Knowledge (XXG)

My Friend Ivan Lapshin

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261:), is a former participant in hostilities (the Civil War is implied), a strong-willed and decisive person. In matters of combating crime, he knows no compromises. “Let’s clean up the land, plant a garden, and we ourselves will still have time to walk in this garden!” is his motto. Approximately the same motto is followed by other members of the task force, supporting themselves from time to time by performing revolutionary songs. Lapshin lives in the same way as most of his subordinates - he rents a "corner", and in fact a "bed" from the old woman Patrikeevna. The vicissitudes of the modest life of the majority of " communal apartments " are shown.» of the time when four adults and a child live in a small living space at the same time. 273:
the end, and then Lapshin promises to take him with him "to catch robbers." During the operation, it is Khanin who notices that while the police officers are raiding the barracks, some person is slowly leaving, as they say, “yards”. As it turns out, it was Solovyov himself ( Yuri Pomogaev). Since Khanin never caught criminals, when trying to detain Solovyov, the latter stabs him in the stomach with a knife. Subsequently, the police still manage to surround Solovyov. Despite the fact that the offender wants to surrender, Lapshin "carries out the sentence."
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creative organization at the time, was the first to support Gorbachev. The glasnost’ period became distinguished by the rediscovery of cinematic hidden gems, the censored films, which were officially known for Stagnation-era artistic talents. These films informed the history of Soviet cinema. Films of this period also depicted modern social and economic deterioration, the loss of ideals, and disillusionment in Communist ideologies.
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disjointed vignettes, in both black-&-white and in color, with very loose handheld camerawork lending it a naturalness easy to get lost in. Unfortunately, that's also a crutch. I couldn't help but keep comparing it to the Mirror the entire time I was watching the movie; albeit Ivan Lapshin's a very solid imitation, pretty damn good in its own right. Let's call this one a slightly overshadowed companion piece to Tarkovsky."
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carnivalesque rhythm is apparent in the scenes of plays as well as in the festive tone of scenes taking place in the communal house. In this way, the film is a meta-dramatic and surreal. The film also plays with an edge of realism; there are series of shots of ordinary people living their ordinary lives. Moreover, there is theme of idealism: Lapshin exclaims, "We'll clear the land of scum and build an orchard."
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useful element. All three, and Khanin, and the actress, and Lapshin, good-naturedly play the employee of the UGRO Okoshkin ( Aleksey Zharkov ), who is striving in every possible way to get married and, finally, to move out of a communal apartment. And he almost succeeds, but by the end of the film, he, tired of the obsessive attention of his wife and her mother, again returns to his old place of residence.
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treatment of a troupe of actors and some musicians jangling along on a flag-festooned little trolley, the director seems to have picked up some tricks from Fellini, but the spirit is very different.” “‘'We'll clear the land of scum and build an orchard’' - was taken by the Kremlin as a dangerous piece of irony.”
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for this world, for these people that the narrator struggles to declare his love—unconditional, knowing how flawed that world was, and how tainted the future would be. German compared the film to the work of Chekhov, and one can see in it a similar tenderness for the suffering and absurdity of its characters.
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In addition to the plot of the communal apartment, the action of the film develops in two more directions - in fact, the work of the search, including raids, interrogations of suspects, communication with a criminal element, and a "love triangle" consisting of a local theater actress ( Nina Ruslanova
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These are people whose faith in the future remains intact, but whose betrayal is imminent. German has said that his main aim was to convey a sense of the period, to depict as faithfully as possible the material conditions and human preoccupations of Soviet Russia on the eve of the Great Purge. It is
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A central theme in the film is nostalgia. The film switches between black and white and color to accentuate the feeling of nostalgia. The scattered and de-centered narrative structure emulates a dream-like recollection of memories, underscoring the fragility of memory. Another theme is carnival. The
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The plot of the film tells the story of the head of the Criminal Investigation Department (CID) of the city of Unchansk, named Ivan Lapshin, It presents a short piece of his life and the life of his friends, comrades and acquaintances. The events of the film, taking place in the 1930s, are presented
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The inner life of the provincial theater of the post-NEP period is shown, when the classics were side by side on the stage (the “behind the scenes” of the play “A Feast during the Plague” is shown) and the search for “new subjects in art”, such as the “reforging” of former criminals into a socially
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A separate storyline is dedicated to the inner experiences of Khanin himself, whose wife recently died, and he, having temporarily settled in the same communal apartment as Lapshin, being depressed, tries to shoot himself with Lapshin's pistol. Khanin lacks the determination to bring the matter to
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After being discharged from the hospital, Khanin offers Lapshin to go with him to the Far East and Siberia to “show places” that Lapshin “never saw”, but he refuses. The actress seems to be going to leave with Khanin, but at the last moment she also stays in Unchansk. However, Lapshin no longer
