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Despite being a production relatively free of complications, problems arose with the filming of the original ending. As scripted, the final shot of the production was to feature Trevor, now confined to a borstal, digging trenches in the backyard with all the other inmates and encouraging them to 'dig
358:, not an assessment centre. Anson brings the truncheon down, hitting Trevor on the kneecap. Anson smiles and says, 'You think you're hard, don't you?' Trevor looks defeated. The warder tells Trevor that he is all talk and has no choice but to respect authority and obey the rules, like everybody else.
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van. They reach Mr. Shahnawaz's neighbourhood and hurl stones through the windows and scream racial slurs. They get into the van and drive away. Trevor drives to a police station, and smashes the van into a car. Errol is rendered unconscious by the impact. Trevor exits the van and runs away, leaving
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After everybody has retired to bed, Trevor wakes up Errol and shows him Peter's keys, which he has taken. Trevor and Errol make their way into the office and Trevor finds their respective files. Trevor finds a report which says Errol will likely never return home. He drops the files on the floor and
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They go to the races and Trevor is given a chance to drive. Trevor seems to enjoy the experience, but gets into an accident, after which his car will not restart. Trevor cannot complete the race. On the drive back to the assessment center, Peter informs Trevor that he could join a racing team if he
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DVD collection, "I'm a country boy...I assumed everyone knew what trenching was." Director Clarke misunderstood the directions in the script, resulting in a scene where the borstal inmates are digging seemingly randomly placed holes. Deemed unsatisfactory and with insufficient funds to re-film it,
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was written very powerfully, and it had these rather long sequences which posed certain technical problems he found a piece of equipment that liberated him from that." Clarke became so enamored with the technical properties of the steadicam that it would be used repeatedly during the rest of his
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man, Mr. Shahnawaz. Trevor's social worker, Harry Parker takes him to Hooper Street
Residential Assessment Centre, where his punishment will be determined. The Centre's polite friendly deputy superintendent, Peter Clive, admits Trevor and he is allocated a room with a 19 year old black adolescent
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Trevor presses the buzzer in the room of the prison cell. The police officer orders him to keep his hands off the buzzer. Trevor walks away, but returns and proceeds to press the buzzer with his head. This time, another officer, PC Anson enters, with a truncheon. Trevor continues to provoke the
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The next day, Trevor leaves the assessment center to look for jobs. Trevor and Errol break into a car and drive to the center. Trevor barges past the queue, demanding a job from the attendant. When asked to wait, he storms out and hurls a brick through the window. After escaping, he breaks into
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Inside the assessment centre, Trevor does not cooperate. He demands lunch, only to be informed that he is too late. Trevor viciously attacks the chef before being stopped by care worker Barry Giller. Trevor is then held down by the chef and Barry, and locked up in a room.
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The next day, Trevor arrives at Harry's home. Harry tells him to go back to the assessment center, before it is too late. Trevor informs Harry of his misadventures, and tells him that he is turning himself in. Harry makes the necessary calls to the police.
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495:) was taking over as Head of Drama at the then-newly created Central Television. Matheson was keen to develop a project about education and a series of four one-off plays eventually broadcast under the umbrella title
489:, writer David Leland and director Alan Clarke were keen to work with each other again. Producer Margaret Matheson, who had worked with both Leland and Clarke before (including on the original version of
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the televised film closes on a freeze-frame of Trevor's grinning face in police custody. Screenshots and script directions from the original ending are enclosed on the aforementioned DVD.
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The superintendent arrives and tells Trevor that he is heading to prison. He explains that the assessment centre is Trevor's last chance to change the
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officer. Anson tells Trevor that he would be taken to court in a few days, and this time he will end up in a detention centre or a
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is notable as one of the first
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The film ends with Trevor recovering from the pain and grinning, as the warders shut the door of the cell.
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tells Errol to urinate and defecate on it. Errol defecates on his files, and Trevor urinates on his.
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for
Britain'. As David Leland noted in a 2016 interview accompanying the re-release of the play for
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Errol, whom while Trevor takes an instant disliking to, is still somewhat civil towards.
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on 10 July 1982 as the fourth in an untitled series of works by Leland (including
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and his constant confrontations with authority figures. It was broadcast on
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Emotion and
Cognition: About Some Key-Figures in Films by Alan Clarke
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Trevor has been charged for throwing a brick at the window of a
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The music in the opening scene is the song "UK82" by
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filmed work throughout the 1980s, including on the BBC dramas
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After successful collaborations on previous projects like
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Trevor and Errol leave the center, and drive away in the
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This article is about the film. For the campaign, see
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330:if he promises to behave. Trevor accepts.
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1004:Films about racism in the United Kingdom
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447:adding citations to reliable sources
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1009:Films directed by Alan Clarke
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506:– "He was trying then to do
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989:British prison drama films
786:Transcript by David Leland
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309:takes it and drives away
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42:may be written from a
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1049:1980s British films
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404:Christopher Fulford
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44:fan's point of view
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