301:
493:
characteristic of so much thinking these days." He wrote that allowing a mother to condemn her son based on flimsy evidence shows the film's "hot emotional nature" and that its endorsement of bigotry and argument for religious conformity would "cause a thoughtful person to feel a shudder of apprehension." While praising all of the actors, Crowther regretted the film's "snide anti-intellectual stance." Soon after the film opened, Crowther noted that
292:, but at the last minute finds faith in God, repents his actions and decides to turn himself in to Stedman. However, John is killed by communist agents before he can do so, but he tells Stedman that he left a tape-recorded confession, which Stedman plays at his college's commencement exercises. Later at church, Dan consoles a distraught Lucille, saying that John's actions will eventually be forgotten but that his words will be remembered.
285:
it was a normal loyalty check. Lucille discovers that the key is for an apartment of a female Soviet spy with whom John confesses to having an affair. Lucille refuses to accept his assurances of loyalty and begs him to confess, and declares that he deserves to be punished. However, John points out that the court will refuse to accept
Lucille's testimony since she is suffering from a mental illness, which Stedman accuses John of causing.
38:
281:
John's college friend
Stedman. Dan questions John's loyalty after he mocks his anticommunist speech to the Legion and tries to rewrite it. After Dan accuses him of being a communist and threatens him, John assures Lucille of his loyalty by swearing on her Bible, but Dan refuses to believe his son, and after an argument about the veracity of the Bible beats him and tears his trousers.
517:" is espoused. Helen Hayes is the star of this picture as a mother who condemns her own son when she learns that he has been consorting with a girl who is charged with being a spy. The irony is that the sort of cultural vigilantism that is currently being forced on Hollywood is made heroic in the person of Dean Jagger, who plays an American Legionnaire.
543:
Others have appreciated that the film locates the ideological conflict within a complex set of family relations, with father and son competing for the same woman's affection, but noted that John is not just intellectual, but "an unathletic, sexually ambiguous intellectual," both "sullen" and "slick."
448:
would perform the speech instead. However, Walker died on August 28, 1951, less than a week after completing principal photography on the film and only a few hours after recording the audio for the ending speech. Because Walker was unavailable for the reshoots for the scene, the script was changed so
284:
The next morning, John asks
Lucille to retrieve his trousers from the church clothing drive, and she finds a key. Stedman returns to inform her that he is an FBI agent investigating John. His mother tells John to "think with your heart, not your head." When she returns the trousers to John, he claims
393:
John Lee Mahin said he agreed to write the film if they downplayed the Anti-Communist article and made the film about a mother's concern for her son. He claims his script was rewritten by Myles
Connelly. "McCarey was a brilliant man who let the Communists drive him absolutely crazy," said Mahin. "He
280:
father Dan. In conversation with them and their parish priest, John uses humor to make provocative statements and his attitude is resented. He spends hours with one of his college professors, leaving his parents feeling shortchanged. Anxious about his son's behavior, Dan gets into a car crash with
272:
In uniform, Chuck and Ben
Jefferson, strapping blonds who played high-school football, attend Sunday Mass with their parents before leaving for army service in Korea. Their older brother John sends regrets that he cannot join their farewell dinner because of his work for the federal government in
492:
that the film represented its time perfectly in that it "corresponds with the present public ferment of angry resentment and fear" and that it is "a picture so strongly dedicated to the purpose of the
American anti-Communist purge that it seethes with the sort of emotionalism and illogic that is
389:
reported that Hayes, mirroring certain current events, would shoot her son in the film and be tried for his murder. Hayes called it "a natural, human part" for which she did not have to worry about her appearance. She denied that the film's message attracted her to the project: "I just like the
374:
was considering it for her return to motion pictures after 17 years away from the film industry. The details of the story were kept secret while it was first described in one news report as "a contemporary drama about the relationship between a mother and son, described by McCarey as 'highly
382:
Despite McCarey's "close-mouthed silence" for two months and a public warning to Hayes not to discuss the plot, it was reported that "word has gotten around
Hollywood with the authority such wisps of information always have that the son ... is a traitor to his country–an agent of Communist
531:, later a congressman, wrote: "McCarey's picture of how America ought to be is so frightening, so speciously argued, so full of warnings against an intelligent solution to the problem that it boomerangs upon its own cause."
