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Annie
Margaret Landells (Painter and Potter); Dora Irene Nolan is the subject (confirmed as same person photographed in 'Dora Irene Nolan and Son Artist Sidney Nolan'; Fairfax Photos; Taken Art Gallery NSW 12 September 1967; by G. Henderson); daughter Lorna (Gosling) is seated behind right (confirmed by longtime resident building manager Johannes (Jonas) Le Ferink) and possibly other daughter (not confirmed) Marj. seated left. The paintings in the two photos include a Sidney Nolan from the Ned Kelly series and there are two Sidney Nolan books in the book case. The raised flooring platform (which covers a concrete upstand) on which the three subjects are seated improves the views out from the flat and is very typical of one bedroom Edgewater Towers flats that have enclosed their once open balconies.
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Fitzroy Studio, Diaz was introduced to the
Spanish scene and recorded various troupes, well represented in the Diaz collection. This was a place where she felt truly comfortable for the first time since arriving in Melbourne. It had the vibrancy and diversity that she missed from her Chicago home.
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In the 1980s, Diaz continued to operate a commercial studio in Martin Street, Gardenvale and became known for portraiture and actors' composites, forming alliances with Sascha Agency and JM Casting. One of Diaz' subjects, sixteen-year-old actor
Gwendolen De Lacy, became a lifelong friend and would
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newspaper of 6 March 1964 notes that "A series of photographs which form part of the interior design of the new 3AW studios in the
Southern Cross Plaza are the work of a woman." Diaz also took portraits of radio personalities, and followed the mobile studio to special events and beach carnivals. A
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and was commissioned by the City of
Melbourne to produce some night shots to promote the city. She worked on many commercial campaigns, always shooting for herself. Many of these photographs were never seen by the client and not printed until 40 years later. One of these photographs, "Girl Hero",
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Dora Irene Nolan (Mother of Artist Sidney Nolan) was photographed by Maggie Diaz at
Edgewater Towers in 1977. State Library Victoria; Maggie Diaz; incorrectly entitled 'Mrs Landells (mother of Sidney Nolan) taken at Edgewater Towers, Marine Parade, St.Kilda'; The subject is not the image of Flora
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Diaz had to move again and this time, she took an apartment around the corner in
Gourlay Street, which had no darkroom; however, she continued with her work. Her knack for capturing the soul of the artist saw her portraiture of actors becoming a major interest. She photographed scores of plays at
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purchased 18 of Diaz' photographs, catalogued under
Australian life, 1960–1990 / Maggie Diaz. Diaz was subjected to extensive surgery for the removal of her left eye due to skin cancer. Following a fire in her home, she moved into long-term accommodation at Sacred Heart Mission in St Kilda – her
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Between 1956 and 1959 and in a juxtaposition of wealth and poverty that was to mark her later work, Diaz documented Lower North Center for the City of
Chicago – a "mixed" housing development for the underprivileged to promote the creation of community structure and educational programs including
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in an advertising agency while attending art school at night – initially doing "spot sketches". She was asked to go out with photographers, as an assistant and eventually the agency provided Diaz with her own camera, which she paid off from her wages. Diaz' early 35mm work begins at this time,
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During the 1950s, Diaz became resident photographer at
Chicago's famous cultural hub The Tavern Club. The club was founded in 1927 "to encourage the arts, intellectual recreation and good humored interest in life." Diaz captured images of patrons, dancers and many Jazz greats including the
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In 1949, Diaz received a telegram from her brother Tom, who was a professional skater in the Harry Blackstone Magic Show – "Blackstone wants another girl, send a picture!" She was sent the fare to join the show and toured America during 1949 and 1950 season. The following year, she became a
384:, The Courthouse and Playbox theatres in the 1990s. In the late 90s, partner Jose suffered a heart attack and Diaz' work started to wind down. In 2003, Diaz had a bad fall, which resulted in two months in Caulfield Hospital. Later that year, Jose died suddenly of a second heart attack.
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The Maggie Diaz Photography Prize for Women has been awarded biennially since 2015, celebrating her life and contributions. It is open to women photographers of all ages, and the media release requests that the artists "should use available light", a feature of much of her work.
