Knowledge (XXG)

My Barbarian

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45: 72:, which analyzes black art and music in the 1960s to trace out how performances of blackness rescripts and retools dominant discourses which constrain and contain black life. Reading artists through three registers—blackness (which he calls the "vanguard of negativity, the avant-garde of difference"), the period of the 1960s, and the transnational routes between the United States, West Africa, and Western Europe—Gaines explores how the "destabilizing excess of difference" challenge visual representation across sexual, racial, and political lines. 17: 200:, Amsterdam; Peres Projects, Berlin; Torpedo, Oslo; El Matadero, Madrid; Galleria Civica, Trento, Italy; Center for Contemporary Art, Tel Aviv; Townhouse Gallery, Cairo. My Barbarian was included in the 2005 and 2007 Performa Biennials, the 2006 and 2008 California Biennials, the 2007 Montreal Biennial, and the 2009 Baltic Triennial. The group has made two full-length albums of music from its performances: Cloven Soft-Shoe (2004) and California Sweet & the 7 Pagan Rights (2008). 35:
group consisting of Malik Gaines, Jade Gordon and Alexandro Segade. The trio makes site-responsive performances and video installations that use theatrical play to draw allegorical narratives out of historical dilemmas, mythical conflicts, and current political crises.
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My Barbarian had solo exhibitions with Steve Turner Contemporary in Los Angeles (2008, 2009) and at Participant, Inc. in New York (2009). In 2008, the group made a collaborative exhibition with the sculptor
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The piece premiered at the New Museum as The Audience is Always Right. They also won a Foundation for Contemporary Arts Grants to Artists award in 2013.
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Alex Segade (b. 1973, San Diego, California). Segade received a BA in English from UCLA (1996), studied in the School of Film and Television at
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Jade Gordon (b. 1975, Santa Rosa, California). Gordon received a BA in Theater at USC (2008) and teaches at the
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Since 2004, My Barbarian has shown work in group exhibitions and/or performance programs at venues including
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Jade Gordon, Malik Gaines, and Alexandro Segade at the My Barbarian Post-Party Dream State Caucus at the
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at Museum Het Domain, Sittard, NL, which, in 2009, traveled to the Luckman Gallery in Los Angeles.
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Black Performance on the Outskirts of the Left: A History of the Impossible
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Black Performance on the Outskirts of the Left: A History of the Impossible
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Black Performance on the Outskirts of the Left: A History of the Impossible
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My Barbarian's Post-Living Ante-Action Theater Intro: Post-Paradise at the
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In 2016, My Barbarian presented a residency and exhibition at the
141: 61: 421: 372:"Creative Capital - Investing in Artists who Shape the Future" 251: 396:"My Barbarian :: Foundation for Contemporary Arts" 8: 348:"My Barbarian: The Audience is Always Right" 184:; Contemporary Arts Forum, Santa Barbara; 156:; Steve Turner Contemporary, Los Angeles; 432:Artists Page on Steve Turner Contemporary 478:as part of the 2008 California Biennial. 43: 15: 243: 188:, Philadelphia; Estacion Tijuana & 400:www.foundationforcontemporaryarts.org 301:. New York: NYU Press. pp. 2–6. 31:is a Los Angeles based collaborative 7: 472:My Barbarian performance in Tijuana 467:Review of a performance in Germany 14: 327:Department of Art and Art History 231:grant in 2012 for their project, 233:Post-Living Ante-Action Theater. 