539:
wrote that the film advised the public to "cut out thinking, obey their superiors blindly, regard all political suspects as guilty without trial, revel in joy through strength, and pay more attention to football."
250:. The nomination was later viewed as a possible attempt by the motion picture industry to signal its loyalty to the ongoing anticommunist campaign. Retrospective reviews have characterized it as a
390:
character and the story. I am deadly set against messages as the prime factor for taking a part. But I do feel the picture is a very exciting comment on a certain phase of our living today."
561:
calling it "undoubtedly the greatest and most stirring pro-American motion picture of the last decade. ... It should be seen by the people of every
American home." McCarey told the magazine
641:
noted the film's dual personality, writing that it "aspires to the warmth of a domestic comedy while remaining tendentious to the core, relentlessly unfunny and starkly melodramatic."
627:
in 2002 that "gentleness itself had become a sin." In his view, McCarey's "exquisitely sensitive" handling of the mother-son relationship in the first part of the film was undercut by
459:
for the death scene. The shots of the audience from the originally filmed ending were used in the final film, with new shots of the recording playing from an empty lectern.
1718:
987:
Brady, Thomas F. (Feb 7, 1951). "$ 55,162 WON IN SUIT BY ANN SHERIDAN: Federal Jury on Coast Gives
Actress Damages for Claim Against R.K.O. Studios Of Local Origin".
1743:
812:
474:
The picture was not a success at the box office. It grossed under $ 1 million and failed to make the list of the top 90 pictures of the year as compiled by
247:
551:
In response to negative reviews from the New York critics, the
Catholic Press Institute unanimously endorsed a resolution praising the film and Senator
1337:
1753:
1728:
729:
1738:
449:
that Walker's character would be killed before the commencement, with a recording of his speech to be played along with a shot of Walker from
1778:
1733:
1423:
413:
288:
Stedman advises him that he should "use whatever free will you have. Give up. Name names." John tries to flee the country on a flight to
1758:
1271:
1210:
1176:
1066:
971:
702:
668:
445:
328:
228:
93:
300:
1748:
596:
404:
Ten days into shooting, the plot's unknown elements continued to garner press coverage. McCarey denied that the script was the
755:
959:
1768:
1723:
20:
1352:
1677:
455:
513:, is a passionate endorsement of the relentless pursuit of American Communists to the extent that the acceptance of "
235:. Walker plays the title character, a middle-class college graduate whom his parents suspect may be a communist spy.
497:
provided an ironic contrast to the public outcry about communist subversion in the film industry on the part of the
1645:
635:. Klawans hears Connolly's tone in the film's finale, a commencement address warning the young against liberalism.
571:
370:
built interest in the project by reporting the casting of each role, beginning with the news in December 1950 that
1111:
1713:
1597:
1416:
1461:
412:
It's about a mother and father who struggled and slaved. They had no education. They put all their money into
1621:
563:
523:
1549:
901:
1669:
1629:
1605:
1581:
1565:
1327:
1294:
1137:
1018:
930:
852:
777:
502:
277:
1763:
1653:
1409:
617:
Some have surmised that McCarey had lost his hallmark deep sympathy for his characters by the 1950s.
557:
514:
441:
1708:
1493:
1477:
1453:
125:
276:
A week later, John pays a surprise visit to his parents, his devoutly Catholic mother Lucille and
1773:
1685:
1589:
1557:
1469:
1323:
623:
586:
488:
476:
463:
416:
for their sons. But one of the kids gets too bright. It poses the problem–how bright can you get?
