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Purportedly based on Sun Yat-sen's suggestion to use cinema for the public benefit, Umeya sought to connect film to the development of science, industry, and education. As a result, in 1906, M. Pathe imported more than 120 educational and scientific films form Europe.
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from which he imported films, although the companies had no official connection. Umeya built a studio in Ōkubo near
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and leading to Sun's inauguration, producing three documentary films that covered the revolution.
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in 1912. His plan was to sever himself from M. Pathe's difficult financial straits by creating a
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M. Pathe documented the success of the
Chinese revolution beginning with the
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Revolutionary
Becomings: Documentary Media in Twentieth-Century China
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and then in Japan. He took the name "M. Pathe" from the French
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279:(expanded ed.). Princeton University Press. p. 28.
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Komatsu, Hiroshi (2005). "M. Pathe". In
Richard Abel (ed.).
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350:The Japanese Film: Art and Industry
277:The Japanese Film: Art and Industry
250:Asahi Nihon rekishi jinbutsu jiten
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292:Kakumei o purodyūsushita Nihonjin
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190:(in Japanese). Shinjuku Hōjinkai
55:M. Pathe was founded in 1906 by
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159:Encyclopedia of Early Cinema
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161:. Routledge. p. 404.
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294:(in Japanese). Kōdansha.
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252:. Asahi Shinbun Shuppan
290:Kosaka, Ayano (2009).
426:Japanese film studios
344:Anderson, Joseph L.;
271:Anderson, Joseph L.;
315:Qian, Ying (2024).
212:Qian, Ying (2024).
244:Nagasaki, Hajime.
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51:Background
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348:(1982).
275:(1982).
127:Nikkatsu
123:Fukuhōdō
94:and the
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