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magazine, "the decision is regarded as likely to spark similar protests on the part of other lyricists who have added words to established instrumentals in the past. It also raises something of a moral issue in that the trade is wondering if the decision bespeaks ASCAP's approval of publishers adding
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Ory received a check for around $ 8,000 on the spot, and royalties of about $ 600 every quarter thereafter. "That started him buying his new home," said Bigard, who noted a change in Ory from then on. "At first it was nothing big, but do you know that he never thanked me for getting straight with his
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We waited a few minutes and in we went. "Hello, Mr. Levy," I said. "I'd like to introduce you to a man who composed a tune that you publish and gets played all the time. This is Edward 'Kid' Ory, and he has never gotten a dime in royalties." … They must have looked high and low for him all right. All
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I don't even know why I asked. I guess more out of conversation than curiosity. "I don't get nothing," came his reply and I almost fell off the chair. He said he never sold it to anyone since he had composed it that day for the Louis
Armstrong Hot Five recording. That was some twenty years before and
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at the 1926 session when it was first recorded by Louis
Armstrong and his Hot Five. Armstrong, on the other hand, claimed in an interview to have written the tune himself, and that it was Ory who only named it. Thomas Brothers has suggested that Armstrong wrote the first strain and that Ory wrote the
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that his lyric — written without Ory's permission — added value to the tune and entitled him to share equal credit with Ory. ASCAP's
Classification Committee decreed in 1956 that Gilbert was entitled to a third of all performance credits of "Muskrat Ramble", both vocal and instrumental, retroactive
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Ory said that his publisher, the
Melrose Publishing Company, had sold the song to another company and he had never received "nickel one". Through friends in the music publishing business Bigard identified the current publisher of "Muskrat Ramble", and he took Ory to their offices. Bigard described
904:
141 Fed.Appx. 581 (9th Cir., July 29, 2005), aff ’g 2003 WL 22909286 (C.D.Cal., Aug. 5, 2003). On May 19, 2014, the U.S. Supreme Court issued a 6–3 decision in an unrelated case rejecting, in part, the laches theory on which Ms. Ory's suit had been dismissed. See
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royalties. Never said a word. Maybe success was having something to do with it. … I didn't stay around till the end, but he was making a lot of enemies. He just was a different guy than I had known and helped — been glad to help, in fact."
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in 1969. This suit was dismissed due to the lateness of the filing. Since decades had already passed from the time McDonald composed his song in 1965, Ory based her suit on a new version of it recorded by McDonald in 1999. Judge
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The tune contains a 32-bar ensemble section at the beginning, followed by 16-bar solo sections for the trombone, cornet and clarinet. After the solos, an ensemble section of 32 bars is played, followed by a two-bar trombone
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defense, noting that Ory and her father were aware of the original version of the song, with the same questionable section, for some three decades without bringing a suit. This ruling was upheld by the
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98:, and became the group's most frequently recorded piece. It was paired on the flip side with another one of Armstrong's hits, "Heebie Jeebies." It was a prominent part of the
462:"—specifically the chorus that begins, "And it's one, two, three, what are we fighting for?"—was lifted in part from "Muskrat Ramble". The song was famously performed by
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1078:; program #250 recorded between July and September 1947 includes Kid Ory's Creole Jazz Band performing "Muskrat Ramble" (7:05–10:30)
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Owing to a misprint, or the record company's sensibilities, the tune was titled "Muskat Ramble" on its initial release.
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Kid Ory said that he originally composed the tune "Muskrat Ramble" in 1921, and that the title was made up by
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Babette Ory, Kid Ory's daughter from his second marriage and heir to the "Muskrat Ramble" copyright, sued
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awarded him one-third credit on all performances of "Muskrat Ramble", vocal and instrumental.
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wrote lyrics to the originally instrumental tune in 1950. In 1951 Gilbert protested to the
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Singer Freddy Cannon had a pop version that went to #54 on
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in 2005, and Ory was also ordered to pay McDonald's substantial attorneys' fees.
