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243:, based on designs by Sacchi, gained him attention as an artist but his first prominent independent work was the 'Adoration of the Shepherds' (1650) for San Giuseppe di Falegnami. Another major work from this period was 'The Mystery of the Trinity Revealed to St. Augustine' (c. 1655) painted for the church of
196:, the artists academy in Rome. Sacchi argued that paintings should only have a few figures which should express the narrative whereas Cortona countered that a greater number of figures allowed for the development of sub themes. Maratta's painting at this time was closely allied with the classicism of
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in 1680, he became the leading artist in Rome. In 1664, Maratta became the director of the
Accademia di San Luca and, concerned with elevating the status of artists, promoted the study and drawing of the art of Classical Antiquity. During the 1670s he was commissioned by Pope
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With a general decline in patronage around the beginning of the eighteenth century and largely due to the economic downturn, Maratta turned his hand to painting restoration, including works by
Raphael and Carracci. His sculptural designs included figures of the Apostles for
392:, was born to Maratta by his mistress, Francesca Gommi (or Gomma). He legally recognized her as his daughter in 1698 and upon becoming a widower in 1700, Maratta married the girl's mother. His daughter's features were incorporated into a number of Maratta's late paintings.
152:(15 May 1625 – 15 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from
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in the gallery of the
Quirinal Palace where he worked under the direction of Cortona who selected him for this task. His pictures of the late 1650s exhibit light and movement derived from Roman Baroque painting, combined with classical idealism.
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From 1660, he built up a private client base amongst wealthy patrons of Europe, establishing the most prominent art studio in Rome of his time and, after the death of
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which was being painted at the same time, Maratta did not employ illusionism; his scene remained within its frame and used few figures.
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St John the
Baptist Explaining the Doctrine of the Immaculate Conception to Sts Gregory, Augustine, and John Chrysostom
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or ‘Little Carlo of the
Madonnas', but his gifted interpretation of this theme. Other works included an altarpiece,
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Maratti intended further decorations to this room which were not executed due to the death of the pope.
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He developed a close relationship with Sacchi till the death of his master in 1661. His fresco of '
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Maratta was a well-known portrait painter. He painted Sacchi (c. 1655, Prado), Cardinal
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painting and particularly in his use of colour. His contemporary and friend,
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ordering the
Destruction of Pagan Idols' (1648) for the Baptistery of the
254:(reigned 1655–1667) commissioned many paintings from him including
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The Virgin with Saints Carlo
Borromeo and Ignatius of Loyola, and Angels
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and was far more restrained and composed than the
Baroque exuberance of
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Juno
Beseeching Aeolus to Release the Winds Against the Trojan Fleet
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711:. 1980. Pelican History of Art, Penguin Books. pp. 337–339.
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The Lives of the Modern
Painters, Sculptors, and Architects
725:(UK) web site entry for Carlo Maratta (accessed May 2013)
188:. It was at this time that the debate between Sacchi and
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The Assumption of the Virgin with Doctors of the Church
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Church Fathers discuss the Assumption of the Virgin
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692:Picture collector's manual; Dictionary of Painters
497:, 1669, Pinacoteca Gallery, Vatican Museums, Rome.
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636:, and became a prominent poet and member of the
604:"Portrait of Pope Clement IX by MARATTI, Carlo"
321:The Appearance of the Virgin to St. Philip Neri
461:, University of North Carolina at Chapel Hill.
581:‘Carlo Maratti’, Marquez, Manuela B. Mena.
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421:List of Carlo Maratta pupils and assistants
312:’s nave fresco in the nearby church of the
300:to fresco the ceiling of the salone in the
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632:Faustina Maratti later married the poet
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695:. London: T. & W. Boone. pp.
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395:In 1704, Maratta was knighted by Pope
623:(New Haven and London, 2003), passim.
563:for further discussion of the debate.
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709:Art and Architecture Italy 1600-1750
515:Santa Maria in Vepretis, San Ginesio
659:The Evolution of English Collecting
621:The Evolution of English Collecting
809:People from the Province of Ancona
501:Saint Joseph and the Infant Christ
495:Portrait of Clement IX Rospigliosi
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839:18th-century Italian male artists
511:Assumption of an Enthroned Virgin
304:; the iconographic programme for
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308:was devised by Bellori. Unlike
779:New International Encyclopedia
353:The Death of St Francis Xavier
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824:18th-century Italian painters
814:17th-century Italian painters
535:Vita di Carlo Maratta pittore
475:The Virgin and Child in Glory
388:In 1679 or 1680, a daughter,
489:Santa Maria del Popolo, Rome
331:(c. 1685) for the church of
245:Santa Maria dei Sette Dolori
176:(Marche), then part of the
27:Italian painter (1625–1713)
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533:Bellori, Giovanni Pietro.
505:Dunedin Public Art Gallery
427:Partial anthology of works
689:Hobbes, James R. (1849).
634:Giambattista Felice Zappi
481:, National Museum, Madrid
333:Santa Maria in Vallicella
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829:Italian Baroque painters
661:. Yale University Press.
550:, Cambridge (U.K.) 2005.
479:Spanish Royal Collection
409:Santa Maria degli Angeli
405:San Giovanni in Laterano
764:The American Cyclopædia
465:The Triumph of Clemency
382:Francesca Gommi Maratta
349:Carluccio delle Madonne
306:The Triumph of Clemency
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310:Giovan Battista Gaulli
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749:Catholic Encyclopedia
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487:, 1686, Cybo Chapel,
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323:(c. 1675) now in the
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666:Finn, Alex (n.d.).
559:See the article on
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364:Antonio Barberini
214:Annibale Carracci
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70:Papal States
804:1713 deaths
799:1625 births
341:Cybo Chapel
258:(1656) for
237:Constantine
99:Nationality
62:13 May 1625
793:Categories
648:References
507:, Dunedin.
477:, c.1680,
397:Clement XI
372:Grand Tour
222:Guido Reni
58:1625-05-13
676:cite book
384:(c. 1690)
366:(c. 1660
298:Clement X
168:Biography
130:Signature
707:(1993).
657:(2003).
441:Arethusa
415:See also
390:Faustina
264:Nativity
262:and the
218:Guercino
174:Camerano
172:Born in
119:Movement
113:Painting
66:Camerano
782:. 1905.
767:. 1879.
752:. 1913.
471:, Rome.
437:Alpheus
293:Bernini
241:Lateran
210:Bologna
158:Baroque
154:Raphael
150:Maratti
124:Baroque
103:Italian
18:Maratta
670:. n.k.
287:(1686)
228:, and
198:Sacchi
699:–151.
521:Notes
250:Pope
206:Parma
122:Late
682:link
439:and
314:Gesu
208:and
88:Rome
77:Died
52:Born
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