756:
violence. ‘Red’ is chockfull of sublimity and sin." Eder also praises the characterization of
Shekure, which he regards as the finest in the book. She is "...elusive, changeable, enigmatic and immensely beguiling." Eder concludes: "They (readers) will . . . be lofted by the paradoxical lightness and gaiety of the writing, by the wonderfully winding talk perpetually about to turn a corner, and by the stubborn humanity in the characters’ maneuvers to survive. It is a humanity whose lies and silences emerge as endearing and oddly bracing individual truths".
305:. The first chapter of the novel ("I am a corpse") is narrated by one of the workshop's illuminators (Elegant Effendi) who has just been murdered. In the chapters narrated by his murderer, the reader learns that this illuminator was concerned about the increasingly Western attitude towards painting in a project commissioned by the Sultan.
343:
aware she is being read—"...just like those beautiful women with one eye on the life within the book and one eye on the life outside, I, too, long to speak with you who are observing me from who knows which distant time and place." The murderer, too, often reminds the reader he is self-conscious that
308:
Subsequent chapters are narrated by different characters - - including four living members of the Sultan's workshop, a man named Black who has just returned to his uncle's home in
Istanbul after 12 years of travel and who is the first living character to narrate the novel - -, by several drawings
335:
For some of the miniaturists, in particular the head of the Sultan's workshop Master Osman, viewing miniatures or "perfected art" is less a way of seeing than a way of knowing the eternal. The many stories of master painters going blind at the end of their careers is thus presented less as an
755:
describes Pamuk's intense interest in East-West interactions and explains some of the metaphysical ideas that permeate the novel. He also comments that the novel is not just about ideas: "Eastern or
Western, good or bad, ideas precipitate once they sink to human level, unleashing passions and
780:: "Erdağ M. Göknar deserves praise for the cool, smooth English in which he has rendered Pamuk's finespun sentences, passionate art appreciations, sly pedantic debates, (and) eerie urban scenes." Many readers and critics consider
724:
admires the novel's "...jeweled prose and alluring digressions, nesting stories within stories" and concludes that Pamuk will gain many new readers with this "...accessible, charming and intellectually satisfying, narrative." A
38:
771:
gained Pamuk international recognition and contributed to his selection as Nobel laureate; upon publication, Pamuk was described as a serious Nobel contender. The translation received praise from many reviewers including
731:
critic describes the novel as "...a whimsical but provocative exploration of the nature of art in an
Islamic society. . . . A rich feast of ideas, images, and lore." Jonathan Levi, writing in the
332:, and continuous references to it are made throughout the book. Al-Jawziyya argues, in the same fashion as Islamic doctrine, that the souls of the dead remain on earth and can hear the living.
742:
to the rank of modern classic." Levi also notes that the novel, although set four hundred years ago, reflects modern societal tensions. For this reason he calls it "...a novel of our time.’’
711:, based on mostly American publications, the book received "positive" reviews based on nine critic reviews with five being "rave" and three being "positive" and one being "mixed". Globally,
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738:, comments that "...it is Pamuk’s rendering of the intense life of artists negotiating the devilishly sharp edge of Islam 1,000 years after its birth that elevates
378:, Enishte's beautiful daughter with whom Black is in love; Shekure (related to English 'sugar' refers to Shirin, meaning 'sweet', also the name of Pamuk's mother).
791:
in Dublin in 2003, where Göknar accepted the award on behalf of Pamuk. As is customary with this award, Göknar received a quarter share of the prize.
457:, a Conservative Muslim leader who may be based on an historical figure. Opposes coffee and coffeehouses, bawdy stories, and figurative paintings.
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reported on reviews from several publications with a rating scale for the novel out of "Love It", "Pretty Good", "Ok", and "Rubbish":
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372:, maternal uncle of Black, who is in charge of the creation of a secret book for the Sultan in the style of the Venetian painters.
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1158:"A Survey of Stylometry Research on Turkish Texts and A Study on Quantification of Loyalty for Translations of My Name is Red"
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317:); and one chapter, which gives the novel its name, is narrated by the color red. In all, there are 21 different narrators.
