216:, from 1988 to 2009, filming in over 17 countries. The film is the result of many international associations, without which this longitudinal study could not have been completed. The Buddhist Broadcasting Foundation approached Fox about filming the story, and she received a grant from the Hartley Film Foundation for the project.
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master, who had died after the
Chinese invaded Tibet. Yeshi grew up in Italy and wanted nothing to do with this legacy. He had no interest in being a teacher like his father, nor did he want to return to Tibet and the monastery of Rinpoche's uncle to meet the students waiting for him since his birth
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Through intimate scenes Yeshi is shown growing from 18 years old to 39 years old and maturity, and his father who begins the story in his 50-year-old prime ages to 70 years and his senior years. As the story unravels, what is at stake for
Namkhai Norbu Rinpoche is his spiritual tradition, for Yeshi
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The image of water and swimming, Namkhai Norbu's beloved pastime, is used as a repetitive thematic pillar through the film as a representation of his teachings of integration and emptiness. The natural sounds of chanting and song, combined with added effects and carefully scored music, is used to
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it is his own identity. Will Yeshi's
Western lifestyle replace his family tradition and his spiritual roots? Will his father succeed at transplanting the vanishing Tibetan heritage to the Western world? As time moves forward, both father and son begin to change.
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utilizes archival film, still photographs, and over 1,000 hours of intimate scenes shot between 1988 and 2009. In addition, interviews with
Namkhai Norbu and Yeshi over 20 years provide a secondary text.
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s
Richard Kuipers also praised " complex relationship between exiled Tibetan spiritual master Cheogyal Namkhai Norbu Rinpoche and his Italian-born son Yeshi is examined in th fascinating docu."
164:. It is a drama between father and son, spanning two decades and three generations. The film addresses spirituality, cultural survival, identity, heritage, family, growing into maturity, aging,
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escaped Tibet in 1959, he settled in Italy, where he married and had two children, of which Yeshi was the first. Yeshi was recognized as the reincarnation of
Rinpoche's uncle, a renowned
196:– something that his father continually admonished him to do. Instead, he dreamed of a normal life, away from the hordes of devoted students that always surrounded his father.
313:"The story and settings hold interest throughout, but at times the very lack of emotional connection that Yeshi laments in his father seems to hinder the film".
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express a non-verbal sense of the spiritual world Norbu
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602:Documentary films about spirituality
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517:"Life and 'Reincarnation' in Tibet"
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441:Bowen, Chuck (October 26, 2011).
607:Documentary films about Buddhism
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358:The Numbers
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592:2011 films
586:Categories
527:Boston.com
416:Metacritic
339:References
272:Metacritic
208:Production
156:is a 2011
142:Box office
129:90 minutes
113:2011-10-28
16:2011 film
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193:Dzogchen
183:Synopsis
166:Buddhism
145:$ 96,115
134:Language
85:Music by
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501:Variety
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137:English
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187:When
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
