443:
38:
320:. Vinaccia modernized several members of the mandolin family, improving resonance, increasing ranges, and adding features. In addition to creating the Neapolitan mandolin c. 1835, he reconceived the mandalone and related instruments, which had limited range, and a much quieter tone than the treble mandolins. The Neopolitan mandocello he developed had increased volume, extended range, and effectively superseded the mandolone as the bass instrument of the mandolin family.
324:
1546:
573:, the English folk musician and songwriter, made the mandocello a key part of his songwriting and overall sound, especially with his band Show of Hands. Knightley uses instruments made by David and Nicholas Oddie in Devon, England, in the tuning GDAD which makes the instrument more effective for chunky chord accompaniments as well as playing tunes. Knightly also plays guitar, cuatro mandolin, and tenor guitar.
1556:
365:
After the 1930s the popularity of mandolin ensembles once again began to decline, though not as completely as it had in the 19th century. Mandolins continued to be produced, but production of other members of the family decreased significantly, although—with the possible exception of the mandobass—it
228:
popularized in the United States in the early 20th century. The scale of the mandocello is longer than that of the mandolin. Gibson examples have a scale length of 24.75" (62.87 cm) but flat-back designs have appeared with both significantly shorter and longer scale lengths (27"/68.58 cm on
513:
Accomplished artists specializing in mandocello performance in 21st century
America are relatively few in number, and only a modest number of contemporary recordings prominently feature the instrument. One American mandocello artist, Stanley Greenthal, is a specialist in the music of Brittany and an
335:
This was followed by a wave of
Italian mandolinists traveling in Europe in the 1880s and 1890s, and in the United States by the mid-1880s, playing and teaching their instrument. The instrument's popularity continued to increase during the 1890s and mandolin popularity was at its height in the "early
453:
The bowl-back mandocello is chiefly used in mandolin orchestras and mandolin quartets, where it provides a melodic and bass role similar to the cello in a bowed string quartet. It is occasionally used as a solo instrument for the performance of classical music, such as concertos and unaccompanied
361:
Around this time, the Gibson company began building mandocellos in the style of their mandolins with arched tops and backs. Gibson is known to have produced at least four models of mandocello between 1905 and the 1920s: the K-1, K-2, K-4, and K-5. Other
American instrument companies also produced
294:, Pietro Denis, who travelled widely between 1750 and 1810. This, together with the records gleaned from the Italian Vinaccia family of luthiers in Naples, Italy, has led musicologists to believe that the family of modern steel-string mandolins were developed in Naples by the Vinaccia family.
331:
Beginning with the Paris
Exposition of 1878, the mandolin's popularity began to rebound. In particular, the Spanish Estudiantina Figaro, an "association of young teachers, musicians ... created and established in Madrid forming a magnificent band of guitars, bandurrias and violins" attracted
462:, who championed the instrument in the early 20th century. More recent music for solo mandocello was presented at the 2018 Classical Mandolin Society Convention in Santa Rosa by Dr. James Imhoff. An article on this event and examples of the music appear in the CMSA
301:
a flat-backed, bass instrument, "much larger than the liuto" with "four heavy wound strings" tuned (in fourths) to A2-D3-G3-C4. This instrument may have been the direct precursor of the mandocello. The popularity of mandolin ensembles began to wane during the late
477:
or Celtic music. In this setting the flat-back mandocello is typically used. The mandocello's lower range does not produce the bright, projecting sound of the mandolin or mandola, and its use in this setting has been generally eclipsed by mandolin artists since
880:
La
Estudiantina Española Fígaro, como publicara la prensa de 1882, "es una asociación de jóvenes profesores, músicos ..... se creó y constituyó en Madrid formando una magnífica banda de guitarras, bandurrias y violines que partió de allí en
864:
223:
Mandocello construction is similar to the mandolin: the mandocello body may be constructed with a bowl-shaped back according to designs of the 18th-century
Vinaccia school, or with a flat (arched) back according to the designs of
202:
family. It is larger than the mandolin, and is the baritone instrument of the mandolin family. Its eight strings are in four paired courses, with the strings in each course tuned in unison. Overall tuning of the courses is in
232:
The internal bracing also bears some similarity to the mandolin. Gibson's mandocellos were typically constructed with a single transverse brace on the top just below the oval soundhole. Modern builders also use X-bracing.
