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Simón worked predominantly in bronze, followed by iron and aluminum. She used lead, resin, acrylic, textiles, cardboard or wood in her works. In Paris, she experimented with cardboard boxes collected from the street. The box becomes a symbol of the human being discarded after use. Simón moved to
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in Santa Cruz de
Tenerife, and the Basel Fail. In 1975, she won the Second Prize in Sculpture at the Biennial of São Paulo, and the First Prize at the Biennale Gravure Gibet in France. In 1981, she was awarded the Bronze Medal by the European Academy of Fine Arts.
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Prize, and decided to move to Paris, where she remained for thirty-five years. There, she participated in various exhibitions at the Galería Rioboo, Salones de Mayo, Réalités
Nouvelles, and the Museo de Bellas Artes. She also participated in the
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At the age of 20, Simón studied sculpture with Jean
Labourdette and five years later, with Libero Badíi. In 1964, she obtained a grant awarded by the
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in 1922. Her father, John Simon Padrós, was an engineer, a prominent politician and industrialist; her mother was Emilia Dublé.
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was exhibited at the I Exposición
Internacional de Escultura en la Calle in
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in 2001, where she lived and worked until her death in 2009.
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138:and moved to London, where she exhibited at the
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194:"Falleció la artista plástica María Simón"
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142:(ICA). Two years later, she received the
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151:(1972), Biennale of Tapestry in
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196:(in Spanish). 7 July 2009
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305:20th-century sculptors
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91:Georges Braque Prize
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104:María Simón's work
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62:5 July 2009
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25:María Simón
274:Categories
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180:References
157:Ljubljana
123:Biography
82:Sculpture
153:Lausanne
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93:(1966)
88:Awards
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202:2014
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