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Mademoiselle Montansier

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90: 25: 189:, a four-act opera by Dubuisson and Storace. Renamed "Théâtre Montansier", then "Théâtre du Péristyle du Jardin Egalité", then "Théâtre de la Montagne", then "Variétés-Montansier" and finally simply "Variétés", she led it until 1806. Still holding the rights from the former court at the Tuileries, she successfully put on Italian operas in French translations, attracting the envy of the 162:, followed in 1779 by rights over the theatres in Fontainebleau, Saint-Cloud, Marly, Compiègne, Rouen, Caen, Orléans, Nantes and Le Havre. Backed by such supporters, she built her first theatre at Versailles - at first called "Théâtre de la rue des Réservoirs", but soon renamed "Théâtre Montansier" - which she opened on 18 November 1777 in the presence of 146:. On her return to Paris, she installed herself in the house of an aunt by marriage, Mme Montansier, a dress-seller from whom she took her stage name. She opened a gaming house on the rue Saint-Honoré, frequented by the gilded youth of Paris and allowing her to enter high society. 221:
in Brussels in January 1793 (renaming that company "Comédiens de la République française"). Returning to Paris in March on the withdrawal of French troops and restoration of the Austrian government, she built
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She married de Neuville on 5 September 1799 and then in 1801 set up a new troupe of Italian singers known as "Opéra-Buffa" (quickly nicknamed "Italiens"), at Théâtre Olympique on
54: 261:. Nevertheless, the regime change at this time was not favourable to her - the troupe was transferred to the salle Favart in 1802, then placed under the direction of 154:
Having obtained through her liaison with the marquis de Saint-Contest the leadership of a small theatre on rue Satory in Versailles, she turned her attention to queen
138:, she was there engaged by an acting troupe and — in love with a handsome young actor — embarked for America. She then became the mistress of Burson, Intendant of 233:
on 25 Brumaire (15 November) on the pretext of having received funds from the English and from Marie-Antoinette or having wanted to set fire to the neighbouring
424: 100: 434: 409: 304: 429: 404: 364: 223: 291:. She delegated the success - and the criticism - that this brought to the actor Mira Brunet and died peacefully on 13 July 1820 at 90 years old. 389: 419: 414: 374: 369: 194: 399: 333: 384: 76: 394: 246: 379: 206: 190: 359: 178: 37: 218: 47: 41: 33: 89: 288: 242: 312: 234: 238: 58: 283:
She transferred her Variétés there and on 24 June 1807, the Tout-Paris assisted in the first production of the
269: 99: 262: 249:). Declared innocent, she was freed ten months later and received large sums of money as compensation. 354: 349: 277: 210: 159: 174: 258: 214: 265:
in 1804, and in 1803 - when Montansier was in prison several weeks for debt - de Neuville died.
329: 170: 155: 308: 237:, the troupe of "chanteurs-comédiens" which she had created were merged into that of the " 230: 241:" on Faubourg Saint-Germain, with their former building passing into the control of the 143: 343: 182: 272:
finding that she kept them in the shade) but still infatigable, she convinced
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and through her in 1775 gained the exclusive rights to balls and shows at the
139: 163: 131: 316: 273: 245:(it would be destroyed in 1820 in reprisals for the assassination of the 185:. After major restoration works, she re-opened it on 12 April 1790 with 135: 205:
She and 85 artistes and employees of her theatre followed the armies of
280:, despite a decree limiting the number of theatres in Paris to just 8. 115: 268:
Forced to leave the Palais-Royal by decree in 1806 (the neighbouring
119: 98: 88: 18: 303:, with prologue, was put on in tribute to her in 1904 at the 173:, she set herself up in Paris in the company of her lover, 217:
and then taking over the leadership of the troop at the
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Patricia Bouchenot-Déchin, La Montansier, Perrin, 2007 (
