:
789:(ed. by Carlos Reis), Coimbra: Universidade de Coimbra / Almedina, 2002: 75–89.
987:
699:"A cultura da escuta na novelística de Garrett: Viagens na minha terra", in:
696:(ed. by Francesco Fanna and Michael Talbot), Florence: Olschki, 1998: 229–255.
447:
443:
382:
969:(ed. by Tobias Robert Klein, Muenchen / Paderborn: Wilhelm Fink Verlag, 2012.
944:"The Ring in Lisbon: Changes of Paradigm in Communication (1909–2009)", in:
899:
829:
Soziale Horizonte von Musik – Ein kommentiertes Lesebuch zur Musiksoziologie
536:
Por lo impossible andamos': A ópera como teatro de Gil Vicente a Stockhausen
785:"Fragmento e montagem na ficção de Eça de Queirós: o universo sonoro", in:
710:(ed. by Ulrich Müller), Anif/Salzburg: Verlag Meier-Speiser, 1999: 153–167.
627:"Nature et naturel dans la polémique sur l'opéra au XVIIIème siècle", in:
834:"Meaning, Mimesis, Idiom: On Adorno's Theory of Musical Performance", in:
838:(ed. by Mário Vieira de Carvalho), Lisbon: Colibri / CESEM, 2009: 83–94.
455:
378:
876:“Jorge Peixinho: Entdeckung einer musikalischen Persönlichkeit”, in:
862:“A República e as mudanças na cultura musical e músico-teatral”, in:
794:
Saberes no Tempo — Revista da Faculdade de Ciências Sociais e Humanas
753:(ed. by David Greer), Oxford, Oxford University Press, 2000: 342–366.
631:(ed. by Maria Teresa Muraro), Florence: Leo S. Olschki, 1995: 95–146.
458:, 1984). As visiting professor, courses of Sociology of Music at the
418:
742:« La sociologie de la musique en quête de son objet », in
668:
Das aufgesprengte Kontinuum. Über die Geschichtsfähigkeit der Musik
663:(ed. by Giovanni Morelli), Florence: Leo S. Olschki, 1996: 475–497.
661:
Creature di Prometeo. Il Ballo Teatrale dal Divertimento al Drama
659:"Danse et fanatisme religieux dans l’opéra du XXème siècle", in:
567:(as co-editor with José Machado Pais and Joaquim Pais de Brito):
82:
Please help to demonstrate the notability of the topic by citing
912:“A música entre a confrontação e o diálogo interculturais”, in:
598:"Auf der Spur von Rousseau in der Wagnerschen Dramaturgie", in:
666:"No hay caminos? — Luigi Nonos Verhältnis zur Geschichte", in:
523:
Eça de Queirós e Offenbach — A ácida gargalhada de Mefistófeles
604:
Schriftenreihe der Hochschule für Musik «Carl Maria von Weber»
280:
from the article and its talk page, especially if potentially
235:
173:
59:
18:
792:"A música e a escuta em Os Teclados de Teolinda Gersão", in:
729:
Musik als Text. Bericht über den internationalen Kongreß der
529:
Denken ist Sterben: Sozialgeschichte des Opernhauses Lissabon
584:"Eça de Queirós e a ópera no século XIX em Portugal", in:
751:
Musicology and Sister Disciplines – Past, Present, Future
548:
A tragédia da escuta — Luigi Nono e a música do século XX
932:
Musiken - Festschrift Christian Kaden zum 65. Geburtstag
609:"Trevas e Luzes na Ópera de Portugal Setecentista", in:
1029:"Mario vieira de carvalho - search | Open Library"
841:“A construção do objecto da sociologia da música”, in
749:"Sociology of Music as Self-Critical Musicology", in:
739:), Kassel etc.: Bärenreiter-Verlag, 1999: II, 222-226.
898:, ed. by Matjaž Barbo and Thomas Hochradner, Vienna:
878:
Musik-Kontexte – Festschrift für Hanns-Werner Heister
864:
A Vida Cultural na Lisboa da I República (1910–1926)
542:
Pensar a música, mudar o mundo: Fernando Lopes-Graça
988:"Vorstand « Europäische Musiktheater-Akademie"
600:
Opern und Musikdramen Verdis und Wagners in Dresden
531:, Kassel / Basel / London, etc.: Bärenreiter, 1999;
955:(Cambridge University Press), 8/2 (2012): 175–202.
