Knowledge (XXG)

Music of Chhattisgarh

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644: 734:: Bamboo is the melodious instrument played in the bamboo song sung by the Ahirs. It is a form of flute in which there is no thread to produce sound, the bamboo is blown in such a way that only sound can be produced from it. Bamboo is the accompaniment played in the bamboo song sung by the Ahirs. This is another form of flute in which there is no thread to produce sound, rather, the bamboo is blown in such a way that only a single sound can be produced from it. Its length is kept so that it is made up of three bundles of bamboo. The instrument is polished evenly via a blood-filled iron ball being placed into the bamboo, proceeding to burn it from the inside. Repeating this action, the bamboo becomes uniformly polished from the inside. The bamboo instrument consists of five holes to create its various tones. 810:
re-enactment of the conversation between Nanad and their sister in law at the birth of Krishna, and Lord Rama. The song also holds significant cultural significance in the promise of a continuation of one's family line through time and the good feeling that arises from this. In Bhojpuri dialect, the word Sohar means to feel good. Though the use of the song and general aspects of its performance stays the same throughout India, different regions and dialects call it different names. Many common alternatives include Sohla, Sohal, Sohilo and Somar. The most popular of the Sohar songs include titles such as Mili Juli Gaave, Nand Ke Janme, Bahuji Ke Petwa Mein Peera, Ganga Maiya Ki Oonchi and Janme Gokul Mein etc.
681:: originated in the Mahabharata region. The most common form of music in Chhattisgarh. Sung by both male and female storytellers. Tells the stories of the Pandavas in the epic: ‘Mahabharata’, using both song and dance. The folk ballad form is narrated in a lively form, focusing on visual description. Traditionally it is narrated by a lead male as well as supporting musicians and singers. The characters of the Mahabharata are enacted by these performers. The form allows for the episode by episode telling of the epic. The influence of Chhattisgarh traditional folk music on popular culture may also be seen in 742:: a major rhythm instrument. It is used throughout North and Central India. This cylindrical instrument is played by all men and women. It is played by hanging it around the neck or keeping it on the ground. The dholak is mostly played by hand. It is made from mango, bija, sheesham, teak or neem wood. The instrument includes a layer of goat's skin which is tightened by a series of cords on either face. Tonal variety is achieved from a series of rings in the strings and can be adjusted by tightening these cords with a rope of leather or cotton. 934:, women from Chhattisgarh begin performing and singing these songs, continuing for up to two months. The songs are performed in a circle within the centre of which, a basket filled with harvested grain and traditionally a wooden parrot figurine is displayed. Rather than being accompanied by musical instruments, the songs are set to the beat of the collective clapping of hands. Because of this, Sua songs are very rhymic and lively. Often, Sua songs are also used as a form of celebration for the wedding of 1287: 1206: 720: 756: 752:
nourishing of all communities. Nature fits into the lore of Chhattisgarh through the common belief that this dependence humanity has on nature is a signatory of our inseparable connection to its inspiration. Further, the notion of uniformity and connection is strengthened by symbolising nature as a connection between all tribes, societies and races across our world. This lore is known as folk culture in Chhattisgarh.
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Bharthari, Chandaloric began forming new troupes of instrumental collections. In these circles, musical instruments such as benzo, harmonium, tabla, flute and dholak increased. Traditional instruments like dhapra, nishan, nagara, tudburi, mohri-shehnai, mandar are in circulation all over Chhattisgarh. Areas like Bastar, Surguja and Raigarh are also popular in plain or plain Chhattisgarh.
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changing of seasons. This tradition dates back in history. The state of Chhattisgarh is one of the earliest dating’s of tribal communities in India, with the line dating back to 10 000 years ago in Baster. With each of these communities being home to their own distinct cultures, ceremonies, traditions and customs, there are various versions of music throughout Chhattisgarh.