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The sole woman working in commercial illustration included in As Modern as Tomorrow is previously overlooked American immigrant Maggie Diaz, whose distinctively moody work has only quite recently been reintroduced to Melbourne viewers and acquired by the
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In 2004, Diaz' friend Gwendolen De Lacy, began archiving Diaz' collection. In 2005, some highlights from the extensive collection were presented as a slide show to two packed audiences at La Mama Theatre's Courthouse, to celebrate Diaz' 80th birthday.
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Although they didn't marry, Diaz decided to take Jose's name and from thenceforth was known as "Maggie Diaz". During the 1970s, Diaz continued as a commercial photographer, with work from advertising agencies, such as Clemenger and Klempke.
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Known as "Maggie Besson Fraser", Diaz arrived in Melbourne in 1961 on a one-way ticket (a divorce gift from her ex-husband Clement Fraser), and soon established herself has one of the city's leading commercial photographers.
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In 2010, The State Library of Victoria purchased Into the Light, the exhibition and the entire Diaz archive – spanning 50 years of photography. Over 1000 images have been digitised and are available
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with her ex-husband Clement Fraser. He had produced a map for the Liberal government, titled, 'Australia the Awakening Giant' and was making a good living selling it all over the country. When the
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In the late 1950s Diaz married Australian graphic artist, Clement Fraser and was intrigued by his stories of Australia. The marriage did not last but Diaz' fascination with Australia did.
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featured more than 35 images from the Diaz Collection that had never been seen before. This exhibition celebrated the first 25 of Diaz' life as an artist and commercial photographer.
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Diaz adopted the name "Maggie Besson" after Betty Besson who was in the magic show and who married her brother Tom Reid. At around this time, she won a photography prize in the
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The National Library of Australia purchased 18 of Maggie's photographs in 2012. These are catalogued under Australian life, 1960–1990 / Maggie Diaz and are listed below.
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427:, the exhibition and the entire Diaz archive spanning 50 years of Diaz' work. Some of these images were included in a group show from the library collection. Called
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It was a sell-out event, which generated long-overdue interest in Diaz's life and career, and prompted a mention in the Victorian State Parliament in a speech by
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she worked in a steel mill and bakeries to support her family. By the time she was 20, she was diagnosed as "difficult and depressed". She was given
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135:. Diaz' work is marked by the contrast between the glamorous commercial world and those outsiders and misfits with whom she felt a connection.
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Mobile broadcast studio for Radio Melbourne 3AW between Elwood and St. Kilda, Melbourne, ca. 1965 nla.pic-vn6001244 ca. 1965 (2012 printing)
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magazine (c1966) and taken under the name of Maggie Besson Fraser, are included in the State Library of NSW Library photography collection.
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202:—now Pulitzer prize-winning photojournalist. Dallas Kinney thanked Diaz for her part in launching his photo journalism career on YouTube.
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198:. She also produced pictorial yearbooks for The Tavern Club in 1957 and 1958. While at the Tavern Club, Diaz was mentor to young dancer
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http://www.parliament.vic.gov.au/downloadhansard/pdf/Council/Autumn%202005/Council%20Extract%2023%20March%202005%20from%20Book%202.pdf
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The real Australian, portrait of a man at a bar, Brunswick Street, Fitzroy, Melbourne, 1990 nla.pic-vn6001684 1990 (2012 printing)
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Schoolboys reaching for the ball, in the Paddle Shoes commercial, Melbourne, ca. 1965 nla.pic-vn6001103 ca. 1965 (2012 printing)
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Girl Hero (for Paddle Shoes) Printed by Tiffaney Bishop, Melbourne 2011, c 1965 prtd 2000 Photograph, Australasian Art, 2011.1442
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and later known as "Cabrini Green". By the 1970s it was notorious for its gang wars and violence and was demolished in 2011.
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Colac Otway Performing Arts & Cultural Centre, Cnr Gellibrand & Rae St, Colac, Victoria, 25 July – 14 September 2008
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won the election in 1972, the map was discontinued as a promotional tool and Clem left the studio lease to Diaz and Jose.
