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Manuel Álvarez Bravo

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picturesque, he had to present images that went against what was expected from photographs about Mexico even if photographing something classically Mexican. One way Alvarez Bravo did this was to employ a sense of irony, to the addition of an element contrary to expectations and the main focus of the photograph. For example, while photographing an indigenous man in typical clothing (Señor de
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religion along with the paradoxes and ambiguities of Mexican culture. His experience with death as a child as the Mexican Revolution was unfolding played a role in his photographs from the explicit “Striking Worker, Assassinated” to the more subtle “Portrait of the Eternal.” However, while Alvarez Bravo was interested in Mexico's cultural identity, he was not particularly political.
453:. It contains six halls for temporary exhibitions of his photographs as well as works by others. It has a library specializing in photography and a permanent collection of 4,000 photographs by Álvarez Bravo and other notable photographers. The other is a collection of photographs that Alvarez Bravo began putting together himself in 1980 for the Fundación Cultural 249:, who promoted Alvaréz Bravo's work in France, exhibiting it there. Later, Breton asked for a photograph for the cover of catalog for an exhibition in Mexico. Alvarez Bravo created “La buena fama durmiendo” (The good reputation sleeping), which Mexican censors rejected due to nudity. The photograph would be reproduced many times after that however. 142:, his photography is self-taught. His career spanned from the late 1920s to the 1990s with its artistic peak between the 1920s and 1950s. His hallmark as a photographer was to capture images of the ordinary but in ironic or Surrealistic ways. His early work was based on European influences, but he was soon influenced by the 155:Álvarez Bravo was born in Mexico City on February 4, 1902. His father was a teacher but pursued painting, music, producing several plays and his grandfather was a professional portrait maker. Because of this, Alvarez Bravo had early exposure to the medium. He grew up in the historic center of Mexico City behind the 170:, but he had to leave school at the age of twelve when his father died. He worked as a clerk at a French textile factory for some time, and later at the Mexican Treasury Department. He studied accounting at night for a while but then switched to classes in art at the Academy of San Carlos. Alvarez Bravo met 556: 534:
1934), the man stares defiantly back into the camera. Another was to capture people doing ordinary activities avoiding romanticism and sentimentality. One example is a photo of a mother and a shoeshine boy (La mama del bolero y el bolero 1950s) eating lunch together. Another is a group of men eating
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Alvarez Bravo's trademark was the ability to capture hidden and surreal essences beneath the apparently ordinary images he was photographing. Alvarez Bravo was the first Mexican photographer to take a militantly anti-picturesque stand, to avoid stereotyping Mexico's variety of cultures. To avoid the
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in Mexico City which built a special vault for it. Since his death the photo archive at Casa Lamm continues to receive petitions for reproductions of the photographs from both Mexico and abroad, as well as provide assistance to researchers about the photographer and the times he lived in. Outside of
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era, when there was a cultural and political push to redefine Mexican identity. In the 1930s, he abandoned European influences for more Mexican themes and styles, influenced by the art of the Mexican muralism movement. His photographs became more complicated with ancient symbols of blood, death and
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He used large cameras which produced more detail in the finished print. However, he was more concerned with the images he photographed than the technical quality of his prints. The compositions were generally excellent and the images poetic. He gave titles to his photographs in order to distinguish
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encouraged him to visit the towns and rural areas. Alvarez Bravo's photographs almost never depict trappings of political power, instead preferring subjects related to everyday life. Most of his subjects are nameless. In addition to his main subjects, he also sought out certain textures, especially
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His career included over 150 individual exhibitions of his work along with participation in over 200 collective exhibitions. In 1928, a photograph of his was chosen to be exhibited in the First Salón Mexciano de la Fotografía. His first individual exhibition was at the Galería Posada in Mexico City
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Although he was photographing in the late 1920s, he became a freelance photographer full-time in 1930, quitting his government job. That same year, Tina Modotti was deported from Mexico for political activities and she left Alvarez Bravo her camera and her job at Mexican Folkways magazine. For this
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Alvarez Bravo used Mexico City's streets and squares to frame statements about the social and cultural realities of the city. He used his lens to present Mexico City not in terms of moral or heroic, but rather of social relationships and material clashes. These included class and gender roles.
