412:
personal experiences, such as with mental illness. Cinematographer Ashley Connor also participated in some of the workshops because Decker wanted the camera to also be treated as a character. After all the workshops, Decker sat down and wrote a script that incorporated the best scenes they had created. In one draft of the script, she included a real-life event that had happened between her and Howard, and when she realized that it had crossed a line between the character
Madeline and the actual Helena Howard, she decided to take the script in a more fictional direction. Decker realized from that experience that the character Evangeline would have enjoyed crossing boundaries like that, so she started incorporating that desire into her character.
416:
the sets in such a way that the actors and camera could freely move anywhere without a light being in the shot. The visual style of the film incorporated camera techniques that Connor and Decker had discovered working on previous films together. Connor created a custom camera rig that allowed her to manipulate the focus in new ways, which Chris O'Falt of
Indiewire described as "an almost liquid-like aspect to the focus, and the image if often slightly doubled or warped, while out-of-focus translucent objects come into the edges of frame to cause pockets of soft, sometimes colorful blurring."
295:
a hot iron on her mother. Struck by this dream, Evangeline decides to have the performers recreate it in an improv exercise. Madeline gets overwhelmed at how her life is conflating with her art and wanders out of the theater alone while Regina looks for her. After she finds
Madeline, Regina discovers that Madeline's prescription for an unspecified mental illness has run out, and she struggles to get it quickly refilled.
299:
off her acting skills to the uncomfortable guests and hits on
Evangeline's husband. After speaking with Evangeline about their mutual feelings of self-consciousness and vulnerability, Madeline reveals that she wants to leave the group and Evangeline agrees that Madeline should take a break from acting for a bit.
267:. The film follows a teenage actress who is encouraged by her theater director to blur the lines between the character she is playing and her actual identity. The film is known for its experimental visuals and the improvisational process Decker used to create the story, not unlike the characters themselves.
298:
Evangeline gradually makes
Madeline's life the central focus of the theater performance they are devising. During a promotional photoshoot, Evangeline asks Regina to pose in the photo with Madeline. One rehearsal ends early, so Madeline goes to Evangeline's house for a birthday party, where she shows
543:
with the review praising how it addressed multiple issues such as identity and a "form of penance by its director, Josephine Decker, for appropriating the lives of her collaborators." However, it "mistakes intimacy for honesty, and it mis-assumes that audiences care nearly as much about the creative
415:
Decker continued this collaborative style during production. At the beginning of each day of shooting, the cast and crew met for a short meditation and a chance for anyone to voice concerns they had with the production process. Many of the scenes were improvised, so Connor and gaffer David April lit
294:
using improvisation. She enjoys the company of the other actors and their director
Evangeline, and dreads having to go home to her mother Regina who doesn't understand Madeline and often starts arguments. One day at rehearsal, Madeline confesses to Evangeline that she had a dream in which she placed
419:
Harrison Atkins was the editor for the first four months of post production and made over a hundred different cuts of the movie exploring various ways the story could be told, but when he had to leave to work on a different show, Decker took on the editing herself. Six months went by and she still
302:
Madeline is relieved at her new found creative freedom but is dismayed when
Evangeline stops by Madeline's house. She and Regina end up bonding over a couple glasses of wine, and Evangeline convinces Regina that she would be an excellent actor if she tried it. She tells Regina to stop by rehearsal
411:
in
Philadelphia and the School of Making Thinking. Decker, Howard, and eleven other actors met about nine different times over the course of seven months. They used improvisation to create a variety of different scenes, many of which never ended up in the final film, and explored each performer's
306:
Evangeline loves how real the emotions are, and asks the performers to recreate that scene again while she takes an important phone call outside. The performers are disgusted by the way
Evangeline has been exploiting Madeline's emotions and identity, and they lock the door. They quickly devise a
887:
Zilko, David
Ehrlich, Kate Erbland, Eric Kohn, Anne Thompson, Chris O'Falt, Tambay Obenson, Christian Blauvelt, Christian; Ehrlich, David; Erbland, Kate; Kohn, Eric; Thompson, Anne; O'Falt, Chris; Obenson, Tambay; Blauvelt, Christian; Zilko, Christian (July 23, 2019).
310:
At first Evangeline objects to being shoved around by everyone, but eventually despite struggling, she is used as part of the performance. The troupe ends up outside in the street, all dancing together in the sunlight as Madeline walks in the opposite direction.