367:
149:
1533:
397:
In February 1951, Robert Walker was borrowed from MGM to play the title role. That same month,
1385:
1267:
1261:
1206:
1200:
1172:
1062:
1056:
967:
698:
692:
664:
658:
607:
1166:
450:
255:
37:
1613:
1445:
1396:
498:
483:
433:
346:
251:
212:
107:
1541:
1517:
1332:
1235:
628:
618:
591:
535:
363:
264:
was Walker's final role; he died in August 1951, midway through principal photography.
239:
67:
61:
595:
included the film in his unranked list of the best American films not included on the
1702:
1573:
1509:
1092:
552:
545:
440:
A scene with Van Heflin delivering the speech at the end of the film was shot at the
385:
521:
Other critics underscored the cultural attitudes behind the film's politics. In the
1637:
1525:
376:
340:
334:
880:
Schallert, Edwin (Jan 23, 1951). "TV Assists Helen Hayes' Return to Film Career".
614:
as "hysterical" and "the anti-Communist movie to end all anti-Communist movies."
1501:
1485:
1433:
1401:
638:
632:
509:
Amid all this turmoil, an irony is that one of the latest films from Hollywood,
398:
371:
322:
310:
243:
232:
220:
216:
97:
85:
51:
1390:
1328:"List-o-Mania: Or, How I Stopped Worrying and Learned to Love American Movies"
575:
528:
405:
316:
224:
89:
362:
The film was based on an idea by Leo McCarey and developed into a script by
436:. It's not bad sometimes to have a small point and get the most out of it.
610:, writing about a festival of blacklist-era films in 1992, characterized
379:
reported that the script "has gotten raves from everyone who's read it."
1379:
1097:
High Noon: The Hollywood Blacklist and the Making of an American Classic
428:
and her cookbook. But who's brighter in the end-- the mother or the son?
421:
289:
1058:
An Army of Phantoms: American Movies and the Making of the Cold War
964:
Backstory: Interviews with Screenwriters of Hollywood's Golden Age
425:
299:
697:(2nd ed.). Johns Hopkins University Press. pp. 136–7.
631:, a screenwriter known for writing many a "bullying speech" for
574:
awarded McCarey its 1952 Literary Prize for "exemplification of
1405:
1237:
Screened Out: Playing Gay in Hollywood from Edison to Stonewall
657:
Haas, Elizabeth; Christiansen, Terry; Haas, Peter (2015).
660:
Projecting Politics: Political Messages in American Films
1263:
Hollywood's Blacklists: A Political and Cultural History
756:"Essential Political Films: Stephen Vagg on MY SON JOHN"
408:
story and said that it had a "happy ending." He said:
444:
in Los Angeles, but the script was rewritten so that
1295:"Presenting Annual Catholic Press Awards Yesterday"
196:
188:
178:
155:
145:
131:
121:
113:
103:
81:
73:
57:
47:
30:
1234:
304:Church in Manassas, Virginia featured in the film
836:"Drama: Howard Duff Will Soon Starr in 'Cave'".
1112:"Helen Hayes Returns to Films in 'My Son John'"
1002:"Academy Award Line-Up Set for 'My Son John'".
966:. University of California Press. p. 261.
507:
410:
730:"Daughter of a Blacklist That Killed a Father"
1417:
8:
544:Others have interpreted John's character as
432:It's such a fragile little point, but so is
1266:. Edinburgh University Press. p. 136.
1050:
1048:
1046:
1044:
1042:
663:(2nd ed.). Routledge. pp. 141–2.
578:, Catholic principles," citing his work on
1424:
1410:
1402:
36:
27:
895:
893:
891:
728:Bosworth, Patricia (September 27, 1992).
401:signed. Van Heflin signed in April 1951.
1719:American anti-communist propaganda films
958:McCarthy, Todd; McBride, Joseph (1986).
