Knowledge (XXG)

Madrid, 1987

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248:Ángela becomes frustrated when she cannot open the door. Miguel tries as well and concludes that it has locked from the outside. The bathroom has only one towel, and both are naked; when he realizes her discomfort, Miguel surrenders the towel to Ángela. The two continue their conversation from before, and Miguel alternates between attempts to seduce Ángela, giving cynical advice, and expressing his preference for whiskey and cigarettes over company with her. As time passes, the two become worried that they will be missed: Miguel by his wife, and Ángela by her parents. When Miguel learns that Ángela is the daughter of a prominent fascist soldier, he describes his run-ins with fascists and failed attempts to seduce Ángela's eldest sister. Although initially opposed to bringing in outside intervention, Miguel agrees that the risk of scandal is now outweighed by their desire to leave the bathroom. However, their cries out the window go apparently unheard. When Ángela tries to stand on a chair to call for help through the vent window, Miguel takes advantage of this to feel her butch and kiss on her back. At first, Ángela shows no objection, but when Miguel reaches up to touch her private part, she pushes his hand down and tells him to stop. Miguel continues to pressure Ángela for sex, but she firmly refuses. She switches from holding the towel in front of her chest to wrapping it around her waist to show her self-protection from Miguel's sexual abuse. Miguel then begins to talk about literature, his family, and his relationship with his wife. This relaxes Ángela, allowing him to get closer to her. Miguel once again tries to kiss Ángela, and this time she accepts the kiss. They have a deep kiss before Miguel suddenly gets bored and stops the kiss leaving Ángela looking confused. 244:
Miguel expresses his contempt for idealism and style. When he reads a sample of Ángela's writing, Miguel dismisses much of it, though he says that she is talented. He asks to keep the sample and invites Ángela to his friend Luis' house. Miguel explains that Luis will be gone until Monday, and they will have the place to themselves. She agrees, and they continue their discussions there over whiskey. Miguel walks over Luis' paintings, and, when Ángela objects, he says that Luis would prefer them to be marred by life and experience. Miguel alternates between cynical advice and derisively ridiculing romantic notions of journalism. Miguel says there are too many layers of glasses between them, he takes off Ángela's eyeglasses and kisses her. She accepts the kiss reluctantly with annoyed expression on her face. Soon, he enters the bedroom and point blank asks Ángela to strip naked. When she balks, he tells her that he has been true to his nature and never hidden his motives. When she turns to leave, Miguel stops her and says that he hopes she will one day respect him for his boldness.
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them into the tub. After a moment of hesitation, Ángela reaches for Miguel's shoulder while he hugs her and her body begins to move indicating that the two of them were having sex. Their naked bodies press against each other and Ángela appears completely willing to have sex with Miguel. When the sexual process reaches its climax, she unties her hair tie to show assertiveness in her decision. Her toes grip the tub's wall and her moans grow louder. One of her hands clutches the bathroom curtain while the other wraps around Miguel's neck. When Miguel starts moaning indicating that he is about to orgasm, Ángela hurriedly asks him not to come inside her. Even so, she orgasms at the same time as him, causing her efforts to fail in stopping Miguel from come inside her. He hugs her tightly and kisses her breasts as they orgasm together. Ángela and Miguel become exhausted after the sexual encounter, and Àngela rests her head on his shoulder, pressing her bare breasts against his chest while her legs slide resignedly down the side of the tub.
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egotism, which she says she will write about in her essay. Ángela asks Miguel what he considers her after the two have sex, a curious or a naughty girl. The two become tense when Miguel replies to Ángela that she's naughty, but she thinks it's advanced. They quickly reconcile when a chastened Miguel offers to entertain Ángela with a story. The story, framed as an imaginary film that they are watching at the cinema, is about a boy who refuses to leave his bed under any circumstances. The boy insists that nothing is wrong with him; he simply desires not to leave his bed. When the boy mysteriously disappears, his parents are conflicted as to whether they should be glad he has left his bed or sad that he has run away.