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period. They are an integral aspect of the festivals and celebrations in many rural areas of the state of Chhattisgarh. Sua songs hold a particular performative element to them, with song, dance and colour each interacting to contribute to their attraction. Because of such, they are also commonly used in the celebration of
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Due to this deep connection to nature, folk songs of Chhattisgarh look to emit feels and emotions within individuals. The emotion of focus within these songs is that of freedom from any constraints or difficulties being faced by individuals. Hence, music is a significant part of the cultural heritage
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Prior to 1980, Ghumantu singers would sing alone or with a ragi-like partner. These songs would be sung with handmade instruments including the: tambara, kingra baja, sarangi or sarangi, bana, khanjari or dhaf, dhafli. However, following 1980, a new phase of the singing of folk stories like Pandwani,
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Up until 2021, Chhattisgarh has been recognised for its traditional music rather than the adoption of contemporary songs. This traditional music follows a primarily folk sound, often being sung to the tunes of indigenous instrumental accompaniments. The music itself is often backdropped to the sounds
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within Chhattisgarh. In Chhattisgarh folk music, the Sua song is noted as feminine, and so it is traditionally performed by women who use the symbol of the parrot, Sua, to tell the story of internal worlds. The song is deeply connected to the history of Gond Adivasis tradition as a representation of
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Sua songs are a popular type of folk song common in the Dantewada and Bilaspur districts of Chhattisgarh. The songs are intended to be accompanied by Sua dance performances. Sua songs or Sua Geet songs refer to folk music that is performed by the women of Chhattisgarh as a celebration of the harvest
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The Bihav song is a category that is used and sung during marriage celebrations to commemorate the union. As many marriages in Chhattisgarh last over several days, much like many other Indian states, Bihav songs are sung according to various days of the marriage ritual. They are divided into various
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The music of Chhattisgarh is closely linked to the role of dance throughout its history. This is due to the religious and ceremonial aspect that music, particularly that of folk, has held the heritage of Chhattisgarh. Folk dance in Chhattisgarh is performed as a form of worship to Gods and mark the
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Different types of instruments are required for itinerant singers and choirs within Chhattisgarh folk dance Nomadic singers often use light and small instruments that are easily moved by foot, whilst congregations need whole orchestral groupings of instruments. Ethnic instruments such as Daphra: a
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Situated geographically in the centre of India, Chhattisgarh has a rich, historical culture of Indian folk music. This music is closely linked to the heritage of the town and has a strong interaction with relevant dances. The history of music in Chhattisgarh links to the states tribal population
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The Vivah Geet is performed as a part of the ritual of marriage. Vivah itself translates to ‘marriage’. Traditional Chhattisgarhi marriage ceremonies contain various activities as part of the ritual such as Mangni: when soil is collected from the local water source to craft a clay oven. At such
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The Sohar Geet is performed on the eve of a child’s birth to bless the child and the expecting mother with long and healthy lives. The songs depict the pain of the process of childbirth as well as the beauty of the connection between mother and child. The song is traditionally performed as a
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As reflected in its primary ceremonial use, music in India has a deep cultural significance that derives from its connection to, and establishment from, nature. A major philosophy in Chhattisgarh is the valuing of nature as a vital aspect of all human society, fundamental to the survival and
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Due to the music of Chhattisgarh deriving from such a long line of history, original composers and lyricists are often exceptionally difficult to source. Rather, the practice of singing and oral storytelling through time has been what has allowed for the long time span of these lyrics.
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Tribal men group from the Chhattisgarh state of India performs a dance in which they sing and dance with different formations. They try to create a closed dome formation and dance simultaneously, this dance is one of the award-winning and high octane level performance on the
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Many of the folk songs rely on the seasons and the weather to dictate when they are sung/performed. Examples of this may be seen through how Sawnahi is sung during the rainy and wet seasons, whilst Baramasi is sung over 12 months, and Fag as a part of the Basant Geet.
