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One recording of Beach's Mass, by the
Michael May Festival Chorus in 1989, was made without a full orchestra. The performance was criticized for inaccurate tempos, inappropriate rearrangements, and overall interpretation. No scholarly reviews have been made of the other recording, from 1995, by the
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and 9 "out of town." One criticism was that the opening solo trio in the "Laudamus te" had "pitch and ensemble problems." These may have been due to insufficient instrumental support, or the fact that this was a first performance. In general, critics agreed that the work placed Beach "among the
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in 1887. There are parallels in overall structure, and in some phrases, between Beach's Mass and
Cherubini's. Beach's Mass was not performed again until the 1980s. It has been recorded (see
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Beach was apparently unfamiliar with how Latin is stressed, as accents in the music may not agree with those in expected in words such as 'altissimus'.
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written by an
American woman and Beach's first widely acclaimed large-scale composition. The Mass is a 75-minute work for chorus,
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In movements of the Gloria, most prominently in the "Quoniam," Beach uses double-dotted rhythms that also appear in
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minor, and C major. Beach frequently uses C major to indicate heaven or light; here, it refers to divinity.
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major. Performed by the
Michael May Festival Chorus. Compact disc, 1989, Newport Classic 60008
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major. Performed by the Stow
Festival Chorus and Orchestra. Albany Records, 1995, TROY 179
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Amy Beach, Passionate
Victorian: The Life and Work of an American Composer, 1867-1944
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Hallelujah, Amen!: The Story of the Handel and Haydn
Society of Boston
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premiered the Mass in Boston in 1892. The same group had performed
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Fried Block, Adrienne: "St. Peter: an oratorio and Grand Mass in E
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The premiere in 1892 was reviewed in 27 newspapers, 18 in
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307:, Vol. 10, No. 2 (Summer, 1992), pp. 229–232. (
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56:Beach began work on her Mass in E-flat in 1886.
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71:in D minor in 1883 and played selections from
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294:. New York: Oxford University Press, 1998.
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168:foremost rank of American composers."
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408:Symphony "Gaelic" in E minor, Op. 32
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86:The Mass is in five sections:
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303:Major" (in Record Reviews)
311:: an Oratorio is a work by
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190:Amy Beach: Grand Mass in E
181:Amy Beach: Grand Mass in E
523:Compositions by Amy Beach
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440:Second New England School
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290:Fried Block, Adrienne:
69:Deuxième Messe Solenelle
61:Handel and Haydn Society
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334:Lewis, Uncle Dave.
414:Piano Concerto, Op. 45
326:Mass in E-flat (Beach)
213:American Composers.org
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385:List of compositions
18:Mass in E Flat Major
40:. It was the first
313:John Knowles Paine
257:Block, 1998, p. 70
239:Block, 1998, p. 65
223:H. Earle Johnson,
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176:Discography
81:Discography
52:Composition
507:Categories
201:References
113:Influences
423:, Op, 149
376:Amy Beach
309:St. Peter
159:Reception
127:Cherubini
121:The Kyrie
104:Agnus Dei
38:Amy Beach
29:Mass in E
458:Category
340:AllMusic
300:♭
193:♭
184:♭
152:♭
149:major, E
146:♭
143:major, G
140:♭
32:♭
471:Portals
433:Related
421:Cabildo
402:, Op. 5
285:Sources
100:Sanctus
46:quartet
425:(1932)
416:(1899)
410:(1894)
404:(1892)
165:Boston
102:, and
92:Gloria
497:Music
392:Music
131:Kyrie
96:Credo
88:Kyrie
73:Bach
59:The
42:mass
27:The
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