303:
the next day. All three women show up to the rehearsal, and Evangeline has them do an exercise where everyone pretends to be Regina, but Madeline's version of her mother is too real and it hits a nerve: Regina leaves the rehearsal crying.
390:
by David Harrower, and Decker was so moved by the performance that she began to cry, which caused Howard to cry, too. Decker told her that it was the best performance she'd ever seen, and that she'd like them to work together on a film.
1307:
511:
called it a "seductive, disturbing, exasperating movie," noting it blurs the line between "fantasy and reality, certainly, but also between authenticity and artifice, theater and therapy, art and life."
455:
acquired U.S. distribution rights and announced plans for a general release later in the year. The film initially was shown at only one theater in Manhattan, and was eventually expanded to 31 theaters.
404:, she had experiences where artists told others' stories in ways that she felt were exploitative, and she wanted to explore whether it would be possible to tell someone else's story faithfully.
530:
named it one of the best films of 2018, describing the plot as "three women perform an intricate psychological dance, with two locked in a vicious tug-of-war for a third's affections." The
1725:
625:
1063:
420:
wasn't satisfied with the film, so she brought on producer Liz Rao to help with editing for five weeks. With only two weeks left until the deadline for submitting to the
1715:
1162:
914:
665:
1297:
610:
1412:
650:
394:
The film's story began as a fictionalized telling of Howard's own life, but Decker also wanted to explore her own anxieties as an artist. In her previous work
1765:
1745:
1730:
1614:
1720:
522:
which praised the "nuanced" portrayal of the protagonist and her growth as a "self-possessed" character dealing with dominating authority figures.
1034:
977:
1385:
593:
31:
1750:
1003:
476:, the film holds an approval rating of 88% based on 123 reviews, with an average rating of 7.7/10. The website's critics consensus reads, "
384:
Decker and Howard first met in 2014 at a teen arts festival that the director was judging. 15-year-old Howard performed a monologue from
1213:
827:
588:
1123:
480:
proves experimental cinema is alive and well – and serves as a powerful calling card for Helena Howard in her big-screen debut."
377:
Josephine Decker directed the film and wrote its screenplay. Camera work was handled by Ashley Connor, and music was composed by
505:
reviewer David Ehrlich described the film as "one of the boldest and most invigorating American films of the 21st century". The
424:, Decker realized there was still a major problem with the ending, so she brought on David Barker for some last-minute changes.
1760:
290:
Madeline is a lonely teenager who is part of a professional acting ensemble creating an experimental theater performance about
1152:
1740:
1607:
645:
1542:
1755:
1735:
1520:
1330:
484:
gives the film a weighted average score of 77 out of 100, based on 31 critics, indicating "generally favorable reviews".
1682:
1516:
1185:
248:
177:
1004:"Josephine Decker Felt Like Her Movies Didn't Matter, Until She Met the Teenager Who Would Star in Her Masterpiece"
1710:
1652:
1600:
1214:"Sundance Hits and Misses: How MoviePass, Politics and Streaming Boosted the Indie Theatrical Box Office of 2018"
828:"Sundance Hits and Misses: How MoviePass, Politics and Streaming Boosted the Indie Theatrical Box Office of 2018"
640:
452:
1440:
1064:"'Madeline's Madeline': Why the Dreamy Movie's Surreal Imagery Took Six Years and Many Experiments to Get Right"
1490:
408:
1359:"Madeline's Madeline provided one of the year's best protagonists: a nuanced, self-possessed biracial subject"
547:
In 2019, Howard's performance was hailed by IndieWire as one of the 50 best performances of the 2010s decade.
889:
972:
444:
421:
275:
271:
153:
407:
In 2014, she began a series of workshops to devise the story, based on techniques she had learned at the
429:
1298:"'Madeline's Madeline' Review: Josephine Decker Has Made a Mind-Scrambling Masterpiece — Sundance 2018"
967:
1363:
832:
517:
448:
1705:
1674:
1644:
1358:
1445:
1335:
1190:
857:
538:
278:. The film received critical acclaim, particularly for Howard's performance, which was hailed by
1587:
1157:
908:
489:
470:
338:
307:
performance for Evangeline: a confrontational journey through the winding rehearsal building.
