554:. Ponce is also, rather famously, the composer of "Suite Antigua in D by Alessandro Scarlatti" recorded by Segovia, for whom it was (knowingly) written, and also in part by John Williams and Manuel Lopez Ramoz amongst others. This deception finally came to light when it was observed that one of the movements went rather higher than was possible on the lute for which it was supposedly composed. The suite is, nevertheless, ravishingly beautiful. Alessandro Scarlatti was apparently chosen as the author because he had a creditable name but was (then) virtually unknown. A better bet than Sylvius Leopold Weiss, the purported composer of an earlier Ponce/Segovia pastiche, who alas turned out to be not, as supposed, unknown, but a friend of J S Bach and the pre-eminent composer of baroque lute works.
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An important group of Ponce's works were previously unknown to the public, as self-proclaimed heir Carlos Vázquez, a
Mexican piano performer and educator who studied with Ponce, kept most of the original manuscripts in his possession. Most of them were finally donated to the National School of Music
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He was famous for being a musical prodigy; according to his biographers, he was barely four years of age when, after having listened to the piano classes received by his sister, Josefina, he sat in front of the instrument and interpreted one of the pieces that he had heard. Immediately, his parents
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I remember that I asked him at that time if the composers of his country were as yet taking an interest in native music, as I had been doing since 1912, and he answered that he himself had been working in that direction. It gave me great joy to learn that in that distant part of my continent there
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active in the 20th century. His work as a composer, music educator and scholar of
Mexican music connected the concert scene with a mostly forgotten tradition of popular song and Mexican folklore. Many of his compositions are strongly influenced by the harmonies and form of traditional songs.
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With valuable activity promoting music of the country and writing melodías like "Estrellita", "A la orilla de un palmar", "Alevántate", "La
Pajarera", "Marchita el Alma" and "Una Multitud Más", Ponce gained the honorific title
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That same year, Ponce gave in the "Arbeau
Theater" a memorable concert of Mexican popular music which, though it scandalized ardent defenders of European classical music, became a landmark in the history of the national song.
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156:, already with a certain prestige as a pianist and composer. There he remained until 1903, the year in which he returned to the city of Aguascalientes. This was only the beginning of his travels. In 1904 he traveled to
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Ponce wrote music for solo instruments, chamber ensembles, and orchestra. His piano and guitar works outnumber those dedicated to other solo instruments within the set of pieces we know.
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Additionally, Vazquez donated parts of Ponce's belongings to the Manuel M. Ponce Museum in
Zacatecas. Unfortunately, Vazquez died a few months before the opening of the museum.
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It was Ponce who anonymously created the striking arrangement for guitar of J. S. Bach's
Prelude from the first cello suite as performed and recorded by Segovia.
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In 1912 he composed his most famous work "Estrellita" (little star), which is not a normal love song, as is usually thought, but "Nostalgia Viva" (live nostalgia).
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238:. He was also the first Mexican composer to project popular music onto the world stage: "Estrellita", for example, has been part of the repertoire of the main
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was another artist who was arming himself with the resources of the folklore of his people in the struggle for the future musical independence of his country.
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Randel, Don
Michael. Harvard Concise Dictionary of Music, The Belknap Press of Harvard University Press, 1978 (Second printing 1979), p. 397,
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Henderson, John. A Directory of
Composers for Organ, Third Revised and Enlarged Edition. John Henderson (Publishing) Ltd., 2005, p. 585,
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of the world and countless singers, although quite often the interpreter ignores the origin of the song as well as its author.
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1226:"La OSSLP recordará el estreno en la Ciudad de México del Segundo Concierto para Piano Manuel M. Ponce por televisión abierta"
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Manuel Ponce and the Suite in A minor: Its
Historical Significance and an Examination of Existing Editions
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Ponce also composed a "Sonata for Guitar and
Harpsichord." Segovia ascribed the Sonata's prelude to the
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Vinton, John ed. Dictionary of Contemporary Music, E.P. Dutton & Co., 1974, p. 581-582,
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Ponce's guitar music is a core part of the instrument's repertory, the best-known works being
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284:(Ponce on piano; Orquesta Sinfónica de México; conducted by Carlos Chávez) (Radio Mil, 1942)
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Jorge Barrón Corvera: "Manuel María Ponce: A Bio-Bibliography", Westport, CT, Praeger, 2004
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550:. Segovia recorded this piece both as a solo and as a duet, performed with harpsichordist
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from 1909 to 1915 and from 1917 to 1922. He spent the intervening years of 1915 to 1917 in
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One of Ponce's melodies still heard today in various arrangements is "Estrellita" (1912).