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in 2001. The complaint alleged that the tune for McDonald's signature song "
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Sometime in 1947, after working with Ory on the soundtrack for the RKO film
273:(cornet), Russ Bennett (banjo), Bill Dart (drums), Ellis Horne (clarinet),
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Hole in Our Soul: The Loss of Beauty and
Meaning in American Popular Music
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released a version, which was a hit single in 1954, reaching No. 11 on
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lyrics to an instrumental work without the consent of the composer."
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asked him, "How much royalties do you get out of 'Muskrat Ramble'?"
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United States
District Court for the Central District of California
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it had become one of the all-time dixieland hits in the meantime.
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Recorded
December 19–20, 1941, in San Francisco, California
611:. New York, NY: W.W. Norton & Company. p. 210.
547:. New York, NY: W.W. Norton & Company. p. 211.
94:
in 1926. It was first recorded on
February 26, 1926, by
784:
The Billboard Music Popularity Charts - Popular Records
765:
The Billboard Music Popularity Charts - Popular Records
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The Billboard Music Popularity Charts - Popular Records
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repertoire in the 1930s and 1940s, and was recorded by
1019:
From the Erotic to the Demonic: On Critical Musicology
671:. Schneider, Rainer, RainerJazz, The Jazz Archive Site
351:
s chart of "Most Played in Juke Boxes", and No. 16 on
178:
tune called "The Old Cow Died and the Old Man Cried".
868:. Columbia Law School & USC Gould School of Music
754:, November 20, 1954. p. 32. Retrieved April 29, 2018.
429:
American Society of Composers, Authors and Publishers
155:
American Society of Composers, Authors and Publishers
979:
Weather Bird: Jazz at the Dawn of Its Second Century
792:, November 6, 1954. p. 36. Retrieved April 29, 2018.
773:, December 4, 1954. p. 36. Retrieved April 29, 2018.
690:
Creole Trombone: Kid Ory and the Early Years of Jazz
486:
United States Court of Appeals for the Ninth Circuit
315:
Recorded February 24, 1950, in Hollywood, California
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The Original Hot Five Recordings of Louis Armstrong
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Hot Jazz for Sale: Hollywood's Jazz Man Record Shop
317:
Vocal refrain by Phil Harris, lyrics by Ray Gilbert
57:
45:
37:
26:
21:
976:
692:. Jackson: University Press of Mississippi, 2012.
937:Anderson, Gene Henry; Budds, Michael J. (2007).
211:Recorded February 26, 1926, in Chicago, Illinois
142:, among others. It is considered a part of the
344:s chart of "Best Sellers in Stores", No. 10 on
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411:they had to do was look in the union book.
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193:line typical of 1920s New Orleans bands.
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16:Song by Louis Armstrong and His Hot Five
864:Music Copyright Infringement Resource.
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514:
174:has said that it was originally an old
25:
1042:Encyclopedia of the Harlem Renaissance
594:
907:Petrella v. Metro-Goldwyn-Mayer, Inc.
846:, December 15, 1956. 15 December 1956
655:
7:
1074:(Armed Forces Radio Network) at the
1000:The Blackwell Guide to Recorded Jazz
609:Louis Armstrong: Master of Modernism
545:Louis Armstrong: Master of Modernism
358:s chart of "Most Played by Jockeys".
1205:Goodnight, My Love, Pleasant Dreams
839:'Muskrat' Decision May Spark Hassle
406:the exchange in his autobiography:
322:His Master's Voice A.L. 3371
14:
460:I Feel Like I'm Fixin' to Die Rag
1284:Songs with lyrics by Ray Gilbert
1247:I Don't Want to Walk Without You
887:The "Rag" Lawsuit, The Verdict.
203:Louis Armstrong and His Hot Five
96:Louis Armstrong and his Hot Five
32:Louis Armstrong and His Hot Five
960:. University of Chicago Press.
1135:Goodnite, Sweetheart, Goodnite
1021:. Oxford University Press US.
983:. Oxford University Press US.
1:
998:Kernfeld, Barry Dean (1995).
866:"Ory v. Country Joe McDonald"
669:"Okeh 8300 B, Muskrat Ramble"
324:Recorded January 8, 1954, in
299:and his Dixieland Syncopators
498:List of 1920s jazz standards
809:, and Martyn, Barry (ed.),
1325:
632:Wintz & Finkelman 2004
1294:The McGuire Sisters songs
644:Anderson & Budds 2007
607:Brothers, Thomas (2014).