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with a portrait of a young man in a tunnel. The $ 500 prize allowed her to begin her work as a freelance photographer.
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Coming or Going. Self-portrait with The Canberra, Melbourne, 1961 prtd c.2011 Photograph, Australasian Art, 2011.1440
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Ballarat International Foto Biennale, Mining Exchange, 12 Lydiard St North, Ballarat, 20 August – 18 September 2011
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In 2011 Diaz was featured as the sole woman in a group exhibition at the State Library of Victoria titled
112:(25 February 1925 – 16 October 2016) was an American-born Australian photographer who lived and worked in
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Parliamentary Debates (Hansard) Legislative Council Fifty-Fifth Parliament First session 23 March 2005
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Diaz moved from her Gardenvale studio in the late 1980s and operated from a flat on Grosvenor Street,
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Portland Arts Centre, Cnr Glenelg and Bentinck St, Portland, Victoria, 19 January – 27 February 2009
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Migrants on the railway, Gardenvale, Melbourne, ca. 1965 nla.pic-vn6001024 ca. 1965 (2012 printing)
431:, The exhibition was held from 1 July 2011 to 5 February 2012 and included works by immigrant peers
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from 1961. The Diaz Collection dates back to 1950s Chicago and the archive has been acquired by the
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Asleep at the races, Melbourne Cup, Flemington, ca.1965 nla.pic-vn6000967 ca. 1965 (2012 printing)
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Skipping, Lower North Center, Chicago, c 1960 prtd c 2011 Photograph, International Art, 2011.1439
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Beach father and son, St. Kilda, Melbourne, ca. 1965 nla.pic-vn6001066 ca. 1965 (2012 printing)
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Audience at the Myer Music Bowl, Melbourne, ca. 1965 nla.pic-vn6001047 ca. 1965 (2012 printing)
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Children playing; beach scenes; portraits of Tommy Hanlon Jnr. and a boy; between 1960 and 1969
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noted that Diaz "excels in art photography" while their front cover featured one of her photos
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c1966. Diaz' work was as an "example of excellence" and used to teach photography students at
706:, Evans, Weppelman, McMahon and Montua, Victoria and Albert Museum Publishing, London 2016.
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sewing classes, a ballet school, dances and religious ceremonies. This project was part of
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The Drum Theatre, Dandenong Town Hall, City of Greater Dandenong, 16 April – 12 June 2009
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local stomping ground. She lived at Sacred Heart Mission until her death in October 2016.
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Flinders Street traffic, Melbourne, ca. 1965 nla.pic-vn6001123 ca. 1965 (2012 printing)
504:, Kingston Arts Centre, 979 Nepean Highway, Moorabbin, Victoria, 20 March – 6 April 2009
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During the mid-1960s Diaz' photographs were used in a Nilsen Company publication titled
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https://www.brightspace.com.au/wp-content/uploads/2015/06/MR_final_MaggieDiazPrize.pdf
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Opera House construction, Sydney, ca. 1965 nla.pic-vn6001131 ca. 1965 (2012 printing)
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Here she met her future partner, Jose Diaz, with whom she had a son, Stevan, in 1967.