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The cultural significance of music within the Bihav song is hence deeply linked to rituals and customs of society. Many of these songs have been used to add a sense of tradition to the marriage ritual as well as add to the enthusiasm and excitement of the ceremony.
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These lyrics are used either in lore (the retelling of an epic story such as the Mahabharata) or ceremonial (to perform at an event of some importance, i.e. Marriage and the change of seasons), as well as to depict a great emotion (demise, freedom, hope).
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District Administration Durg & Ministry of Electronics & Information Technology, Government of India. (2021, March 15). Culture & Heritage | district durg, Government of Chhattisgarh | India. दुर्ग DURG Government of Chhattisgarh.
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which covers about one-third of the community. These tribal communities include Kamar, Kanver, Gond, Birhi, Baiga, Pando, Uranv, Korva, Halba and Binjhwar. Each of which makes up a large part of Chhattisgarh's history and population.
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percussion drum made of a hollow wooden tube, Gudum: a membranophone percussion instrument, Mohri: a bowed string instrument, Jhaanjh: a form of cymbal and a Manjeera: a pair of small, handheld, high-pitched cymbals.
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Further, the cultural significance of music within Chhattisgarh is shown through various famous lyrics still being available to us as a result of the oral storytelling and passing on of these stories through time.
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with strong tribal traditions of music and dance. The state of Chhattisgarh is best known for its deep roots in folk music, which originated from its long history of tribal involvement.
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Singing is another element often found in Chhattisgarh music, with songs being the primary ways that stories are told. There are various, famous methods of singing in Chhattisgarh.
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The Mrityu Geet is meant to depict and/or emit the notion of loss. It is known as the song of demise. The song traditionally depicts the idea of the immortal being unleashed.
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Saraf, S. (2006). Folk Culture of Chhattisgarh through an Ethnographer's Kaleidoscope. Indian Anthropologist, 36(1/2), 115-128. Retrieved March 21, 2021, from
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Saraf, S. (2006). Folk Culture of Chhattisgarh through an Ethnographer's Kaleidoscope. Indian Anthropologist, 36(1/2), 115-128. Retrieved March 21, 2021, from
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Chakraborty, A. C. (2019, September 19). The Traditional Identity of The Folk Music of Chhattisgarh – Lokogandhar. Reviewed Journal on Modern Research.
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Chakraborty, A. C. (2019, September 19). The Traditional Identity of The Folk Music of Chhattisgarh – Lokogandhar. Reviewed Journal on Modern Research.
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Chakraborty, A. C. (2019, September 19). The Traditional Identity of The Folk Music of Chhattisgarh – Lokogandhar. Reviewed Journal on Modern Research.
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Chakraborty, A. C. (2019, September 19). The Traditional Identity of The Folk Music of Chhattisgarh – Lokogandhar. Reviewed Journal on Modern Research.
685:'s plays. Tanvir used folk singers of Chhattisgarh to craft a free-style story narration format that carried typical aspects of Panfavani performance. 1469: 611: 423: 1256: 1050: 1084: 1065: 1195: 1701: 1479: 1209: 1276: 1366: 1261: 1251: 1706: 1384: 1429: 1404: 628: 316: 1675: 1399: 493: 1205: 1509: 604: 1434: 1711: 1037: 1025: 1013: 1001: 365: 341: 326: 300: 1243: 1188: 1151: 478: 433: 76: 643: 1668: 1303: 473: 258: 957:
Sharma, M. (2004). Folk India: A Comprehensive Study of Indian Folk Music and Culture. India: Sundeep Prakashan.
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World Famous Pandwani Artist Ritu Verma performing at Nimora village near Raipur, Chhattisgarh
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These include: The following musical instruments are more popular in plain Chhattisgarh:
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Elwin, V. (1946). Folk-songs of Chhattisgarh (1st ed., Vol. 1). Oxford University Press.