30:
1624:
386:
252:
44:
1092:
1243:
862:
473:
1248:
507:
1269:
1238:
1699:
1592:
1543:"2019 Independent Spirit Awards Nominees: 'Eighth Grade' & 'We the Animals' Lead"
630:
583:
378:
320:
256:
120:
100:
77:
1491:"2018 Gotham Awards Nominations: 'The Favourite' and 'First Reformed' Lead the Pack"
1093:"Breaking Character: Josephine Decker Talks to Mike Mills about Madeline's Madeline"
1417:
941:
532:
362:
332:
326:
264:
260:
87:
82:
1386:"'Fresh Air' Favorites: Our Critics Pick 2018's Best Books, Movies, Music And TV"
1124:"'Madeline's Madeline': How Josephine Decker's 'Bad Process' Led to a Great Film"
494:
425:
350:
344:
1186:"Film News Roundup: Molly Parker Drama 'Madeline's Madeline' Gets Distribution"
1636:
1467:
1274:
481:
396:
1574:
1547:
1302:
536:
gave it 4/5 stars and called it "stunning." It received a mixed review from
502:
279:
1581:
1331:"Review: In 'Madeline's Madeline,' Hazy Boundaries Between Life and Art"
527:
1035:"Josephine Decker Is Bringing Danger Back to Independent Filmmaking"
523:
1596:
1517:"Nominations Announced for the 28th Annual IFP Gotham Awards"
381:. The film's producers were Krista Parris and Elizabeth Rao.
274:
on January 22, 2018. It was released on August 10, 2018, by
1413:"'Madeline's Madeline' is a stunning, one-of-a-kind movie"
1153:""Madeline's Madeline": The Best Film I Saw at Sundance"
282:
as one of the 50 best performances of the 2010s decade.
232:
224:
216:
208:
198:
159:
149:
126:
116:
106:
96:
70:
60:
50:
40:
23:
968:"'Madeline's Madeline': Film Review, Berlin 2018"
890:"The 50 Best Movie Performances of the Decade"
501:"the best thing I saw at Sundance this year".
1608:
8:
1057:
1055:
913:: CS1 maint: multiple names: authors list (
432:also offered advice during post-production.
1726:American avant-garde and experimental films
1615:
1601:
1593:
554:
29:
20:
1028:
1026:
1024:
997:
995:
1716:2010s avant-garde and experimental films
1146:
1144:
1117:
1115:
1113:
1086:
1084:
961:
959:
818:
779:Best American Independent Feature Film
575:
356:Felipe Bonilla as Santos, Cousin Elmer
270:The film had its world premiere at the
1310:from the original on February 15, 2018
1212:Kaufman, Anthony (December 17, 2018).
1033:Collins, K. Austin (August 23, 2018).
980:from the original on February 20, 2018
906:
826:Kaufman, Anthony (December 17, 2018).
773:Cleveland International Film Festival
16:2018 film directed by Josephine Decker
1165:from the original on January 31, 2018
544:process as actors and directors do."
7:
1515:Mandinach, Zach (October 18, 2018).
1441:"Film Review: 'Madeline's Madeline'"
966:Young, Deborah (February 19, 2018).
936:
934:
932:
930:
928:
926:
924:
882:
880:
576:
1541:Erbland, Kate (November 16, 2018).
1357:Douglas, Esme (December 19, 2018).
1296:Ehrlich, David (January 23, 2018).
798:Narrative Feature Film Competition
792:Dallas International Film Festival
741:Student Jury Award-Special Mention
716:Berlin International Film Festival
703:Narrative Feature Film Competition
1766:English-language independent films
1746:Films directed by Josephine Decker
1731:American coming-of-age drama films
1439:Debruge, Peter (August 10, 2018).
1002:Ehrlich, David (August 10, 2018).
259:in her first film role, alongside
14:
1151:Ebiri, Bilge (January 28, 2018).
1062:O'Falt, Chris (August 23, 2018).
1489:Sharf, Zach (October 18, 2018).
684:Future/now - Special Jury Prize
1721:2010s coming-of-age drama films
1411:Burr, Ty (September 12, 2018).
1122:Nord, Liz (February 22, 2018).
1329:Scott, A.O. (August 9, 2018).
1184:McNary, Dave (March 2, 2018).
515:The film was well-received by
1:
1521:Independent Filmmaker Project
1270:"Madeline's Madeline Reviews"
1091:Mills, Mike (June 11, 2018).