462:Filming took place in Washington, D.C.,
1165:Quart, Leonard; Auster, Albert (2011).
771:
769:
649:
1171:(4th ed.). ABC-CLIO. p. 46.
902:"Some Notes about a Secret Movie Plot"
851:Brady, Thomas F. (February 18, 1951).
424:. The mother knows only two books–her
420:He takes up a lot of things including
1351:Klawans, Stuart (December 15, 2002).
1087:
1085:
1019:"Actor Walker Dies After Drug Dosage"
7:
1340:from the original on April 13, 2020.
1168:American Film and Society since 1945
807:
805:
803:
801:
778:"Helen Hayes Plans Return to Screen"
723:
721:
242:film, produced during the height of
1744:Films scored by Robert Emmett Dolan
1205:. Facts on File, Inc. p. 152.
1136:Crowther, Bosley (April 13, 1952).
776:Hill, Gladwin (December 21, 1950).
754:Vagg, Stephen (November 27, 2018).
570:A month after the film opened, the
254:indicative of attitudes during the
246:, received an Oscar nomination for
1353:"A Kind Man Who Became A Hard Man"
1110:Crowther, Bosley (April 9, 1952).
567:that he felt mistreated and hurt.
248:Best Writing, Motion Picture Story
14:
1017:Hill, Gladwin (August 30, 1951).
375:emotional but with much humor'."
929:Gilroy, Harry (March 30, 1952).
1199:Schwartz, Richard Alan (2003).
962:. In Patrick McGilligan (ed.).
1754:Films shot in Washington, D.C.
1729:American black-and-white films
900:Otten, Jane (March 18, 1951).
691:Whitfield, Stephen J. (1996).
1:
1739:Films directed by Leo McCarey
960:"John Lee Mahin: Team Player"
555:entered a statement into the
1779:English-language drama films
1734:1950s English-language films
931:"Earnest Lady in Funny Play"
352:James Young as Ben Jefferson
21:My Son John (disambiguation)
1678:Rally Round the Flag, Boys!
1260:Humphries, Reynold (2008).
1006:. Apr 22, 1951. p. g2.
840:. Feb 9, 1951. p. B10.
694:The Culture of the Cold War
1795:
1099:. Bloomsbury. p. 245.
572:Catholic Press Association
18:
1440:
1241:. Routledge. p. 229n
1233:Barrios, Richard (2003).
42:Theatrical release poster
35:
1759:Paramount Pictures films
486:wrote in his review for
1646:The Bells of St. Mary's
1138:"Facing a Real Dilemma"
524:New York Herald Tribune
164:April 8, 1952
1749:Films shot in Virginia
519:
442:Wilshire-Ebell Theater
438:
394:actually went crazy."
305:
1670:An Affair to Remember
1630:Once Upon a Honeymoon
1606:Make Way for Tomorrow
1582:Belle of the Nineties
1055:Hoberman, J. (2011).
1004:Chicago Daily Tribune
503:Catholic War Veterans
303:
1769:1950s American films
1724:American drama films
1462:Isn't Life Terrible?
853:"Hollywood 'Freeze'"
558:Congressional Record
515:guilt by association
456:Strangers on a Train
319:as FBI Agent Stedman
313:as Lucille Jefferson
278:American Legionnaire
19:For other uses, see
1478:Mighty Like a Moose
1324:Rosenbaum, Jonathan
211:is a 1952 American
140:Rainbow Productions
126:Robert Emmett Dolan
1686:Satan Never Sleeps
1590:Ruggles of Red Gap
1558:The Kid from Spain
1470:Long Fliv the King
1432:Films directed by
1357:The New York Times
624:The New York Times
587:Jonathan Rosenbaum
489:The New York Times
464:Manassas, Virginia
349:as Chuck Jefferson
306:
150:Paramount Pictures
1696:
1695:
1326:(June 25, 1998).