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Elwin, V. (1946). Folk-songs of Chhattisgarh (1st ed., Vol. 1). Oxford University Press.
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Elwin, V. (1946). Folk-songs of Chhattisgarh (1st ed., Vol. 1). Oxford University Press.
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of Chhattisgarh, with it being seen as a means to which this freedom may be achieved.
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https://lokogandhar.com/the-traditional-identity-of-the-folk-music-of-chhattisgarh/
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https://lokogandhar.com/the-traditional-identity-of-the-folk-music-of-chhattisgarh/
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https://lokogandhar.com/the-traditional-identity-of-the-folk-music-of-chhattisgarh/
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https://lokogandhar.com/the-traditional-identity-of-the-folk-music-of-chhattisgarh/
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of measured, dancing steps which add to the overall symphony of Chhattisgarh song.
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Shukla, H. L. (1985). Social History of Chhattisgarh. India: Agam Kala Prakashan.
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Parmar, S. (1977). Folk Music and Mass Media. India: Communication Publications.
253: 1085:"Chhattisgarhi musical instruments: A representation of Tribal Indian culture" 1066:"Chhattisgarhi musical instruments: A representation of Tribal Indian culture" 523: 236: 226: 197: 180: 163: 113: 1577: 677: 263: 27: 1567: 1640: 980: 1597: 1562: 1102: 967: 173: 103: 88: 1051:"Chhattisgarhi folk musical instruments attracting people's attention" 22: 1592: 1552: 1227: 931: 926: 168: 158: 153: 143: 98: 935: 754: 718: 642: 204: 1152:"Of Parrots, Women- songs and Harvest: Sua Naach of Chhattisgarh" 1572: 93: 1177: 699:
originated from the folk tales of the Holy Raja Bharthari
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the regional performative form. Post the celebration of
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segments of the marriage, the Vivah Geet is performed.
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Beech me dashada maharani chale ho Yamuna paani ho”
693:: originated in the Bhiwani District, Haryana state 887:theses, mostly relating to the act of marriage. 838:Tel o chadhat hai Kanhaba ke diyana hove anjor” 794:“Sate sakhi aagu chale, sate sakhi chale, sate 1676: 1189: 605: 8: 1683: 1669: 1196: 1182: 1174: 612: 598: 384: 284: 17: 30:known for his extensive contributions to 857:“Humko uda do chadariya kale ke bera hai 950: 415: 399: 387: 378: 349: 308: 287: 278: 48: 981:https://durg.gov.in/culture-heritage/ 7: 1637: 1635: 1103:http://www.jstor.org/stable/41920006 968:http://www.jstor.org/stable/41920006 828:Mandva ma dhularu to badan kumhalay 1655:. You can help Knowledge (XXG) by 823:“Ek tel Chadhge Ho hariyar hariyar 14: 379:Nationalistic and patriotic songs 1639: 1616: 1615: 1285: 1204: 723:A traditional Indian dholak drum 21: 1470:Manendragarh-Chirmiri-Bharatpur 833:Ram Lakhan ke ho Ram Lakhan ke 747:Lore and Cultural Significance 1: 