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My Fair Lady (Shelly Manne album)

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After that success, the combo, sometimes under Manne's name, other times under Previn's, as "André Previn and His Pals", recorded numerous other treatments of Broadway musicals in the next few years (the first with Vinnegar on bass, the rest with
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and other aspects of the music. Manne, as the date's leader, provided suggestions of his own, for example to treat what was a fast number in the show as a slow
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The result of that session was an unexpectedly successful album, generally cited as the most successful jazz album up to that time, or at least one of them.
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Lively and appealing, and clearly aimed at popular taste, the music also showed some daring, in the vein of the experimentation that was a factor in much
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Though this musical became the longest-running Broadway musical of its day, it had at this time been running on Broadway for only five months.
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tunes. (The three, having already recorded together as "Shelly Manne and His Friends", had some experience performing as a trio.)
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Gordon, p. 143. Gordon gives the year as 1957, but this is certainly an error. The album cover and other sources give it as 1956.
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and recorded the entire album in one session, with Vinnegar providing the third "very important musical voice in the trio."
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Shelly Manne & his Friends* (*André Previn and Leroy Vinnegar): modern jazz performances of songs from My Fair Lady
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had shown what could be done in this vein, that musical received whole-album treatment by other jazz artists.
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songs for the show, that they decided to record more of them. They ended up filling the entire album with
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in the 1950s. Previn, with considerable musical training, and having composed several
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All tunes by Frederick Loewe. (Lyrics of the original songs were by Alan Jay Lerner.)
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jacket (Contemporary Records C3527), was begun when drummer Shelly Manne, pianist
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to present a different treatment of the musical in 1964, first issued as
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himself, was able to suggest certain technical modifications to the
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See the comments by Thomas Conrad in his April 2002 article in
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assembled on August 17, 1956, in the Contemporary studios in
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Ruth Price with Shelly Manne & His Men at the Manne-Hole
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The Great Songs from "My Fair Lady" and Other Broadway Hits
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Conrad, Thomas. "The Search for Roy DuNann" (April 2002;
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Jazz West Coast: The Los Angeles Jazz Scene of the 1950s
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to produce an album of jazz versions of miscellaneous
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See Yanow; also Brand, p. 87, and Gordon, pp. 142-43.
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Previn and Manne were exchanging ideas with producer