1061:. The New Press.
882:Los Angeles Times
838:Los Angeles Times
608:Patricia Bosworth
582:and other films.
331:as John Jefferson
273:Washington, D.C.
215:film directed by
204:
203:
1786:
1714:1952 drama films
1426:
1419:
1412:
1403:
1368:
1367:
1365:
1363:
1348:
1342:
1341:
1320:
1314:
1313:
1311:
1309:
1299:
1291:
1285:
1284:
1282:
1280:
1257:
1251:
1250:
1248:
1246:
1240:
1230:
1224:
1223:
1221:
1219:
1196:
1190:
1189:
1187:
1185:
1162:
1156:
1155:
1153:
1151:
1142:
1133:
1127:
1126:
1124:
1122:
1107:
1101:
1100:
1089:
1080:
1079:
1077:
1075:
1052:
1037:
1036:
1034:
1032:
1023:
1014:
1008:
1007:
999:
993:
992:
984:
978:
977:
955:
949:
948:
946:
944:
935:
926:
920:
919:
917:
915:
906:
897:
886:
885:
877:
871:
870:
868:
866:
857:
848:
842:
841:
833:
827:
826:
824:
823:
809:
796:
795:
793:
791:
782:
773:
764:
763:
751:
745:
744:
742:
740:
725:
716:
715:
713:
711:
688:
682:
681:
679:
677:
654:
451:Alfred Hitchcock
414:higher education
343:as Father O'Dowd
325:as Dan Jefferson
256:Second Red Scare
171:
169:
40:
28:
1794:
1793:
1789:
1788:
1787:
1785:
1784:
1783:
1699:
1698:
1697:
1692:
1614:The Awful Truth
1534:Let's Go Native
1446:Society Secrets
1436:
1430:
1397:Rotten Tomatoes
1376:
1371:
1361:
1359:
1350:
1349:
1345:
1322:
1321:
1317:
1307:
1305:
1297:
1293:
1292:
1288:
1278:
1276:
1274:
1259:
1258:
1254:
1244:
1242:
1232:
1231:
1227:
1217:
1215:
1213:
1198:
1197:
1193:
1183:
1181:
1179:
1164:
1163:
1159:
1149:
1147:
1140:
1135:
1134:
1130:
1120:
1118:
1109:
1108:
1104:
1091:
1090:
1083:
1073:
1071:
1069:
1054:
1053:
1040:
1030:
1028:
1021:
1016:
1015:
1011:
1001:
1000:
996:
986:
985:
981:
974:
957:
956:
952:
942:
940:
933:
928:
927:
923:
913:
911:
904:
899:
898:
889:
879:
878:
874:
864:
862:
855:
850:
849:
845:
835:
834:
830:
821:
819:
817:catalog.afi.com
811:
810:
799:
789:
787:
780:
775:
774:
767:
753:
752:
748:
738:
736:
727:
726:
719:
709:
707:
705:
690:
689:
685:
675:
673:
671:
656:
655:
651:
647:
605:
499:American Legion
484:Bosley Crowther
472:
466:and Hollywood.