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breakfast advertisement featuring Diaz’ portrait of Peter James was featured in the
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Maggie Diaz, Port Melbourne, ca. 1965 nla.pic-vn6001693 ca. 1965 (2012 printing)
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Elephant trainer and son, Melbourne, 1971 nla.pic-vn6001571 1971 (2012 printing)
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Higgins boys climbing down the side of their house, Malvern, Melbourne, ca. 1970
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Newspaper seller, Melbourne, ca. 1965 nla.pic-vn6000897 ca. 1965 (2012 printing)
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Elephant joy, Luna Park. c 1965 prtd 2011 Photograph, Australasian Art, 2011.1441
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Maggie Diaz's journey from Hawaii and arrival in Sydney on the ship Canberra 1961
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during this time – recording a huge range of events and personalities, including
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Carnegie Gallery, Hobart, 16 Argyle St, Hobart, Tasmania, 2 July – 9 August 2009
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http://www.theage.com.au/news/Arts/Into-the-light/2005/02/19/1108709482186.html
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Spastic Centre bus, Melbourne, May 1970 nla.pic-vn6001641 1970 (2012 printing)
488:(Group exhibition), State Library of Victoria, ] 1 July 2011 – 5 February 2012
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In 1968, Diaz, Jose and Stevan moved into a commercial studio in Martin Street
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https://web.archive.org/web/20131018084901/http://maggiediaz.com/Content/Press
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https://web.archive.org/web/20131018084901/http://maggiediaz.com/Content/Press
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https://web.archive.org/web/20131018084901/http://maggiediaz.com/Content/Press
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https://web.archive.org/web/20131018084901/http://maggiediaz.com/Content/Press
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City Museum at Old Treasury, Spring Street, Melbourne, 10 March – 24 June 2007
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https://web.archive.org/web/20131018100925/http://maggiediaz.com/Content/News
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Burrinja Gallery, 351 Glenfern Road, Upwey, Victoria, 11 April – 13 July 2008
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Echuca rodeo, Victoria, ca. 1965 nla.pic-vn6001248 ca. 1965 (2012 printing)
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Melbourne Maternal Health, nurse visiting new mother, between 1960 and 1969.
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recording children in the neighbourhood and life on the streets of Chicago.
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Diaz was resident photographer for 3AW in the mid 1960s and an article in
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Gardenvale tunnel, an Australian ballet, Gardenvale, Melbourne, May 1970
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later be instrumental in archiving, curating and promoting Diaz' work.
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Pro Photo Magazine – April 2012: Article by Alison Stieven-Taylor.
147:, Missouri, "out of wedlock" and spent her early childhood years in
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an image taken for Paddle Shoes, is held in the collection of the
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Maggie Diaz was born Margaret Eunice Reid on 25 February 1925 in
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Diaz contributed to Group M's Photovision in 1964 exhibiting at
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805:" by Stephanie Bunbury, 20 February 2005, The Age Newspaper,
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In 2011, Diaz was selected as a Core Program Artist with the
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c1945 – 1946 and encouraged to find work as a domestic help.
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Pro Photo Magazine – September/October 2011, (Pages 18–20).
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As Modern as Tomorrow – Photographers in Post-war Melbourne
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An Australian tour commenced and in 2008, Diaz featured on
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As Modern as Tomorrow, Photographers in Post war Melbourne
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Child with an elephant at a circus, between 1960 and 1969
930:"As modern as tomorrow | State Library of Victoria"
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Woman working in clothing factory. between 1960 and 1969
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As Modern as Tomorrow: photographs in Post War Melbourne
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Lindsay Saddington, actor, teacher, Sascha Agency, 1983
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Experimental with the Cherokees, between 1960 and 1979
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The Canberra, Station Pier, Port Melbourne, ca. 1965
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Gwen in Veil at Midnight, Art Centre Melbourne, c1985
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The Sunday Age, 25 March 2007, Review by Penny Webb
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601:Ava Brown and family, Chicago, Jewish family, 1959
693:Maggie Diaz working, Chicago, Illinois, ca. 1960
589:Patrick Alexander (AWG) – poet and repairman 1987
746:Australian Photography Magazine (Pages 29 – 32)
337:She was also commissioned to take a portrait of
607:Tony MacDougall's wife and three children. 1963
550:Tony MacDougall's wife and three children, 1963
419:'Sunday Arts' television program. In 2010, the
734:Ballarat International Foto Biennale Catalogue
348:Diaz spent two years as staff photographer of
604:Grace Luminato, La Italiana, La Superba, 1988
571:Myer Music Bowl ; between 1960 and 1969
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598:Helen Jackson, radio presenter ABC /3AW 1979
769:Portland Observer, Friday 23 January 2009,
580:Bill Ford, good friend and philosopher 1961
443:commented in the State Library News that:
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1159:20th-century American women photographers
736:2011 (article by Madeleine Say, page 10)
565:Crowds at the beach between 1960 and 1969
233:Diaz depicted Melbourne "battlers" in a
1043:http://www.tiffaneybishop.com/about.htm
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616:The NGA purchased four prints in 2011:
595:Chicago 'Indian Girls' portraits, 1961
120:, with work in the collections of the
1144:20th-century Australian photographers
991:http://trove.nla.gov.au/work/22041474
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592:The Brotherhood of St. Laurence 1962
456:Ballarat International Foto Biennale
388:Collaboration with Gwendolen De Lacy
1139:20th-century American photographers
789:by Helen O"Neill 6–7 October 2007,
758:"Light shines on gritty collection"
16:Australian photographer (1925–2016)
864:David Perry (Australian filmmaker)
756:Moorabbin Leader – 11 March 2009,
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1007:Collection - State Library of NSW
785:The Weekend Australian Magazine,
750:by Robert Keeley September 2009,
217:Diaz arrives in Melbourne – 1960s
172:Photography career in USA – 1950s
775:Free Press Leader, 11 June 2008
257:Broadcasting and Television News
225:Peter James, 3AW Breakfast Radio
1154:American emigrants to Australia
916:"National Gallery of Australia"
540:through the library catalogue.