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movement and the general cultural and political push at the time to redefine Mexican identity. He rejected the picturesque, employing elements to avoid stereotyping. He had numerous exhibitions of his work, worked in the Mexican cinema and established Fondo Editorial de la Plástica Mexicana
394:. In 1931, he won first prize at a competition sponsored by the La Tolteca company with an image called La Tolteca. Diego Rivera was one of the judges. The rest of his awards did not come until the 1970s. These include the Elias Sourasky Arts Prize in 1974, Premio Nacional de Arte and a 539:
During the 1930s and 1940s, he discovered increasingly more complex ways to frame the contradictions of Mexico's urban life into social statements. In his pictures, feminine identity has a complex symbolic range where sex overlaps with other social identities of everyday life.
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photography for the 20th century. His work reached creative heights from the 1920s through the 1940s. In developing his craft, he recognized the difficulties of the photographic medium, such as the inability to capture the past and the difficulty of avoiding stereotyping.
1069: 564: 189:, whom he married in 1925, just as he was beginning his career as a freelance photographer. He taught her the craft but she did not achieve the renown that he did. They had one son, Manuel and separated in 1934. His second wife was 1121: 237:(1920s to 1950s) when there was significant creative output in the country, much of it sponsored by the government wanting to promote a new Mexican identity based on both modernity and the country's indigenous past. 319:
exhibition which was exhibited around the world, seen by more people than any other to date. In 1968, the Palacio de Bellas Artes held a retrospective of four decades of Alvarez Bravo's work. He exhibited at the
178:. Álvarez Bravo had admired Modotti's work in magazines such as Forma and Mexican Folkways even before they met. She introduced him to a number of intellectuals and artists in Mexico City, including photographer 437:
Alvarez Bravo continued to photograph until his death. About a year before his death, when he could no longer travel, he photographed nudes. He stated that “It wasn't the sort of work one can complain about.”
1114: 1107: 134:(February 4, 1902 – October 19, 2002) was a Mexican artistic photographer and one of the most important figures in 20th century Latin American photography. He was born and raised in 340:
in 1985. From 1994 to 1995 Evidencias de lo invisible, cien fotografías (Evidence of the Invisible, One Hundred Photographs) was presented at the Fine Arts Museum in New Delhi, the
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in 1923 and bought his first camera in 1924. He began experimenting with it, with some advice from Brehme and subscriptions to photography magazines. In 1927, he met photographer
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publication, Alvarez Bravo began photographing the work of the Mexican muralists and other painters. During the rest of the 1930s, he established his career. He met photographer
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His first publication was in 1945, writing the book “El arte negro.” His photographs appeared in many publications over his career including the book México: pintura de hoy by
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which produces books on Mexican art. He spent most of the 1960s with this project, putting him in relative obscurity until the 1970s when his work was widely exhibited again.
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and rituals, especially burials and decorations, shop windows, urban streets and everyday interactions. Although he did much of his work in Mexico City,
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From 1943 to 1959, he worked in the Mexican film industry doing still shots, prompting him to experiment some with cinema. In 1949, he collaborated with
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publishing house. He won numerous awards for his work, mostly after 1970. His work was recognized by the UNESCO Memory of the World registry in 2017.
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Alvarez Bravo's first significant award for his photography was first prize for an image of two lovers on a boat at the Feria Regional Ganadera in
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the surfaces of walls and floors. One example is “Hair on Tile” featuring a long lock of wavy hair on a tile floor with star and cross designs.
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During his lifetime, Alvarez Bravo married three times, with all three wives photographers in their own right. His first wife was
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began. He could hear gunfire and came across dead bodies as a child. This would have an effect on his photography later.
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Sergio Raul Lopez (25 May 2001). "Tiene en Casa Lamm albergue de altura" [Casa Lamm has a high warehouse].
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in 1933 on the set of the film "Redes", and worked with him briefly. In 1938, he met French Surrealist artist
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that influenced his early landscape work. However, his career was being established during the post
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in New York in 1987, Hugo Erfurth International Photography Award and the Agfa Gevaert Prize in
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From 1908 to 1914 Alvarez Bravo attended elementary at the Patricio Saénz boarding school in
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Mexico, two significant collections are at the J. Paul Getty Museum in Los Angeles and the
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in New York along with the Leica Medal of Excellence and the Grand Cross of Merit Order in
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in an experimental film called Coatlicue. In 1957 he worked making stills for the film
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He was the pioneer of artistic photography in Mexico and the most important figure in
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them. The titles of his photographs often are based on Mexican myth and culture.