434:nuclear fission
429:
417:
360:
355:
347:Richard Jaeckel
298:
270:
252:propaganda film
213:political drama
181:
174:
167:
165:
158:
141:
136:
134:
108:Harry Stradling
96:
92:
88:
66:
64:
43:
24:
17:
12:
11:
5:
1792:
1790:
1782:
1781:
1776:
1771:
1766:
1761:
1756:
1751:
1746:
1741:
1736:
1731:
1726:
1721:
1716:
1711:
1701:
1700:
1694:
1693:
1691:
1690:
1682:
1674:
1666:
1658:
1650:
1642:
1634:
1626:
1618:
1610:
1602:
1594:
1586:
1578:
1570:
1562:
1554:
1546:
1542:Part Time Wife
1538:
1530:
1522:
1518:Red Hot Rhythm
1514:
1506:
1498:
1490:
1482:
1474:
1466:
1458:
1450:
1441:
1438:
1437:
1431:
1429:
1428:
1421:
1414:
1406:
1400:
1399:
1388:
1375:
1374:External links
1372:
1370:
1369:
1343:
1333:Chicago Reader
1315:
1302:New York Times
1286:
1272:
1252:
1225:
1211:
1191:
1177:
1157:
1145:New York Times
1128:
1116:New York Times
1102:
1093:Frankel, Glenn
1081:
1067:
1038:
1026:New York Times
1009:
994:
989:New York Times
979:
972:
950:
938:New York Times
921:
909:New York Times
887:
872:
860:New York Times
843:
828:
797:
785:New York Times
765:
746:
734:New York Times
717:
703:
683:
669:
648:
646:
643:
629:Myles Connolly
619:Stuart Klawans
604:
601:
592:Chicago Reader
564:Motion Picture
536:The New Yorker
471:
468:
364:John Lee Mahin
359:
356:
354:
353:
350:
344:
338:
332:
326:
320:
314:
307:
297:
294:
269:
266:
202:
201:
198:
194:
193:
190:
186:
185:
182:
179:
176:
175:
173:
172:
161:
159:
156:
153:
152:
147:
146:Distributed by
143:
142:
139:
137:
132:
129:
128:
123:
119:
118:
115:
111:
110:
105:
104:Cinematography
101:
100:
83:
79:
78:
75:
71:
70:
68:John Lee Mahin
62:Myles Connolly
59:
55:
54:
49:
45:
44:
41:
33:
32:
15:
13:
10:
9:
6:
4:
3:
2:
1791:
1780:
1777:
1775:
1772:
1770:
1767:
1765:
1762:
1760:
1757:
1755:
1752:
1750:
1747:
1745:
1742:
1740:
1737:
1735:
1732:
1730:
1727:
1725:
1722:
1720:
1717:
1715:
1712:
1710:
1707:
1706:
1704:
1688:
1687:
1683:
1680:
1679:
1675:
1672:
1671:
1667:
1664:
1663:
1659:
1656:
1655:
1651:
1648:
1647:
1643:
1640:
1639:
1635:
1632:
1631:
1627:
1624:
1623:
1619:
1616:
1615:
1611:
1608:
1607:
1603:
1600:
1599:
1598:The Milky Way
1595:
1592:
1591:
1587:
1584:
1583:
1579:
1576:
1575:
1574:Six of a Kind
1571:
1568:
1567:
1563:
1560:
1559:
1555:
1552:
1551:
1547:
1544:
1543:
1539:
1536:
1535:
1531:
1528:
1527:
1523:
1520:
1519:
1515:
1512:
1511:
1510:The Sophomore
1507:
1504:
1503:
1499:
1496:
1495:
1491:
1488:
1487:
1483:
1480:
1479:
1475:
1472:
1471:
1467:
1464:
1463:
1459:
1456:
1455:
1451:
1448:
1447:
1443:
1442:
1439:
1435:
1427:
1422:
1420:
1415:
1413:
1408:
1407:
1404:
1398:
1394:
1393:
1389:
1387:
1383:
1382:
1378:
1377:
1373:
1358:
1354:
1347:
1344:
1339:
1335:
1334:
1329:
1325:
1319:
1316:
1304:. May 5, 1952
1303:
1296:
1290:
1287:
1275:
1273:9780748624560
1269:
1265:
1264:
1256:
1253:
1239:
1238:
1229:
1226:
1214:
1212:9781438108766
1208:
1204:
1203:
1195:
1192:
1180:
1178:9780313382536
1174:
1170:
1169:
1161:
1158:
1146:
1139:
1132:
1129:
1117:
1113:
1106:
1103:
1098:
1094:
1088:
1086:
1082:
1070:
1068:9781595587275
1064:
1060:
1059:
1051:
1049:
1047:
1045:
1043:
1039:
1027:
1020:
1013:
1010:
1005:
998:
995:
991:. p. 47.