397:and Portuguese music from 18th to 21st centuries.
894:"Musical Autonomy as a Referential System", in:
550:, Lisbon: Imprensa Nacional-Casa da Moeda, 2007;
405:Mário Vieira de Carvalho is a full professor of
946:International Conference Consequences of Wagner
762:Arquivos do Centro Cultural Calouste Gulbenkian
706:"Wozzeck und die Dialektik der Aufklärung", in
562:A 4 mãos – Schumann, Eichendorff e outras notas
389:, music and literature, 18th-century studies,
8:
843:Memorias da Academia das Ciências de Lisboa
53:Learn how and when to remove these messages
689:), Hamburg: von Bockel, 1997: II, 325-347.
273:about living persons that is unsourced or
746:, 639-640, Agosto/Setembro 2000: 790–803.
362:Learn how and when to remove this message
344:Learn how and when to remove this message
224:Learn how and when to remove this message
162:Learn how and when to remove this message
1043:"Academia das Ciências de Lisboa |"
701:Leituras. Revista da Biblioteca Nacional
187:This article includes a list of general
979:
505:O essencial sobre Fernando Lopes-Graça
432:International Sociological Association
7:
820:"Pour une culture de l´écoute", in:
654:Convegno del Bicentenario Goldoniano
967:Klang und Musik bei Walter Benjamin
482:Books by Mário Vieira de Carvalho:
560:(as co-author with Fernando Gil):
381:, 7 October 1943) is a Portuguese
193:it lacks sufficient corresponding
77:notability guideline for academics
16:Portuguese musicologist and author
14:
914:Música/Musicología y Colonialismo
896:Music and its Referential Systems
813:"Série, alea e autopoiesis", in:
801:Revista Portuguesa de Musicologia
703:, series 3, nº 4 (1999): 125–146.
622:Revista Portuguesa de Musicologia
569:Sonoridades Luso-Afro-Brasileiras
34:This article has multiple issues.
544:, Porto: Campo das Letras, 2006;
240:
178:
64:
23:
852:, Rev. filos. 11, 2009: 143–161
731:Gesellschaft für Musikforschung
708:Wozzeck und die Zwanziger Jahre
519:, Lisbon: Relógio d’Agua, 1999;
42:or discuss these issues on the
815:O Pensamento de Niklas Luhmann
593:Beiträge zur Musikwissenschaft
436:Calouste Gulbenkian Foundation
425:Other positions and activities
1:
715:Theory, Culture & Society
672:Studien zur Wertungsforschung
647:Theory, Culture & Society
640:Studien zur Wertungsforschung
579:Scientific papers (selection)
415:Academy of Sciences of Lisbon
920:), Montevideo, 2011: 41-65.
493:A música e a luta ideológica
251:biography of a living person
769:Journal of Sociocybernetics
595:, XXVIII/4 (1986): 309–319.
411:Universidade Nova de Lisboa
278:must be removed immediately
1116:
1100:20th-century musicologists
1009:"Mario Vieira de Carvalho"
733:, Freiburg im Bresgau 1993
499:Estes sons, esta linguagem
487:Para um dossier Gulbenkian
460:Humboldt-University Berlin
293:"Mário Vieira de Carvalho"
111:"Mário Vieira de Carvalho"
84:reliable secondary sources
73:The topic of this article
722:Contemporary Music Review
468:Free University of Berlin
421:), since September 2001.
75:may not meet Knowledge's
1085:Portuguese musicologists
525:, Lisbon: Colibri, 1999;
501:, Lisbon: Estampa, 1978;
495:, Lisbon: Estampa, 1976;
489:, Lisbon: Estampa, 1974;
375:Mário Vieira de Carvalho
953:Twentieth-Century Music
778:(ed. by Peter Csobádi,
464:University of Innsbruck
208:more precise citations.
679:Musik und Revolution.
649:, XII/2 (1995): 41–61.