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After his years abroad, Ponce returned to Mexico to teach piano and music history at the
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110:(8 December 1882 – 24 April 1948), known in Mexico as Manuel M. Ponce, was a Mexican
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447:. The following is only a select number of his most significant contributions.
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Tomb of Manuel M Ponce in the Panteon Civil de Dolores cemetery in Mexico City
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only a few weeks after his birth and lived there until he was 15 years old.
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Canciones populares mexicanas: La pajarera, Por ti mi corazón, La valentina
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256:. His body was buried in the Roundhouse of the Illustrious Men in the
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Dos grabaciones históricas y algunos de sus valores: Revueltas y Ponce
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431:, which is dedicated to his long-time friend and guitar virtuoso
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264:. A prominent monument to Ponce is found in the main square of
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Academic staff of the National Conservatory of Music of Mexico
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or if the theme was the work of Ponce's teacher, the organist
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Monument to Manuel M. Ponce at the main square in the city of
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He was married to Clementina Maurel, next to whom he died in
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435:. His last known work dedicated to Father Antonio Brambila,
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1162:(archive from 16 September 2016, accessed 17 October 2016).
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6294 Ponce - Quando vene la Primavera (When Spring Comes)
634:(versions for piano solo and for piano & orchestra)
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had him receive classes in piano and musical notation.
1240:"Museo Manuel M. Ponce | , Mexico | Sights"
268:, the city where he grew up and first studied music.
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136:, Manuel Maria Ponce moved with his family to the
1352:International Jose Guillermo Carrillo Foundation
276:Ponce participated in the following recordings:
1913:National Conservatory of Music of Mexico alumni
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1873:Conservatorio Giovanni Battista Martini alumni
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1021:Quartet for 2 violins, viola and cello (1932)
8:
346:5937 Ponce - Sono mi Mente-Loca (Cuban Song)
1377:, by Peter Kun Frary, Professor of Music -
1172:Las muchas lecturas de una grabación sonora
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1388:International Music Score Library Project
1067:Cantos y danzas de los antiguos mexicanos
643:Concierto romántico para piano y orquesta
87:Learn how and when to remove this message
1878:École Normale de Musique de Paris alumni
427:(1939). He also wrote a guitar concerto
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50:This article includes a list of general
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1030:Trio for violin, viola and cello (1943)
678:Preludio y fuga sobre un tema de Handel
162:Conservatorio Giovanni Battista Martini
683:Preludios y fuga sobre un tema de Bach
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323:Ponce recorded the following works on
454:(1909) (originally written for piano)
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402:. Performed on guitar by Jeff Carter
160:for advanced musical studies at the
809:Tres poemas de E. González Martínez
512:Variations and Fugue on 'La Folia'
421:Variations and Fugue on 'La Folia'
1898:Composers for the classical guitar
1018:for violin, viola and cello (1927)
236:Creator of the Modern Mexican Song
183:Years at the National Conservatory
56:it lacks sufficient corresponding
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1360:Peermusic Classical: Manuel Ponce
1048:Sonata for guitar and harpsichord
179:in Berlin between 1906 and 1908.
1893:20th-century classical composers
1883:Mexican male classical composers
1027:for violin and viola (1936–1938)
598:Problems playing this file? See
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527:Variations on a Theme of Cabezón
437:Variations on a Theme of Cabezón
410:Problems playing this file? See
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41:
1113:for guitar and orchestra (1941)
590:Performed by Constantin Stephan
334:5789 Ponce - Mexican Barcarolle
282:Concierto para piano y orquesta
247:National Science and Arts Prize
1156:Manuel Maria Ponce (1882–1948)
1101:for piano and orchestra (1910)
1051:Quartet for guitar and strings
730:Cuatro poemas de F.A. de Icaza
220:(1887–1959), who met Ponce in
201:National Conservatory of Music
154:National Conservatory of Music
1:
1257:Manuel M. Ponce y la guitarra
990:"Vengo a saber si tú me amas"
340:5924 Ponce - Mexican Serenade
1362:Composer's Publisher and Bio
362:is Ponce's best known work.
