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Mule Bone

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supporters on the other. The issue to be decided at the trial is whether or not Jim has committed a crime. Jim admits he hit Dave but denies it was a crime. Elder Simms argues on Jim's behalf that a weapon is necessary to commit a crime, and nowhere in the Bible does it say a mule bone is a weapon.
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Their work was almost complete in June, when Hurston went away for the summer. She took her notes and said she would return in the fall, and they could finish the play. When Hurston came back, she would not return telephone calls from Hughes. She felt he wanted Thompson to be considered a third
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In the meantime, the Gilpin Players wanted to stage the play. The work was still somewhat rough, but Hughes was in Cleveland, and he offered to help rewrite portions of the play. Hurston sent a telegram advising that she refused to allow the production. A day later, she sent another telegram
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to try to show which of them loves Daisy more. The contest ends when it becomes clear that Daisy expects her man to work for the white people who employ her. Jim and Dave are reconciled, and neither remains interested in courting Daisy. The two men return to Eatonville.
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Act III takes place some time later, with Daisy encountering Jim outside of town. She tells him she's been worried about him, but he's skeptical. She demonstrates the sincerity of her affection and Dave comes upon the couple. The two men engage in a
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authorizing the production on the condition that she be allowed to work with Hughes on changes. That same day, Hughes received a letter from Hurston saying that no part of the play had been written by him.
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used a donkey's jawbone to kill 3,000 men (citing Judges 18:18), so the hock bone of a mule must be even more powerful. Joe Clarke declares Jim guilty and banishes him from town for two years.
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wrote that it was "an evening that can most kindly be described as innocuous". He described it as a "broad, often bland quasi-musical". Also writing in
264:(Mrs. Rufus Osgood Mason). Reviewers have conjectured that Hurston may have been trying to protect her own relationship with Mason by shunning Hughes. 974: 354:: "it's just not a very good play." Both critics suggested the play might have been much better had Hughes and Hurston finished their collaboration. 1497: 1461: 283:, for their consideration. Hurston told Hughes that she had not sent them the play, which was true, but Hughes was furious. Hurston had sent 885: 1512: 1438: 1507: 796: 713: 681: 632: 1262: 238: 291:, who sent it on to the Gilpin Players without her knowledge. Hughes sent a copy to apply for copyright under both their names. 727: 1517: 1336: 967: 185:, on a Saturday afternoon with Jim and Dave fighting for Daisy's affection. The two men come to blows, and Jim picks up a 1301: 1040: 1466: 1255: 1095: 1033: 192:
On Monday, the trial begins in the Macedonia Baptist Church. The townspeople are divided along religious lines: Jim's
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In light of all the off-stage drama, the Gilpin Players decided not to proceed with their production. The copy of
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for copyright in October 1930, listing herself as the only author. In January 1931, Hughes learned that a copy of
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has a hand-written notation by Hughes: "This play was never done because the authors fell out."
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in March 1930. They wanted to write a comedy about African-American life that didn't consist of
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bone from a mule and knocks Dave out. Jim is arrested and held for trial in Joe Clarke's barn.
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Bass, George Houston (1991). "Another Bone of Contention: Reclaiming Our Gift of Laughter".
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Concurrently, Hughes was in the process of severing his relationship with their common
