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474:, which contains about 2.1 million words, ranks among the longest novels ever published. Her novels derive their length from endless conversations and, as far as incidents go, successive abductions of the heroines, conceived and told decorously. Contemporary readers also enjoyed these novels because they gave a glimpse into the life of important society figures. These figures were often disguised as Persian, Greek, and Roman warriors and maidens. In fact, Scudéry created the
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185:, Normandy, in northern France, she was without fortune, but she was exceedingly well-educated. Her father, captain of the port in Le Havre, died in 1613 with her mother following shortly after. Madeleine and her brother Georges de Scudéry were placed in the care of an uncle who cared for them very well. He gave Madeleine an abnormally well-rounded education: she studied writing, spelling, drawing, dancing, painting, and
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Madeleine survived her brother by more than thirty years, and in her later days published numerous volumes of conversations, to a great extent extracted from her novels, thus forming a kind of anthology of her work. Scudéry was deaf for the last 40 years of her life. She outlived her vogue to some
520:
covering "Conversation," "The Art of
Speaking," "Raillery," "Invention," and "The Manner of Writing Letters." This text offers the rhetoric of salon conversation and model scenarios where women take intellectual control of the conversation. Other works devoted to conversations, pertaining to the
484:(1642) addresses itself to women and defends education, rather than the beauty or cosmetic, as a means of social mobility for women. This text was a means to justify women's participation in rhetoric and literary culture. It uses women speakers as models for the speeches, including
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that it is suspected she had received instruction in Greek and Latin. In 1637, following the death of her uncle, Scudéry established herself in Paris with her brother, Georges de Scudéry, who became a playwright. Madeleine often used her older brother's name,
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Madeleine de Scudéry was part of a movement in the late
Renaissance in England and France where women used classical rhetorical theory for their own. She revised discourse to be modeled on conversation rather than public speaking, favoring that as a means of
569:), "Petits Soins" (Little Trinkets) and so forth. Scudéry was a skilled conversationalist; several volumes purporting to report her conversations upon various topics were published during her lifetime. She had a distinct vocation as a pedagogue.
521:
education of women include: "The Slave Queen" (1660), "Mathilda of
Aguilar, a Spanish Tale," (1667), and "The Versailles Promenade, or the Tale of Celanire" (1669). These covered the art of speaking,
576:
The Carte de Tendre was "conceived as a social game during the Winter of 1653–1654" by
Madeleine de Scudery, and a printed copy was "later incorporated into the first volume of her coded novel,
690:. The protagonist, a young woman named Madeleine Troqueville, becomes enamored of Mademoiselle de Scudéry, who snubs young Madeleine. It has been suggested that the novel is a
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614:, the speaker in the salon built on the ideas of the speaker before them, opting for consensus rather than argument. She is one of the central figures associated with the "
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Oliver
Mallick, "Le héros de toutes les saisons": Herrscherlob und politische Reflexionen in Madeleine de Scudérys Roman "La Promenade de Versailles" (1669), in:
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Scudéry's novels are usually set in the classical world or "the Orient", but their language and action reflect fashionable ideas of the 17th century, and the
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Donawerth, Jane (Spring 1992). "Conversation and the
Boundaries of Public Discourse in Rhetorical Theory by Renaissance Women".
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where the geography is all based around the theme of love: the river of
Inclination flows past the villages of "Billet Doux" (
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to a theory of salon conversation and letter writing. Scudéry's
Conversations Sur Divers Sujets, included
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940:"The Modernist roman à clef and Cultural Secrets, or I Know That You Know That I Know That You Know"
189:. In addition, on her own, Madeleine studied agriculture, medicine, cooking, Spanish, and Italian.
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to provide a forum for her thinly veiled fiction featuring political and public figures.
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686:. The novel is set in and around the literary circles of the 17th Century
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of France and of the world. She formed a close romantic relationship with
825:. United States: The University of Chicago Press, Ltd., London. pp.
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1056:. Vol. 24 (11th ed.). Cambridge University Press. p. 487.
970:. United States: Rowman & Littlefield Publishers, Inc. p. 82.
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Controversial in her own era, Mademoiselle de Scudéry was satirized by
500:(1684), Madeleine de Scudéry adapted classical rhetorical theory from
1084:. Vol. 20 (1st ed.). New York: Dodd, Mead. pp. 627–28.
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Summaries of the stories and keys to the characters may be found in
1065: This article incorporates text from a publication now in the
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This article incorporates text from a publication now in the
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161:). For the last half of the 17th century, under the pseudonym of
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Madeleine de Scudéry et son salon: d'après des documents inédits
536:, Herminius represents Paul Pellisson; Scaurus and Lyriane were
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wrote what is usually referred to as the first German-language
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which was only ended by his death in 1693. She never married.
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The Grand Cyrus, Clelia, and
Ibraheem the Illustrious Bassa
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was published at Paris by MM. Rathery and
Boutron in 1873.
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Her works also demonstrate such comprehensive knowledge of
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Conversations Nouvelles sur Divers Sujets, Dediees Au Roy
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Geschichte des französischen Romans im 17ten Jahrhundert
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Mademoiselle de Scudéry is also featured prominently in
141:, to publish her works. She was at once admitted to the
125:(15 November 1607 – 2 June 1701), often known simply as
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Selected letters, orations, and rhetorical dialogues
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Mademoiselle de Scudéry: Sa vie et sa correspondance
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Project Continua: Biography of Madeleine de Scudéry
594:, to whom she was always the "incomparable Sapho."