990:
983:
980:
975:
973:9780520056893
969:
965:
961:
954:
951:
939:
932:
925:
922:
910:
903:
896:
894:
892:
888:
884:. p. A8.
883:
876:
873:
861:
854:
847:
844:
839:
832:
829:
818:
814:
813:"My Son John"
808:
806:
804:
802:
798:
786:
779:
772:
770:
766:
761:
760:The Blacklist
757:
750:
747:
735:
731:
724:
722:
718:
706:
704:9780801851957
700:
696:
695:
687:
684:
672:
670:9781317520030
666:
662:
661:
653:
650:
644:
642:
640:
636:
634:
630:
626:
625:
620:
615:
613:
609:
602:
600:
598:
594:
593:
588:
583:
581:
577:
573:
568:
566:
565:
560:
559:
554:
549:
547:
541:
538:
537:
532:
530:
526:
525:
518:
516:
512:
506:
504:
500:
496:
491:
490:
485:
481:
479:
478:
469:
467:
465:
460:
458:
457:
452:
447:
446:Robert Walker
443:
437:
435:
430:
427:
423:
418:
415:
409:
407:
402:
400:
395:
391:
388:
387:
386:Daily Variety
380:
378:
373:
369:
365:
357:
351:
348:
345:
342:
339:
337:as Dr. Carver
336:
333:
330:
329:Robert Walker
327:
324:
321:
318:
315:
312:
309:
308:
302:
295:
293:
291:
286:
282:
279:
274:
267:
265:
263:
259:
257:
253:
249:
245:
241:
240:anticommunist
238:The strongly
236:
234:
230:
229:Robert Walker
226:
222:
219:and starring
218:
214:
210:
209:
199:
195:
192:United States
191:
187:
183:
177:
163:
162:
160:
154:
151:
148:
144:
138:
130:
127:
124:
120:
116:
112:
109:
106:
102:
99:
95:
94:Robert Walker
91:
87:
84:
80:
76:
72:
69:
63:
60:
56:
53:
50:
46:
39:
34:
29:
26:
22:
1684:
1676:
1668:
1661:
1660:
1652:
1644:
1638:Going My Way
1636:
1628:
1620:
1612:
1604:
1596:
1588:
1580:
1572:
1564:
1556:
1548:
1540:
1532:
1526:Wild Company
1524:
1516:
1508:
1500:
1492:
1484:
1476:
1468:
1460:
1452:
1444:
1391:
1380:
1360:. Retrieved
1356:
1346:
1331:
1318:
1306:. Retrieved
1301:
1289:
1277:. Retrieved
1262:
1255:
1243:. Retrieved
1236:
1228:
1216:. Retrieved
1201:
1194:
1182:. Retrieved
1167:
1160:
1148:. Retrieved
1144:
1131:
1119:. Retrieved
1115:
1105:
1096:
1072:. Retrieved
1057:
1029:. Retrieved
1025:
1012:
1003:
997:
988:
982:
963:
953:
941:. Retrieved
937:
924:
912:. Retrieved
908:
881:
875:
863:. Retrieved
859:
846:
837:
831:
820:. Retrieved
816:
788:. Retrieved
784:
759:
749:
737:. Retrieved
733:
708:. Retrieved
693:
686:
674:. Retrieved
659:
652:
637:
622:
616:
611:
606:
590:
584:
579:
569:
562:
556:
550:
542:
534:
533:
522:
520:
510:
508:
505:. He wrote:
494:
487:
482:
475:
473:
461:
454:
439:
431:
419:
411:
403:
396:
392:
384:
383:espionage."