270:with well-known contemporaries
1124:Australian women photographers
767:"Maggie Diaz – Into the Light"
321:The middle years – 1970s–1980s
236:The Brotherhood of St Laurence
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1164:20th-century Australian women
989:Clem Fraser map of Australia
904:National Library of Australia
797:"Maggie Diaz, Into the Light"
634:National Library of Australia
612:National Gallery of Australia
577:Stockton Riley, musician 1980
501:Maggie Diaz – Into the Light:
467:National Library of Australia
292:In 1964, while living in her
243:National Gallery of Australia
126:National Gallery of Australia
122:National Library of Australia
1129:Photographers from Melbourne
311:Two photographs included in
289:the use of available light.
151:. As a teenager during the
1169:21st-century American women
493:Maggie Diaz, One-way Ticket
439:. Historian of photography
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1134:Photographers from Chicago
1055:State Library News Edition
839:Jeff Carter (photographer)
777:"Retrospective Collection"
180:Tavern Club, Chicago,1950s
893:State Library of Victoria
859:Henry King (photographer)
532:State Library of Victoria
421:State Library of Victoria
345:, Marine Parade in 1977.
341:'s mother in St Kilda at
118:State Library of Victoria
95:Clement Fraser, Jose Diaz
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1057:# 47 July – October 2011
819:Photography in Australia
1003:"Search the collection"
375:1990s – The later years
157:electro shock treatment
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973:"Maggie Diaz DETAILS"
704:Botticelli Reimagined
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238:Annual Report 1962-63
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208:Francis Cabrini Homes
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43:Kansas City, Missouri
698:Major media coverage
268:Museum of Modern Art
31:Margaret Eunice Reid
977:www.burrinja.org.au
824:Cinema of Australia
586:Geoff Jenkins, 1963
458:and her exhibition
350:Southern Cross News
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306:Whitlam government
283:Printing is People
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272:Wolfgang Sievers
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55:(2016-10-16)
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1149:2016 deaths
1119:1925 births
1102:Maggie Diaz
844:Ken G. Hall
527:Collections
478:Exhibitions
441:Gael Newton
165:Girl Friday
145:Kansas City
110:Maggie Diaz
87:Photography
68:Nationality
25:Maggie Diaz
1113:Categories
880:References
423:purchased
302:Gardenvale
139:Early life
79:autodidact
71:Australian
1100:Official
369:Balaclava
329:In 1975,
314:Walkabout
264:John Reed
114:Melbourne
92:Spouse(s)
76:Education
1068:"MDPPFW"
813:See also
449:Library.
149:New York
124:and the
100:Children
61:St Kilda
1104:website
961:YouTube
940:31 July
382:La Mama
251:The Age
1072:MDPPFW
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538:online
103:Stevan
799:Pg 48
356:from
942:2020
738:ISBN
710:ISBN
435:and
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50:Died
36:Born
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