165:or her own name, she was acknowledged as the first
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774:Madeleine de Scudéry, Paul Pellisson et leur monde
532:with Mademoiselle de Scudéry's contemporaries. In
767:Madeleine de Scudéry: her romantic life and death
544:); and in the description of Sapho in vol. 10 of
682:, a novel published in 1919 by modernist writer
954:Mademoiselle de Scudéry and the Carte de Tendre
590:extent, but retained a circle of friends, like
1011:. Edinburgh: Edinburgh University Press, 2006.
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968:Rhetorical Theory by Women before 1900
709:Zeitschrift für historische Forschung,
698:portrayed as Mademoiselle de Scudéry.
7:
994:Madeleine: One of Love's Jansenists
736:La société française au XVII siècle
680:Madeleine: One of Love's Jansenists
618:" conversation and letter writing.
153:of her own under the title of the
25:
1262:17th-century French women writers
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1030:
788:(second edition, Oppeln, 1891).
655:The 19th century German writer
494:Conversations Sur Divers Sujets
149:, and afterwards established a
1081:New International Encyclopedia
1021:New International Encyclopedia
753:The Women of the French Salons
555:, Scudéry invented the famous
1:
1272:17th-century French novelists
674:An older Madeleine de Scudéry
530:characters can be identified
464:Almahide, ou l'esclave reine
460:Ibrahim, ou l'illustre Bassa
448:Her lengthy novels, such as
548:the author paints herself.
451:Artamène, ou le Grand Cyrus
1288:
721:volume IV (Paris, 1857–62)
580:." (Reitinger 1999, 109).
540:and his wife (who became
41:
27:French writer (1607–1701)
1192:Das Fräulein von Scuderi
997:. Collins Sons & Co.
966:Donawerth, Jane (2002).
918:10.1525/rh.1998.16.2.181
910:10.1525/rh.1998.16.2.181
817:Donawerth, Jane (2004).
665:Das Fräulein von Scuderi
633:Les Précieuses ridicules
129:, was a French writer.
1151:Mademoiselle de Scuderi
1076:"Scudéry, Madeleine de"
1053:Encyclopædia Britannica
991:Mirrlees, Hope (1919).
743:Le roman au XVII siècle
696:Natalie Clifford Barney
599:Life and Correspondence
127:Mademoiselle de Scudéry
18:Mademoiselle de Scudéry
1257:French women novelists
1048:Scudéry s.v. Madeleine
1009:Reading Virginia Woolf
675:
581:
205:Francophone literature
1252:Writers from Le Havre
724:Rathery and Boutron,
673:
575:
458:(10 vols., 1654–61),
454:(10 vols., 1648–53),
361:Countries and regions
1267:French salon-holders
1167:Madeleine de Scudéry
758:Georges Mongrédien,
490:Les Femmes Illustres
482:Les Femmes Illustres
143:Hôtel de Rambouillet
123:Madeleine de Scudéry
48:Madeleine de Scudéry
36:Madeleine de Scudéry
765:Dorothy McDougall,
719:Causeries du lundi,
639:Les Femmes savantes
622:Cultural references
348:Short story writers
323:Writers by category
676:
582:
353:Children's writers
318:Chronological list
1229:
1228:
1184:The Deadly Dreams
1146:E. T. A. Hoffmann
741:André Le Breton,
644:Antoine Furetière
468:Madame de Sévigné
462:(4 vols., 1641),
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155:Société du samedi
120:
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111:Literary movement
16:(Redirected from
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256:Contemporary
251:20th century
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167:bluestocking
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105:Roman à clef
86:(1701-06-02)
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1247:1701 deaths
1242:1607 births
636:(1659) and
592:Marie Dupré
585:Later years
567:love letter
338:Playwrights
231:Renaissance
212:by category
145:coterie of
84:2 June 1701
1236:Categories
1160:Characters
952:JS Munor,
792:References
702:Literature
688:Précieuses
512:, and the
506:Quintilian
410:Literature
277:Classicism
272:Précieuses
187:needlework
147:préciosité
115:Précieuses
60:1607-11-15
1219:Cardillac
1200:Cardillac
926:144427935
897:Rhetorica
523:invention
518:dialogues
510:Aristotle
486:Cleopatra
333:Novelists
328:Essayists
297:Symbolism
264:Movements
177:Biography
749:AG Mason
652:(1666).
612:rhetoric
514:sophists
492:(1642),
472:Artamène
287:Decadent
226:Medieval
183:Le Havre
181:Born at
93:Language
71:Normandy
67:Le Havre
1222:(opera)
1098:at the
1069::
1041::
942:. 2009.
646:in his
628:Molière
563:Arcadia
397:Portals
310:Writers
218:History
1203:(1969)
1195:(1955)
1187:(1951)
1154:(1819)
1035:
974:
924:
916:
833:
776:, 1976
769:, 1972
762:, 1946
605:Legacy
578:Clelie
553:Clélie
534:Clélie
502:Cicero
456:Clélie
405:France
374:Quebec
369:France
282:Rococo
201:French
139:George
96:French
75:France
1211:Other
1176:Films
922:S2CID
914:JSTOR
694:with
616:salon
384:Haiti
343:Poets
193:Works
163:Sapho
151:salon
101:Genre
972:ISBN
956:1986
831:ISBN
597:Her
246:19th
241:18th
236:17th
203:and
81:Died
54:Born
1148:'s
1050:".
906:doi
551:In
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900:.
866:^
845:^
829:.
799:^
784:,
751:,
734:,
717:,
508:,
504:,
470:.
73:,
69:,
1138:e
1131:t
1124:v
980:.
928:.
908::
861:.
839:.
827:3
437:e
430:t
423:v
157:(
62:)
58:(
20:)
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