564:, Lisbon: IN-CM, 2005;
513:, Lisbon: IN-CM, 1993;
507:, Lisbon, IN-CM, 1989;
265:Please help by adding
1090:Philosophers of music
803:, 12 (2002): 177–200.
771:, II/1 (2001): 33–40.
717:16/4 (1999): 127–135.
606:, 12 (1988): 607–624.
538:, Porto: Âmbar, 2005;
472:King's College London
960:Music & Politics
687:Hanns-Werner Heister
620:, 6 (1991): 11-19;
571:, Lisbon: ICS, 2004;
271:Contentious material
1095:Philosophers of art
1080:People from Coimbra
962:, 6/1 (2012): 1–12.
724:18/2 (1999): 37–85.
613:, 27 (1990): 87–96.
588:, 91 (1986): 27–37.
1045:. Acad-ciencias.pt
808:Theoria Aesthetica
683:zum 90. Geburtstag
624:, I (1991): 37–44.
407:sociology of music
387:contemporary music
79:
940:978-3-87676-017-9
908:978-3-99012-018-7
872:978-972-8695-40-8
372:
371:
364:
354:
353:
346:
328:
254:needs additional
234:
233:
226:
172:
171:
164:
146:
74:
57:
1107:
1054:
1053:
1051:
1050:
1039:
1033:
1032:
1025:
1019:
1018:
1016:
1015:
1005:
999:
998:
996:
995:
984:
918:Coriún Aharonián
401:Present activity
367:
360:
349:
342:
338:
335:
329:
327:
286:
267:reliable sources
244:
243:
236:
229:
222:
218:
215:
209:
204:this article by
195:inline citations
182:
181:
174:
167:
160:
156:
153:
147:
145:
104:
68:
67:
60:
49:
27:
26:
19:
1115:
1114:
1110:
1109:
1108:
1106:
1105:
1104:
1060:
1059:
1058:
1057:
1048:
1046:
1041:
1040:
1036:
1027:
1026:
1022:
1013:
1011:
1007:
1006:
1002:
993:
991:
986:
985:
981:
976:
737:Hermann Danuser
586:Colóquio–Letras
581:
480:
462:(2000) and the
446:and staging of
427:
403:
368:
357:
356:
355:
350:
339:
333:
330:
287:
285:
264:
245:
241:
230:
219:
213:
210:
200:Please help to
199:
183:
179:
168:
157:
151:
148:
105:
103:
81:
69:
65:
28:
24:
17:
12:
11:
5:
1113:
1111:
1103:
1102:
1097:
1092:
1087:
1082:
1077:
1072:
1062:
1061:
1056:
1055:
1034:
1020:
1000:
990:. Univie.ac.at
978:
977:
975:
972:
971:
970:
963:
956:
949:
942:
928:
910:
902:, 2011: 7-23.
892:
890:978-3869913209
874:
860:
853:
846:
839:
832:
825:
824:, 2005: 25–28.