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Before Miguel can end the story, Luis returns to rescue them, summoned by a worker who heard their earlier calls for help. Ángela quickly dressed and left. As she passed Miguel, she looked at him hesitantly for a moment before walking out of the apartment and slamming the door. Forgot her glasses
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As Miguel sits on the edge of the tub and becomes despondent about the situation, his age, his attractiveness, and his foolish desire to seduce to a much younger woman, Ángela turns off the light, walks over to Miguel, takes off her towel, sits on his lap, facing him, takes off his glasses and drops
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As Miguel smokes a cigarette, he hears the boards creaking, and Ángela steps through the doorway wearing nothing but an open shirt. Surprised, Miguel wordlessly spreads paint over her naked body. Ángela rises to wash it off, and he follows her to the bathroom. After they take turns in the shower,
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The film received a lot of controversy about how it exploited the sexual aspect and nudity scenes most of the film to convey content. The line between porn and art. The sex scene between the two main characters is considered too realistic and controversial. Some doubted the movie's sex scene was
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After the lovemaking, the two relax in the bath and express their orgasmic satisfaction. The way they talk becomes more intimate and open. Afterward, Miguel dismisses her feelings of guilt and proclaims himself to have a more developed and profound sense of guilt. Ángela angrily accuses him of
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In 1987, Miguel, an old and bitter journalist, agrees to meet with Ángela, an idealistic young journalism student, for an interview at a local restaurant. Ángela has missed many of her lectures and needs to write an essay; she has chosen to use Miguel as her subject. Throughout the interview,
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on the crayons table. Luis asks Miguel if he will see Ángela again, but Miguel is philosophical. He tells Luis to keep a pair of glasses that Ángela left behind and reasons that if she returns, it will be to Luis' house. The film ends as Ángela walks back to her parents' house.
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real when the female protagonist asked the male lead not come inside her, although this was denied by the producer. The age difference of the two main actors also creates mixed opinions when the male lead is 74 years old and the female lead is 24 years old.
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rated it 3/5 stars and wrote, "For an artsy movie about two people stuck naked in a bathroom together, you could do much worse. It has a lot to say about youth, love, idealism, sex, and life in general."
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wrote, "The actors give their characters a resonance beyond the symbolic, but the action doesn't quite transcend the stagy setup." John DeFore of
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rated it 3.5/4 stars and called it "an engrossing study of generational clash inside a locked bathroom." Jonathan Holland of
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called it a "perceptive" and "ultra-wordy" film that will mostly appeal to Spanish art-house audiences. Sheri Linden of the
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The film was shot in twelve days in Madrid. The inspiration for the film came from writer-director
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is more universal than its title suggests and holds a strong art house appeal." Jon Caramanica of