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Significant collections of his work exist in Mexico and the United States. The
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Alvarez Bravo trained most of the next generation of photographers including
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In 1973 he donated his personal collection of photographs and cameras to the
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National Camera : Photography and Mexico's Image Environment
896:[Manuel Alvarez Bravo, Mexico and France celebrate him]. 312: 3173: 1103: 602:. Mexico: Asociación Manuel Álvarez Bravo. 2008. Archived from 359:
in 1964. He co wrote and provided the photographs for the book
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and abstract art. Much of this came from two books, one of
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UNESCO Memory of the World Register, Manuel Alvarez Bravo
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In 2005 Alvarez Bravo was posthumously inducted into the
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Alvarez Bravo's early work was influenced by European
894:"Manuel Álvarez Bravo, México y Francia lo celebran" 422:, Germany in 1991, nomination as Creador Emérito by 3486: 3415: 3344: 3273: 3208: 1138: 352:in Los Angeles hosted a retrospective of his work. 268:. In the latter half of the 1960s he taught at the 112: 104: 94: 78: 53: 34: 1043:. Minneapolis, MN: University of Minnesota Press. 1034:. Minneapolis, MN: University of Minnesota Press. 471:International Photography Hall of Fame and Museum 270:Centro Universitario de Estudios Cinematográficos 182:, who encouraged him to continue with the craft. 726:. Mexico: Asociación Manuel Álvarez Bravo. 2008 445:is a non profit association founded in 1996 by 1091:Photographs: Manuel Alvarez Bravo's Poetic Eye 1087:at the Israel Museum. Retrieved September 2016 414:in 1984, Master of Photography Prize from the 3185: 1115: 718: 716: 714: 651: 649: 647: 645: 643: 641: 8: 1003: 1001: 712: 710: 708: 706: 704: 702: 700: 698: 696: 694: 684: 682: 639: 637: 635: 633: 631: 629: 627: 625: 623: 621: 517:and another on Japanese prints with work by 820: 818: 816: 814: 812: 3192: 3178: 3170: 1122: 1108: 1100: 594: 535:at a lunch counter (Los agachadfos 1934). 42: 31: 946: 944: 942: 940: 852:"Centro Fotográfico Manuel Álvarez Bravo" 592: 590: 588: 586: 584: 582: 580: 578: 576: 574: 892:Luis Carlos Sánchez (25 January 2012). 753:. Los Angeles: The J. Paul Getty Museum 745: 743: 741: 548: 369:Fondo Editorial de la Plástica Mexicana 311:selected three of Bravo's pictures for 924:International Photography Hall of Fame 426:in 1993 and Gold Medal Award from the 193:and his third was French photographer 881:(in Spanish). Mexico City. p. 1. 7: 291:in 1932. In 1935, he exhibited with 416:International Center of Photography 228:Institute of Graphic Arts of Oaxaca 138:. While he took art classes at the 1506:Isidro Eduardo Castellanos Paredes 402:by the French government in 1982, 202:Instituto Nacional de Bellas Artes 25: 3563:20th-century Mexican male artists 1032:Nacho Lopez, Mexican Photographer 489:His primary subjects were nudes, 99:Academia Nacional de Bellas Artes 2056:Víctor Manuel Hernández Castillo 2041:Desiderio Hernández Xochitiotzin 1130:Past and present members of the 782:"Lola Alvarez Bravo Photographs" 443:Centro Fotográfico Álvarez Bravo 367:in 1982. In 1959 he founded the 224:Centro Fotográfico Álvarez Bravo 1085:Manuel Álvarez Bravo collection 858:(in Spanish). Mexico: CONACULTA 856:Sistema de Información Cultural 825:Boehm, Mike (27 January 2010). 