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72:, which analyzes black art and music in the 1960s to trace out how performances of blackness rescripts and retools dominant discourses which constrain and contain black life. Reading artists through three registers—blackness (which he calls the "vanguard of negativity, the avant-garde of difference"), the period of the 1960s, and the transnational routes between the United States, West Africa, and Western Europe—Gaines explores how the "destabilizing excess of difference" challenge visual representation across sexual, racial, and political lines.
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200:, Amsterdam; Peres Projects, Berlin; Torpedo, Oslo; El Matadero, Madrid; Galleria Civica, Trento, Italy; Center for Contemporary Art, Tel Aviv; Townhouse Gallery, Cairo. My Barbarian was included in the 2005 and 2007 Performa Biennials, the 2006 and 2008 California Biennials, the 2007 Montreal Biennial, and the 2009 Baltic Triennial. The group has made two full-length albums of music from its performances: Cloven Soft-Shoe (2004) and California Sweet & the 7 Pagan Rights (2008).
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group consisting of Malik Gaines, Jade Gordon and
Alexandro Segade. The trio makes site-responsive performances and video installations that use theatrical play to draw allegorical narratives out of historical dilemmas, mythical conflicts, and current political crises.
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My
Barbarian had solo exhibitions with Steve Turner Contemporary in Los Angeles (2008, 2009) and at Participant, Inc. in New York (2009). In 2008, the group made a collaborative exhibition with the sculptor
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86:(1997–1998), received an MFA in Interdisciplinary Studio Art from UCLA (2009), and also currently works as a solo artist. Segade is a professor of Studio Art at
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The piece premiered at the New Museum as The
Audience is Always Right. They also won a Foundation for Contemporary Arts Grants to Artists award in 2013.
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Alex Segade (b. 1973, San Diego, California). Segade received a BA in
English from UCLA (1996), studied in the School of Film and Television at
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219:. The piece drew elements of theater, visual arts, critical practice, and specifically performance to theatricalize social issues.
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Jade Gordon (b. 1975, Santa Rosa, California). Gordon received a BA in
Theater at USC (2008) and teaches at the
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Since 2004, My
Barbarian has shown work in group exhibitions and/or performance programs at venues including
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Jade Gordon, Malik Gaines, and
Alexandro Segade at the My Barbarian Post-Party Dream State Caucus at the
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at Museum Het Domain, Sittard, NL, which, in 2009, traveled to the
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Performance on the Outskirts of the Left: A History of the Impossible
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Black
Performance on the Outskirts of the Left: A History of the Impossible
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Black Performance on the Outskirts of the Left: A History of the Impossible
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My Barbarian's Post-Living Ante-Action Theater Intro: Post-Paradise at the
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60:(b. 1973, Visalia, California) Gaines received a B.A. in History from
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In 2016, My Barbarian presented a residency and exhibition at the
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372:"Creative Capital - Investing in Artists who Shape the Future"
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348:"My Barbarian: The Audience is Always Right"
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478:as part of the 2008 California Biennial.
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64:(1996), an MFA in Writing from
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118:Scott Martin (2004–2008)
452:TimeOut New York Review
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166:Studio Museum in Harlem
109:Lara Schnitger (2004-9)
297:Gaines, Malik (2017).
272:Gaines, Malik (2017).
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457:Art In America Review
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447:Interview on Fanzine
376:creative-capital.org
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227:My Barbarian won a
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252:"Official Website"
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352:www.newmuseum.org
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283:978-1-4798-0430-6
223:Awards and honors
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52:in November 2016.
40:Key collaborators
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58:Malik Gaines
29:My Barbarian
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196:, Toronto;
180:, Chicago;
115:(2002–2010)
103:(2001–2004)
496:Categories
442:New Yorker
405:2018-04-19
381:2017-02-28
357:2017-02-28
333:2019-03-22
257:15 October
239:References
213:New Museum
186:Vox Populi
158:New Museum
148:; LAXART;
50:New Museum
33:theatrical
22:New Museum
215:entitled
176:, Miami;
198:De Appel
66:Cal Arts
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138:REDCAT
142:LACMA
486:Bomb
303:ISBN
278:ISBN
259:2013
174:MOCA
154:LACE
132:Work
62:UCLA
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84:USC
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