177:(stage name "de Neuville"), and took possession of the 46:but its sources remain unclear because it lacks 276:to authorise her to build a new theatre on the 226:(now square Louvois), opening it on 15 August. 122:), was a French actress and theatre director. 8: 77:Learn how and when to remove this message 142:, establishing her own dress shop in 7: 425:Women theatre managers and producers 201:Comédiens de la République française 224:"Théatre-National" on rue de la Loi 16:French actress and theatre director 435:19th-century French businesspeople 410:18th-century French businesspeople 14: 430:19th-century French businesswomen 405:18th-century French businesswomen 365:Actresses from Nouvelle-Aquitaine 23: 390:French women theatre directors 1: 420:19th-century theatre managers 415:18th-century theatre managers 375:19th-century French actresses 370:18th-century French actresses 110:, known by her stage name of 299:A four-act comedy entitled 451: 400:People from Saint-Domingue 207:Charles François Dumouriez 191:Académie Royale de Musique 313:Gaston Arman de Caillavet 181:under the arcades of the 118:– 13 July 1820, in 385:French theatre directors 130:At 14 she fled from the 32:This article includes a 395:Directors of La Monnaie 289:Marc-Antoine Désaugiers 112:Mademoiselle Montansier 61:more precise citations. 380:French stage actresses 235:Bibliothèque Nationale 179:Théâtre des Beaujolais 150:Royal theatre director 114:(19 December 1730, in 104: 96: 94:Mlle Montansier (1790) 219:Théâtre de la Monnaie 103:Marguerite Montansier 102: 92: 278:boulevard Montmartre 211:Austrian Netherlands 187:Les Epoux Mécontents 160:Palace of Versailles 360:People from Bayonne 305:Théâtre de la Gaîté 263:Louis-Benoît Picard 169:Profiting from the 287:, a vaudeville by 270:Comédiens-Français 259:rue de la Victoire 229:Imprisoned by the 215:battle of Jemmapes 195:Porte Saint-Martin 105: 97: 34:list of references 285:Panorama de Momus 213:, helping at the 171:French Revolution 108:Marguerite Brunet 87: 86: 79: 442: 315:and directed by 239:Théâtre-Français 193:, exiled to the 156:Marie-Antoinette 82: 75: 71: 68: 62: 57:this article by 48:inline citations 27: 26: 19: 450: 449: 445: 444: 443: 441: 440: 439: 340: 339: 325: 309:Robert de Flers 297: 255: 203: 166:and his queen. 152: 128: 95: 83: 72: 66: 63: 52: 38:related reading 28: 24: 17: 12: 11: 5: 448: 446: 438: 437: 432: 427: 422: 417: 412: 407: 402: 397: 392: 387: 382: 377: 372: 367: 362: 357: 352: 342: 341: 338: 337: 334:978-2262026813 324: 321: 296: 293: 254: 251: 202: 199: 175:Honoré Bourdon 151: 148: 144:Saint-Domingue 127: 124: 93: 85: 84: 42:external links 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 447: 436: 433: 431: 428: 426: 423: 421: 418: 416: 413: 411: 408: 406: 403: 401: 398: 396: 393: 391: 388: 386: 383: 381: 378: 376: 373: 371: 368: 366: 363: 361: 358: 356: 353: 351: 348: 347: 345: 335: 331: 327: 326: 322: 320: 318: 314: 310: 307:, written by 306: 302: 301:La Montansier 294: 292: 290: 286: 281: 279: 275: 271: 266: 264: 260: 252: 250: 248: 244: 240: 236: 232: 227: 225: 220: 216: 212: 208: 200: 198: 196: 192: 188: 184: 180: 176: 172: 167: 165: 161: 157: 149: 147: 145: 141: 137: 133: 125: 123: 121: 117: 113: 109: 101: 91: 81: 78: 70: 60: 56: 50: 49: 43: 39: 35: 30: 21: 20: 323:Bibliography 300: 298: 284: 282: 267: 256: 247:duc de Berry 228: 204: 186: 183:Palais-Royal 168: 153: 129: 111: 107: 106: 73: 67:January 2013 64: 53:Please help 45: 355:1820 deaths 350:1730 births 243:Paris Opéra 134:convent in 59:introducing 344:Categories 253:Later life 140:Martinique 126:Background 209:into the 164:Louis XVI 274:Napoleon 136:Bordeaux 132:Ursuline 116:Bayonne 55:improve 332:  317:Réjane 295:Legacy 231:Terror 120:Paris 40:, or 330:ISBN 311:and 346:: 319:. 197:. 44:, 36:, 336:) 80:) 74:( 69:) 65:( 51:.

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Bayonne
Paris
Ursuline
Bordeaux
Martinique
Saint-Domingue
Marie-Antoinette
Palace of Versailles
Louis XVI
French Revolution
Honoré Bourdon
Théâtre des Beaujolais
Palais-Royal
Académie Royale de Musique
Porte Saint-Martin
Charles François Dumouriez
Austrian Netherlands
battle of Jemmapes
Théâtre de la Monnaie
"Théatre-National" on rue de la Loi
Terror

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