381:
377:Hedda Hopper
361:
341:Frank McHugh
335:Minor Watson
287:
283:
275:
271:
261:
260:
237:
207:
206:
205:
180:Running time
157:Release date
25:
1764:McCarthyism
1662:My Son John
1622:Love Affair
1502:Wrong Again
1486:We Faw Down
1434:Leo McCarey
1392:My Son John
1381:My Son John
639:J. Hoberman
633:Frank Capra
612:My Son John
597:AFI Top 100
580:My Son John
511:My Son John
495:My Son John
399:Dean Jagger
372:Helen Hayes
323:Dean Jagger
311:Helen Hayes
262:My Son John
244:McCarthyism
233:Dean Jagger
221:Helen Hayes
217:Leo McCarey
208:My Son John
184:122 minutes
117:Marvin Coil
98:Dean Jagger
86:Helen Hayes
77:Leo McCarey
74:Produced by
65:Leo McCarey
52:Leo McCarey
48:Directed by
31:My Son John
1709:1952 films
1703:Categories
1550:Indiscreet
1362:August 17,
1308:August 17,
1279:August 17,
1245:August 17,
1218:August 17,
1184:August 17,
1150:August 17,
1121:August 19,
1074:August 17,
1031:August 17,
943:August 17,
914:August 17,
865:August 17,
822:2021-06-11
790:August 17,
739:August 17,
710:August 17,
676:August 17,
645:References
553:Karl Mundt
546:homosexual
529:Ogden Reid
406:Alger Hiss
358:Production
317:Van Heflin
225:Van Heflin
168:1952-04-08
133:Production
90:Van Heflin
58:Written by
1774:Red Scare
1566:Duck Soup
1202:The 1950s
621:wrote in
585:In 1998,
576:Christian
470:Reception
368:Paramount
114:Edited by
16:1952 film
1654:Good Sam
1338:Archived
1095:(2017).
501:and the
197:Language
122:Music by
82:Starring
1494:Liberty
1454:All Wet
589:of the
477:Variety
422:atheism
200:English
189:Country
166: (
135:company
1689:(1962)
1681:(1958)
1673:(1957)
1665:(1952)
1657:(1948)
1649:(1945)
1641:(1944)
1633:(1942)
1625:(1939)
1617:(1937)
1609:(1937)
1601:(1936)
1593:(1935)
1585:(1934)
1577:(1934)
1569:(1933)
1561:(1932)
1553:(1931)
1545:(1930)
1537:(1930)
1529:(1930)
1521:(1929)
1513:(1929)
1505:(1929)
1497:(1929)
1489:(1928)
1481:(1926)
1473:(1926)
1465:(1925)
1457:(1924)
1449:(1921)
1270:
1209:
1175:
1065:
970:
701:
667:
603:Legacy
290:Lisbon
1298:(PDF)
1141:(PDF)
1022:(PDF)
934:(PDF)
905:(PDF)
856:(PDF)
781:(PDF)
426:Bible
1386:IMDb
1364:2015
1310:2015
1281:2015
1268:ISBN
1247:2015
1220:2015
1207:ISBN
1186:2015
1173:ISBN
1152:2015
1123:2015
1076:2015
1063:ISBN
1033:2015
968:ISBN
945:2015
916:2015
867:2015
792:2015
741:2015
712:2015
699:ISBN
678:2015
665:ISBN
296:Cast
268:Plot
231:and
1395:at
1384:at
453:'s
1705::
1355:.
1336:.
1330:.
1300:.
1143:.
1114:.
1084:^
1041:^
1024:.
936:.
907:.
890:^
858:.
815:.
800:^
783:.
768:^
758:.
732:.
720:^
599:.
548:.
527:,
480:.
366:.
258:.
227:,
223:,
1425:e
1418:t
1411:v
1366:.
1312:.
1283:.
1249:.
1222:.
1188:.
1154:.
1125:.
1078:.
1035:.
976:.
947:.
918:.
869:.
825:.
794:.
762:.
743:.
714:.
680:.
170:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