754:Champs-Élysées Film Festival
735:Champs-Élysées Film Festival
251:film written and directed by
1751:2010s English-language films
1239:"Madeline's Madeline (2018)"
570:Recipient(s) and nominee(s)
368:Reynaldo Piniella as Jaime
141:Bow and Arrow Entertainment
1782:
943:Madeline's Madeline (2018)
443:was first screened at the
168:January 22, 2018
1653:Thou Wast Mild and Lovely
1631:
660:
644:
641:Independent Spirit Awards
639:
605:
587:
582:
453:Oscilloscope Laboratories
447:in January 2018, and the
276:Oscilloscope Laboratories
183:August 10, 2018
154:Oscilloscope Laboratories
35:Theatrical release poster
28:
678:Montclair Film Festival
409:Pig Iron Theatre Company
1583:Madeline's Madeline
845:Budget: Mid-six figures
697:Sarasota Film Festival
1761:2018 independent films
973:The Hollywood Reporter
445:Sundance Film Festival
422:Sundance Film Festival
272:Sundance Film Festival
1741:Films about parenting
1683:The Sky Is Everywhere
858:"Madeline's Madeline"
449:Berlin Film Festivals
292:The Three Little Pigs
1756:2010s American films
1736:American dance films
1364:Entertainment Weekly
518:Entertainment Weekly
359:Lisa Tharps as Laura
191: (United States)
138:Forager Film Company
1667:Madeline's Madeline
1645:Butter on the Latch
1469:Madeline's Madeline
1392:. December 18, 2018
666:Best Cinematography
616:Madeline's Madeline
599:Madeline's Madeline
557:
499:Madeline's Madeline
478:Madeline's Madeline
441:Madeline's Madeline
247:is a 2018 American
244:Madeline's Madeline
24:Madeline's Madeline
1623:Films directed by
1336:The New York Times
1097:Filmmaker Magazine
719:February 15, 2018
626:Breakthrough Actor
555:
1693:
1692:
1158:The Village Voice
810:
809:
801:Josephine Decker
782:Josephine Decker
763:Josephine Decker
744:Josephine Decker
725:Josephine Decker
646:February 23, 2019
589:November 26, 2018
564:Date of ceremony
490:The Village Voice
471:review aggregator
465:Critical response
339:Okwui Okpokwasili
240:
239:
1773:
1711:2018 drama films
1625:Josephine Decker
1617:
1610:
1603:
1594:
1578:
1577:
1575:Official website
1560:
1559:
1557:
1555:
1538:
1532:
1531:
1529:
1527:
1512:
1506:
1505:
1503:
1501:
1486:
1480:
1479:
1478:
1476:
1464:
1458:
1457:
1455:
1453:
1436:
1430:
1429:
1427:
1425:
1408:
1402:
1401:
1399:
1397:
1382:
1376:
1375:
1373:
1371:
1354:
1348:
1347:
1345:
1343:
1326:
1320:
1319:
1317:
1315:
1293:
1287:
1286:
1284:
1282:
1266:
1260:
1259:
1257:
1255:
1235:
1229:
1228:
1226:
1224:
1209:
1203:
1202:
1200:
1198:
1181:
1175:
1174:
1172:
1170:
1148:
1139:
1138:
1136:
1134:
1119:
1108:
1107:
1105:
1103:
1088:
1079:
1078:
1076:
1074:
1059:
1050:
1049:
1047:
1045:
1030:
1019:
1018:
1016:
1014:
999:
990:
989:
987:
985:
963:
954:
953:
952:
950:
938:
919:
918:
912:
904:
902:
900:
884:
875:
874:
872:
870:
854:
848:
847:
842:
840:
823:
722:C.I.C.A.E Award
651:Best Female Lead
578:
558:
353:as Assistant Max
253:Josephine Decker
190:
188:
175:
173:
112:Josephine Decker
56:Donna Di Novelli
54:Josephine Decker