573:Retrieved April 10, 2013.
543:Brothers, Thomas (2014).
531:Anderson & Budds 2007
1309:Dixieland jazz standards
1044:. Taylor & Francis.
1017:Scott, Derek B. (2003).
464:Country Joe and the Fish
1279:Compositions by Kid Ory
1128:Pine Tree, Pine over Me
956:Bayles, Martha (1996).
815:Oxford University Press
1170:Something's Gotta Give
975:Giddins, Gary (2004).
891:. Country Joe McDonald
570:Our Man in New Orleans
456:copyright infringement
413:
403:
320:The Big Chief Jazzband
1289:Louis Armstrong songs
889:"Country Joe's Place"
408:
398:
260:Yerba Buena Jazz Band
1274:1920s jazz standards
1198:Ev'ry Day of My Life
1068:at JazzStandards.com
728:: Cary Ginell, 2010
479:, upheld McDonald's
452:Country Joe McDonald
382:Royalties and rights
1002:. Wiley-Blackwell.
941:. Pendragon Press.
132:the Andrews Sisters
1233:Tears on My Pillow
1149:Christmas Alphabet
371:Bing & Satchmo
311:His Master's Voice
197:Notable recordings
1304:Jazz compositions
1256:
1255:
948:978-1-57647-120-3
912:"Petrella v. MGM"
734:978-0-557-35146-6
618:978-0-393-06582-4
554:978-0-393-06582-4
100:Dixieland revival
77:
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313:B 9927 (UK)
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22:"Muskrat Ramble"
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1240:Just Because
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583:Giddins 2004
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503:Muskrat Love
473:Nora Manella
449:
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420:ASCAP decree
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285:(trombone),
275:Clancy Hayes
222:Johnny Dodds
191:counterpoint
183:
180:
176:Buddy Bolden
164:
148:
146:repertoire.
116:Woody Herman
108:Roy Eldridge
80:
78:
1191:Weary Blues
595:Bayles 1996
425:Ray Gilbert
362:Bing Crosby
297:Phil Harris
283:Turk Murphy
151:Ray Gilbert
136:Harry James
124:Chet Atkins
90:written by
88:composition
72:Ray Gilbert
1269:1926 songs
1263:Categories
931:References
850:2014-07-06
675:2014-07-05
656:Scott 2003
302:RCA Victor
291:Bob Scobey
287:Wally Rose
279:Dick Lammi
271:Lu Watters
256:Lu Watters
230:Lil Hardin
167:Lil Hardin
128:Lu Watters
104:Bob Crosby
70:Lyricist:
65:Composer:
1212:Sugartime
1156:Sincerely
844:Billboard
789:Billboard
770:Billboard
751:Billboard
568:Al Hirt,
468:Woodstock
438:Billboard
432:to 1950.
389:Crossfire
353:Billboard
346:Billboard
338:Billboard
293:(trumpet)
289:(piano),
277:(banjo),
1040:(2004).
817:, 1986.
726:Lulu.com
492:See also
328:, Norway
281:(tuba),
264:Jazz Man
242:trombone
226:clarinet
1163:No More
1120:Singles
1072:Jubilee
895:7 March
872:7 March
304:20-3273
238:Kid Ory
161:History
140:Al Hirt
92:Kid Ory
83:" is a
67:Kid Ory
38:Written
1219:Volare
1184:Picnic
1048:
1025:
1006:
987:
964:
945:
918:19 May
821:
732:
696:
615:
551:
481:laches
374:(1960)
218:cornet
138:, and
509:Notes
356:'
349:'
342:'
250:banjo
234:piano
209:8300B
47:Genre
1046:ISBN
1023:ISBN
1004:ISBN
985:ISBN
962:ISBN
943:ISBN
920:2014
897:2014
874:2014
819:ISBN
730:ISBN
694:ISBN
613:ISBN
549:ISBN
454:for
364:and
331:The
326:Oslo
207:Okeh
85:jazz
52:Jazz
41:1926
28:Song
902:See
786:",
767:",
748:",
466:at
307:EMI
244:),
236:),
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