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were used for colouring the masks, but presently due to unavailability of those materials water-colour and chemical dyes are also in use. Till recent decades, the masks were stiff and didn't allow the actor to portray any facial expression but innovations brought by
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tag to the well-established art of mask-making in Assam's Majuli region on March 4th, 2024, along with Majuli's traditional manuscript painting practice.
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In recognition of their increasing prominence both within India and internationally, the Indian government awarded a
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has changed this. Despite its cultural significance, it is not widely embraced. This art is only prevalent in
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Art
Approaches Of Majuli An Analytical Study of Illustrated Manuscripts, Mask Making and Wood Carvings
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255:"GI tag for Majuli masks of Assam: History, cultural significance of the centuries-old art form"
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285:"'Mukha': The Mask Tradition of Assam-with Special Reference to Samaguri Sattra"
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in the 15th century. These masks were developed for it to be used in the
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has a long tradition of mask making, it developed in the response to
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78:(mask+costume, covers whole of the body), and
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47:). The art of making masks was prevalent in
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164:"Traditional Mask Making Culture of Majuli"
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55:is world-famous for its mask crafts.
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231:"The Mask-Making Tradition of Assam"
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140:"Mask Making Tradition of Assam"
20:Mukh Mukha as worn by the actor
296:Vaidhya, Ranjan Kumar (2009).
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51:for centuries, presently the
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188:"Colourful masks of Assam"
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283:Bordoloi, Saswati D.
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263:. Retrieved
261:. 2024-03-06
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217:The Tribune
105:Upper Assam
309:Categories
265:2024-03-07
240:2023-05-10
198:2023-05-10
173:2023-05-10
149:2023-05-10
97:Padma Shri
88:Kumar mati
72:Mukh mukha
37:Sankardeva
235:Sahapedia
76:Bor mukha
291:: 20–34.
99:awardee
84:Bor muka
41:Bhaona's
113:Satras
49:Satras
315:Assam
126:Notes
68:Mukha
29:Assam
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