45:Josephine Decker
33:
21:
1781:
1780:
1776:
1775:
1774:
1772:
1771:
1770:
1696:
1695:
1694:
1689:
1627:
1621:
1573:
1572:
1569:
1564:
1563:
1553:
1551:
1540:
1539:
1535:
1525:
1523:
1514:
1513:
1509:
1499:
1497:
1488:
1487:
1483:
1474:
1472:
1466:
1465:
1461:
1451:
1449:
1438:
1437:
1433:
1423:
1421:
1410:
1409:
1405:
1395:
1393:
1384:
1383:
1379:
1369:
1367:
1356:
1355:
1351:
1341:
1339:
1328:
1327:
1323:
1313:
1311:
1295:
1294:
1290:
1280:
1278:
1268:
1267:
1263:
1253:
1251:
1244:Rotten Tomatoes
1237:
1236:
1232:
1222:
1220:
1211:
1210:
1206:
1196:
1194:
1183:
1182:
1178:
1168:
1166:
1150:
1149:
1142:
1132:
1130:
1121:
1120:
1111:
1101:
1099:
1090:
1089:
1082:
1072:
1070:
1061:
1060:
1053:
1043:
1041:
1032:
1031:
1022:
1012:
1010:
1001:
1000:
993:
983:
981:
965:
964:
957:
948:
946:
940:
939:
922:
905:
898:
896:
886:
885:
878:
868:
866:
863:Box Office Mojo
856:
855:
851:
838:
836:
825:
824:
820:
815:
776:March 29, 2019
700:April 14, 2018
553:
474:Rotten Tomatoes
467:
462:
438:
375:
317:
288:
201:
194:
186:
184:
171:
169:
162:
145:
144:
131:
129:
111:
110:Harrison Atkins
92:
65:
55:
36:
17:
12:
11:
5:
1779:
1777:
1769:
1768:
1763:
1758:
1753:
1748:
1743:
1738:
1733:
1728:
1723:
1718:
1713:
1708:
1698:
1697:
1691:
1690:
1688:
1687:
1679:
1671:
1663:
1657:
1649:
1641:
1632:
1629:
1628:
1622:
1620:
1619:
1612:
1605:
1597:
1591:
1590:
1579:
1568:
1567:External links
1565:
1562:
1561:
1533:
1507:
1481:
1459:
1431:
1403:
1377:
1349:
1321:
1288:
1261:
1230:
1204:
1176:
1140:
1128:No Film School
1109:
1080:
1051:
1020:
991:
955:
920:
876:
849:
817:
816:
814:
811:
808:
807:
805:
802:
799:
796:
793:
789:
788:
786:
783:
780:
777:
774:
770:
769:
767:
764:
761:
758:
757:June 10, 2018
755:
751:
750:
748:
745:
742:
739:
738:June 10, 2018
736:
732:
731:
729:
726:
723:
720:
717:
713:
712:
710:
707:
706:Helena Howard
704:
701:
698:
694:
693:
691:
688:
687:Helena Howard
685:
682:
679:
675:
674:
671:
670:Ashley Connor
668:
662:
661:
659:
656:
655:Helena Howard
653:
648:
643:
637:
636:
633:
628:
622:
621:
618:
613:
607:
606:
604:
601:
596:
594:Audience Award
591:
586:
580:
579:
574:
571:
568:
565:
562:
552:
549:
508:New York Times
466:
463:
461:
458:
437:
434:
374:
371:
370:
369:
366:
360:
357:
354:
348:
342:
336:
330:
324:
316:
313:
287:
284:
238:
237:
234:
230:
229:
226:
222:
221:
218:
214:
213:
210:
206:
205:
202:
199:
196:
195:
193:
192:
181:
165:
163:
160:
157:
156:
151:
150:Distributed by
147:
146:
143:
142:
139:
135:
134:
132:
127:
124:
123:
118:
114:
113:
108:
104:
103:
98:
97:Cinematography
94:
93:
91:
90:
85:
80:
74:
72:
68:
67:
62:
58:
57:
52:
48:
47:
42:
38:
37:
34:
26:
25:
15:
13:
10:
9:
6:
4:
3:
2:
1778:
1767:
1764:
1762:
1759:
1757:
1754:
1752:
1749:
1747:
1744:
1742:
1739:
1737:
1734:
1732:
1729:
1727:
1724:
1722:
1719:
1717:
1714:
1712:
1709:
1707:
1704:
1703:
1701:
1685:
1684:
1680:
1677:
1676:
1672:
1669:
1668:
1664:
1661:
1658:
1655:
1654:
1650:
1647:
1646:
1642:
1639:
1638:
1634:
1633:
1630:
1626:
