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734:: Bamboo is the melodious instrument played in the bamboo song sung by the Ahirs. It is a form of flute in which there is no thread to produce sound, the bamboo is blown in such a way that only sound can be produced from it. Bamboo is the accompaniment played in the bamboo song sung by the Ahirs. This is another form of flute in which there is no thread to produce sound, rather, the bamboo is blown in such a way that only a single sound can be produced from it. Its length is kept so that it is made up of three bundles of bamboo. The instrument is polished evenly via a blood-filled iron ball being placed into the bamboo, proceeding to burn it from the inside. Repeating this action, the bamboo becomes uniformly polished from the inside. The bamboo instrument consists of five holes to create its various tones.
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re-enactment of the conversation between Nanad and their sister in law at the birth of
Krishna, and Lord Rama. The song also holds significant cultural significance in the promise of a continuation of one's family line through time and the good feeling that arises from this. In Bhojpuri dialect, the word Sohar means to feel good. Though the use of the song and general aspects of its performance stays the same throughout India, different regions and dialects call it different names. Many common alternatives include Sohla, Sohal, Sohilo and Somar. The most popular of the Sohar songs include titles such as Mili Juli Gaave, Nand Ke Janme, Bahuji Ke Petwa Mein Peera, Ganga Maiya Ki Oonchi and Janme Gokul Mein etc.
681:: originated in the Mahabharata region. The most common form of music in Chhattisgarh. Sung by both male and female storytellers. Tells the stories of the Pandavas in the epic: ‘Mahabharata’, using both song and dance. The folk ballad form is narrated in a lively form, focusing on visual description. Traditionally it is narrated by a lead male as well as supporting musicians and singers. The characters of the Mahabharata are enacted by these performers. The form allows for the episode by episode telling of the epic. The influence of Chhattisgarh traditional folk music on popular culture may also be seen in
742:: a major rhythm instrument. It is used throughout North and Central India. This cylindrical instrument is played by all men and women. It is played by hanging it around the neck or keeping it on the ground. The dholak is mostly played by hand. It is made from mango, bija, sheesham, teak or neem wood. The instrument includes a layer of goat's skin which is tightened by a series of cords on either face. Tonal variety is achieved from a series of rings in the strings and can be adjusted by tightening these cords with a rope of leather or cotton.
934:, women from Chhattisgarh begin performing and singing these songs, continuing for up to two months. The songs are performed in a circle within the centre of which, a basket filled with harvested grain and traditionally a wooden parrot figurine is displayed. Rather than being accompanied by musical instruments, the songs are set to the beat of the collective clapping of hands. Because of this, Sua songs are very rhymic and lively. Often, Sua songs are also used as a form of celebration for the wedding of
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nourishing of all communities. Nature fits into the lore of
Chhattisgarh through the common belief that this dependence humanity has on nature is a signatory of our inseparable connection to its inspiration. Further, the notion of uniformity and connection is strengthened by symbolising nature as a connection between all tribes, societies and races across our world. This lore is known as folk culture in Chhattisgarh.
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Bharthari, Chandaloric began forming new troupes of instrumental collections. In these circles, musical instruments such as benzo, harmonium, tabla, flute and dholak increased. Traditional instruments like dhapra, nishan, nagara, tudburi, mohri-shehnai, mandar are in circulation all over
Chhattisgarh. Areas like Bastar, Surguja and Raigarh are also popular in plain or plain Chhattisgarh.
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changing of seasons. This tradition dates back in history. The state of
Chhattisgarh is one of the earliest dating’s of tribal communities in India, with the line dating back to 10 000 years ago in Baster. With each of these communities being home to their own distinct cultures, ceremonies, traditions and customs, there are various versions of music throughout Chhattisgarh.
