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girl might be introduced, on her drawing a curtain as she would be desired, a skeleton, grinning horribly, was precipitated forward, and caught the terrified creature in his, to all appearance, bony arms. In another chamber the lights grew dim, and then seemed gradually to go out. In a little time some candles, apparently self-ignited, revealed to a horror stricken woman, a black coffin, on the lid of which might be seen, in brass letters, ANNE, or whatever name it had been ascertained the poor wretch was known by. A sofa, in another part of the mansion was made to descend into some place of utter darkness; or, it was alleged, into a room in which was a store of soot or ashes.
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to John Dunton by
Richard Frith (who laid out the rest of the Square in 1681) and William Pym. Dunton built two houses on the site which were later converted into a single dwelling with the address of 21 Soho Square. For the next 90 years the house was lived in by a succession of prominent figures
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Some of the apartments, it is said, were furnished in a style of costly luxury; while others were fitted up with springs, traps, and other contrivances, so as to present no appearance other than that of an ordinary room, until the machinery was set in motion. In one room, into which some wretched
132:. The White House is described as being garishly decorated and had lavish themed rooms including the "Gold Room", "Silver Room" and "Bronze Room", a "Painted Chamber", "Grotto", "Coal Hole" and most famously the "Skeleton Room" which contained a mechanised
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In 1776 the house, known then as The White House, was bought by Thomas Hopper, who, between 1778 and 1801 styled it as a hotel although all contemporary accounts point to its real business being as a
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with a four-window wide façade fronting Soho Square; the front door was previously on Sutton Row as shown in an 1826 watercolour by T. Richardson. They also added a "painted
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balconies to the first and second floors. Crosse and
Blackwell operated their business from the house until 1925 and it is probable that the ground floor had some kind of
304:. ... the famous magic brothel, the White House at Soho Square, in which commercial sex was enhanced by dark, baroque special-effects and natural magic devices.
158:. They embarked on the first and only major rebuilding/remodelling of the original structure and created the house which we see today of four main storeys of
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in 1592. When Winn left Manor House the painting went to
Nostell Priory where it remains. Between 1772 and 1775 21 Soho Square was the location of the
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37:. It has 17th-century origins but the existing structure dates from 1838. It was originally built in 1678 as a
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recorded that a "large family picture of Sir Thomas More" was hung there, this was a copy by
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In 1838 the house was acquired by Edmund Crosse and Thomas
Blackwell of the condiment firm
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185:. Crosse and Blackwell's structure is the house we see today but for the addition of a
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Manor House, 21 Soho Square is still in use as an office building. Its most recent
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to 21 Soho Square where it remained for many years under its new name the
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façade to the ground floor by the architect M. W. Watts in 1927–1928.
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and from where many of its most famous productions were conceived.
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called the White House a "notorious place of ill-fame" and wrote:
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82:Between 1730 and 1734, Manor House was the home of
41:but through its history has also been a notorious
423:Grade II listed houses in the City of Westminster
136:designed to scare the staff and patrons alike.
207:General Post Office Public Relations Department
294:. Harvard University Press. pp. 110–111.
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75:, and then briefly in 1691 by his brother
66:In 1678 a lease was granted on a plot in
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166:below the third storey and a shallower
201:' film unit was transferred from the
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271:Survey of London:volumes 33 and 34
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321:London Labour and the London Poor
170:and blocking above screening the
106:and had been commissioned by the
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102:of the painting (now lost) by
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27:Manor House, 21 Soho Square
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236:. Its current use is as a
341:. Routledge. p. 72.
268:Sheppard, F.H.W. (1966).
84:Sir Rowland Winn 4th Bart
324:. London: Griffin, Bohn.
31:Grade II listed building
338:History of British Film
209:in 1933, it moved from
118:The White House brothel
94:. During Winn's tenure
365:. WeWork Companies Inc
288:During, Simon (2004).
230:Really Useful Theatres
203:Empire Marketing Board
156:Crosse & Blackwell
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45:, the headquarters of
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335:Low, Rachael (1996).
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71:including from 1685,
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150:Crosse and Blackwell
395: /
226:Stoll Moss Theatres
399:51.5156°N 0.1317°W
160:yellow stock brick
35:West End of London
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348:978-0-415-15650-9
301:978-0-674-01371-1
274:. pp. 72–73.
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367:. Retrieved
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73:James Grahme
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428:Soho Square
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234:See Tickets
168:entablature
108:More family
68:Soho Square
22:Manor House
417:Categories
387:51°30′56″N
244:References
193:Modern use
183:shop front
124:high-class
390:0°07′54″W
179:cast iron
92:Yorkshire
39:townhouse
318:(1861).
224:include
369:19 July
240:space.
205:to the
164:cornice
130:brothel
127:magical
57:History
43:brothel
33:in the
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238:WeWork
172:slated
197:When
29:is a
371:2019
343:ISBN
296:ISBN
232:and
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