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alkaline earth. In this process, the fabric dipped in the solution is tamped well by foot several times and kept in a wet state for 2â3 days. It is then taken out and washed in the Vaigai River water (the water of this river is believed to give a special sheen to the fabric) and then dried. This process is repeated over a week. After washing and drying, the fabric is subjected to dyeing in a vat with a solution of alizarine red and
160:. It was registered by the Controller General of Patents Designs and Trademarks under the title "Madurai Sungudi" and recorded under GI Application number 21, Class 24 - Textile and Textile Goods and Class 25 â Clothing including Sarees and Rumal, as a textile product. The GI tag was approved on 12 December 2005.
345:
are more than 20,000 puttas or knots which are spaced uniformly and stitched by a single thread. The "pallu" (loose end of a saree) part of the saree or the fabric is made in a contrast colour by tying it firmly before subjecting it to a further process of treating in a solution of groundnut oil and
353:
A special characteristic of the
Sungudi saree is that the knots created along the lines of the fabric cloth with red pigment prevent colours from intruding into the knotted part of the fabric when it is subject to the dyeing process in the vat. After the dyeing process, the knots are released by
332:
in which the warp and weft are made of 80s and 100s combed /carded yarn respectively. Then this fabric is subjected to the tie and dye process. The fabric is first bleached and printed with motifs. Then it is subject to the process of tying the knot called as
369:
It takes 10 to 15 days to make a traditional
Sundgudi saree, with women involved in the tying process while the dyeing process is outsourced. This saree is a traditional dress of women of some communities worn during marriages.
354:
removing the thread and the knotted parts. In the traditional dyeing process, vegetable dyes are used to obtain different colours. However, in the modern dyeing process artificial chemical dyes (aniline) like
596:
373:
To encourage this cottage industry, the government of Tamil Nadu has exempted the sale of this fabric from levy of sales tax since 1959. In view of its unique design and quality it is also exported.
156:
The
Madurai Sungudi, produced in Madurai city, a cottage industry product, is given protection under the Geographical Indications of Goods (Registration & Protection) Act (GI Act) 1999 of the
136:
In recent years, in view of tough competition from other textile fabrics, to meet the market demand this fabric, "sungudi" as it is commonly known, is made with modern designs and techniques of
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129:; the fabric is now also used to make shirts, salwars, shawls, handbags, bed sheets and pillow cases. The product has been given protection under the
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While the dotted designs of the fabric are inspired by cosmic stars, its knotting pattern is a copy of the knots with which women tie their hair.
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word "sunnam" meaning "round", representing the circular dots that are printed on the fabric as a prominent and special motif.
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559:. Controller General of Patents Designs and Trademarks : Government of India
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The primary input to make this fabric is woven unbleached cotton fabric or
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515:. Controller General of Patents, Designs, and Trade Marks. Archived from
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in the 17th century. The fabric's traditional popular use is as a
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are used to obtain the red, blue and other colour effects.
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Cotton fabric with tie and dye method of traditional prints
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341:" work. In a fabric of more than 6 yards, the number of
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456:"Madurai Sungudi' needs patronage to revive its glory"
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leaves. After dyeing the fabric is steamed and dried.