64:(1996), an MFA in Writing from 507:Performance art in Los Angeles 502:Performance artist collectives 1: 482:My Barbarian by Andrea Fraser 77:Stella Adler Studio of Acting 217:The Audience is Always Right 533: 512:African-American artists 124:Giles Miller (2004–2009) 118:Scott Martin (2004–2008) 452:TimeOut New York Review 276:. New York: NYU Press. 166:Studio Museum in Harlem 109:Lara Schnitger (2004-9) 297:Gaines, Malik (2017). 272:Gaines, Malik (2017). 121:Matthew Monahan (2004) 106:Andy Ouchi (2001–2006) 53: 25: 457:Art In America Review 47: 19: 447:Interview on Fanzine 376:creative-capital.org 178:Hyde Park Art Center 227:My Barbarian won a 95:Other collaborators 323:"Alexandro Segade" 252:"Official Website" 192:, Tijuana Mexico; 170:Yerba Buena Center 54: 26: 352:www.newmuseum.org 308:978-1-4798-0430-6 283:978-1-4798-0430-6 223:Awards and honors 172:, San Francisco; 52:in November 2016. 40:Key collaborators 524: 427:LA Weekly Review 422:Official Website 410: 409: 407: 406: 392: 386: 385: 383: 382: 368: 362: 361: 359: 358: 344: 338: 337: 335: 334: 319: 313: 312: 294: 288: 287: 269: 263: 262: 260: 258: 248: 229:Creative Capital 182:Aspen Art Museum 127:Richard Lee 2011 24:in October 2016. 532: 531: 527: 526: 525: 523: 522: 521: 492: 491: 462:Critical Review 418: 413: 404: 402: 394: 393: 389: 380: 378: 370: 369: 365: 356: 354: 346: 345: 341: 332: 330: 321: 320: 316: 309: 296: 295: 291: 284: 271: 270: 266: 256: 254: 250: 249: 245: 241: 225: 194:The Power Plant 150:Schindler House 134: 113:Pearl C. Hsiung 97: 79:in Los Angeles. 42: 12: 11: 5: 530: 528: 520: 519: 514: 509: 504: 494: 493: 490: 489: 479: 469: 464: 459: 454: 449: 444: 439: 434: 429: 424: 417: 416:External links 414: 412: 411: 387: 363: 339: 314: 307: 289: 282: 264: 242: 240: 237: 224: 221: 206:Lara Schnitger 162:Whitney Museum 133: 130: 129: 128: 125: 122: 119: 116: 110: 107: 104: 96: 93: 92: 91: 88:Hunter College 80: 73: 41: 38: 13: 10: 9: 6: 4: 3: 2: 529: 518: 517:Queer artists 515: 513: 510: 508: 505: 503: 500: 499: 497: 488: 487: 483: 480: 477: 476:Lui Velazquez 473: 470: 468: 465: 463: 460: 458: 455: 453: 450: 448: 445: 443: 440: 438: 437:Artnet Review 435: 433: 430: 428: 425: 423: 420: 419: 415: 401: 397: 391: 388: 377: 373: 367: 364: 353: 349: 343: 340: 328: 324: 318: 315: 310: 304: 300: 293: 290: 285: 279: 275: 268: 265: 253: 247: 244: 238: 236: 234: 230: 222: 220: 218: 214: 209: 207: 201: 199: 195: 191: 190:Lui Velazquez 187: 183: 179: 175: 171: 167: 163: 159: 155: 151: 147: 146:Hammer Museum 143: 139: 131: 126: 123: 120: 117: 114: 111: 108: 105: 102: 101:Norwood Cheek 99: 98: 94: 89: 85: 81: 78: 74: 71: 67: 63: 59: 56: 55: 51: 46: 39: 37: 34: 30: 23: 18: 484: 403:. Retrieved 399: 390: 379:. Retrieved 375: 366: 355:. Retrieved 351: 342: 331:. Retrieved 329:. 2018-12-04 326: 317: 298: 292: 273: 267: 255:. Retrieved 246: 232: 226: 216: 210: 202: 135: 69: 58:Malik Gaines 29:My Barbarian 28: 27: 196:, Toronto; 180:, Chicago; 115:(2002–2010) 103:(2001–2004) 496:Categories 442:New Yorker 405:2018-04-19 381:2017-02-28 357:2017-02-28 333:2019-03-22 257:15 October 239:References 213:New Museum 186:Vox Populi 158:New Museum 148:; LAXART; 50:New Museum 33:theatrical 22:New Museum 215:entitled 176:, Miami; 198:De Appel 66:Cal Arts 305:  280:  138:REDCAT 142:LACMA 486:Bomb 303:ISBN 278:ISBN 259:2013 174:MOCA 154:LACE 132:Work 62:UCLA 474:at 84:USC 498:: 398:. 374:. 350:. 325:. 164:; 160:; 152:; 144:; 140:; 408:. 384:. 360:. 336:. 311:. 286:. 261:. 90:.

Index


New Museum
theatrical

New Museum
Malik Gaines
UCLA
Cal Arts
Stella Adler Studio of Acting
USC
Hunter College
Norwood Cheek
Pearl C. Hsiung
REDCAT
LACMA
Hammer Museum
Schindler House
LACE
New Museum
Whitney Museum
Studio Museum in Harlem
Yerba Buena Center
MOCA
Hyde Park Art Center
Aspen Art Museum
Vox Populi
Lui Velazquez
The Power Plant
De Appel
Lara Schnitger

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