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period. They are an integral aspect of the festivals and celebrations in many rural areas of the state of
Chhattisgarh. Sua songs hold a particular performative element to them, with song, dance and colour each interacting to contribute to their attraction. Because of such, they are also commonly used in the celebration of
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Due to this deep connection to nature, folk songs of
Chhattisgarh look to emit feels and emotions within individuals. The emotion of focus within these songs is that of freedom from any constraints or difficulties being faced by individuals. Hence, music is a significant part of the cultural heritage
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Prior to 1980, Ghumantu singers would sing alone or with a ragi-like partner. These songs would be sung with handmade instruments including the: tambara, kingra baja, sarangi or sarangi, bana, khanjari or dhaf, dhafli. However, following 1980, a new phase of the singing of folk stories like
Pandwani,
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Up until 2021, Chhattisgarh has been recognised for its traditional music rather than the adoption of contemporary songs. This traditional music follows a primarily folk sound, often being sung to the tunes of indigenous instrumental accompaniments. The music itself is often backdropped to the sounds
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within
Chhattisgarh. In Chhattisgarh folk music, the Sua song is noted as feminine, and so it is traditionally performed by women who use the symbol of the parrot, Sua, to tell the story of internal worlds. The song is deeply connected to the history of Gond Adivasis tradition as a representation of
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Sua songs are a popular type of folk song common in the
Dantewada and Bilaspur districts of Chhattisgarh. The songs are intended to be accompanied by Sua dance performances. Sua songs or Sua Geet songs refer to folk music that is performed by the women of Chhattisgarh as a celebration of the harvest
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The Bihav song is a category that is used and sung during marriage celebrations to commemorate the union. As many marriages in
Chhattisgarh last over several days, much like many other Indian states, Bihav songs are sung according to various days of the marriage ritual. They are divided into various
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The music of Chhattisgarh is closely linked to the role of dance throughout its history. This is due to the religious and ceremonial aspect that music, particularly that of folk, has held the heritage of Chhattisgarh. Folk dance in Chhattisgarh is performed as a form of worship to Gods and mark the
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Different types of instruments are required for itinerant singers and choirs within Chhattisgarh folk dance Nomadic singers often use light and small instruments that are easily moved by foot, whilst congregations need whole orchestral groupings of instruments. Ethnic instruments such as Daphra: a
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Situated geographically in the centre of India, Chhattisgarh has a rich, historical culture of Indian folk music. This music is closely linked to the heritage of the town and has a strong interaction with relevant dances. The history of music in Chhattisgarh links to the states tribal population
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The Vivah Geet is performed as a part of the ritual of marriage. Vivah itself translates to ‘marriage’. Traditional Chhattisgarhi marriage ceremonies contain various activities as part of the ritual such as Mangni: when soil is collected from the local water source to craft a clay oven. At such
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The Sohar Geet is performed on the eve of a child’s birth to bless the child and the expecting mother with long and healthy lives. The songs depict the pain of the process of childbirth as well as the beauty of the connection between mother and child. The song is traditionally performed as a
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As reflected in its primary ceremonial use, music in India has a deep cultural significance that derives from its connection to, and establishment from, nature. A major philosophy in Chhattisgarh is the valuing of nature as a vital aspect of all human society, fundamental to the survival and
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Due to the music of Chhattisgarh deriving from such a long line of history, original composers and lyricists are often exceptionally difficult to source. Rather, the practice of singing and oral storytelling through time has been what has allowed for the long time span of these lyrics.
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Tribal men group from the Chhattisgarh state of India performs a dance in which they sing and dance with different formations. They try to create a closed dome formation and dance simultaneously, this dance is one of the award-winning and high octane level performance on the
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Many of the folk songs rely on the seasons and the weather to dictate when they are sung/performed. Examples of this may be seen through how Sawnahi is sung during the rainy and wet seasons, whilst Baramasi is sung over 12 months, and Fag as a part of the Basant Geet.
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The cultural significance of music within the Bihav song is hence deeply linked to rituals and customs of society. Many of these songs have been used to add a sense of tradition to the marriage ritual as well as add to the enthusiasm and excitement of the ceremony.
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These lyrics are used either in lore (the retelling of an epic story such as the Mahabharata) or ceremonial (to perform at an event of some importance, i.e. Marriage and the change of seasons), as well as to depict a great emotion (demise, freedom, hope).
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District Administration Durg & Ministry of Electronics & Information Technology, Government of India. (2021, March 15). Culture & Heritage | district durg, Government of Chhattisgarh | India. दुर्ग DURG Government of Chhattisgarh.
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which covers about one-third of the community. These tribal communities include Kamar, Kanver, Gond, Birhi, Baiga, Pando, Uranv, Korva, Halba and Binjhwar. Each of which makes up a large part of Chhattisgarh's history and population.
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percussion drum made of a hollow wooden tube, Gudum: a membranophone percussion instrument, Mohri: a bowed string instrument, Jhaanjh: a form of cymbal and a Manjeera: a pair of small, handheld, high-pitched cymbals.
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Further, the cultural significance of music within Chhattisgarh is shown through various famous lyrics still being available to us as a result of the oral storytelling and passing on of these stories through time.
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with strong tribal traditions of music and dance. The state of Chhattisgarh is best known for its deep roots in folk music, which originated from its long history of tribal involvement.
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Singing is another element often found in Chhattisgarh music, with songs being the primary ways that stories are told. There are various, famous methods of singing in Chhattisgarh.