862:Sangi saathi jarkar aaye aaye 1702:Music of Indian subdivisions 1480:Mohla-Manpur-Ambagarh Chowki 872:Charjane mil bohkar le gaye” 342:Harivallabh Sangeet Sammelan 424:Andaman and Nicobar Islands 301:Sangeet Natak Akademi Award 1728: 1634: 783:Common types of Folk songs 1611: 1283: 1220: 327:Dover Lane music festival 317:Saptak Festival of Music 1707:Culture of Chhattisgarh 1647:This article about the 1277:Human Rights Commission 938:in Chhattisgarh lore. 1430:Gaurela-Pendra-Marwahi 890:These themes include: 867:Angna me khade bartiya 760: 724: 649: 332:Purandaradasa Aradhana 758: 722: 646: 279:Media and performance 1049:Asian News Service. 322:Chennai Music Season 1510:Sarangarh-Bilaigarh 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Sahapedia 1150:Sahapedia. 851:Mrityu Geet 817:Vivah Geet: 788:Sohar Geet: 586:West Bengal 581:Uttarakhand 509:Maharashtra 350:Music media 134:Atulprasadi 56:Traditional 1696:Categories 1490:Narayanpur 1475:Mahasamund 1267:High Court 1244:Governance 1231:(Current) 945:References 882:Bihav song 697:Bharthari: 559:Tamil Nadu 366:The Record 227:Goa trance 198:Bhangragga 114:Ramprasadi 77:Hindustani 1578:Jagdalpur 1548:Ambikapur 1455:Kondagaon 1410:Dantewada 1385:Balrampur 1367:Districts 1338:Divisions 1304:Education 1262:Governors 1156:Sahapedia 920:Sua Songs 678:Pandavani 549:Rajasthan 519:Meghalaya 494:Karnataka 489:Jharkhand 210:Bollywood 62:Classical 28:Tyagaraju 1568:Dhamtari 1558:Bilaspur 1525:Surajpur 1445:Kawardha 1425:Gariaban 1415:Dhamtari 1405:Bilaspur 1395:Bemetara 1347:Bilaspur 1314:Language 1309:Election 1237:(Future) 909:Nahdouri 903:Parghani 897:Chulmati 691:Chandeni 529:Nagaland 448:Maithili 237:Indi-pop 67:Carnatic 1598:Raigarh 1563:Charoda 1530:Surguja 1495:Raigarh 1485:Mungeli 1440:Jashpur 1400:Bijapur 1358:Sarguja 1324:Tourism 1223:Capital 906:Bhadoni 900:Telmati 894:Maymour 635:History 571:Tripura 564:Ancient 524:Mizoram 514:Manipur 469:Haryana 464:Gujarat 271:Hip hop 259:Bengali 220:Qawwali 193:Bhangra 174:Qawwali 104:Kirtana 89:Borgeet 1593:Raipur 1553:Bhilai 1540:Cities 1500:Raipur 1465:Koriya 1450:Kanker 1390:Bastar 1354:Bastar 1344:Raipur 1296:Topics 1272:Police 1228:Raipur 1162:27 May 932:Diwali 927:Diwali 740:Dholak 732:Bamboo 648:stage. 554:Sikkim 539:Punjab 534:Odisha 499:Kerala 484:Ladakh 215:Ghazal 187:Modern 169:Ghazal 159:Kajari 154:Chaiti 144:Thumri 99:Bhajan 72:Odissi 49:Genres 1651:is a 1583:Korba 1520:Sukma 1515:Sakti 1460:Korba 1375:Balod 1319:Music 1210:State 627:is a 444:Bihar 439:Assam 400:Other 359:Sruti 232:Dance 205:Filmi 149:Dadra 1653:stub 1573:Durg 1420:Durg 1350:Durg 1164:2021 543:Folk 264:Raga 254:Rock 249:Jazz 181:Sikh 164:Sufi 94:Baul 84:Folk 1212:of 459:Goa 1698:: 1225:: 1154:. 1087:. 1068:. 1684:e 1677:t 1670:v 1659:. 1197:e 1190:t 1183:v 1166:. 1091:. 1072:. 1053:. 613:e 606:t 599:v 545:) 541:( 450:) 446:( 34:.

Index


Tyagaraju
Carnatic music
Music of India
Classical
Carnatic
Odissi
Hindustani
Folk
Borgeet
Baul
Bhajan
Kirtana
Shyama Sangeet
Ramprasadi
Rabindra Sangeet
Nazrul Geeti
Dwijendrageeti
Atulprasadi
Prabhat Samgiita
Thumri
Dadra
Chaiti
Kajari
Sufi
Ghazal
Qawwali
Sikh
Bhangra
Bhangragga

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