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as an old, bitter journalist who attempts to seduce a young journalism student played by
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called it a "sweet, sometimes dull and certainly overlong film". Fionnuala Halligan of
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wrote, "An engrossing two-hander combining the smart-talk microcosm of
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wrote, "It is, in fact, hard to think of a movie less cinematic than
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rated it 61/100 based on seven reviews. Rene Rodriguez of the
294:'s experiences as a young journalist in Spain in the 1980s. 661:"Review: May-December meet-up gets talky in 'Madrid, 1987'" 468:"Sundance Interview: David Trueba Discusses 'Madrid, 1987'" 200: 192: 184: 174: 135: 127: 113: 101: 93: 85: 64: 56: 48: 38: 21: 498:"Sundance unveils dramatic, doc competition slate" 8: 800: 409: 407: 27: 18: 521: 519: 309:. The international premiere was at the 307:San Sebastián International Film Festival 233:San Sebastián International Film Festival 403: 7: 688:"Madrid, 1987: Sundance Film Review" 305:premiered 22 September 2011 at the 740:Halligan, Fionnuala (2011-09-22). 14: 632:Holland, Jonathan (2011-12-13). 715:"A Smug Writer Meets His Match" 843:Films directed by David Trueba 713:Caramanica, Jon (2012-10-11). 605:Rodriguez, Rene (2012-10-19). 1: 416:"6 Sales nabs 'Madrid, 1987'" 414:Hopewell, John (2011-09-18). 362:and the sexual dynamics of a 659:Linden, Sheri (2012-10-25). 496:Chang, Justin (2011-11-30). 231:. It premiered at the 2011 686:DeFore, John (2012-01-22). 311:2011 Sundance Film Festival 144:22 September 2011 884: 607:"'Madrid, 1987' (unrated)" 526:Coen, Ollie (2013-05-24). 833:Spanish independent films 33:Theatrical release poster 26: 634:"Review: 'Madrid, 1987'" 219:written and directed by 838:Films about journalists 159:13 April 2012 131:Breaking Glass Pictures 107:Irene Rodríguez Temblay 863:2011 independent films 693:The Hollywood Reporter 366:novel, David Trueba's 353:The Hollywood Reporter 281:Ramon Fontserè as Luis 122:Buenavida Producciones 554:"Madrid, 1987 (2012)" 858:Films shot in Madrid 359:My Dinner With Andre 868:2010s Spanish films 853:Films set in Madrid 828:Spanish drama films 720:The New York Times 373:The New York Times 215:is a 2011 Spanish 848:Films set in 1987 666:Los Angeles Times 347:Los Angeles Times 326:review aggregator 208: 207: 16:2011 Spanish film 875: 823:2011 drama films 804: 758: 757: 755: 754: 737: 731: 730: 728: 727: 710: 704: 703: 701: 700: 683: 677: 676: 674: 673: 656: 650: 649: 647: 646: 629: 623: 622: 620: 619: 602: 596: 595: 593: 592: 576: 570: 569: 567: 566: 550: 544: 543: 541: 540: 523: 514: 513: 511: 510: 493: 487: 486: 484: 483: 474:. Archived from 464: 458: 457: 455: 454: 438: 432: 431: 429: 428: 411: 204:$ 56,203 (Spain) 166: 164: 151: 149: 109:Leonor Rodríguez 89:Leonor Rodríguez 31: 19: 883: 882: 878: 877: 876: 874: 873: 872: 808: 807: 787:Rotten Tomatoes 766: 761: 752: 750: 739: 738: 734: 725: 723: 712: 711: 707: 698: 696: 685: 684: 680: 671: 669: 658: 657: 653: 644: 642: 631: 630: 626: 617: 615: 604: 603: 599: 590: 588: 578: 577: 573: 564: 562: 559:Rotten Tomatoes 552: 551: 547: 538: 536: 525: 524: 517: 508: 506: 495: 494: 490: 481: 479: 466: 465: 461: 452: 450: 447:Box Office Mojo 440: 439: 435: 426: 424: 413: 412: 405: 401: 322:Rotten Tomatoes 319: 300: 288: 266: 241: 177: 170: 162: 160: 147: 145: 138: 123: 118: 116: 108: 106: 81: 34: 17: 12: 11: 5: 881: 879: 871: 870: 865: 860: 855: 850: 845: 840: 835: 830: 825: 820: 810: 809: 806: 805: 789: 778: 765: 764:External links 762: 760: 759: 742:"Madrid, 1987" 732: 705: 678: 651: 624: 597: 580:"Madrid, 1987" 571: 545: 528:"Madrid, 1987" 515: 488: 459: 442:"Madrid, 1987" 433: 402: 400: 397: 318: 315: 299: 296: 