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to accompany the voice of the vocalist and chorus. Most of the above-mentioned instruments are handmade folk instruments, made from locally available materials, as opposed to commercially produced instruments. The oldest surviving recordings of the marímbula in Cuba were made by
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Designs of marimbulas vary greatly, in terms of the material of resonator, the number and arrangement of keys, the overall arrangement and size of the instrument and the way it is played.
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This was one of the many instruments imported from the
Americas to Africa, which continue to be played to this day, in various forms and styles, particularly in the countries of
417:, maracas, and vocals in the churches, where it was known as church and clap, in nightclubs where it was known as jazz jim, and among the various hotel performers, who played
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African slaves of the
Caribbean made musical instruments from whatever stray material they could lay their hands on. Early marimbulas were made from discarded wooden
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genres developed as a result of the combination of
African and Spanish musical styles and instrumentation. Thus, changüí musicians still play a pair of
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strips are attached at one end to the resonating box. These metal strips are tuned to different pitches, and are plucked to produce a
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This instrument was very important in the development of Afro-Cuban music as it was one of the basic instruments played by
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Continuum
Encyclopedia of Popular Music of the World: Volume II – Performance and Production
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With its roots in
African instruments, the marimbula originated in the province of
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with a sound hole cut in the center of it. Across this hole, a number of
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support for a band, although it can produce a simple melody as well.
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The marímbula became quite popular in
Jamaica in conjunction with
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for the music. The marímbula is usually classified as part of the
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music. It can still be found in use by mento musicians such as
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Currently, the instrument is regaining popularity among
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Central
American and Caribbean percussion instruments
179:Unlike typical African lamellophones, such as the
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569:Another page on the marimbula with examples
480:Shepherd, John; Horn, David, eds. (2003).
76:Learn how and when to remove this message
574:Video of Cuban musicians playing Changui
39:This article includes a list of general
508:Los Instrumentos De Percusión En México
472:
604:Dominican Republic musical instruments
486:. London, UK: Continuum. p. 390.
261:. By the 1930s it had made its way to
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7:
532:. México: Grupo Editorial Planeta.
454:, a similar instrument used in the
144:. In Mexico, where it is known as
45:it lacks sufficient corresponding
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330:Sound of a marímbula being played
530:Atlas Cultural de México. Música
510:. México: Colegio de Michoacán.
140:genre, as well as old styles of
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225:family of musical instruments.
16:Lamellophone from the Caribbean
136:. In Cuba it is common in the
130:plucked box musical instrument
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354:musicians. Both changüí and
609:Mexican musical instruments
599:Haitian musical instruments
277:, other Caribbean islands,
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559:The story of the marimbula
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594:Cuban musical instruments
564:Modern marimbula workshop
506:Chamorro, Arturo (1984).
321:), and box lamellophone.
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19:Not to be confused with
362:, marímbula, a pair of
156:, where it is known as
60:more precise citations.
614:Contrabass instruments
121:Spanish pronunciation:
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285:. The Cubans call it
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187:, i.e. providing the
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554:Photos of marimbulas
442:and The Jolly Boys.
125:[maˈɾimbula]
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589:Comb lamellophones
267:Dominican Republic
160:, it is played in
154:Dominican Republic
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517:978-968-7230-02-3
206:It consists of a
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307:Puerto Rico
271:Puerto Rico
185:bass guitar
150:son jarocho
58:introducing
583:Categories
467:References
461:Oopoochawa
452:Prempensua
347:box drum.
66:April 2021
41:references
383:in 1925.
287:marímbula
243:Caribbean
170:rumba box
164:, and in
152:; in the
134:Caribbean
117:marímbula
100:Marimbula
89:Marímbula
528:(1988).
446:See also
303:marimbol
247:Americas
219:bassline
193:harmonic
189:rhythmic
146:marimbol
624:Jarocho
430:hip hop
411:guitars
404:Nigeria
392:Liberia
364:maracas
352:changüí
319:Jamaica
315:calymba
311:calimba
299:manimba
295:malimba
291:marimba
275:Jamaica
257:to the
255:Liberia
253:, from
235:Oriente
229:History
166:Jamaica
158:marimba
138:changüí
132:of the
128:) is a
54:improve
21:marimba
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396:Guinea
370:, and
279:Mexico
265:, the
251:Africa
249:, and
245:, the
43:, but
435:mbira
419:mento
415:drums
400:Ghana
368:güiro
345:cajon
263:Haiti
259:Congo
215:metal
181:mbira
174:mento
534:ISBN
526:INAH
512:ISBN
488:ISBN
402:and
379:and
372:tres
239:Cuba
208:wood
191:and
115:The
356:son
211:box
142:son
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
