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48:(1666/7–1752), who was greatly interested in Greek music and the music of antiquity: Boyce followed this interest. On Boyce's death, Overend bought his teacher's manuscripts. Overend constructed elaborate mathematical tables noting the relationship between note values, or intervals. He assisted
108:
A brief life by W. H. Hadow was published in the 2nd edition of Grove. It lists his compositions and mentions his work on musical theory and his manuscripts. It is very similar to the account of him by Louisa M. Middleton in the
101:, Overend MS. Don c.136-42. They comprise now one volume by Boyce, six by Overend and two by Callcott, nine volumes in all, but Farey noted in his article on the Farey Notation,
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Following
Overend's death, his library was sold in 1791 by Egerton Bros. His manuscript volumes, as well as Boyce's treatise, were bought by
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302:
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74:, (1766–1821) who used these manuscripts as sources for his own work. In 1807, Callcott donated all the manuscripts to the
63:... . Marmaduke Overend died at Isleworth on 25 June 1790, describing himself in his will as ‘Student of Music’ (ODNB);
34:
94:: the manuscripts include Farey's MS notes. Farey's writings in the two works comprise more than 350 articles.
64:
45:
41:
139:, was printed by Thomas Warren in a volume of his annual collection of Catches, Canons and Glees. (1763-1794)
90:
84:
105:, vol 9, p. 274, that he consulted fourteen volumes, so it must be presumed that five have been lost.
271:
Woolrich, A. P. (2020). "Dr
Charles Burney and Marmaduke Overend, the scientific organist of Isleworth".
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49:
297:
71:
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The
Science of Music in Britain, 1714-1830: A Catalogue of Writings, Lectures and Inventions
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He published in 1781 a prospectus for a series of lectures on the science of music, titled
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A Brief account of, and an introduction to, eight lectures, in the
Science of Music
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1730 – 1790) was a Welsh music theorist and organist. He served as
Organist at
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67:, described him as the “Scientific Organist of Isleworth.”
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An
Epithalaneum for the marriage of the marriage of George III in 1761
52:
by transcribing early musical examples for inclusion in the latter's
17:
252:
Woolrich, A. P. (2019). "The
General music articles in Rees's
256:
by Dr
Charles Burney, John Farey, Sr. & John Farey, Jr".
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Twelve sonatas for two violins and a violincello, 1779
82:and informed his writings on music theory in
8:
210:Anecdotes, Biographical Sketches and Memoirs
97:The manuscripts were moved in 1972 to the
22:All Saints, Isleworth as Overend knew it
155:
167:. Garland, New York. pp. 804–808.
224:"Knowledge (XXG) page about music in
212:. F. C. and J. Rivington. p. 16.
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44:, (1711–79). Boyce had been a pupil
113:, updated by K. D. Reynolds in the
208:Hawkins, Laetitia Matilda (1822).
14:
78:, where they were consulted by
308:Welsh male classical composers
1:
30:
117:and Jamie C. Kassler in the
35:All Saints Church, Isleworth
193:Overend, Marmaduke (1781).
334:
178:Hawkins, Sir John (1776).
163:Kassler, Jamie C. (1979).
135:A canon for eight voices,
313:Welsh classical organists
303:Welsh classical composers
65:Laetitia Matilda Hawkins
46:Johann Christoph Pepusch
318:British music theorists
103:Edinburgh Encyclopaedia
91:Edinburgh Encyclopaedia
137:Glory be to the Father
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21:
226:Rees's --Cyclopaedia
195:"Overend's lecture"
182:. pp. Preface.
72:John Wall Callcott
40:He was a pupil of
37:for thirty years.
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142:A Hunting Cantata
85:Rees's Cyclopædia
76:Royal Institution
27:Marmaduke Overend
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54:History of Music
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42:William Boyce
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235:. Retrieved
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124:Compositions
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50:John Hawkins
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298:1790 deaths
287:Categories
254:Cyclopedia
150:References
119:New Grove.
144:(c. 1780)
88:and the
56:, 1776.
237:22 May
239:2020
115:ODNB
111:DNB
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31:c.
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29:(
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