266:National School of Arts (UNAM) 1: 2801:Antonio Rodríguez de la Serna 1132:Salón de la Plástica Mexicana 400:Ordre des Arts et des Lettres 336:in Jerusalem in 1983 and the 211:He died on October 19, 2002. 123:Striking Worker, Assassinated 3568:20th-century Mexican artists 656:Rita Pomade (1 April 2003). 398:in 1975, nomination for the 299:, with catalogue texts from 1466:Francisco Cárdenas Martínez 1276:Gerardo Murillo ("Dr. Atl") 332:in Washington in 1978, the 119:Obrero en huelga, asesinado 3584: 2974:José Guillermo Téllez Brun 2831:Tránsito Rojas Santamarina 2741:Jorge Germán Ramírez Nieto 2491:Francisco Moreno Capdevila 2121:Juan Carlos Juárez Arreola 2051:Cuauhtémoc Hernández Landa 342:Imperial Palace in Beijing 338:National Library in Madrid 2331:Ricardo Martínez de Hoyos 2316:Magdalena Martínez Franco 2311:Gustavo Martínez Bermúdez 2036:José Hernández Delgadillo 1971:Consuelo González Salazar 1796:Javier Fernández Helguera 1791:Gabriel Fernández Ledesma 1080:World Wide Arts Resources 900:(in Spanish). Mexico City 660:. Mexconnect newsletter. 459:Casa Lamm Cultural Center 328:in New York in 1971, the 41: 3548:Artists from Mexico City 2959:Eduardo Talledos Sánchez 2376:Patricia Mejía Contreras 2026:Jesús Gutiérrez Martínez 1906:José de Jesús García Gil 1326:Osvaldo Barra Cunningham 1216:Colette Álvarez Urbajtel 1039:Tejada, Roberto (2009). 348:in Lisbon. In 2001, the 195:Colette Álvarez Urbajtel 2886:Herlinda Sánchez Laurel 2856:Antonio Ruiz El Corcito 2811:Manuel Rodríguez Lozano 2306:Héctor Martínez Arteche 2061:Manuel Herrera Cartalla 1951:Jorge González Camarena 1701:Gonzalo de la Paz Pérez 1646:Alejandro Chacón Pineda 1536:Fernando Castro Pacheco 1146:Gilberto Aceves Navarro 330:Corcoran Gallery of Art 297:Palacio de Bellas Artes 3543:Fine art photographers 3376:Bernd and Hilla Becher 3039:Sergio Valadez Estrada 2929:Luz Maria Solloa Junco 2871:Cecilia Sanchez Duarte 2806:Antonio Rodríguez Luna 2526:Ignacio Nieves Beltrán 2336:Ángel Mateos Benavides 2296:Ofelia Márquez Huitzil 2111:Alberto Jiménez Quinto 2046:Miguel Hernández Urbán 1911:Adalberto García Ordaz 1821:Manuel Fuentes Estrada 1786:Alfredo Falfán Vivanco 1716:Francisco Díaz de León 1471:Alfredo Cardona Chacón 1196:Ernesto Álvarez Cortés 1191:Ramón Alva de la Canal 1186:David Alfaro Siqueiros 1166:Rodolfo Aguirre Tinoco 920:"Manuel Álvarez Bravo" 751:"Manuel Alvarez Bravo" 230: 3538:Mexican photographers 3228:Henri Cartier-Bresson 2919:Adriano Silva Pantoja 2841:Mario Romero González 2761:Maria Antonieta Reyes 2601:Luis Ortiz Monasterio 2321:Pedro Martínez Osorio 2241:Catherine Mac Deville 2221:Armando López Becerra 2206:Miguel Ledezma Campos 2001:Jesús Guerrero Galván 1946:Esther González Gómez 1896:Carlos García Estrada 1671:Maria Eugenia Chellet 1656:Carlos Antonio Chávez 1481:Julio Carrasco