1618:
1613:
1611:
1606:
1604:
1599:
1598:
1595:
1589:
1585:
1584:
1580:
1576:
1571:
1570:
1566:
1550:
1549:
1544:
1537:
1534:
1522:
1518:
1511:
1508:
1496:
1492:
1485:
1482:
1471:
1470:
1463:
1460:
1448:
1447:
1442:
1435:
1432:
1420:
1419:
1414:
1407:
1404:
1391:
1387:
1381:
1378:
1366:
1365:
1360:
1353:
1350:
1338:
1337:
1332:
1325:
1322:
1309:
1305:
1304:
1299:
1292:
1289:
1277:
1276:
1271:
1265:
1262:
1250:
1246:
1245:
1240:
1234:
1231:
1219:
1215:
1208:
1205:
1193:
1192:
1187:
1180:
1177:
1164:
1160:
1159:
1154:
1147:
1145:
1141:
1129:
1125:
1118:
1116:
1114:
1110:
1098:
1094:
1087:
1085:
1081:
1069:
1065:
1058:
1056:
1052:
1040:
1036:
1029:
1027:
1025:
1021:
1009:
1005:
998:
996:
992:
979:
975:
974:
969:
962:
960:
956:
945:
944:
937:
935:
933:
931:
929:
927:
925:
921:
916:
910:
895:
891:
883:
881:
877:
865:
864:
859:
853:
850:
846:
835:
834:
829:
822:
819:
812:
806:
803:
800:
797:
794:
791:
790:
787:
784:
781:
778:
775:
772:
771:
768:
765:
762:
760:Prix du Jury
759:
756:
753:
752:
749:
746:
743:
740:
737:
734:
733:
730:
727:
724:
721:
718:
715:
714:
711:
708:
705:
702:
699:
696:
695:
692:
689:
686:
683:
680:
677:
676:
672:
669:
667:
664:
663:
657:
654:
652:
649:
647:
642:
638:
634:
632:
631:Helena Howard
629:
627:
624:
623:
619:
617:
614:
612:
609:
608:
602:
600:
597:
595:
592:
590:
585:
584:Gotham Awards
581:
572:
569:
566:
563:
560:
559:
550:
548:
545:
542:
540:
535:
534:
529:
525:
521:
519:
513:
510:
509:
504:
500:
496:
492:
491:
485:
483:
479:
475:
472:
464:
459:
457:
454:
451:in February.
450:
446:
442:
435:
433:
431:
427:
423:
417:
413:
410:
405:
403:
399:
398:
392:
389:
388:
382:
380:
379:Caroline Shaw
372:
367:
364:
361:
358:
355:
352:
349:
346:
343:
340:
337:
335:as Evangeline
334:
331:
328:
325:
322:
321:Helena Howard
319:
318:
314:
312:
308:
304:
300:
296:
293:
285:
283:
281:
277:
273:
268:
266:
262:
258:
257:Helena Howard
254:
250:
246:
245:
235:
231:
227:
223:
219:
215:
212:United States
211:
207:
203:
197:
182:
179:
167:
166:
164:
161:Release dates
158:
155:
152:
148:
140:
137:
136:
133:
125:
122:
121:Caroline Shaw
119:
115:
109:
105:
102:
101:Ashley Connor
99:
95:
89:
86:
84:
81:
79:
78:Helena Howard
76:
75:
73:
69:
66:Elizabeth Rao
64:Krista Parris
63:
59:
53:
49:
46:
43:
39:
32:
27:
22:
19:
1681:
1673:
1666:
1665:
1659:
1651:
1643:
1635:
1582:
1554:November 26,
1552:. Retrieved
1546:
1536:
1526:November 26,
1524:. Retrieved
1510:
1500:November 26,
1498:. Retrieved
1494:
1484:
1473:, retrieved
1468:
1462:
1452:December 19,
1450:. Retrieved
1444:
1434:
1424:December 19,
1422:. Retrieved
1418:Boston Globe
1416:
1406:
1396:December 19,
1394:. Retrieved
1389:
1380:
1370:December 19,
1368:. Retrieved
1362:
1352:
1342:December 19,
1340:. Retrieved
1334:
1324:
1312:. Retrieved
1301:
1291:
1279:. Retrieved
1273:
1264:
1252:. Retrieved
1242:
1233:
1221:. Retrieved
1217:
1207:
1195:. Retrieved
1189:
1179:
1167:. Retrieved
1156:
1133:December 16,
1131:. Retrieved
1127:
1102:December 16,
1100:. Retrieved
