29:
166:
Two peacocks are roaming in the garden: they are a symbol of the immortality of Christ since early
Christian times, when their flesh was considered not liable to rot.
28:
275:
270:
186:
260:
206:
265:
144:
255:
250:
151:. There are also numerous slender angels. They are performing a series of activities: reading (a hint to the
285:
280:
290:
174:
114:
106:
102:
79:
39:
170:
147:. The latter, as a princess, is crowned, and is accompanied by her martyrdom attribute of the
110:
43:
139:
61:
207:"Dai Visconti agli Sforza. Le meraviglie dell'arte lombarda a Milano. Mostra & Foto"
156:
152:
148:
244:
134:
71:
130 cm × 95 cm (51 in × 37 in)
130:
118:
83:
177:, with more recent scholars tending to favor the latter.
133:
on panel painting shows the traditional theme of the
16:
Painting by
Michelino da Besozzo or Stefano da Verona
155:), collecting petals of rose, playing near a Gothic
75:
67:
57:
49:
35:
21:
143:, symbol of her virginity, in the presence of
8:
187:Madonna of the Rose Garden (disambiguation)
113:. Dating to c. 1420–1435, it is now in the
27:
18:
198:
159:(symbolizing the definition of Mary as
276:Paintings in the Castelvecchio Museum
169:The work has been attributed to both
7:
271:Paintings of the Madonna and Child
14:
261:Paintings by Michelino da Besozzo
137:within an enclosure of roses, a
266:Paintings by Stefano da Verona
1:
145:St. Catherine of Alexandria
307:
94:Madonna of the Rose Garden
22:Madonna of the Rose Garden
26:
232:Zuffi, Stefano (2004).
105:painting attributed to
209:(in Italian). ArtsLife
163:, "Spring of Grace").
175:Michelino da Besozzo
115:Castelvecchio Museum
107:Michelino da Besozzo
103:International Gothic
80:Castelvecchio Museum
40:Michelino da Besozzo
135:Madonna with Child
121:, northern Italy.
99:Madonna del Roseto
171:Stefano da Verona
111:Stefano da Verona
89:
88:
44:Stefano da Verona
298:
237:
236:. Milan: Electa.
219:
218:
216:
214:
203:
140:hortus conclusus
62:Tempera on panel
31:
19:
306:
305:
301:
300:
299:
297:
296:
295:
256:1430s paintings
251:1420s paintings
241:
240:
234:Il Quattrocento
231:
228:
223:
222:
212:
210:
205:
204:
200:
195:
183:
153:religious texts
127:
17:
12:
11:
5:
304:
302:
294:
293:
288:
286:Peafowl in art
283:
278:
273:
268:
263:
258:
253:
243:
242:
239:
238:
227:
224:
221:
220:
197:
196:
194:
191:
190:
189:
182:
179:
126:
123:
87:
86:
77:
73:
72:
69:
65:
64:
59:
55:
54:
51:
47:
46:
37:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
303:
292:
289:
287:
284:
282:
281:Angels in art
279:
277:
274:
272:
269:
267:
264:
262:
259:
257:
254:
252:
249:
248:
246:
235:
230:
229:
225:
208:
202:
199:
192:
188:
185:
184:
180:
178:
176:
172:
167:
164:
162:
158:
154:
150:
149:torture wheel
146:
142:
141:
136:
132:
124:
122:
120:
116:
112:
108:
104:
100:
96:
95:
85:
81:
78:
74:
70:
66:
63:
60:
56:
52:
48:
45:
41:
38:
34:
30:
25:
20:
291:Books in art
233:
211:. Retrieved
201:
168:
165:
161:Fons gratiae
160:
138:
128:
98:
93:
92:
90:
53:c. 1420–1435
125:Description
245:Categories
193:References
97:(Italian:
68:Dimensions
181:See also
101:) is an
76:Location
226:Sources
131:tempera
213:1 July
119:Verona
84:Verona
58:Medium
36:Artist
215:2015
157:font
129:The
91:The
50:Year
173:or
117:in
109:or
42:or
247::
82:,
217:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.