121:, who migrated to Madurai under the patronage of King
172:, which is located in Tamil Nadu on the banks of the
426:"Call for museum to keep 'dyeing' Sungudi art alive"
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290:people). In order to please the local kings, the
294:of Madurai, who were expert craftsmen in fabric
279:welcomed them. Here, they came to be known as "
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109:product traditionally produced using tie and
8:
1818:Traditional dyes of the Scottish Highlands
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554:"Statetuent Of Case:Madurai Sunqudi Saree"
20:
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513:"G.I Application No.21 Madurai Sungudi"
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1906:Geographical indications in Tamil Nadu
606:Geographical indications in Tamil Nadu
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7:
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313:, the word 'sungudi' relates to the
16:Design of Madurai, Tamil Nadu, India
39:Textile signature art tradition of
184:From the 8th to 11th century, The
14:
255:to the royal families of ancient
487:"Colourful history of 'sungudi'"
271:. Some of them settled down in
275:, where the local king of the
1:
794:Mahabalipuram Stone Sculpture
686:Temple Jewellery of Nagercoil
196:) started migrating towards
1595:
1586:
1567:
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243:and were involved in the
28:
1865:Glossary of dyeing terms
1685:Traditional textile dyes
815:Thirubuvanam Silk Sarees
671:Kovai Cora Cotton Sarees
228:Kings set up mercantile
105:, which is an exclusive
727:Swamimalai Bronze Icons
712:Eathomozhy Tall Coconut
656:Alleppey Green Cardamom
208:upon the invitation of
152:Geographical indication
30:Geographical indication
1612:
737:Virupakshi Hill Banana
625:Coimbatore Wet Grinder
430:The New Indian Express
1936:Textile arts of India
1611:
1552:Reactive dye printing
722:Sirumalai Hill Banana
263:became the attire of
860:Palani Panchamirtham
267:after the period of
200:due to the frequent
1911:History of clothing
911:Kalamkari Paintings
696:Thanjavur Paintings
691:Thanjavur Art Plate
168:Sungudi is made in
158:Government of India
1916:Indian handicrafts
1901:Economy of Madurai
1891:Culture of Madurai
1692:Armenian cochineal
1613:
967:Manapparai Murukku
666:East India Leather
620:Bhavani Jamakkalam
123:Thirumalai Naicker
1878:
1877:
1454:
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1357:Mundum Neriyathum
1093:
1092:
954:Panneer Thratchai
462:. 4 December 2013
226:Thanjavur Maratha
190:Saurashtra region
93:is a design from
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1772:Polish cochineal
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916:Narasinghapettai
773:Thanjavur Veenai
763:Nachiarkoil Lamp
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630:Kanchipuram Silk
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519:on 30 June 2016
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146:screen printing
131:GI registration
91:Madurai Sungudi
24:Madurai Sungudi
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1813:Use of saffron
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1434:Related topics
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493:. 30 June 2014
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1619:Types of dyes
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1039:Spiny Brinjal
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1004:Ramnathapuram
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1569:RÅketsuzome
1562:Ring dyeing
1387:Venkatagiri
1367:Pochampally
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1347:Mangalagiri
1337:Kuthampully
1327:Kanchipuram
1226:Murshidabad
1191:Dhaniakhali
1074:Kanyakumari
1020:Sholavandan
999:Ooty Varkey
959:Manamadurai
927:Netti Works
717:Nilgiri tea
257:South India
239:throughout
50:Textile art
36:Description
1885:Categories
1827:Craft dyes
1588:Tsutsugaki
1495:Techniques
1415:Kota Doria
1317:Gollabhama
1307:Coimbatore
1246:Shantipuri
1241:Sambalpuri
1171:Berhampuri
1055:Chedibutta
972:Marthandam
919:Nagaswaram
852:Kovilpatti
844:Kodaikanal
661:Arani Silk
409:References
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103:Tamil Nadu
73:Registered
1858:Reference
1712:Cochineal
1702:Bloodroot
1671:Discharge
1528:Kalamkari
1201:Habaspuri
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924:Thanjavur
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460:The Hindu
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1782:Turmeric
1727:Dyewoods
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1641:Reactive
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831:Dindigul
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377:See also
339:bandhani
315:Sanskrit
304:garments
302:of silk
253:diamonds
247:of silk
204:, these
164:Location
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1839:Inkodye
1806:History
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1762:Logwood
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1631:Natural
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398:Tie-dye
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360:napthol
296:weaving
273:Madurai
249:clothes
234:weaving
194:Gujarat
180:History
113:(using
107:textile
95:Madurai
65:Country
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1767:Madder
1757:Kermes
1752:Indigo
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951:Cumbum
563:9 June
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466:9 June
435:31 May
403:Tritik
364:indigo
343:puttas
337:" or "
288:thread
237:guilds
214:Pandya
1834:Dylon
1747:Henna
1722:Cutch
1597:YÅ«zen
1502:Batik
1410:Kasta
1372:Salem
1322:Ilkal
1302:Arani
1294:South
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1271:North
1196:Garad
1069:katti
1058:Saree
1012:Salem
994:Saree
975:Honey
903:Clove
834:Locks
557:(PDF)
335:putta
330:saree
300:trade
245:trade
222:Nayak
210:Chola
188:from
133:act.
127:saree
68:India
1896:Dyes
1797:Woad
1792:Weld
1636:Acid
1626:Dyes
1512:Ikat
1397:West
1256:Tant
1158:East
1148:Kosa
1127:Sari
1066:Nama
1015:Sago
565:2016
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468:2016
437:2019
362:and
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298:and
285:silk
261:silk
251:and
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