251:
The mandocello generally has four courses of two strings each. Because of the heavy gauge of the lowest course, some folk mandocello players remove one of the C strings to prevent rattling while playing
70:
518:. The mandolinist Radim Zenkl is also well known for performances of American, Italian, and other European folk music on the mandocello. One recent recording with mandolin virtuosos Carlo Aonzo and
283:
period (1600–1750) that interest in the mandolin began to increase, along with its use in ensemble playing, resulting in increased interest in developing and expanding the mandolin family.
286:
The first evidence of modern metal-string mandolins is from literature regarding popular
Italian players who travelled through Europe teaching and giving concerts. Notable are Signor
434:
On 10-string/5-course instruments an additional string-pair, placed above the first course, is tuned to E4 E4, adding an additional half-octave or so to the upper range up to E6.
1246:
1219:
497:, who wrote the first method book specifically for liuto cantabile, and is thought to have perfected the design of the instrument following its putative introduction by the
427:
The average range, therefore, is about three-and-a-half octaves, with the exact range depending on the number of frets on the individual instrument: from two octaves below
279:
family in Italy during the 17th and 18th centuries, and the bowl back mandolin, produced particularly in Naples, became common in the 19th century. It was during the
374:
Usually, courses of 2 adjacent strings are doubled (tuned to the same pitch). The standard mandocello tuning of C2 C2•G2 G2•D3 D3•A3 A3 is equivalent to that of the
442:
1239:
297:
Mandolin ensembles were popular in the late
Baroque period, and a number of instruments were added to the family around this time, including the
306:(1750–1825) period, and after 1815 the mandolin largely transitioned to the status of a folk instrument, and the mandolone all but disappeared.
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The mandolin was largely forgotten outside of Italy by that point, but the stage was set for it to become known again, starting with the
259:
There are 10-string/5-course mandocellos, containing an additional course of strings above the 1st (highest) course, sometimes termed a
1157:
1137:
466:. Imhoff continued these presentations at subsequent CMSA events, including composers from the UK, Germany, Australia, and the USA.
48:
1506:
1289:
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As is typical of the mandolin family, mandocellos can be found with either a single oval soundhole or a pair of "F" soundholes.
505:
also contributed significantly to advancements in the design of the instrument during the late 19th and early 20th centuries.
313:(1806–1885) made his modifications to the instrument that his family made for generations, creating the Neapolitan mandolin.
576:
Geoff
Goodman, New York born European jazz musician and composer, features both guitar and mandocello in his compositions.
1411:
327:
The
Mandolin "Estudiantina" of Mayenne, France around 1900 when Mandolin orchestras were at the height of their popularity
317:
229:
some Vega mandocellos). Bowl-back instruments may have a shorter scale length, on the order of 22.5" (about 57 cm).
1491:
1197:
37:
583:, plays a mandocello made by Scott Baxendale of Baxendale Guitars in Athens Georgia. Baxendale starts with a vintage
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Like most other instruments in the mandolin family the mandocello originated in Europe. Mandolins evolved from the
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years of the 20th century. Thousands were taking up the instrument as a pastime, and it became an instrument of
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has featured Zenkl's mandocello on the album of Italian folk music "Traversata" published by Acoustic Disc.
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243:; concert bowl-back instruments may have more frets permitting virtuoso passage work in the upper register.
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has performed and recorded frequently with the mandocello. Ryan Delahoussaye of the American rock band
65:
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like a mandolin, but beginning on bass C (C2). It can be described as being to the mandolin what the
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670:
487:
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83:
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uses the mandocello in avant-garde as well as modern rock and blues settings, on such albums as
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up to D#5/Eb5, in the octave above middle C, (with 18 frets), to as high as A5, with 24 frets.
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53:
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267:, although these instruments remain technically mandocellos & many companies make them.
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1083:"Strum with Steve - Lick the Lockdown, Part Three - the Mandocello | Steve Knightley"
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has a stringed instrument collection that includes electric mandocellos custom made by
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865:"Apuntes de la gira por la Península Ibérica de la Estudiantina Fígaro (1881 - 1890)"
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repertoire originally composed for solo cello. However, some pieces specifically for
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were formed worldwide, incorporating the mandolin family of instruments—mandolins,
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722:; with the contemporary blues band Elliott Sharp’s Terraplane on the albums
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groups. The bowl-back mandocello (mandoloncello) is traditionally used for
17:
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guitar and converts it from six string standard tuning to the mandocello.