287: 284: 283: 282: 279: 276:María Valverde 273: 270:José Sacristán 265: 262: 240: 237: 229:María Valverde 225:José Sacristán 206: 205: 202: 198: 197: 194: 190: 189: 186: 182: 181: 178: 175: 172: 171: 169: 168: 157: 141: 139: 136: 133: 132: 129: 128:Distributed by 125: 124: 121: 119: 114: 111: 110: 103: 99: 98: 95: 91: 90: 87: 86:Cinematography 83: 82: 80: 79: 77:María Valverde 74: 72:José Sacristán 68: 66: 62: 61: 60:Jessica Berman 58: 54: 53: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 880: 869: 866: 864: 861: 859: 856: 854: 851: 849: 846: 844: 841: 839: 836: 834: 831: 829: 826: 824: 821: 819: 816: 815: 813: 803: 799: 795: 794: 790: 788: 784: 783: 779: 777: 773: 772: 768: 767: 763: 749: 748: 743: 736: 733: 722: 721: 716: 709: 706: 695: 694: 689: 682: 679: 668: 667: 662: 655: 652: 641: 640: 635: 628: 625: 614: 613: 608: 601: 598: 587: 586: 581: 575: 572: 561: 560: 555: 549: 546: 535: 534: 529: 522: 520: 516: 505: 504: 499: 492: 489: 478:on 2012-03-07 477: 473: 472:FilmSlate.com 469: 463: 460: 449: 448: 443: 437: 434: 423: 422: 417: 410: 408: 404: 398: 396: 392: 389: 385: 381: 380: 375: 374: 369: 365: 361: 360: 355: 354: 349: 348: 343: 342: 337: 336: 331: 327: 323: 316: 314: 312: 308: 304: 297: 295: 293: 285: 280: 277: 274: 271: 268: 267: 263: 261: 257: 253: 249: 245: 238: 236: 234: 230: 226: 222: 218: 214: 213: 203: 199: 195: 191: 187: 183: 179: 173: 158: 155: 143: 142: 140: 137:Release dates 134: 130: 126: 120: 112: 104: 100: 97:Marta Velasco 96: 92: 88: 84: 78: 75: 73: 70: 69: 67: 63: 59: 55: 51: 47: 44: 41: 37: 30: 25: 20: 793:Madrid, 1987 791: 782:Madrid, 1987 781: 771:Madrid, 1987 770: 751:. Retrieved 747:Screen Daily 745: 735: 724:. Retrieved 718: 708: 697:. Retrieved 691: 681: 670:. Retrieved 664: 654: 643:. Retrieved 637: 627: 616:. Retrieved 612:Miami Herald 610: 600: 589:. Retrieved 583: 574: 563:. Retrieved 557: 548: 537:. Retrieved 531: 507:. Retrieved 501: 491: 480:. Retrieved 476:the original 471: 462: 451:. Retrieved 445: 436: 425:. Retrieved 419: 393: 384:Madrid, 1987 383: 379:Screen Daily 377: 371: 368:Madrid, 1987 367: 357: 351: 345: 339: 335:Miami Herald 333: 320: 303:Madrid, 1987 302: 301: 292:David Trueba 289: 258: 254: 250: 246: 242: 223:. It stars 221:David Trueba 212:Madrid, 1987 211: 210: 209: 176:Running time 167: (Spain) 105:David Trueba 52:David Trueba 43:David Trueba 22:Madrid, 1987 364:Philip Roth 180:105 minutes 57:Produced by 39:Directed by 818:2011 films 812:Categories 798:Metacritic 753:2014-05-16 726:2014-05-16 699:2014-05-16 672:2014-05-16 645:2014-05-16 618:2014-05-16 591:2014-05-16 585:Metacritic 565:2014-05-16 539:2014-05-16 509:2014-05-16 482:2014-05-16 453:2014-05-16 427:2014-05-16 399:References 330:Metacritic 286:Production 217:drama film 201:Box office 163:2012-04-13 148:2011-09-22 115:Production 49:Written by 317:Reception 278:as Ángela 272:as Miguel 94:Edited by 533:DVD Talk 388:DVD Talk 193:Language 102:Music by 65:Starring 639:Variety 503:Variety 421:Variety 341:Variety 298:Release 196:Spanish 185:Country 161: ( 146: ( 117:company 152: ( 188:Spain 154:SSIFF 776:IMDb 324:, a 264:Cast 239:Plot 796:at 785:at 774:at 814:: 744:. 717:. 690:. 663:. 636:. 609:. 582:. 556:. 530:. 518:^ 500:. 470:. 444:. 418:. 406:^ 235:. 756:. 729:. 702:. 675:. 648:. 621:. 594:. 568:. 542:. 512:. 485:. 456:. 430:. 165:) 156:) 150:)

Index


David Trueba
José Sacristán
María Valverde
SSIFF
drama film
David Trueba
José Sacristán
María Valverde
San Sebastián International Film Festival
José Sacristán
María Valverde
David Trueba
San Sebastián International Film Festival
2011 Sundance Film Festival
Rotten Tomatoes
review aggregator
Metacritic
Miami Herald
Variety
Los Angeles Times
The Hollywood Reporter
My Dinner With Andre
Philip Roth
The New York Times
Screen Daily
DVD Talk


"6 Sales nabs 'Madrid, 1987'"

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