1076:
51:, classified among the Cantes de Levante. Originally a folk-song type, it became a flamenco style in the 19th century. It is not normally used for dance, as it is generally interpreted with no regular rhythmic pattern, as a "cante libre." It has a very rich melody with virtuous flourishes and use of microtones. Its guitar accompaniment is normally played in open position first inversion giving E for the tonic, which can be transposed by using a capo.
100:
68:, a type of dance that, with different regional variations and even different names, became very popular in great part of Spain in the 18th century. Although nowadays malagueñas are a typical instance of "cante libre", performed at libitum and normally not used for the dance, folkloric fandangos were originally sung and played at a fast speed, with a rhythmic pattern in
179:. He was the most prolific creator of malagueñas and the styles he created are probably the most frequent in recordings. The number of the malagueñas he created varies, though, as some have been attributed to him only by tradition. Some of these styles can often be seen as simple variations. Most of these styles were already recorded by him between 1909 and 1928.
289:
Its melodies are normally lyric in style and very ornate. Malagueña has traditionally been favoured by mellow voices, but there are many exceptions to this rule. Quite often, flamenco singers, after singing several verses of malagueña in "cante libre" style, link directly with the more vivid styles
285:
To this typical progression other transition chords can be added. For example, D7 is often used in the transition to G Major. A minor often appears in guitar interludes (or even during the singing, as in the case of the
Malagueña del Mellizo). These chords can also be transported by using a capo on
202:
Originally the guitar was, together with other instruments, already part of the accompaniment of folkloric fandango of Málaga. At that time its function was merely rhythmic and limited to the use of one technique, the strumming pattern called "abandolao". As malagueñas slowed down their tempo and
149:. It is often said that he derived his malagueña from the preface to the catholic mass. After his influence, the rhythmic pattern of the malagueña guitar accompaniment was lost and it became a "cante libre". Among the interpreters of this style who helped to establish it we may mention
203:
professional guitarists came into place, short solos and ornaments were incorporated. The great revolution of the malagueña guitar playing came together with its transformation into a "cante libre": flamenco virtuosos like
1075:
134:
Some of the traditional malagueña styles (melodic schemes) more frequently performed are listed below. Many though, have been omitted as they are rarely performed or are just variations of other main styles.
87:
are still performed nowadays at folkloric gatherings by large non-professional groups called "Pandas", which use a high number of guitars, "bandurrias" (a sort of mandoline), violins, and tambourines.
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711:
1202:
1197:
1212:
169:
223:, and enriched it with a wider variety of chord positions. They also started introducing short guitar solos in between verses, called
165:. Each of them has added personal touches to the Malagueña, so it is difficult to know which one resembles the original model most.
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409:
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1312:
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1297:
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of the same scale. The
Phrygian mode is used for the short interludes after of before verses. The usual
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533:
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Malagueña is rarely performed as a guitar instrumental piece and very rarely danced.
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142:. He recorded three of his malagueña styles personally in the early 20th century.
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83:, to accompany dance. Some of these primitive fandangos from Málaga, called
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ROSSY, Hipólito: 'Teoría del cante jondo', Ayuntamiento de Córdoba, 1998
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310:ÁLVAREZ CABALLERO: 'El cante flamenco', Alianza Editorial, Madrid, 1998
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in the flamenco jargon, following the model of other flamenco songs.
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Sixth line: C Major, C7, F Major, G Major, F Major, E Major
39:) is one of the traditional styles of Andalusian music (
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194:created a personal variation of one of her styles.
286:the guitar, maintaining the same chord positions.
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332:
8:
272:Third line is just a repetition of the first
64:Malagueñas derive from local variety of the
186:. Her legacy was preserved by singers like
1230:
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307:, Diputación Provincial de Granada, 1987
172:. He created one style of Malagueña.
34:
7:
1198:Benidorm International Song Festival
1213:Festival Internacional de Santander
266:First line of singing: G7, C Major
254:), resolving in the corresponding
14:
269:Second line: C Major, C7, F Major
262:is the typical of all fandangos:
43:), derived from earlier types of
1074:
98:
1131:Galicia, Cantabria and Asturias
1:
492:Cantes derived from fandangos
456:Cantes related to seguiriya
209:classical guitar techniques
198:The guitar in the malagueña
1539:
238:The singing develops on a
18:Malagueña (disambiguation)
15:
1233:
1072:
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170:José Alberto "El Canario"
563:Cantes related to tangos
275:Fourth line: C Major, G7
1203:Eurovision Song Contest
398:Cantes related to soleá
303:MARTÍN SALAZAR, Jorge:
278:Fifth line: G7, C Major
609:Cantes de ida y vuelta
107:This section is empty.