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Koenig brought in the complete 231: 16:1956 studio album by Shelly Manne 7: 791:The Penguin Guide to Jazz Recordings 323:The Penguin Guide to Jazz Recordings 758:The Rolling Stone Jazz Record Guide 590:Manne himself worked with arranger 393:, as the full name appeared on the 330: 285:The Rolling Stone Jazz Record Guide 68:Contemporary Records (Los Angeles) 14: 1590:I've Grown Accustomed to Her Face 1042:Concerto for Clarinet & Combo 642:I've Grown Accustomed to Her Face 533:Shortly after the Manne hit with 372:ever made consisting entirely of 292: 254: 1513:Nat King Cole Sings My Fair Lady 1508:(1958 Oscar Peterson Trio album) 562:Nat King Cole Sings My Fair Lady 376:versions of tunes from a single 344: 339: 334: 329: 311: 306: 301: 296: 291: 273: 268: 263: 258: 253: 727:Roy DuNann - recording engineer 1492:(1956 Broadway cast recording) 1454:The Opening of Misty Beethoven 1018:Shelly Manne & His Friends 681:Shelly Manne & His Friends 1: 1615:One If by Clam, Two If by Sea 1569:I Could Have Danced All Night 669:I Could Have Danced All Night 467:I Could Have Danced All Night 1583:Get Me to the Church on Time 1576:On the Street Where You Live 635:On the Street Where You Live 628:Get Me to the Church on Time 465:instead. The final number, " 1672:Contemporary Records albums 1698: 1532:(1964 Andy Williams album) 480:The sound was recorded by 1555:With a Little Bit of Luck 1524:(1964 Billy Taylor album) 1500:(1956 Shelly Manne album) 1316: 863:Quoted in Gordon, p. 143. 756:Swenson, J., ed. (1985). 662:With a Little Bit of Luck 239: 236: 220: 183: 171: 134: 26: 1122:My Son the Jazz Drummer! 600:, and later reissued as 1640:The Street Where I Live 1521:My Fair Lady Loves Jazz 986:The Three & The Two 548:My Fair Lady Loves Jazz 1548:Wouldn't It Be Loverly 1138:Manne–That's Gershwin! 654:"Ascot Gavotte" - 4:17 649:Wouldn't It Be Loverly 1682:Leroy Vinnegar albums 909:(Quartet Books, 1986) 1010:More Swinging Sounds 994:The West Coast Sound 366:Contemporary Records 227:Professional ratings 141:More Swinging Sounds 107:Contemporary Records 1677:Shelly Manne albums 1667:AndrĂ© Previn albums 1421:George Bernard Shaw 1410:George Bernard Shaw 1247:At the Black Hawk 5 1239:At the Black Hawk 4 1231:At the Black Hawk 3 1223:At the Black Hawk 2 1215:At the Black Hawk 1 602:My Fair Lady Swings 228: 1098:Sounds Unheard Of! 226: 1649: 1648: 1562:The Rain in Spain 1325: 1324: 1306:Young Billy Young 1058:Bells Are Ringing 805:978-0-141-03401-0 521:Bells Are Ringing 353: 352: 224: 223: 216: 215: 167: 166: 1689: 1373:Lerner and Loewe 1352: 1345: 1338: 1329: 962: 955: 948: 939: 905:Gordon, Robert. 886: 883: 877: 870: 864: 861: 855: 852: 846: 843: 837: 834: 828: 825: 819: 816: 810: 809: 794:(9th ed.). 778: 772: 771: 753: 747: 742: 657:"Show Me" - 3:40 378:Broadway musical 349: 348: 347: 343: 342: 338: 337: 333: 332: 316: 315: 314: 310: 309: 305: 304: 300: 299: 295: 294: 278: 277: 276: 272: 271: 267: 266: 262: 261: 257: 256: 229: 185: 184: 136: 135: 96: 95: 91: 31: 19: 1697: 1696: 1692: 1691: 1690: 1688: 1687: 1686: 1652: 1651: 1650: 1645: 1627: 1595: 1540:Musical numbers 1535: 1476: 1433: 1419:(1938 film) by 1408:(1913 play) by 1392: 1388:Eliza Doolittle 1376: 1369:Alan Jay Lerner 1365:Frederick Loewe 1356: 1326: 1321: 1312: 1293: 1279:Alive in London 1206: 1200: 1082:The Proper Time 1002:Swinging Sounds 977: 971: 966: 916: 895: 890: 889: 884: 880: 871: 867: 862: 858: 854:Gordon, p. 143. 853: 849: 844: 840: 835: 831: 826: 822: 817: 813: 806: 798:. p. 935. 780: 779: 775: 768: 755: 754: 750: 745:AllMusic review 743: 739: 734: 678: 618: 587:); and others. 567:Wild Bill Davis 527:West Side Story 490: 469:", was given a 451:West Coast jazz 386: 368:, is the first 360:, recorded by " 345: 340: 335: 312: 307: 302: 297: 274: 269: 264: 259: 211: 202: 193: 162: 153: 144: 109: 93: 89: 88: 60:August 17, 1956 44: 17: 12: 11: 5: 1695: 1693: 1685: 1684: 1679: 1674: 1669: 1664: 1654: 1653: 1647: 1646: 1644: 1643: 1635: 1633: 1629: 1628: 1626: 1625: 1618: 1611: 1603: 1601: 1597: 1596: 1594: 1593: 1586: 1579: 1572: 1565: 1558: 1551: 1543: 1541: 1537: 1536: 1534: 1533: 1525: 1517: 1509: 1501: 1493: 1484: 1482: 1478: 1477: 1475: 1474: 1466: 1458: 1450: 1441: 1439: 1435: 1434: 1432: 1431: 1425:W. 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Index


Studio album
Shelly Manne
Genre
Jazz
Label
Contemporary Records
Producer
Lester Koenig
Shelly Manne
More Swinging Sounds
Li'l Abner
André Previn
Collaboration
Double Play!
AllMusic
The Rolling Stone Jazz Record Guide
The Penguin Guide to Jazz Recordings
Shelly Manne
Contemporary Records
album
jazz
Broadway musical
12-inch LP
André Previn
Leroy Vinnegar
Los Angeles
show
Lester Koenig
My Fair Lady

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