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200:, Glišić painted in the Italian way even before visiting Italy. In less than two years of his residency, he created a mature painting, which was at the very top of Serbian impressionism. The light is separated by a paste invoice arranged to give the impression of overflow. The origin of the green and yellow light of the layered structure is found in his experiments inspired by the Italian masters and the secessionism of Segantini. Due to the dense invoice and the tactile value of his work to Lazar Trifunovic, he is a forerunner of informal and structural painting. He achieved spectral and
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126:, which he contracted after defending Belgrade; according to another source, in November 1915 he fell ill after retiring from the army and died on 10 December 1916. about his death. He was ceremoniously buried by the Bulgarians.
62:, when he returned to Serbia and joined the army. He died in either 1915 or 1916 under unexplained circumstances. There are very few written documents left about him, as well as few preserved pictures.
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in Munich. He discontinued his studies in 1909 and from 1910 to 1912 resided in Italy where he painted a number of landscapes of monumental format inspired by the surroundings of
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Initially, he opted for landscape, light palette, and impressionism. His first paintings have a mature look, he goes the shorter route and fast to the finish. In the painting
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when he painted several precious landscapes and scenes from the trenches. He died under unexplained circumstances. According to one opinion, he died in early 1915 of freckled
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He had two solo exhibitions, 1907 and 1913. At first, he exhibited several paintings in private studios, and at the 1913 exhibition at the Second Men's
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Glišić's painting consists of three periods: school period (1907–1910); Italian period (1911–1912); and war period (1912–1915).
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Elezović, Zvezdana (2009). "Kosovske teme paviljona
Kraljevine Srbije na međunarodnoj izložbi u Rimu 1911. godine".
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90:. He participated in prestigious art shows and exhibited independently. He was the set designer of the
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404:Љубица Миљковић (2014): Каталог изложбе "Светлост у мраку Првог светског рата". Народни музеј, Београд
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The
Nonconformists: Culture, Politics, and Nationalism in a Serbian Intellectual Circle, 1944-1991
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https://sr.wikipedia.org/%D0%9C%D0%B0%D0%BB%D0%B8%D1%88%D0%B0_%D0%93%D0%BB%D0%B8%D1%88%D0%B8%D1%9B
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He studied at the
Serbian Drawing and Painting School in Belgrade (1903-1905), led by
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184:(1907) all the features of impressionism are present - illuminated
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from the early 20th century and one of the forerunners of
Serbian
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Translated and adapted from
Serbian Knowledge (XXG):
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78:. In 1908 he enrolled in the private art school of
50:and others of his generation. He was educated in
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196:Judging by the dense and difficult move from
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152:Glišić exhibited his artworks as a part of
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162:International Exhibition of Art of 1911
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147:Pavle Beljanski Memorial Collection
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344:Музеј савремене уметности, Београд
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114:. He served in the same army in
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387:"Mališa K. Glišić (1886—1916)"
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356:Miller, Nick (January 2007).
92:National Theater in Belgrade
293:Road to Monte Curcio, 1913.
202:analytical light scattering
135:National Museum of Belgrade
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346:, Приступљено 12. 4. 2013.
139:Museum of Contemporary Art
317:List of Serbian painters
98:, where he joined the
74:and later by his wife
269:Моtiff of Rome, 1911.
233:Soldier's mess, 1911.
143:Belgrade City Museum
450:People from Valjevo
305:Мurat's Tomb, 1915.
221:Woman's head, 1903.
245:Outskirts of Rome.
80:Hugo von Habermann
176:The school period
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445:1915 deaths
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116:World War I
100:Second Army
434:Categories
323:References
198:Tašmajdan
182:Tašmajdan
131:Gymnasium
66:Biography
30:, 1886 -
311:See also
168:Painting
158:pavilion
145:and the
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416:Baština
208:Gallery
186:palette
120:typhoid
36:painter
24:Bačevci
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88:Naples
56:Munich
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