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His ninety-one prints are extremely rare, with sixty surviving in one impression (copy) only, and none in more than five – there are a total of 124 impressions, 80 in
Amsterdam. It is thought that because his prints were made using only the shallow, scratched line of drypoint, probably on
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notes of his style that "he is an artist with a freedom of draughtsmanship quite remarkable at this epoch. If his manner of engraving has something of the irregularity of an amateur, his power of expression is vigorous and masterly."
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supported it; other suggestions have also been made. The trend of scholarly opinion has moved against the identification in more recent works in the 1980s. The design of the woodcuts for a 1473 edition of the
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It was a bestseller, reprinted thirteen times over the next three decades, including editions printed in France and Spain, for which the illustration blocks were shipped out to the local printers.
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made following a visit in 1483 or 1484 during a pilgrimage to the Holy Land. Reuwich printed the account in Latin of the trip, the
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by
Bernhard von Breydenbach of 1486, in which the woodcut was the first ever fold-out plate. The design was later adapted by
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Timothy
Husband,"The Master of the Amsterdam Cabinet"Burlington Magazine, Vol. 127, No. 987 (Jun., 1985), pp. 348+401-405
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A high proportion depicts secular subjects, more than is typical with artists of the period. Along with his contemporary
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163:. The Master suggests Netherlandish influence in the modelling of light and shade and in some of his figural types.
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Bodo
Brinkmann and Stephan Kemperdick, "Deutsche Gemälde im Städel 1300-1500". Mainz: Philipp von Zabern, 2002.
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in
Germany in his period. Both Schongauer and the Housebook Master had a considerable influence on the prints of
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to the
Housebook Master. Others disagree, and attribute the engravings and the altarpiece to the same master.
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72:, for all of his prints (other than woodcuts he may have designed). The first name derives from his book of
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Online feature on exhibition from the
National Gallery of Art, Washington, D.C., Prints and the Housebook
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Images from the 1912 facsimile of the
Housebook (complete) with iconographic explanations, in the
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by other artists are believed to be copies of missing works by this master. In particular,
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Livelier than Life, The Master of the
Amsterdam Cabinet, or the Housebook Master 1470-1500
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Livelier than Life, The Master of the
Amsterdam Cabinet, or the Housebook Master 1470-1500
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of Mainz Cathedral. The book also contained panoramas of six other cities, including
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A Hyatt Mayor, Prints and People, Metropolitan Museum of Art/Princeton, 1971, nos 43.
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His identification with the Housebook Master has not been generally accepted, though
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in the last quarter of the 15th century. He is apparently the first artist to use
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His work is very well drawn and lively, with the interest in detail typical of
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253:. Reuwich was taken as an artist in the entourage of Breydenbach, a wealthy
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A History of Engraving & Etching From the 15th Century to the Year 1914
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A small number of paintings are also thought to be his work, notably the
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523:, Rijksmuseum/Garry Schwartz/Princeton University Press, 1985,
483:, Rijksmuseum/Garry Schwartz/Princeton University Press, 1985,
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It was first suggested in 1936 that he should be identified as
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cannot be by the same artist, and favour attributing only the
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590:- 5 prints, four paintings (some with disputed attributions)
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504:. p 208, Berkeley: University of California Press, 1984.
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J. P. Filedt Kok (ed.), Jane Campbell Hutchison et al.,
26:, drawing with watercolour from the "Housebook", with a
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In 1485 Reuwich drew some plants for the woodcuts in a
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Venus and Mars: The World of the Medieval Housebook
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451:, in: Städel-Jahrbuch IX (1935/36), pp. 13 – 96.
95:The majority of his surviving prints are in the
534:"Parshall": David Landau & Peter Parshall,
300:has been attributed to the Housebook Master.
8:
500:Wilson, Adrian, and Joyce Lancaster Wilson.
16:German painter and engraver (c. 1450–1500)
229:, an artist and (or) printer working in
595:Warburg Institute Iconographic Database
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136:seems to have copied more than thirty.
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447:Ernstotto Graf zu Solms-Laubach,
50:Master of the Amsterdam Cabinet
391:. Dover Publications. p.
383:Hind, Arthur M. (2011-10-30).
278:, drawing from the "Housebook"
41:, drawing from the "Housebook"
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625:15th-century German painters
297:Speculum Humanae Salvationis
141:Early Netherlandish painting
582:Museum of Fine Arts, Boston
479:in J. P. Filedt Kok (ed.),
199:Germanisches Nationalmuseum
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286:also published in Mainz.
52:are two names used for an
39:The Sun and his children
477:Jane Campbell Hutchison
243:Sanctae Peregrinationes
86:National Gallery of Art
46:Master of the Housebook
640:15th-century engravers
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180:Gemäldegalerie, Berlin
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536:The Renaissance Print
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92:, for an exhibition.
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578:- best online images
320:Full story in German
134:Israhel van Meckenem
588:Web gallery of arts
449:Der Hausbuchmeister
251:Nuremberg Chronicle
635:German printmakers
348:Parshall, 5 and 23
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237:panoramic view of
145:Arthur Mayger Hind
82:Medieval Housebook
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30:in the background.
630:Anonymous artists
558:, Prestel, 1998,
502:A Medieval Mirror
207:Speyer Altarpiece
188:Augustiner Museum
186:, Frankfurt, and
176:Speyer Altarpiece
157:old master prints
153:Martin Schongauer
60:working in South
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620:German engravers
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361:. Archived from
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90:Washington, D.C.
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291:A. Hyatt Mayor
276:Lover's Garden
223:Erhard Reuwich
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168:Pair of Lovers
161:Albrecht DĂĽrer
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406:. Retrieved
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367:. Retrieved
363:the original
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197:(Nuremberg,
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506:online text
195:Holy Family
101:Rijksmuseum
78:watercolour
604:Categories
584:- 2 prints
514:References
369:2006-11-08
193:, and the
130:engravings
97:print room
259:Jerusalem
105:Amsterdam
70:engraving
249:for the
205:and the
191:Freiburg
74:drawings
66:drypoint
54:engraver
235:woodcut
227:Utrecht
99:at the
62:Germany
58:painter
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408:3 July
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284:herbal
239:Venice
211:Lovers
203:Lovers
184:Städel
182:, the
174:, the
124:-type
122:pewter
359:"NGA"
304:Notes
255:canon
231:Mainz
172:Gotha
126:alloy
120:or a
76:with
560:ISBN
540:ISBN
525:ISBN
485:ISBN
462:ISBN
433:ISBN
410:2014
397:ISBN
111:Work
56:and
48:and
28:mine
225:of
170:in
118:tin
103:in
88:in
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