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joining. The collection continued to grow, however. In 1945, Boeing offered $ 50,000 towards an aviation wing, and over the next five years, the
Society procured a site in Montlake. During this time, the Society became a more public and civic-minded institution, opening up the Founder's Day event to community and service organizations. The new museum opened in 1952.
394:. The plane is displayed to illustrate a typical flight path onto Lake Union, where the plane took off and landed during its tenure. On the south end of the Grand Atrium is a three-story tall-grid filled with Seattle cultural icons, including the neon Rainier "R" sign, a clam costume from Seattle seafood chain
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Over the last 50 years, management practices of the museum and collections, membership, and the relationship to its immediate surroundings, have been problematic. Changes in the 1980s included developing new exhibits and reaching out to underrepresented communities, which were a shock to older staff
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12-foot tall neon "R" sign. In addition to both permanent and temporary exhibits, MOHAI administers ongoing youth and adult programming, and regularly hosts public events in partnership with other community organizations, particularly within the South Lake Union neighborhood. MOHAI is accredited by
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MOHAI's core exhibit rings most of the building's second floor and provides a chronological history of
Seattle and its environs. The exhibit winds through a series of 22 different sections that each focus on a distinct event or era in Seattle history ranging from pre-Pioneer settlements up to the
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In 1911, Morgan and Emily
Carkeek hosted the first annual Founder's Day party at their home, which was an invitation-only event where guests dressed in historic costumes and brought artifacts and documents related to early Seattle. An outcome of these parties was the establishment of the Seattle
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Another temporary gallery that occupies the third floor space of the museum. Much smaller than the Walker
Gallery, the space is designed "to promote community ownership and stewardship of MOHAI" by showcasing collaborative projects with community partners. The first exhibit in the gallery was a
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The Walker
Gallery is MOHAI's main space for displaying temporary and traveling exhibits. It takes up the entire southern side of the museum's second floor. When the museum initially opened at Lake Union Park, the Walker Gallery showcased an exhibit about Seattle's relationship with film called
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in what was soon to be Lake Union Park. At that time, the building was being managed by the
Seattle Parks and Recreation Department and was in need of significant repairs to be usable as a public museum space. Through a $ 90 million capital campaign, MOHAI did a full historic restoration of the
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The
Seattle Historical Society lacked a building to house the museum. Several attempts to find a permanent location were abandoned because of challenging financial circumstances, especially during the Depression, and the fact that the original society members were aging and new members were not
235:, maintaining a collection of nearly four million artifacts, photographs, and archival materials primarily focusing on Seattle and the greater Puget Sound region. A portion of this collection (roughly 2% at any given time) is on display in the museum's galleries at the historic
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On the top floor of the museum is a small gallery dedicated to
Seattle's maritime history. The space was originally designed as a replica of a ship's bridge in order to train naval recruits during World War II and features a set of south facing windows overlooking
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facility, uncovering both the original ceiling and floor and conducting massive safety, accessibility, and systems upgrades. The project also included centralizing MOHAI's library and collections departments in a warehouse in the
467:. One of the most popular artifacts in the gallery is a working World War II-era TANG periscope from a naval submarine which offers a 360-degree view of Lake Union and downtown Seattle. The gallery is curated by the
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and board members. During the 1990s the museum gradually recovered from these internal challenges, as well as financial ones, and began expanding educational and community outreach programs.
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neighborhood. In June 2012 the museum closed its
Montlake location. Six months later, on December 29, 2012, the museum held a public grand opening for its new home in South Lake Union.
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singing the story of the event over a film of historic images, and the Joshua Green
Foundation Theater which plays a 7-minute film about Seattle culture on two large screens.
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The first floor of the museum is an expansive open room named the Faye G. Allen Grand Atrium. Both the original floor and ceiling of the
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modern day. MOHAI Creative Director Ann Farrington, who previously worked on Seattle's
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forced MOHAI to move from the Montlake site. After exploring options to move near the
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A young visitor looks through the WWII-era TANG periscope in MOHAI's Maritime Gallery
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are visible from the Grand Atrium. Hanging in the center of the space is the 1919
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483:. The project is funded by a $ 10 million gift from Amazon founder and CEO
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which has maintained a close partnership with MOHAI since the early 1950s.
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The museum opened a major museum addition on October 11, 2013 called the
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HistoryLink: The Free Online Dictionary of Washington State History
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Institutions accredited by the American Alliance of Museums
762:"A Place Comfortable With Boeing, Anarchists and ‘Frasier’"
703:"Jeff Bezos gives $ 10 million, MOHAI's biggest gift ever"
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and occupies a portion of the museum's Grand Atrium.
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American Spirits: The Rise & Fall of Prohibition
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Museum of History & Industry (the United States)
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374:on display in the museum's Grand Atrium, with the
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730:MOHAI website. Accessed online March 26, 2013.
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487:. The project was designed by Seattle-based
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605:"Join the party as revamped MOHAI reopens"
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1010:United States lightship Swiftsure (LV-83)
421:Celluloid Seattle: A City at the Movies.
603:Upchurch, Michael (December 27, 2012).
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469:Puget Sound Maritime Historical Society
246:The museum's keynote exhibits include:
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833:Fred Hutchinson Cancer Research Center
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1587:List of museums in Washington (state)
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1569:SPARK Museum of Electrical Invention
662:Sailor, Craig (February 22, 2013).
423:In 2015, the Walker Gallery hosted
329:True Northwest: The Seattle Journey
1490:Puget Sound Coast Artillery Museum
1454:Working Waterfront Maritime Museum
1398:Seattle Metropolitan Police Museum
524:Berger, Knute (January 24, 2013).
398:, and a stuffed cougar donated by
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77:Location within Washington (state)
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1616:City museums in the United States
1312:Northwest African American Museum
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701:Martinez, Amy (August 17, 2011).
636:Davis, Brangien (November 2012).
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262:sewn by women during the 1856
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664:"MOHAI boasts a bit of grit"
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273:American Alliance of Museums
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362:Faye G. Allen Grand Atrium
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352:National Holocaust Museum
268:Rainier Brewing Company's
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966:Bust of Mark A. Matthews
940:Immanuel Lutheran Church
348:Experience Music Project
1495:Puget Sound Navy Museum
1429:Center for Wooden Boats
1179:Museum of Northwest Art
935:Center for Wooden Boats
489:Olson Kundig Architects
376:Rainier Brewing Company
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1554:Georgetown Steam Plant
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848:Seattle Times Building
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384:Naval Reserve Building
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1393:Renton History Museum
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1302:Museum of Pop Culture
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853:Troy Laundry Building
617:on September 27, 2013
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186:Public transit access
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914:Seattle Coffee Works
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162:47.6276°N 122.3366°W
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42:The MOHAI building (
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1641:Museums in Seattle
1549:Connections Museum
1480:McChord Air Museum
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1189:Seattle Art Museum
1130:Puget Sound region
771:The New York Times
506:History of Seattle
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356:Great Seattle Fire
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279:affiliate museum.
167:47.6276; -122.3366
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526:"The Other MOHAI"
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264:Battle of Seattle
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277:Smithsonian
165: /
153:122°20′12″W
140:Coordinates
118:Established
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1015:Virginia V
959:Public art
879:Café Hagen
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372:Boeing B-1
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