1096:
1073:December 16,
1071:. Retrieved
1067:
1044:December 16,
1042:. Retrieved
1038:
1013:December 16,
1011:. Retrieved
1007:
982:. Retrieved
971:
947:, retrieved
942:
897:. Retrieved
893:
867:. Retrieved
861:
852:
844:
837:. Retrieved
831:
821:
795:May 3, 2018
681:May 6, 2018
615:
611:Best Feature
598:
546:
537:
533:Boston Globe
531:
516:
514:
506:
498:
488:
486:
477:
468:
440:
439:
418:
414:
406:
401:
395:
393:
385:
383:
376:
363:Curtiss Cook
341:as Nurse KK
333:Molly Parker
327:Miranda July
309:
305:
301:
297:
291:
289:
269:
265:Miranda July
261:Molly Parker
243:
242:
241:
200:Running time
88:Miranda July
83:Molly Parker
18:
1475:December 5,
1254:October 10,
1223:January 16,
1039:Vanity Fair
949:December 5,
839:January 16,
495:Bilge Ebiri
487:Writing in
426:Spike Jonze
351:Sunita Mani
345:Julee Cerda
323:as Madeline
255:. It stars
61:Produced by
41:Directed by
1706:2018 films
1700:Categories
1637:Bi the Way
1281:August 21,
1275:Metacritic
899:August 31,
869:August 12,
813:References
766:Nominated
728:Nominated
673:Nominated
658:Nominated
635:Nominated
620:Nominated
603:Nominated
482:Metacritic
430:Mike Mills
397:Bi the Way
373:Production
347:as Carrie
233:Box office
228:~$ 500,000
204:93 minutes
187:2018-08-10
172:2018-01-22
128:Production
51:Written by
1548:IndieWire
1495:IndieWire
1303:IndieWire
1218:Filmmaker
1068:Indiewire
1008:Indiewire
894:IndieWire
833:Filmmaker
567:Category
551:Accolades
503:IndieWire
460:Reception
387:Blackbird
365:as George
329:as Regina
280:IndieWire
236:$ 185,576
130:companies
107:Edited by
1314:July 16,
1308:Archived
1249:Fandango
1197:July 16,
1169:July 16,
1163:Archived
984:July 16,
978:Archived
909:cite web
785:Pending
217:Language
178:Sundance
117:Music by
71:Starring
1675:Shirley
1446:Variety
1191:Variety
573:Result
556:Awards
539:Variety
497:called
436:Release
220:English
209:Country
185: (
170: (
1686:(2022)
1678:(2020)
1670:(2018)
1662:(2017)
1660:Flames
1656:(2014)
1648:(2013)
1640:(2008)
577:Ref(s)
561:Award
528:Boston
402:Flames
225:Budget
176: (
249:drama
1588:IMDb
1556:2018
1528:2018
1502:2018
1477:2018
1454:2018
1426:2018
1398:2018
1390:WBUR
1372:2018
1344:2018
1316:2018
1283:2018
1256:2021
1225:2019
1199:2018
1171:2018
1135:2018
1104:2018
1075:2018
1046:2018
1015:2018
986:2018
951:2018
915:link
901:2019
871:2018
841:2019
804:Won
747:Won
709:Won
690:Won
524:WBUR
428:and
400:and
315:Cast
286:Plot
263:and
1586:at
526:in
469:On
1702::
1545:.
1519:.
1493:.
1443:.
1415:.
1388:.
1361:.
1333:.
1306:.
1300:.
1272:.
1247:.
1241:.
1216:.
1188:.
1161:.
1155:.
1143:^
1126:.
1112:^
1095:.
1083:^
1066:.
1054:^
1037:.
1023:^
1006:.
994:^
976:.
970:.
958:^
923:^
911:}}
907:{{
892:.
879:^
860:.
843:.
830:.
493:,
1616:e
1609:t
1602:v
1558:.
1530:.
1504:.
1456:.
1428:.
1400:.
1374:.
1346:.
1318:.
1285:.
1258:.
1227:.
1201:.
1173:.
1137:.
1106:.
1077:.
1048:.
1017:.
988:.
917:)
903:.
873:.
541:,
520:,
189:)
180:)
174:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