32:Spanish pronunciation:
1141:Navarre and La Rioja
305:Los cantes flamencos
292:Fandangos abandolaos
207:started introducing
36:[malaˈɣeɲas]
16:For other uses, see
1227:Musical instruments
514:fandangos de lucena
433:and other cantiñas)
1162:Spanish folk music
1027:Soleá por Bulerías
937:Cantes a palo seco
410:soleá por bulerías
356:Cantes a palo seco
151:El Niño de la Isla
147:Enrique el Mellizo
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1465:
1464:
1293:Guitarra de canya
1263:Cross-strung harp
1070:
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534:cantes de madrugá
348:Palos in flamenco
188:Sebastián el Pena
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47:from the area of
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1116:Castile and Leon
1101:Balearic Islands
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234:Musical analysis
163:Pericón de Cádiz
130:Malagueña styles
122:
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109:You can help by
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1523:Flamenco styles
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1470:Music ensembles
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1283:Gaita gastoreña
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1191:Music festivals
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1172:Spanish hip hop
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1084:Music by region
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721:Music of Spain
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177:Antonio Chacón
159:Manolo Caracol
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1253:Catalan shawm
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744:Catalan rumba
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674:campanilleros
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655:("lullabies")
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256:Phrygian mode
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205:Ramón Montoya
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155:Aurelio Sellé
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23:
19:
1218:OTI Festival
1182:Spanish rock
1167:Spanish jazz
986:
957:Cartageneras
875:Género chico
802:New flamenco
529:cartageneras
518:
483:toná liviana
304:
288:
284:
237:
229:
201:
181:
174:
167:
144:
137:
133:
118:October 2022
115:
111:adding to it
106:
75:
63:
26:
25:
24:
22:
1126:Extremadura
932:Cante jondo
857:Tono humano
827:Rock urbano
822:Rock català
641:Other palos
632:colombianas
417:(including
260:progression
248:subdominant
91:Development
1391:Cabreiresa
1338:Txalaparta
1313:Psalterium
1303:Kirikoketa
1017:Siguiriyas
992:Martinetes
987:Malagueñas
866:Xiringüelu
862:Villancico
832:Seguidilla
807:Nova Cançó
648:sevillanas
595:tanguillos
519:malagueñas
384:martinetes
369:carceleras
240:major mode
140:Juan Breva
27:Malagueñas
1487:Chirigota
1442:Classical
1411:Sanabresa
1401:Odrecillo
1248:Castanets
1243:Bandurria
1121:Catalonia
1091:Andalusia
1052:Verdiales
997:Peteneras
852:Tonadilla
842:Tajaraste
837:Sevillana
817:Pasodoble
812:Pasacalle
749:Chirigota
679:peteneras
621:vidalitas
549:levantica
499:verdiales
463:seguiriya
427:caracoles
85:Verdiales
66:Fandangos
1517:Category
1497:Rondalla
1492:Comparsa
1482:Charanga
1447:Flamenco
1396:Galician
1381:Asturian
1363:Zambomba
1298:Guitarro
1268:Dulzaina
1258:Chácaras
1146:Valencia
1037:Tarantas
982:Guajiras
977:Granaína
972:Garrotín
947:Cantiñas
922:Bulerías
907:Alegrías
892:Flamenco
870:Zarzuela
797:Muiñeira
774:Fandango
769:Ensalada
626:milongas
616:guajiras
600:marianas
585:garrotín
554:granaína
544:murciana
524:tarantas
509:rondeñas
478:livianas
437:bulerías
431:mirabrás
419:alegrías
415:cantiñas
252:dominant
225:falsetas
213:arpeggio
184:La Trini
45:fandango
41:flamenco
1457:Morisca
1437:Baroque
1421:Xeremia
1406:de saco
1386:de boto
1348:Vihuela
1333:Trikiti
1323:Tambori
1278:Flabiol
1273:Fiscorn
1042:Tientos
962:Farruca
917:Bambera
912:Alboreá
764:Endecha
669:zorongo
664:zambras
659:bambera
580:farruca
575:tientos
504:jaberas
473:serrana
468:cabales
423:romeras
298:Sources
221:tremolo
60:Origins
55:History
1452:Latina
1430:Guitar
1358:Xirula
1343:Txistu
1328:Timple
1308:Palmas
1288:Gralla
1238:Alboka
1136:Murcia
1096:Aragon
1057:Zambra
882:Romani
847:Tiento
787:Jácara
739:Bolero
728:Styles
570:tangos
539:minera
379:saetas
374:trilla
217:scales
49:Málaga
1477:Cobla
1373:Gaita
1318:Rabel
1047:Tonás
1032:Tango
1022:Soleá
1012:Saeta
1007:Rumba
927:Cante
897:palos
779:Folia
759:Cuplé
754:Copla
653:nanas
590:rumba
405:soleá
389:tonás
364:debla
244:tonic
211:like
1502:Tuna
1353:Viol
1002:Polo
792:Jota
630:and
447:polo
442:caña
161:and
783:Isa
290:of
182:5.
175:4.
168:3.
145:2.
138:1.
113:.
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429:,
425:,
421:,
294:.
250:,
246:,
219:,
215:,
190:.
157:,
153:,
899:)
895:(
713:e
706:t
699:v
340:e
333:t
326:v
242:(
120:)
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76:8
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