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122:. Goldstein recognized the danger to his Jewish-owned and Jewish-themed museum. He spoke with Ilarion Sventsitsky, Lviv's commissioner of museum affairs. Sventsitsky recommended him to the Museum of Art Crafts, which later became the Museum of Ethnography and Art Crafts. In July of that year, the museum agreed to become owner of the collection, keep it in the Goldstein apartment, and appoint Goldstein, his wife, and his younger daughter to the staff as curators of the collection.
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In 1914, due to World War I, Goldstein left Lviv for Vienna. He was employeed at a credit institution for trade and industry. His fiancée, Nouseya
Levenkron, went with him, and they married in Vienna the following March 1915.
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in his apartment at Nowy Świat 15, and conducted public tours of the collection. His serious collecting began in 1910, with the intention at that time of creating a museum.
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They returned to Lviv in late summer 1917, just before the birth of their daughter Lilia. They later had another daughter, Irena.
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and
Judaica. He made great efforts to save the museum from the Nazis. Ultimately, the Nazis murdered him and his entire family.
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274:"Maximilian Goldstein: The life achievements and personal tragedy of the guardian of Galicia's Jewish treasures"
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control, Goldstein was appointed director of the city's Jewish Museum at the end of the
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Portrait of
Maximilian Goldstein, by Manet-Katz, 1932, made with charcoal pencil
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However, by
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207:"Maksymilian Goldstein: a saved collection"
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96:He curated a collection of art
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27:(December 9, 1880 – c. 1942;
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241:Petryakova, Faina (2008).
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157:References
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44:art critic
72:Mordechai
58:Biography
48:collector
40:historian
247:Archived
139:Janowska
91:interwar
52:folk art
98:Judaica
83:Ukraine
29:English
87:Soviet
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