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In March 1985, Mikhail Gorbachev was elected General Secretary of the Central Committee of the Communist Party in the Soviet Union. Gorbachev opened the country to Western influence with his reforms “glasnost” (openness) and “perestroika” (restructuring). The Filmmakers Union, the most liberal
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New York Times article: “Scene after scene, shot for the most part in the sepia of old photographs, catches the poverty and confusion of a hard time - the crowded apartment, the beat-up cars, the dreary town and its shabbily dressed people, the outbursts of desperation and nuttiness.” “In his
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IMDB Review: "A small-town man lives a normal homelife where he puts on appearances of respectability for his family and friends, but at work he's a brutal KGB enforcer. My Friend Ivan Lapshin is heavily reminiscent of Andrei Tarkovsky's The Mirror - half-memories told as a series of random
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Laura Clifford (Reeling Reviews), "The film is challenging, German playing with time, film stocks and shooting styles, his cinema fractured to give the abstract impression of distant memories...once what German's trying to do sinks in, Lapshin becomes a potent symbol of the Stalinist era."
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The 'Urka' (Criminal) personage who stabs Khanin and then later is shot and killed by Ivan Lapshin was played not by a professional actor, but by a real criminal. Aleksey German made this decision to add more realism to these
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Nikolay Gubenko auditioned for the role of Ivan Lapshin, yet the director chose to work with Andrei Boltnev because "there was some sort of 'doomed' quality about him - it was clear he'd be shot and killed".
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This film was shot in the early 1980s, but was not released until the perestroika reforms because it took an ironic look at Soviet idealism.
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The local CID is engaged in the capture of Solovyov's gang, who are committing senseless and brutal murders. Ivan Lapshin (
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was filmed in Astrakhan, Russia, in 1983. The film was produced by Lenfilm Studio and Pervoe Tvorcheskoe Obedinenie.
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Vida Johnson and Elena Stishova, Perestroika and Post-Soviet Cinema 1985–2000s Academic Studies Press (2013)
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The film was based on novellas written by the director Aleksei German's father Iurii P. German (1910-1967).
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on behalf of a narrator (at that time a 9-year-old boy) who tells about them many years later.
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Walter Goodman (New York Times): "Beneath the camouflage of the look of time past,
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Locarno International Film Festival 1986 - Winner of the Ernest Artaria Award
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International Film Exchange (IFEX) (1987) (USA) (theatrical) (subtitled)
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This article related to a Soviet film of the 1980s is a
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Shot in 1983, this movie was not released until 1985.
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I.V.C. (2011) (Japan) (DVD) (Aleksey German DVD-BOX)
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You can help Knowledge (XXG) by 451:Cinematographic Process: Spherical 14: 724:Goodman, Walter (24 March 1987). 466:has an approval rating of 83% on 319:Zinaida Adamovich as Patrikeyevna 1002: 949: 405:(1988) (Argentina) (theatrical) 389:Budget: $ 8,000,000 (estimated) 334:Valeriy Filonov as Pobuzhinskiy 744:"Moy drug Ivan Lapshin - IMDb" 436:Color: Black and White | Color 430:Runtime: 1 hr 40 min (100 min) 1: 1135:Films based on Russian novels 1090:Russian black-and-white films 445:Film Length: 2,719 m (Sweden) 1145:1980s crime drama film stubs 1110:1980s Russian-language films 1080:Soviet black-and-white films 337:Anatoli Slivnikov as Bychkov 1010:This article about a 1980s 454:Printed Film Format: 35 mm 439:Aspect Ratio: 1.37 : 1 206: 1161: 997: 944: 349:Yuri Pomogayev as Solovyov 340:Andrei Dudarenko as Kashin 1095:Russian crime drama films 883: 783:Rifkin, Benjamin (1992). 494:is makeshift melodrama." 195: 30: 1085:Soviet crime drama films 877:Aleksei Yuryevich German 668:"My Friend Ivan Lapshin" 477:According to Tony Wood, 425:Technical specifications 1140:1980s Soviet film stubs 1125:Films shot in Astrakhan 905:Twenty Days Without War 705:"Moy drug Ivan Lapshin" 608:"Moy drug Ivan Lapshin" 553:Peter Rollberg (2009). 398:Distributors include: 1120:Films set in the 1930s 1075:1985 crime drama films 913:My Friend Ivan Lapshin 838:My Friend Ivan Lapshin 827:My Friend Ivan Lapshin 484: 464:My Friend Ivan Lapshin 448:Negative Format: 35 mm 384:My Friend Ivan Lapshin 224:, based on a novel by 187:My Friend Ivan Lapshin 26:My Friend Ivan Lapshin 889:The Seventh Companion 232:. It was narrated by 208:Moy drug Ivan Lapshin 921:Khrustalyov, My Car! 323:Aleksandr Filippenko 196:Мой друг Иван Лапшин 373:Boris Vojtsekhovsky 304:as Natasha Adashova 212:) is a 1985 Soviet 128:Arkadi Gagulashvili 1105:1980s Soviet films 730:The New York Times 694:7, Jan.-Feb. 2001. 367:Anatoli Shvedersky 361:Natalya Laburtseva 355:as Solovyov's wife 1027: 1026: 970: 969: 939: 938: 897:Trial on the Road 564:978-0-8108-6072-8 468:review aggregator 370:Vladimir Tochilin 331:as Superintendent 316:as Vasya Okoshkin 230:Eduard Volodarsky 204: 183: 182: 54:Eduard Volodarsky 1152: 1048: 1041: 1034: 1006: 999: 991: 984: 977: 953: 946: 929:Hard to Be a God 869: 862: 855: 846: 813: 812: 780: 774: 773: 760: 754: 753: 740: 734: 733: 721: 715: 714: 701: 695: 684: 678: 677: 664: 658: 657: 644: 638: 637: 624: 618: 617: 604: 598: 597: 584: 578: 575: 569: 568: 550: 403:Artkino Pictures 220:and produced by 211: 199: 197: 148: 146: 35: 23: 1160: 1159: 1155: 1154: 1153: 1151: 1150: 1149: 1055: 1054: 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Index

Soviet Union

Aleksei German
Eduard Volodarsky
One Year
Yuri German
Lenfilm
Andrei Boltnev
Nina Ruslanova
Andrei Mironov
Aleksei Zharkov
Soviet Union
Russian
romanized
crime drama
Aleksei German
Lenfilm
Yuri German
Eduard Volodarsky
Valeri Kuzin
Andrei Boltnev
Andrei Boltnev
Nina Ruslanova
Andrei Mironov
Aleksei Zharkov
Aleksandr Filippenko
Yuriy Kuznetsov
Semyon Farada
Nina Usatova
Artkino Pictures

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