818:
811:
804:
797:
790:
783:
772:
765:
754:
747:
740:
725:
718:
711:
704:
697:
690:
675:
664:
657:
650:
643:
632:
625:
614:
607:
596:
589:
580:
577:
573:
572:
565:
558:
551:
545:
539:
532:
526:
520:
514:
508:
502:
496:
490:
479:
476:
426:
423:
402:
399:
370:
369:
352:
351:
334:September 2012
275:poorly sourced
248:
246:
239:
232:
231:
214:September 2012
186:
184:
177:
170:
169:
152:September 2012
72:
70:
63:
58:
32:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
1112:
1101:
1098:
1096:
1093:
1091:
1088:
1086:
1083:
1081:
1078:
1076:
1075:Living people
1073:
1071:
1068:
1067:
1065:
1044:
1038:
1035:
1030:
1024:
1021:
1010:
1004:
1001:
989:
983:
980:
973:
968:
964:
961:
957:
954:
950:
947:
943:
941:
937:
933:
929:
927:
926:9789974361843
923:
919:
915:
911:
909:
905:
901:
897:
893:
891:
887:
883:
882:Thomas Phleps
879:
875:
873:
869:
865:
861:
858:
854:
851:
847:
844:
840:
837:
833:
830:
826:
823:
819:
816:
812:
809:
805:
802:
798:
795:
791:
788:
784:
781:
780:Gernot Gruber
777:
773:
770:
766:
763:
759:
755:
752:
748:
745:
741:
738:
734:
732:
726:
723:
719:
716:
712:
709:
705:
702:
698:
695:
691:
688:
684:
682:
681:Georg Knepler
676:
673:
669:
665:
662:
658:
655:
651:
648:
644:
641:
637:
633:
630:
626:
623:
619:
615:
612:
608:
605:
601:
597:
594:
590:
587:
583:
582:
578:
576:
570:
566:
563:
559:
556:
553:(as Editor):
552:
549:
546:
543:
540:
537:
533:
530:
527:
524:
521:
518:
515:
512:
509:
506:
503:
500:
497:
494:
491:
488:
485:
484:
483:
477:
475:
473:
469:
465:
461:
457:
453:
449:
445:
441:
438:(1980–1984),
437:
433:
424:
422:
420:
416:
412:
408:
400:
398:
396:
392:
388:
384:
380:
376:
366:
363:
348:
345:
337:
326:
323:
319:
316:
312:
309:
305:
302:
298:
295: –
294:
290:
289:Find sources:
283:
279:
276:
272:
268:
262:
261:
257:
252:
247:
238:
237:
228:
225:
217:
207:
203:
197:
196:
190:
185:
176:
175:
166:
163:
155:
144:
141:
137:
134:
130:
127:
123:
120:
116:
113: –
112:
108:
107:Find sources:
101:
97:
93:
89:
85:
78:
71:
62:
61:
56:
54:
47:
46:
41:
40:
35:
30:
21:
20:
1047:. Retrieved
1037:
1023:
1012:. Retrieved
1003:
992:. Retrieved
982:
966:
959:
952:
945:
931:
913:
895:
877:
863:
856:
849:
842:
835:
828:
821:
814:
807:
800:
793:
786:
775:
768:
761:
757:
750:
743:
728:
721:
714:
707:
700:
693:
678:
671:
667:
660:
653:
646:
639:
635:
628:
621:
617:
610:
603:
602:, Dresden,
599:
592:
585:
574:
568:
561:
554:
547:
541:
535:
528:
522:
516:
510:
504:
498:
492:
486:
481:
451:
428:
404:
383:musicologist
374:
373:
358:
340:
331:
321:
314:
307:
300:
288:
277:
260:verification
253:
220:
211:
192:
158:
149:
139:
132:
125:
118:
106:
50:
43:
37:
36:Please help
33:
1070:1943 births
758:Biographies
470:(1992) and
206:introducing
88:independent
1064:Categories
1049:2013-12-16
1014:2013-12-16
994:2013-12-16
974:References
448:Alban Berg
444:dramaturgy
395:Luigi Nono
304:newspapers
189:references
122:newspapers
96:redirected
39:improve it
900:Hollitzer
256:citations
86:that are
45:talk page
916:(ed. by
880:(ed. by
845:(online)
744:Critique
735:(ed. by
685:(ed. by
618:Penélope
282:libelous
611:Vértice
456:Dresden
452:Wozzeck
379:Coimbra
318:scholar
202:improve
136:scholar
100:deleted
938:
924:
906:
888:
870:
850:Azafea
419:Vienna
391:Wagner
320:
313:
306:
299:
291:
191:, but
138:
131:
124:
117:
109:
92:merged
478:Books
325:JSTOR
311:books
249:This
143:JSTOR
129:books
98:, or
936:ISBN
922:ISBN
904:ISBN
886:ISBN
868:ISBN
440:DAAD
297:news
258:for
115:news
638:, (
450:'s
409:at
1066::
393:,
269:.
94:,
48:.
1052:.
1031:.
1017:.
997:.
760:(
670:(
534:'
454:(
377:(
365:)
359:(
347:)
341:(
336:)
332:(
322:·
315:·
308:·
301:·
284:.
263:.
227:)
221:(
216:)
212:(
198:.
165:)
159:(
154:)
150:(
140:·
133:·
126:·
119:·
102:.
80:.
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.