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Warren Ellis model instrument is styled to resemble an electric guitar.
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921:, Lanarkshire Guitar and Mandolin Association Newsletter, Spring 2007.
664:, used a standard acoustic mandocello. This song was later covered by
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Chords for Mandolin, Irish Banjo, Bouzouki, Tenor Mandola, Mandocello
256:, or use lighter gauge strings so that the 2 C Strings don't rattle.
212:
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208:
482:. The amplified instrument has infrequently been used in modern
276:
240:
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778:
The New Grove Dictionary of Music and Musicians, Second Edition
1192:
1130:
The Mandocello Chord Bible: CGDA Standard Tuning 1,728 Chords
650:. Such an instrument was used for the title track from their
1007:
1224:
983:
932:
449:
mandolin family: mandocello is 2nd from right, front row
660:
while their song "Mandocello", released on the band's
534:, however his instrument is tuned GDAD, similar to an
1404:
1298:
1262:
493:The most historically significant mandocellist was
239:These instruments typically have between 18 and 22
82:
64:
47:
1172:A chord book featuring 20 pages of popular chords.
632:and plays it live occasionally (for example with
1203:Patterson Hood's Converted Baxendale Mandocello.
358:—as well as guitars, double basses and zithers.
763:Musical Instruments: A Comprehensive Dictionary
618:played a mandocello on his collaboration album
309:It was during this decline in popularity that
1240:
919:The Mandolin in the early to mid 19th Century
8:
30:
780:, edited by Stanley Sadie and others (2001)
765:, by Sibyl Marcuse (Corrected Edition 1975)
1247:
1233:
1225:
1188:Gabriele Pandini Workshop, Ferrara, Italy
863:Martin Sárraga, Felix O. (26 July 2015).
542:, best known for his collaborations with
469:The mandocello also has a role in modern
27:Musical instrument in the mandolin family
1193:Carlo Mazzaccara Workshop, Naples, Italy
806:. Oxford University Press. p. 206.
684:, overdubbed a mandocello on their hit "
441:
1033:"Show of Hands - Steve Knightley Story"
773:
771:
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96:
904:
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850:
838:
826:
789:
29:
7:
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1215:ArsNova Mandolin Quartet (classical)
1144:A comprehensive instructional guide.
742:; and on E#’s solo mandocello album
342:, taken up by young men and women.
25:
698:, used a mandocello on the song "
558:plays a mandocello on stage. His
1554:
1545:
1544:
610:The Great American Eagle Tragedy
593:uses a mandocello on his album,
36:
1152:. Cork, Ireland: Random House.
1132:. United Kingdom: Cabot Books.
1093:from the original on 2021-12-13
716:Revenge of the Stuttering Child
66:Hornbostel–Sachs classification
579:Patterson Hood, front man for
526:of the English folk-rock band
1:
702:" from their acoustic album
668:and released on their album
1581:Mandolin family instruments
734:; in duo with accordionist
509:Image in contemporary music
366:never died out completely.
1597:
1128:Richards, Tobe A. (2006).
292:Giovanni Battista Gervasio
1540:
1220:Mike Marshall (bluegrass)
226:Gibson Guitar Corporation
196:plucked string instrument
89:
35:
1198:Pictures of a mandocello
318:Paris Exposition in 1878
42:Redhead brand mandocello
1148:Loesberg, John (1998).
604:play mandocello on the
1290:Society (Peterborough)
804:The Classical Mandolin
740:Blues, Hues, and Views
450:
332:widespread attention.
328:
187:
131:Angélique (instrument)
802:Sparks, Paul (2003).