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The Mrityu Geet is meant to depict and/or emit the notion of loss. It is known as the song of demise. The song traditionally depicts the idea of the immortal being unleashed.
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Saraf, S. (2006). Folk Culture of Chhattisgarh through an Ethnographer's Kaleidoscope. Indian Anthropologist, 36(1/2), 115-128. Retrieved March 21, 2021, from
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Saraf, S. (2006). Folk Culture of Chhattisgarh through an Ethnographer's Kaleidoscope. Indian Anthropologist, 36(1/2), 115-128. Retrieved March 21, 2021, from
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Chakraborty, A. C. (2019, September 19). The Traditional Identity of The Folk Music of Chhattisgarh – Lokogandhar. Reviewed Journal on Modern Research.
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Chakraborty, A. C. (2019, September 19). The Traditional Identity of The Folk Music of Chhattisgarh – Lokogandhar. Reviewed Journal on Modern Research.
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Chakraborty, A. C. (2019, September 19). The Traditional Identity of The Folk Music of Chhattisgarh – Lokogandhar. Reviewed Journal on Modern Research.
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Chakraborty, A. C. (2019, September 19). The Traditional Identity of The Folk Music of Chhattisgarh – Lokogandhar. Reviewed Journal on Modern Research.
685:'s plays. Tanvir used folk singers of Chhattisgarh to craft a free-style story narration format that carried typical aspects of Panfavani performance.
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Sharma, M. (2004). Folk India: A Comprehensive Study of Indian Folk Music and Culture. India: Sundeep Prakashan.
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World Famous Pandwani Artist Ritu Verma performing at Nimora village near Raipur, Chhattisgarh
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These include: The following musical instruments are more popular in plain Chhattisgarh:
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Elwin, V. (1946). Folk-songs of Chhattisgarh (1st ed., Vol. 1). Oxford University Press.
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Elwin, V. (1946). Folk-songs of Chhattisgarh (1st ed., Vol. 1). Oxford University Press.
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Elwin, V. (1946). Folk-songs of Chhattisgarh (1st ed., Vol. 1). Oxford University Press.
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of Chhattisgarh, with it being seen as a means to which this freedom may be achieved.
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https://lokogandhar.com/the-traditional-identity-of-the-folk-music-of-chhattisgarh/
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https://lokogandhar.com/the-traditional-identity-of-the-folk-music-of-chhattisgarh/
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https://lokogandhar.com/the-traditional-identity-of-the-folk-music-of-chhattisgarh/
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https://lokogandhar.com/the-traditional-identity-of-the-folk-music-of-chhattisgarh/
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of measured, dancing steps which add to the overall symphony of Chhattisgarh song.
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Shukla, H. L. (1985). Social History of Chhattisgarh. India: Agam Kala Prakashan.
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Parmar, S. (1977). Folk Music and Mass Media. India: Communication Publications.
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1085:"Chhattisgarhi musical instruments: A representation of Tribal Indian culture"
1066:"Chhattisgarhi musical instruments: A representation of Tribal Indian culture"
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1152:"Of Parrots, Women- songs and Harvest: Sua Naach of Chhattisgarh"
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originated from the folk tales of the Holy Raja Bharthari
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the regional performative form. Post the celebration of
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segments of the marriage, the Vivah Geet is performed.
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Beech me dashada maharani chale ho Yamuna paani ho”
693:: originated in the Bhiwani District, Haryana state
887:theses, mostly relating to the act of marriage.
838:Tel o chadhat hai Kanhaba ke diyana hove anjor”
794:“Sate sakhi aagu chale, sate sakhi chale, sate
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1103:http://www.jstor.org/stable/41920006
968:http://www.jstor.org/stable/41920006
828:Mandva ma dhularu to badan kumhalay
1655:. You can help Knowledge (XXG) by
823:“Ek tel Chadhge Ho hariyar hariyar
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379:Nationalistic and patriotic songs
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723:A traditional Indian dholak drum
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1470:Manendragarh-Chirmiri-Bharatpur
833:Ram Lakhan ke ho Ram Lakhan ke
747:Lore and Cultural Significance
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862:Sangi saathi jarkar aaye aaye
1702:Music of Indian subdivisions
1480:Mohla-Manpur-Ambagarh Chowki
872:Charjane mil bohkar le gaye”
342:Harivallabh Sangeet Sammelan
424:Andaman and Nicobar Islands
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783:Common types of Folk songs
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317:Saptak Festival of Music
1707:Culture of Chhattisgarh
1647:This article about the
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938:in Chhattisgarh lore.