Bretón 1446:Alfonso Campos Quiroz 1286:Oscar Ávila Soberanes 1251:Gustavo Arias Murueta 1075:Master of Photography 396:Guggenheim Fellowship 361:Instante y revelación 357:Luis Cardoza y Aragón 346:Belém Cultural Center 305:Luis Cardoza y Aragón 293:Henri Cartier-Bresson 222: 206:Museo de Arte Moderno 140:Academy of San Carlos 3553:Mexican centenarians 3234:Manuel Álvarez Bravo 2896:Alfredo Serrano Lara 2881:Sergio Sánchez Ramos 2846:José Luis Rueda Leal 2821:José Julio Rodríguez 2791:Elvia Rivero Chavero 2766:Jesús Reyes Ferreira 2721:Abel Ramírez Águilar 2666:Luz María Pizá Núñez 2591:Carlos Orozco Romero 2471:Vicente Jesús Montes 2381:Deyanira África Melo 2161:Carlos Lamothe Silva 2066:Elena Huerta Muzquiz 1926:Mauricio García Vega 1886:Arturo García Campos 1881:Arturo García Bustos 1736:Francisco Dosamantes 1681:Chungtar Chong López 1596:Erasto Cortés Juárez 1531:Antonio Castro López 1436:Gloria Calero Sierra 1211:Manuel Álvarez Bravo 1181:Rosa María Alfonseca 567:on 26 November 2017. 350:J. Paul Getty Museum 326:Museum of Modern Art 132:Manuel Álvarez Bravo 36:Manuel Álvarez Bravo 29:Mexican photographer 18:Manuel Alvarez Bravo 3049:Nancy van Overveldt 3014:Guillermo Toussaint 2866:Juan Manuel Salazar 2746:Mario Rendón Lozano 2701:Francisco Quintanar 2596:Mario Orozco Rivera 1956:Melquiades González 1921:Antonio García Vega 1916:Luis García Robledo 1751:Evangelina Elizondo 1721:María Elena Delgado 1711:Antonio Díaz Cortés 1666:Tomas Chávez Morado 1621:José Víctor Crowley 1556:Guillermo Ceniceros 1526:Guillermo Castrejón 1411:Alejandro Caballero 1406:Bruno Pablo Bresani 1201:Jesús Álvarez Amaya 1030:Mraz, John (2003). 464:Norton Simon Museum 322:Pasadena Art Museum 89:Mexico City, Mexico 3323:Christer Strömholm 3114:Moisés Zabludovsky 3084:Alfonso Villanueva 3069:Reynaldo Velázquez 2994:Maria Teresa Toral 2924:Waldemar Sjölander 2796:Gilberto Rodríguez 2511:Eduardo Nasta Luna 2456:Roberto Montenegro 2281:Maria Luisa Martin 2261:Francisco Magallán 2216:Rosa Lie Johansson 2166:Carmen Lang Merino 1986:Alfredo Guati Rojo 1961:Silvia H. 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Ruíz 2836:Rosa Rolanda 2786:Diego Rivera 2626:Uriel Parker 2516:Antonio Nava 2411:Oscar Merino 2351:John Mc.Ghee 2346:Rafael Mazón 2186:Agustín Lazo 2101:Abel Jiménez 1936:Andrea Gómez 1876:María García 1871:Andrés Garay 1841:Byron Galvez 1806:David Flores 1756:Laura Elenes 1641:Germán Cueto 1571:Arnaldo Coen 1496:Beatriz Caso 1386:Ángel Bracho 1366:Luis Beltrán 1296:Héctor Ayala 1221:Jorge Alzaga 1210: 1095:Getty Museum 1040: 1031: 1024:Bibliography 1012: 991: 982: 973: 964: 955: 927:. Retrieved 923: 914: 902:. Retrieved 897: 887: 878: 872: 860:. Retrieved 855: 846: 834:. Retrieved 830: 802: 790:. Retrieved 786:the original 776: 767: 755:. Retrieved 728:. Retrieved 724:"Chronology" 669:. Retrieved 608:. Retrieved 604:the original 565:the original 560: 551: 537: 528: 504: 500: 495:Diego Rivera 488: 480: 468: 440: 436: 389: 360: 354: 289: 274: 251: 247:André Breton 239: 232: 210: 199: 191:Doris Heyden 184: 176:Tina Modotti 165: 154: 131: 130: 122: 118: 114:Notable work 84:(2002-10-19) 26: 3533:2002 deaths 3528:1902 births 3471:Oscar Muñoz 3435:Paul Graham 3240:Irving Penn 3222:Ansel Adams 