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The book has been translated into more than 60 languages since publication. The French translation won the French
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Murder in miniature: A sixteenth-century detective story explores the soul of Turkey: John Updike writes about
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Like the drawings that narrate their stories, Shekure -- Black's widowed cousin and romantic interest -- is a
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366:), miniaturist and binder. Recently returned from 12 years away in Persia. Nephew of Enishte ("Uncle").
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A recent study examined the faithfulness of the novel's translations using quantitative methods.
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1083:, Vol. 130, No. 4552, Aug. 27, 2001, p. 41, and Eder, Richard. "Heresies of the Paintbrush," in
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561:(English: Khosru and Shireen), this love story forms the central idea behind the love story in
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of 1591, established Pamuk's international reputation and contributed to his reception of the
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A number of books illustrated by famous miniaturists are referenced by the characters in
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saying on the consensus "Impressed, and quite a few find it absolutely brilliant".
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Enishte
Effendi, the maternal uncle of the main character (Black), is reading the
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In recognition of its status in Pamuk's oeuvre, the novel was re-published in
17:
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Several of the major characters in the novel belong to the same workshop of
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971:
Allgemeines
Lexikon der bildenden Künstler von der Antike bis zur Gegenwart
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512:(miniatures) and Seyyid Lokman Çelebi, in the story still under completion
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855:), Pub date ? September 2002, paperback (Translated by Erdag Goknar)
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470:: Several of the specific manuscripts described (most prominently the
919:"Difference, Visual Narration, and "Point of View" in My Name Is Red"
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602:, a critique on the prior three volumes, by Kemalettin Riza of Herat
228:
862:
in 2 parts by
Ayeesha Menon, directed by John Dryden, August 2008
811:), Pub date ? ? 1998, hardback (First Turkish edition)
822:), Pub date ? August 2001, hardback (First English edition)
438:, one of three suspect miniaturists. This character is based on
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what he says is being scrutinized for clues as to his identity.
1302:
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with the funeral ceremonies of Sultan Süleyman the
Magnificent
185:
574:(a drawing of a horse is the key to finding the murderer in
309:(the archetype of a horse, a dog, a counterfeit gold coin,
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410:, slave girl in Enishte's household, Enishte's concubine.
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received favourable reviews when published in
English.
426:, one of three miniaturists suspected for the murders.
528:, is the national epic of the Persian-speaking world.
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448 pp. (original
Turkish) 417 pp (1st English ed.)
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480:, more commonly known in the west as the Houghton
398:, Shekure's younger son (also Pamuk's first name).
1156:Çalışkan, Sevil; Can, Fazlı (18 December 2018).
784:to be Pamuk's best work in English translation.
1062:Eder, Richard. "Heresies of the Paintbrush,"
285:broadcast an adaptation of the novel in 2008.
1314:
1277:International Dublin Literary Award recipient
8:
30:
1183:, Vol. 32, No. 4, Dec. 13, 2018, p.251-286.
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404:, the younger brother of Shekure's husband.
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986:"Books of the moment: What the papers say"
36:
29:
1557:Novels set in 16th-century Ottoman Empire
1173:
705:review under "Pretty Good". According to
484:) are real and survive in whole or part.
1245:Medieval Sourcebook – Khosru and Shireen
384:, Shekure's older son (also the name of
871:
584:, three volumes on how to draw horses:
1496:The Naive and the Sentimental Novelist
833:), Pub date 2 November 2001, paperback
611:, Khan of the Whitesheep by Jemalettin
281:Contemporary Classics series in 2010.
7:
432:, one of three suspect miniaturists.
844:), Pub date 31 July 2002, paperback
803:1998, Turkey, Iletisim Yayincilik (
789:International Dublin Literary Award
268:International Dublin Literary Award
923:The Journal of Aesthetic Education
336:infirmity than as a consecration.
262:in 2002. The English translation,
25:
27:1998 Turkish novel by Orhan Pamuk
1464:Other Colors: Essays and a Story
1154:Caliskan, Sevil and Can, Fazli.