27:Mexican composer (1882–1948)
1903:20th-century male musicians
1888:Mexican classical composers
1384:Free scores by Manuel Ponce
1036:for violin, cello and piano
936:"Perdida ya toda esperanza"
337:5807 Ponce - Cuban Serenade
30:For the Mexican boxer, see
1934:
1908:People from Aguascalientes
1196:Duo-Art Piano Roll Catalog
1105:Concierto para piano No. 2
1045:Sonata for cello and piano
849:"A la orilla de un palmar"
152:In 1901 Ponce entered the
108:Manuel María Ponce Cuéllar
29:
1729:Charles Villiers Stanford
1375:Ponce's Baroque Pastiches
1186:by Eduardo Contreras Soto
1174:by Eduardo Contreras Soto
930:"Para qué quiero la vida"
398:Originally attributed to
939:"Pobre del hombre pobre"
927:"Para amar sin consuelo"
824:Tres poemas de R. Tagore
819:Tres poemas de Lermontow
740:Dos poemas de B. Dávalos
245:In 1947 he received the
1642:Nikolai Rimsky-Korsakov
1279:Ricardo Miranda Pérez,
1214:Mechanical Music Digest
1002:"Yo mismo no comprendo"
814:Tres poemas de M. Brull
622:Cuatro Danzas Mexicanas
576:Ponce, Intermezzo No. 1
495:Suite in A minor (1929)
330:between 1916 and 1920:
71:more precise citations.
18:Manuel Ponce (composer)
1739:Ralph Vaughan Williams
1617:Alexander Dargomyzhsky
1077:Instantáneas mexicanas
844:Folk song arrangements
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546:and Bach contemporary
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343:5930 Ponce - Moonlight
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138:city of Aguascalientes
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1158:", by John Patykula,
1124:Notes about the works
897:"La barca del marino"
829:Tres poemas franceses
790:Seis poemas aracáicos
663:Tema mexicano variado
658:Elegía de la ausencia
653:Estudios de concierto
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475:Thème varié et Finale
400:Sylvius Leopold Weiss
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1770:Antônio Carlos Gomes
1522:Carl Maria von Weber
1379:University of Hawaii
1370:Kevin R. Manderville
1339:Ponce entry page 397
1320:Ponce entry page 581
1305:Ponce entry page 585
1042:for violin and piano
972:"Soy paloma errante"
921:"Ojitos aceitunados"
891:"Estrella del norte"
799:"Soñó mi mente loca"
786:"Sperando, sognando"
777:"Poema de primavera"
305:adding missing items
280:Manuel María Ponce:
224:in the 1920s, wrote
32:Manuel Ponce (boxer)
1810:Silvestre Revueltas
1734:Alexander Mackenzie
1587:Stanisław Moniuszko
1507:Camille Saint-Saëns
1425:Musical nationalism
1099:Concierto Romántico
963:"Si eres receuerdo"
780:"Por tí mi corazón"
756:"Isaura de mi amor"
744:"Estrellita" (1912)
735:Dos poemas alemanes
725:Cinco poemas chinos
673:Rapsodias Mexicanas
521:Sonatina meridional
480:Sonata No. 3 (1927)
425:Sonatina meridional
384:Preludio in E major
272:Recordings by Ponce
258:Pantheon of Dolores
1780:Heitor Villa-Lobos
1281:Grove Music Online
1201:2012-12-02 at the
1107:(1946, incomplete)
1072:Estampas Nocturnas
981:"Trigueña hermosa"
873:"China de mi alma"
839:"Una multitud más"
768:"Marchita el alma"
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452:Scherzino Mexicano
441:Antonio de Cabezón
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303:; you can help by
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1775:Francisco Mignone
1760:Alberto Ginastera
1647:Alexander Borodin
1637:Modest Mussorgsky
1592:Henryk Wieniawski
1160:Guitarra Magazine
1111:Concierto del Sur
948:"Que chulos ojos"