3154:José Zúñiga 3089:Luis Vizuet 3009:Jorge Tovar 2984:Luis Toledo 2771:Mario Reyes 2716:Alice Rahon 2711:Fanny Rabel 2681:Pedro Preux 2636:Tomás Parra 2621:Sandra Pani 2391:Olga Méndez 2371:Jaime Mejía 2301:Mary Martín 2236:Amador Lugo 2231:Nacho López 2226:Julia López 2196:Paula Lazos 2171:Marisa Lara 2151:Pablo Kubli 2136:Frida Kahlo 2091:Tania Janco 1941:Mauro Gómez 1831:Dina Frumin 1801:Luis Filcer 1676:Julio Chico 1626:Héctor Cruz 1541:Vita Castro 1391:Adrian Brun 1331:Sofía Bassi 1316:Pedro Banda 1271:Luis Arenal 1151:Luis Acosta 600:"Biography" 365:Octavio Paz 363:along with 285:Luis Buñuel 254:Nacho López 243:Paul Strand 172:Hugo Brehme 136:Mexico City 108:Photography 68:Mexico City 3522:Categories 3429:Walid Raad 3394:Nan Goldin 3246:Ernst Haas 2441:Flor Minor 2131:Jazzamoart 1981:Irma Grizá 1931:Elva Garma 1726:Olga Dondé 1606:Olga Costa 1226:Pablo Amor 950:Mraz, p. 6 806:Mraz, p. 7 543:References 511:Surrealism 420:Leverkusen 408:Gothenburg 60:1902-02-04 3364:Jeff Wall 2891:Sebastián 2191:Rina Lazo 2141:James Key 1093:, video, 898:Excelsior 666:1028-9089 509:, French 434:in 1995. 424:CONACULTA 157:Cathedral 95:Education 904:3 August 862:3 August 836:3 August 831:LA Times 792:3 August 757:3 August 730:3 August 671:3 August 610:3 August 532:Papantla 491:folk art 477:Artistry 455:Televisa 432:Portugal 344:and the 324:and the 315:'s 1955 2911:Sikuame 1139:Artists 929:25 July 879:Reforma 519:Hokusai 515:Picasso 449:in the 295:at the 281:Nazarín 226:at the 168:Tlalpan 3508:(2023) 3502:(2022) 3496:(2020) 3479:(2019) 3473:(2018) 3467:(2017) 3461:(2016) 3455:(2015) 3449:(2014) 3443:(2013) 3437:(2012) 3431:(2011) 3425:(2010) 3408:(2009) 3402:(2008) 3396:(2007) 3390:(2006) 3384:(2005) 3378:(2004) 3372:(2003) 3366:(2002) 3360:(2001) 3354:(2000) 3337:(1999) 3331:(1998) 3325:(1997) 3319:(1996) 3313:(1995) 3307:(1994) 3301:(1993) 3295:(1992) 3289:(1991) 3283:(1990) 3266:(1989) 3260:(1988) 3254:(1987) 3248:(1986) 3242:(1985) 3236:(1984) 3230:(1982) 3224:(1981) 3218:(1980) 2521:Nefero 1047:  664:  507:Cubism 412:Sweden 392:Oaxaca 215:Career 72:Mexico 3487:2020s 3416:2010s 3345:2000s 3274:1990s 3209:1980s 3094:Vlady 371:with 2266:Maka 1045:ISBN 931:2022 906:2012 864:2012 838:2012 794:2012 759:2012 732:2012 673:2012 662:ISSN 612:2012 383:and 313:MoMA 303:and 260:and 151:Life 79:Died 54:Born 406:in 283:by 3524:: 1000:^ 939:^ 922:. 854:. 829:. 811:^ 740:^ 693:^ 681:^ 620:^ 573:^ 559:. 473:. 410:, 379:, 375:, 287:. 272:. 256:, 208:. 197:. 70:, 3193:e 3186:t 3179:v 1123:e 1116:t 1109:v 1053:. 933:. 908:. 866:. 840:. 796:. 761:. 734:. 675:. 614:. 125:) 121:( 62:) 58:( 20:)

Index

Manuel Alvarez Bravo

Mexico City
Mexico
Academia Nacional de Bellas Artes
Mexico City
Academy of San Carlos
Mexican muralism
Cathedral
Mexican Revolution
Tlalpan
Hugo Brehme
Tina Modotti
Edward Weston
Lola Alvarez Bravo
Doris Heyden
Colette Álvarez Urbajtel
Instituto Nacional de Bellas Artes
Museo de Arte Moderno

Centro Fotográfico Álvarez Bravo
Institute of Graphic Arts of Oaxaca
Mexican Revolution
Paul Strand
André Breton
Nacho López
Héctor García
Graciela Iturbide
National School of Arts (UNAM)
Centro Universitario de Estudios Cinematográficos

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