1130:"Writer Pamuk lands Impac prize"
239:in 2001. The novel, concerning
1472:Istanbul: Memories and the City
880:"Orhan Pamuk Official Web Site"
256:Prix du Meilleur Livre Étranger
1290:This Blinding Absence of Light
1085:The New York Times Book Review
1064:The New York Times Book Review
277:'s translation as part of the
1:
836:2002, UK, Faber & Faber (
825:2001, UK, Faber & Faber (
328:, a Sunni commentator on the
699:reviews under "Love It" and
537:The Convergence of the Stars
506:Book of Imperial Festivities
258:and the Italian version the
1075:Freely, Maureen. Review of
814:2001, USA, Alfred A Knopf (
235:translated into English by
1588:
917:Çiçekoglu, Feride (2003).
847:2002, USA, Vintage Books (
582:The Illustration of Horses
451:, carries lovers' letters.
1547:Nobel Prize in Literature
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1270:/The Elementary Particles
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992:. 13 Oct 2001. p. 60
532:Chronicle of Sultan Selim
249:Nobel Prize in Literature
129:Published in English
35:
1504:The Innocence of Objects
1410:A Strangeness in My Mind
858:2008, UK, Dramatised on
570:by the Bukharan scholar
1527:Novels set in the 1590s
1402:The Museum of Innocence
1346:Cevdet Bey and His Sons
596:by Jemalettin of Kazvin
586:The Depiction of Horses
447:, a Jewish peddler, a
42:First edition (Turkish)
1562:Novels set in Istanbul
1238:Extensive excerpts at
1196:Orhan Pamuk discusses
495:Ibn Qayyim al-Jawziyya
326:Ibn Qayyim Al-Jawziyya
260:Premio Grinzane Cavour
221:
1552:Novels by Orhan Pamuk
1537:Alfred A. Knopf books
672:Independent On Sunday
600:The Blindman's Horses
462:Books within the book
1567:Metafictional novels
1480:My Father's Suitcase
1418:The Red-Haired Woman
1181:Türk Kütüphaneciliği
1175:10.24146/tkd.2018.41
1162:Türk Kütüphaneciliği
964:Gisela Fock (2009).
524:by the Persian poet
301:during the reign of
1488:Manzaradan Parçalar
990:The Daily Telegraph
760:English translation
648:The Daily Telegraph
58:Original title
32:
1233:The New York Times
767:'s translation of
748:The New York Times
594:The Love of Horses
590:The Flow of Horses
279:Everyman's Library
222:Benim Adım Kırmızı
205:PL248.P34 B46 1998
170:(original Turkish)
62:Benim Adım Kırmızı
1572:Postmodern novels
1542:Historical novels
1514:
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1297:
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1286:Succeeded by
1252:at Nobelprize.org
1098:"Vintage Catalog"
722:Publishers Weekly
626:Book of Victories
551:Hüsrev and Shirin
501:Surname-i Hümayun
209:
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179:(1st English ed.)
118:Publication place
16:(Redirected from
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1426:Nights of Plague
1362:The White Castle
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322:Book of the Soul
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92:Historical novel
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765:Erdağ M. Göknar
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720:A reviewer for
714:Complete Review
690:Literary Review
654:Daily Telegraph
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568:Book of Equines
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370:Enishte Effendi
354:Elegant Effendi
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1168:(4): 251–286.
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1331:Orhan Pamuk
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1201:on the BBC
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787:It won the
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736:Book Review
545:Shah Ismail
455:Nusret Hoja
386:Orhan Pamuk
283:BBC Radio 4
233:Orhan Pamuk
52:Orhan Pamuk
1521:Categories
1437:Screenplay
1049:2023-10-04
1017:Book Marks
966:"Veli Can"
867:References
734:L.A. Times
708:Book Marks
449:matchmaker
348:Characters
313:, and two
266:, won the
231:by writer
68:Translator
1329:Works by
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684:Spectator
638:Reception
543:, son of
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315:dervishes
303:Murat III
270:in 2003.
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1134:BBC News
666:Observer
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616:Gulestan
526:Firdawsi
482:shahnama
473:Shahnama
440:Veli Can
341:narrator
143:Hardback
78:Language
1259:Awards
1023:11 July
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943:3527343
606:History
556:Persian
520:or the
408:Hayriye
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376:Shekure
297:in the
289:Outline
243:in the
226:Turkish
218:Turkish
141:Print (
82:Turkish
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1282:2003
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