705:This Left Feels Right
445:
415:first (highest tone)
382:fourth (lowest tone)
326:
1492:National Reso-Phonic
700:Lay Your Hands on Me
344:Mandolin orchestras
84:Related instruments
32:
1396:Resonator mandolin
1299:Family instruments
1285:Playing traditions
1062:Oddyluthiers.co.uk
671:Still in Hollywood
595:Let The Days Go By
488:Italian folk music
451:
329:
1568:
1567:
1037:Showofhands.co.uk
964:on 6 October 2008
813:978-0-19-985047-1
581:Drive-By Truckers
458:were composed by
311:Pasquale Vinaccia
247:Layout of strings
176:
175:
54:String instrument
16:(Redirected from
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960:. Archived from
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917:Ian Pommerenke,
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736:William Schimmel
694:, guitarist for
464:Mandolin Journal
370:Tuning and range
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1386:Octave mandolin
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1122:Further reading
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666:Concrete Blonde
621:Uncommon Ritual
571:Steve Knightley
568:
536:octave mandolin
524:Steve Knightley
511:
503:Luigi Embergher
495:Raffaele Calace
460:Raffaele Calace
456:liuto cantabile
440:
372:
273:
261:liuto cantabile
249:
221:
192:, liuto moderno
190:Liuto cantabile
188:mandoloncello,
172:
116:Octave mandolin
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1263:General topics
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1177:External links
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724:Sky Road Songs
692:Richie Sambora
682:Weather Report
680:, bassist for
678:Jaco Pastorius
656:Heaven Tonight
600:John Nagy and
567:
564:
532:cello-mandolin
514:instructor at
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439:
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419:: A3 (220.000
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408:: D3 (146.832
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397:: G2 (97.9989
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386:: C2 (65.4064
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288:Gabriele Leone
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49:Classification
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1112:Heavy Weather
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1012:Acoustic Disc
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985:
984:"Redirect..."
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958:"Radim Zenkl"
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937:Embergher.com
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712:Elliott Sharp
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1058:"mandocello"
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640:Rick Nielsen
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566:Notable uses
556:Blue October
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1182:Photographs
1114:liner notes
933:"Embergher"
905:Sparks 2003
893:Sparks 2003
851:Sparks 2003
839:Sparks 2003
829:, p. 1
827:Sparks 2003
790:Sparks 2003
732:Kick It Six
662:debut album
644:Cheap Trick
634:Darol Anger
626:Edgar Meyer
606:Earth Opera
552:Chris Thile
548:Darol Anger
480:Bill Monroe
376:violoncello
356:mandobasses
354:, and even
352:mandocellos
76:chordophone
74:(Composite
18:Mandocellos
1527:Tanglewood
1351:Mandocello
874:10 October
750:References
744:Mandocello
728:4AM Always
630:Béla Fleck
530:plays the
484:rock music
473:, such as
471:folk music
254:fortissimo
211:is to the
180:mandocello
120:Mandocello
31:Mandocello
1417:Breedlove
1391:Orpharion
1381:Mandriola
1371:Mandolute
1366:Mandolone
1346:Mandobass
1321:Bandurria
987:Aonzo.com
516:Zouk Fest
475:bluegrass
304:Classical
299:mandalone
124:Mandobass
1575:Category
1550:Category
1487:National
1442:Giannini
1437:Epiphone
1422:Collings
1311:Bandolin
1256:Mandolin
1168:42276844
1097:19 April
1091:Archived
1067:19 April
1042:19 April
1017:19 April
992:19 April
968:19 April
942:19 April
718:by poet
696:Bon Jovi
686:Birdland
560:Eastwood
501:family.
499:Vinaccia
429:middle C
348:mandolas
200:mandolin
151:Bouzouki
136:Archlute
106:Mandolin
1560:Commons
1532:Weymann
1512:Seagull
1502:Ovation
1452:Harmony
1412:Beltona
1376:Mandore
1356:Mandola
1331:Gittern
1326:Cittern
1316:Bandora
1306:Bandola
1280:Players
1270:History
1087:YouTube
881:1878...
608:album,
585:Harmony
404:second
339:society
281:Baroque
271:History
198:of the
194:) is a
184:Italian
166:Theorbo
146:Bağlama
111:Mandola
71:321.322
58:plucked
1522:Tacoma
1477:Martin
1467:Ibanez
1457:Hohner
1447:Gibson
1341:Laouto
1166:
1156:
1136:
1008:"HOME"
810:
730:, and
447:Gibson
417:course
406:course
395:course
393:third
384:course
213:violin
205:fifths
101:Family
1517:Stagg
1507:Regal
1472:Levin
1209:Video
624:with
438:Usage
241:frets
209:cello
1462:Hora
1427:Dean
1164:OCLC
1154:ISBN
1134:ISBN
1099:2021
1069:2021
1044:2021
1019:2021
994:2021
970:2021
944:2021
876:2016
808:ISBN
628:and
550:and
277:lute
178:The
161:Lute
93:List
738:on
688:."
263:or
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