167:, who called it "one of the most overpoweringly dull musical dramas of all time" and compared its slow plot to "being hit over the head with a sledge hammer repeatedly all evening," adding: "It hurts." He was kinder to Villa-Lobos's score: "Disentangled from the appalling libretto and lyrics of 'Magdalena,' the score might be stimulating, especially since the orchestrations are unhackneyed and an accomplished singing actress, like Irra Petina, can give her numbers brilliance and eloquence."
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115:, and the chorus was prepared by Robert Zeller. Broadway veterans Howard Bay (settings and lighting) and Irene Sharaff (costumes) were also part of the creative team. It was also presented in San Francisco at the Curran Theatre (San Francisco Light Opera) for several performances beginning August 16, 1948. The same production opened in
174:, while dismissing the book as "secondary," called the play "a bold and stunning departure in the musical theater ... a flaming, opulent, disturbing and imaginative work which does not fit into any of the standard patterns." He praised Villa-Lobos' score as "busy, immensely intricate and strangely, fascinatingly orchestrated."
103:, Gerhard Pechner, A. Garcia, Melva Niles, Henry Reese, Ferdinand Hilt, J. Arthur, Betty Huff, Christine Matsios, Leonard Morganthaler, John Schickling, Lorraine Miller, Gene Curtsinger, Patrick Kirk, Betty Brusher, and Jack Cole (soloists).
137:, a summer festival in Wooster, Ohio, presented a fully-staged revival, the first since 1948. The work was performed in Australia in the 1990s as part of the Opera Festival in Ballarat, Victoria, again under Haile. More recently the
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September 20, 1948, and closed on December 4 after 88 performances. Raitt, Sarnoff, and Haas reprised their roles. No recording was made due to a strike.
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was revived in concert form under conductor Evans Haile on
November 24, 1987, at Alice Tully Hall in New York's
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Brooks
Atkinson, "Heitor Villa-Lobos, Brazilian Composer, Has Written the Musical Score for 'Magdalena'",
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350:"American Views of Brazilian Musical Culture: Villa-Lobos's Magdalena and Brazilian Popular Music"
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37 no. 4 (May 2004): 634–647. Available from: Academic Search
Complete, Ipswich, MA. Paywalled.
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Peppercorn, Lisa M. (1984). "Villa-Lobos's
Commissioned Compositions".
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Other critics were far more positive. John
Chapman in the
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366:Peppercorn, Lisa M. "Villa-Lobos's Stage Works".
145:announced a production to open in May 2010, with
710:Fantasia for saxophone, three horns, and strings
79:on 26 July 1948, pursuant to a commission from
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44:is a folk operetta in two acts with music by
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372:Belgisch Tijdschrift voor Muziekwetenschap
157:The play received a withering review from
637:On the Outline of the Mountains of Brazil
56:, and lyrics and musical adaptations by
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298:"Villa-Lobos Musical Set for Monday,"
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111:was the choreographer, assisted by
667:: Amerindian Symphony with Chorus)
428:Internet Broadway Database listing
83:, president of that organization.
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326:, September 21, 1948: p. 31.
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1058:The Little Train of the Caipira
348:Garcia, Thomas George Caracas.
510:Magdalena: a Musical Adventure
41:Magdalena: a Musical Adventure
1:
1052:Quinteto (em forma de chĂ´ros)
77:Los Angeles Civic Light Opera
1132:Operas by Heitor Villa-Lobos
979:Suite populaire brésilienne
384:. New Series (151): 28–31.
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368:Revue belge de Musicologie
359:Cadenhead F. "Magdelena".
354:Journal of Popular Culture
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436:review, November 25, 1987
390:10.1017/S0040298200058988
281:The Seed of God (Reprise)
50:Frederick Hazlitt Brennan
1137:English-language operas
1092:Modern classical guitar
665:Sumé, Father of Fathers
244:My Bus and I (Reprise)
226:Travel, Travel, Travel
220:Plan It by the Planets
36:
1003:Introdução aos Chôros
996:Bachianas Brasileiras
875:Works for guitar solo
841:String Quartet No. 17
836:String Quartet No. 16
831:String Quartet No. 15
826:String Quartet No. 14
821:String Quartet No. 13
816:String Quartet No. 12
811:String Quartet No. 11
806:String Quartet No. 10
374:36 (1982–84): 175–84.
361:American Record Guide
272:The Emerald (Reprise)
32:
801:String Quartet No. 9
796:String Quartet No. 8
791:String Quartet No. 7
786:String Quartet No. 6
781:String Quartet No. 5
776:String Quartet No. 4
771:String Quartet No. 3
766:String Quartet No. 2
761:String Quartet No. 1
740:Piano Concerto No. 5
735:Piano Concerto No. 4
730:Piano Concerto No. 3
725:Piano Concerto No. 2
720:Piano Concerto No. 1
705:Cello Concerto No. 2
700:Cello Concerto No. 1
495:List of compositions
247:The Forbidden Orchid
232:The Broken Pianolita
211:The Civilized People
184:As presented in 1948
275:Piece de Resistance
172:New York Daily News
139:Théâtre du Châtelet
68:Performance history
48:, original book by
18:Magdalena (musical)
988:Other compositions
486:Heitor Villa-Lobos
312:amazon.com listing
153:Critical reception
46:Heitor Villa-Lobos
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34:Heitor Villa-Lobos
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663:Symphony No. 10 (
446:, October 4, 1948
302:, August 12, 1948
75:premiered at the
16:(Redirected from
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1085:Related articles
644:Symphony No. 7 (
635:Symphony No. 6 (
626:Symphony No. 5 (
617:Symphony No. 4 (
608:Symphony No. 3 (
599:Symphony No. 2 (
590:Symphony No. 1 (
527:Orchestral works
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934:Étude No. 10
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1152:1948 operas
929:Étude No. 9
924:Étude No. 8
919:Étude No. 7
914:Étude No. 6
909:Étude No. 5
904:Étude No. 4
899:Étude No. 3
894:Étude No. 2
889:Étude No. 1
850:Piano works
693:Concertante
208:The Emerald
113:Gwen Verdon
89:Irra Petina
1126:Categories
1067:Film score
1045:ChĂ´ros bis
975:in D major
969:in E minor
963:in A minor
957:in E major
951:in E minor
286:References
257:Ceremonial
107:directed,
97:John Raitt
87:conducted
85:Arthur Kay
865:RudepoĂŞma
601:Ascension
414:144527649
398:1478-2286
229:Magdalena
127:Magdalena
109:Jack Cole
101:Hugo Haas
73:Magdalena
1113:Category
683:Uirapuru
266:Freedom!
235:Greeting
619:Victory
196:Petacal
161:of the
119:at the
1142:Operas
444:review
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406:946216
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252:Act II
756:Nonet
628:Peace
517:Yerma
502:Opera
410:S2CID
402:JSTOR
381:Tempo
188:Act I
143:Paris
394:ISSN
263:Lost
60:and
52:and
610:War
386:doi
141:in
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