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279:Media and performance
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322:Chennai Music Season
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707:Musical Instruments
1712:Indian music stubs
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1476:
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1471:
1468:
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1364:
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1329:Highest point
1327:
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1128:
1125:
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985:
982:
975:
972:
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951:
944:
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939:
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936:Shiva Parvati
933:
928:
922:
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916:
908:
905:
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675:
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661:Musical Forms
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579:
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576:Uttar Pradesh
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569:
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407:
406:Vande Mataram
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403:
398:
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377:
368:
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33:
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24:
20:
19:
16:
1657:expanding it
1646:
1631:
1621:Chhattisgarh
1380:Baloda Bazar
1318:
1232:
1226:
1214:Chhattisgarh
1160:. Retrieved
1155:
1145:
1136:
1127:
1118:
1109:
1097:
1088:
1078:
1069:
1059:
1044:
1032:
1020:
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987:
974:
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923:
919:
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778:
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770:
766:
762:
750:
739:
731:
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714:
710:
702:
696:
690:
683:Habib Tanvir
676:
671:
668:
664:
655:
651:
638:
625:Chhattisgarh
623:
454:Chhattisgarh
453:
364:
357:
288:Music awards
186:
185:
124:Nazrul Geeti
55:
54:
15:
1603:Rajnandgaon
1588:Nava Raipur
1505:Rajnandgaon
1252:Legislature
1234:Nava Raipur
1158:. Sahapedia
1150:Sahapedia.
851:Mrityu Geet
817:Vivah Geet:
788:Sohar Geet:
586:West Bengal
581:Uttarakhand
509:Maharashtra
350:Music media
134:Atulprasadi
56:Traditional
1696:Categories
1490:Narayanpur
1475:Mahasamund
1267:High Court
1244:Governance
1231:(Current)
945:References
882:Bihav song
697:Bharthari:
559:Tamil Nadu
366:The Record
227:Goa trance
198:Bhangragga
114:Ramprasadi
77:Hindustani
1578:Jagdalpur
1548:Ambikapur
1455:Kondagaon
1410:Dantewada
1385:Balrampur
1367:Districts
1338:Divisions
1304:Education
1262:Governors
1156:Sahapedia
920:Sua Songs
678:Pandavani
549:Rajasthan
519:Meghalaya
494:Karnataka
489:Jharkhand
210:Bollywood
62:Classical
28:Tyagaraju
1568:Dhamtari
1558:Bilaspur
1525:Surajpur
1445:Kawardha
1425:Gariaban
1415:Dhamtari
1405:Bilaspur
1395:Bemetara
1347:Bilaspur
1314:Language
1309:Election
1237:(Future)
909:Nahdouri
903:Parghani
897:Chulmati
691:Chandeni
529:Nagaland
448:Maithili
237:Indi-pop
67:Carnatic
1598:Raigarh
1563:Charoda
1530:Surguja
1495:Raigarh
1485:Mungeli
1440:Jashpur
1400:Bijapur
1358:Sarguja
1324:Tourism
1223:Capital
906:Bhadoni
900:Telmati
894:Maymour
635:History
571:Tripura
564:Ancient
524:Mizoram
514:Manipur
469:Haryana
464:Gujarat
271:Hip hop
259:Bengali
220:Qawwali
193:Bhangra
174:Qawwali
104:Kirtana
89:Borgeet
1593:Raipur
1553:Bhilai
1540:Cities
1500:Raipur
1465:Koriya
1450:Kanker
1390:Bastar
1354:Bastar
1344:Raipur
1296:Topics
1272:Police
1228:Raipur
1162:27 May
932:Diwali
927:Diwali
740:Dholak
732:Bamboo
648:stage.
554:Sikkim
539:Punjab
534:Odisha
499:Kerala
484:Ladakh
215:Ghazal
187:Modern
169:Ghazal
159:Kajari
154:Chaiti
144:Thumri
99:Bhajan
72:Odissi
49:Genres
1651:is a
1583:Korba
1520:Sukma
1515:Sakti
1460:Korba
1375:Balod
1319:Music
1210:State
627:is a
444:Bihar
439:Assam
400:Other
359:Sruti
232:Dance
205:Filmi
149:Dadra
1653:stub
1573:Durg
1420:Durg
1350:Durg
1164:2021
543:Folk
264:Raga
254:Rock
249:Jazz
181:Sikh
164:Sufi
94:Baul
84:Folk
1212:of
459:Goa
1698::
1225::
1154:.
1087:.
1068:.
1684:e
1677:t
1670:v
1659:.
1197:e
1190:t
1183:v
1166:.
1091:.
1072:.
1053:.
613:e
606:t
599:v
545:)
541:(
450:)
446:(
34:.
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