942:"Por esas calles"
894:"Hace ocho meses"
855:"Acuérdate de mí"
795:Serenata mexicana
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429:Concierto del Sur
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1040:Canción de otoño
996:"Ya sin tu amor"
957:"Quisiera morir"
951:"Que lejos ando"
876:"De tres flores"
870:"Cuiden su vida"
861:"Ah, que bonito"
836:"Último ensueño"
765:"Lejos de tí" II
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1005:"Yo te quiero"
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1881:
1879:
1876:
1874:
1871:
1869:
1866:
1864:
1861:
1860:
1858:
1841:
1838:
1836:
1833:
1831:
1828:
1826:
1823:
1821:
1820:Aaron Copland
1818:
1817:
1815:
1811:
1808:
1806:
1805:Carlos Chávez
1803:
1801:
1798:
1797:
1795:
1791:
1790:Claude Vivier
1788:
1787:
1785:
1781:
1778:
1776:
1773:
1771:
1768:
1767:
1765:
1761:
1758:
1757:
1755:
1754:
1752:
1748:
1740:
1737:
1735:
1732:
1730:
1727:
1725:
1722:
1720:
1717:
1716:
1714:
1710:
1707:
1706:
1704:
1700:
1697:
1695:
1692:
1690:
1687:
1685:
1682:
1680:
1679:Isaac Albéniz
1677:
1676:
1674:
1670:
1667:
1665:
1662:
1660:
1657:
1656:
1654:
1648:
1645:
1643:
1640:
1638:
1635:
1633:
1630:
1628:
1625:
1624:
1623:
1620:
1618:
1615:
1613:
1610:
1609:
1607:
1603:
1602:George Enescu
1600:
1599:
1597:
1593:
1590:
1588:
1585:
1583:
1580:
1579:
1577:
1573:
1570:
1569:
1567:
1563:
1560:
1559:
1557:
1553:
1550:
1549:
1547:
1543:
1542:Zoltán Kodály
1540:
1538:
1535:
1534:
1532:
1528:
1525:
1523:
1520:
1519:
1517:
1513:
1510:
1508:
1505:
1504:
1502:
1498:
1497:Jean Sibelius
1495:
1493:
1490:
1489:
1487:
1483:
1482:Rudolf Tobias
1480:
1479:
1477:
1473:
1470:
1468:
1465:
1464:
1462:
1458:
1455:
1453:
1450:
1448:
1445:
1443:
1440:
1439:
1437:
1436:
1434:
1430:
1426:
1419:
1414:
1412:
1407:
1405:
1400:
1399:
1396:
1389:
1385:
1382:
1380:
1376:
1373:
1371:
1367:
1364:
1361:
1358:
1353:
1350:
1349:
1345:
1340:
1336:
1335:0-674-37471-1
1332:
1328:
1325:
1321:
1317:
1316:0-525-09125-4
1313:
1309:
1306:
1302:
1301:0-9528050-2-2
1298:
1294:
1292:
1291:0-313-31823-9
1288:
1284:
1282:
1278:
1276:
1275:0-936186-29-1
1272:
1268:
1266:
1265:0-933224-84-2
1262:
1258:
1254:
1253:
1249:
1241:
1235:
1232:
1227:
1221:
1218:
1215:
1210:
1207:
1204:
1200:
1197:
1192:
1189:
1185:
1180:
1177:
1173:
1168:
1165:
1161:
1157:
1151:
1148:
1142:
1140:
1137:
1134:
1132:
1123:
1118:
1115:
1112:
1109:
1106:
1103:
1100:
1097:
1096:
1092:
1088:
1085:
1083:
1080:
1078:
1075:
1073:
1070:
1068:
1065:
1063:
1060:
1059:
1055:
1050:
1047:
1044:
1041:
1038:
1035:
1032:
1029:
1026:
1023:
1020:
1017:
1014:
1013:
1010:Chamber music
1009:
1004:
1001:
998:
995:
992:
989:
987:"Ven oh luna"
986:
983:
980:
977:
974:
971:
968:
965:
962:
959:
956:
953:
950:
947:
944:
941:
938:
935:
932:
929:
926:
923:
920:
917:
914:
911:
908:
905:
902:
899:
896:
893:
890:
887:
884:
881:
879:"Dolores hay"
878:
875:
872:
869:
866:
864:"Cerca de mí"
863:
860:
857:
854:
851:
848:
847:
843:
838:
835:
832:
830:
827:
825:
822:
820:
817:
815:
812:
810:
807:
804:
801:
798:
796:
793:
791:
788:
785:
782:
779:
776:
773:
770:
767:
764:
762:"Lejos de tí"
761:
759:"La pajarera"
758:
755:
752:
749:
746:
743:
741:
738:
736:
733:
731:
728:
726:
723:
721:"Cerca de tí"
720:
717:
714:
711:
710:
706:
702:
701:Suite bitonal
699:
697:
694:
692:
691:5 Evocaciones
689:
686:
684:
681:
679:
676:
674:
671:
669:
666:
664:
661:
659:
656:
654:
651:
649:
646:
644:
641:
639:
636:
633:
630:
628:
625:
623:
620:
618:
615:
614:
609:
603:
601:
577:
557:
555:
553:
552:Rafael Puyana
549:
545:
540:
534:
531:
528:
525:
522:
519:
516:
513:
510:
508:
504:
501:, including
500:
499:Cuatro Piezas
497:
494:
491:
488:
485:
482:
479:
476:
473:
470:
467:
464:
461:
459:
456:
453:
450:
449:
448:
446:
442:
438:
434:
430:
426:
422:
415:
413:
401:
385:
365:
363:
361:
353:
348:
345:
342:
339:
336:
333:
332:
331:
329:
326:
315:
312:February 2011
306:
302:
299:This list is
297:
290:
289:
283:
279:
278:
277:
271:
269:
267:
263:
259:
255:
250:
248:
243:
241:
237:
230:
225:
223:
219:
215:
211:
208:
206:
202:
194:
189:
182:
180:
178:
174:
173:Martin Krause
170:
165:
163:
159:
155:
147:
145:
141:
139:
135:
131:
123:
118:
116:
113:
109:
101:
91:
88:
80:
70:
66:
60:
59:
53:
48:
39:
38:
33:
19:
1840:Charles Ives
1825:Henry Cowell
1800:Manuel Ponce
1799:
1724:Edward Elgar
1719:Joseph Parry
1669:Eugen Suchoň
1572:Edvard Grieg
1558:Netherlands
1472:Carl Nielsen
1452:Leoš Janáček
1355:(in Spanish)
1256:
1234:
1220:
1209:
1191:
1179:
1167:
1159:
1150:
1138:
1135:
1127:
1098:
1086:
1081:
1076:
1071:
1066:
1061:
1039:
1033:
1025:Sonata a dúo
1024:
1015:
954:"Que pronto"
924:"Oye la voz"
885:"El bracero"
828:
823:
818:
813:
808:
794:
789:
750:"Ho bisogno"
739:
734:
729:
724:
718:"Alevántate"
700:
695:
690:
687:Sonata No. 2
682:
677:
672:
667:
662:
657:
652:
648:4 Scherzinos
647:
642:
637:
631:
627:3 Intermezzi
626:
621:
617:Suite Cubana
616:
541:
538:
535:(posthumous)
532:
526:
520:
517:Valse (1937)
511:
506:
502:
498:
489:
483:
474:
468:
462:
457:
451:
445:Enrico Bossi
436:
424:
420:
418:
366:Guitar music
359:
357:
322:
309:
281:
275:
251:
244:
235:
232:
227:
216:
212:
209:
205:Havana, Cuba
198:
166:
164:in Bologna.
151:
142:
127:
107:
106:
103:Manuel Ponce
83:
74:
55:
1868:1948 deaths
1863:1882 births
1709:Hugo Alfvén
1537:Béla Bartók
1062:Chapultepec
984:"Valentina"
978:"Todo pasó"
915:"La visita"
783:"Romanzeta"
558:Piano works
548:S. L. Weiss
533:Dos Vinetas
458:24 Preludes
423:(1929) and
328:piano rolls
262:Mexico City
254:Mexico City
124:Early years
69:introducing
1857:Categories
1756:Argentina
1659:Ján Cikker
1467:Niels Gade
1368:(2005) by
1143:References
1016:Miniatures
909:"La palma"
906:"Palomita"
771:"Necesito"
753:"Insomnio"
600:media help
412:media help
360:Estrellita
301:incomplete
240:orchestras
52:references
1655:Slovakia
1632:César Cui
1093:Concertos
912:"La peña"
852:"A ti va"
802:"Tal vez"
774:"Ofrenda"
715:"Aleluya"
195:, Mexico.
134:Zacatecas
130:Fresnillo
119:Biography
1750:Americas
1622:The Five
1598:Romania
1533:Hungary
1518:Germany
1488:Finland
1478:Estonia
1463:Denmark
1324:page 582
1199:Archived
975:"Te amo"
903:"La ola"
638:Mazurcas
544:lutenist
128:Born in
112:composer
77:May 2009
1796:Mexico
1786:Canada
1766:Brazil
1705:Sweden
1608:Russia
1578:Poland
1568:Norway
1503:France
1390:(IMSLP)
1386:at the
1250:Sources
747:"Forse"
503:Mazurka
325:Duo-Art
175:at the
169:Germany
65:improve
1675:Spain
1548:Italy
1432:Europe
1333:
1314:
1299:
1289:
1273:
1263:
1119:(1943)
1087:Ferial
529:(1948)
523:(1939)
514:(1929)
492:(1929)
486:(1928)
477:(1926)
471:(1923)
54:, but
805:"Toi"
707:Songs
507:Valse
354:Music
222:Paris
158:Italy
1331:ISBN
1312:ISBN
1297:ISBN
1287:ISBN
1271:ISBN
1261:ISBN
1131:UNAM
833:"Tú"
505:and
1337:, (
1318:, (
1303:, (
307:.
260:in
1859::
1322:/
249:.
207:.
132:,
1417:e
1410:t
1403:v
1341:)
1326:)
1307:)
1242:.
1228:.
1154:"
1129:(
602:.
414:.
314:)
310:(
90:)
84:(
79:)
75:(
61:.
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