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For comedic effect, Childers cites the wrong verse and misquotes scripture. In fact,
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field trips. The two writers dictated their work to Louise Thompson, who typed it.
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collaborator in the project, a proposal to which she strongly objected.
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was not staged until 1991, when it was produced in New York City by the
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The production closed on April 14, 1991, after 68 performances.
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which Hurston had collected in Florida during one of her
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Rosenberg, Rachel A. (April 1999). "Looking for Zora's
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Zora and Langston: A Story of Friendship and Betrayal
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says Samson killed 1,000 men with a donkey's jawbone.
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on February 14, 1991, to generally negative reviews.
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1930 play by Langston Hughes and Zora Neale Hurston
275:bearing only Hurston's name, had been sent to the 196:supporters sit on one side of the church, Dave's 317:was produced for the first time in 1991 by the 1360:Barracoon: The Story of the Last "Black Cargo" 676:. Urbana, Ill.: University of Illinois Press. 479: 477: 475: 1263: 968: 8: 595: 593: 1270: 1256: 1248: 975: 961: 953: 945: 34: 25: 880:. New York: W. W. Norton & Company. 673:Zora Neale Hurston: A Literary Biography 201:Elder Childers, representing Dave, says 583: 581: 554: 552: 377: 1462:Zora Neale Hurston Museum of Fine Arts 229:Zora Neale Hurston and Langston Hughes 750:"English Tea and a Florida Folk Tale" 748:Richards, David (February 24, 1991). 241:. They decided to base the plot on a 7: 647:"Why the 'Mule Bone' Debate Goes On" 728:"A Difficult Birth For 'Mule Bone'" 279:, an all-black theater company in 14: 788:Mule Bone: A Comedy of Negro Life 697:Mule Bone: A Comedy of Negro Life 616:Mule Bone: A Comedy of Negro Life 302:in the Langston Hughes papers at 233:Hughes and Hurston began writing 154:A domestic servant and Methodist. 99:Mule Bone: A Comedy of Negro Life 19:For the album by Taj Mahal, see 806:Manuel, Carme (Spring 2001). " 1: 1498:All-Black cast Broadway shows 1337:How It Feels To Be Colored Me 1439:Their Eyes Were Watching God 1302:Their Eyes Were Watching God 1041:Let America be America Again 1513:Plays by Zora Neale Hurston 1467:Hurston-Wright Legacy Award 1096:Montage of a Dream Deferred 1034:Come to the Waldorf Astoria 791:. New York: HarperCollins. 708:. New York: HarperCollins. 627:. New York: HarperCollins. 61:February 14, 1991 1534: 1310:Moses, Man of the Mountain 1182:The Sweet Flypaper of Life 1048:Note on Commercial Theatre 999:The Negro Speaks of Rivers 943:Internet Broadway Database 572:Internet Broadway Database 148:. He is Jim's best friend. 18: 350:, David Richards said of 33: 1508:Plays by Langston Hughes 1457:Zora Neale Hurston House 1237:Langston Hughes Society 1088:The Ways of White Folks 1080:Fine Clothes to the Jew 938:​Mule Bone​ 813:African American Review 643:Gates, Jr., Henry Louis 510:Rampersad, pp. 200–202. 492:Rampersad, pp. 197–199. 469:Rampersad, pp. 194–196. 451:Rampersad, pp. 193–194. 433:Rampersad, pp. 192–193. 323:Ethel Barrymore Theatre 160:The mayor, a Methodist. 77:Ethel Barrymore Theatre 1225:Charles Henry Langston 1219:Carrie Langston Hughes 876:Taylor, Yuval (2019). 501:Hemenway, pp. 140–141. 415:Hemenway, pp. 152–154. 406:Hemenway, pp. 151–152. 384:Hemenway, pp. 150–151. 319:Lincoln Center Theater 262:Charlotte Osgood Mason 230: 120:Lincoln Center Theater 1352:Dust Tracks on a Road 1318:Seraph on the Suwanee 1091:(short stories, 1934) 861:10.1353/mod.1999.0021 726:(February 15, 1991). 645:(February 10, 1991). 228: 1518:Plays set in Florida 1231:John Mercer Langston 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Index

Mule Bone (album)

Langston Hughes
Zora Neale Hurston
Ethel Barrymore Theatre
New York
play
Langston Hughes
Zora Neale Hurston
Lincoln Center Theater
Methodist
Baptist
Eatonville, Florida
hock
Methodist
Baptist
Samson
war of words

racial stereotypes
folktale
anthropological
literary patron
Charlotte Osgood Mason
Gilpin Players
Cleveland
Carl Van Vechten
Yale University
Lincoln Center Theater
Ethel Barrymore Theatre

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