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210:(OAS) in Washington, D.C. As a result of both of those opportunities, Maria Luisa Pacheco moved to New York in 1956. Both the Guggenheim Foundation fellowship and the OAS exhibit acquired a Maria Luisa Pacheco painting for their permanent art collections. Those paintings are currently exhibited in the art museums of those organizations as part of the periodic rotation of their permanent collections.
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255:. Scholars have identified two distinct phases in her early work: an early abstractionism during her first visit to Europe in the early 1950s, and a later style (during her New York years) strongly influenced by Abstract Expressionism. Her work during the later 1950s was characterized by less reliance on color and a greater emphasis on paint texture.
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In 1953 Maria Luisa formed the group “Eight contemporaries” and in the art scene was symbolic with their aim being change and renewal all artists differed widely in style and skill. On
January 23, 1962, Maria Luisa opened a show at the Bolivian German Cultural Institute in La Paz, and the works
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In 1999, Pacheco was honored posthumously for "her role as a pioneer and promoter of change, and her contribution to the development of contemporary
Bolivian art" in a retrospective exhibit at the opening of the first International Art Salon (SIART 99) at the National Museum of Art in La Paz.
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The late 1960s and early 1970s saw an evolution to what some believe was
Pacheco's most mature work, using a style that even more emphasized texture over color, now relying not only on paint, but also on other materials such as sand, newspaper, plywood, and corrugated cardboard.
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presented were painted without reference to objective reality. After Maria Luisa
Pacheco began to work for the Lee Ault and Company gallery and it was her exhibit that led to the opening of the Ault Gallery in May 1971.
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as an illustrator and as the editor of their literary section. A scholarship from the
Government of Spain allowed Pacheco to continue her studies in 1951 and 1952 as a graduate student and painting instructor at the
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During the late 1970s and until her death, Pacheco returned somewhat to more figurative depictions of
Bolivian landscape, and her work of this period was notable for its combination of abstraction and figuration.
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in La Paz, later becoming a member of the faculty. Maria Luisa
Pacheco was introduced to the tools of artistic expression in her father’s architectural studio. In the late 1940s and until 1951, she worked at the
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people of
Bolivia, as well as formal references to the glaciers and peaks of Bolivia's Andes Mountains. She has been identified as an important member of the vanguard generation (along with Guatemalan
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style of
Bolivian painting predominant during the 1930s and 1940s, Pacheco belonged to the more abstract tendency of the Indigenist school (as contrasted with its more social one, committed to the 1952
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painter and mixed-media artist who immigrated to the United States. Despite her 20-year later career in New York, she was much more influential in Latin
American art than that of the U.S.
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287:) that introduced abstract language into Latin American art. She was part of an artist group was known as the "Generation of '52," named after the year of Revolution.
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Góngora Pacheco, M. L. (1986). Tribute to Maria Luisa Pacheco of Bolivia, 1919-1982: Retrospective Exhibition, November 25-December 30. United States: The Museum.
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194:, with whom she explored techniques for achieving three- dimensional effects on a two-dimensional surface, often dividing her surface into a number of planes.
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408:. Geraldine P. Biller, Bélgica Rodríguez, Edward J. Sullivan, Marina Pérez de Mendiola, Milwaukee Art Museum. Milwaukee, Wis.: Milwaukee Art Museum. 1995.
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Pacheco later preferred more abstract styles, both before and after her sojourn in Europe and acquaintance with
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in New York City. The first fellowship awarded coincided with an invitation to exhibit at the Museum of the
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Rebollo Gonçalves, Lisbeth (2000). "SIART '99: La Paz inaugurates an International Art Salon".
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St. James guide to Hispanic artists : profiles of Latino and Latin American artists
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In 1956, Pacheco was the recipient of three consecutive Fellowship Awards from the
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492:. February/April 2000, Issue 35: 110–111 – via Art Full Text (H.W. Wilson).
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The Latin American Spirit: art and artists in the United States, 1920-1970
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Museo Nacional de Arte, Galería Arte Unico, Galería Fundación BHN (1993).
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Latin American women artists = artistas latinoamericanas : 1915-1995
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to the architect Julio Mariaca Pando, María Luisa Pacheco studied at the
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565:. Bronx Museum of the Arts in association with H.N. Abrams. 1988.
126:(1957, 1959,1960); First Prize, Municipal Salon (La Paz, 1953)
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While in New York, Pacheco also worked as an illustrator for
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Felix, Angel (1989). "La obra de María Luisa Pacheco ".
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149:(22 September 1919 – 23 April 1982) was a
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509:María Luisa Pacheco, pintora de los Andes
204:John Simon Guggenheim Memorial Foundation
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618:Bolivian emigrants to the United States
555:. La Paz : Oxígeno Cultura Visual.
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90:Academia de Bellas Artes, La Paz
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553:María Luisa Pacheco (1919-1982)
511:. La Paz, Bolivia: La Papelera.
208:Organization of American States
628:20th-century Bolivian painters
190:. Pacheco studied there under
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581:"María Luisa Pacheco's works"
551:Pacheco, María Luisa (2010).
327:Thomas, Riggs (2002-01-01).
238:Bolivian National Revolution
39:María Luisa Mariaca Dietrich
638:20th-century women painters
367:Delia., Gaze (2000-01-01).
262:are inspired by the native
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500:Sources and external links
81:; U.S. Naturalized citizen
299:Reception and scholarship
162:1919-1956: Bolivia, Spain
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172:Academia de Bellas Artes
56:April 21, 1982 (aged 62)
623:Bolivian women painters
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124:Guggenheim Fellowships
114:Abstract expressionism
470:(12): 52–60, 135–138.
585:LatinAmericanArt.com
463:ART Das Kunstmagazin
373:. Fitzroy Dearborn.
331:. St. James Press.
198:1956-1982: New York
192:Daniel Vázquez Díaz
147:María Luisa Pacheco
20:María Luisa Pacheco
613:People from La Paz
260:abstract paintings
42:September 22, 1919
273:Rodolfo Abularach
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608:1982 deaths
603:1919 births
285:Julio Alpuy
277:Mario Toral
104:Mixed media
67:Nationality
597:Categories
572:0810912716
380:1884964214
338:1558624708
308:References
275:, Chilean
258:Pacheco's
233:Indigenism
539:cite book
517:cite book
490:Art Nexus
432:cite book
389:852145926
347:231969994
281:Omar Rayo
253:Juan Gris
175:newspaper
157:Biography
131:Signature
86:Education
424:32131845
178:La Razón
166:Born in
151:Bolivian
100:Painting
264:Quechua
79:Bolivia
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268:Aymara
251:, and
188:Madrid
168:La Paz
120:Awards
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110:Style
567:ISBN
545:link
523:link
468:1989
438:link
420:OCLC
410:ISBN
385:OCLC
375:ISBN
343:OCLC
333:ISBN
266:and
216:Life
53:Died
35:Born
186:in
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