Knowledge (XXG)

Marcus Gardley

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105:(SFSU), though his poetry professors told him that his poems read like plays. Initially not wanting to admit this, Gardley eventually came around to acknowledge that his poems often did incorporate elements of playwrighting. Regarding this time, Gardley later recalled: "Oh, this is where I belong. I don't like speaking my work, I like hearing my work. What I like about theater is it's like an orchestra. There are these different sounds from different people. I think of my plays as compositions in a way." Gardley earned the SFSU African American Student of Outstanding Achievement Award for 2000–1 and graduated with his B.F.A. He went on to earn his M.F.A. in playwriting from 219:
and Molly Holm. It garnered 11 nominations and seven Theatre Bay Area Awards, including: Outstanding Production, Outstanding Ensemble, Outstanding Male Actor (Aldo Billingslea), Outstanding Female Actor (Margo Hall), Outstanding Direction (Eric Ting), Outstanding Costume Design (Dede Ayite), and the
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in London and was a finalist for the 2015 Kennedy Prize. Gardley was the 2013 USA James Baldwin Fellow and the 2011 PEN Laura Pels award winner for Mid-Career Playwright. Gardley has won the San Francisco Bay Area's Gerbode Emerging Playwright Award, the National Alliance for Musical Theatre Award,
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in January 2014. The play centers on a black Creole woman who, recently widowed, must contend with the impending loss of her home and the privilege of being married to a rich white man in 1813 New Orleans; the work utilizes dark humor and stylized melodrama to tell the story of female sexuality and
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is a poetic voyage of forgiveness and redemption highly influenced by the myth of Demeter and Persephone. The play encompasses traditional storytelling, gospel music, and a humor to create a rich and vividly imaginative world. According to Gardley, "Jesus Moonwalks is in a lot of ways my signature
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Gardley was born and raised in Oakland, California. The son of a nurse and a minister, he describes growing up in a home surrounded by books, ultimately leading him toward his academic path, at first wanting to become an anesthesiologist. Gardley originally studied and wrote poetry at
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play. ... it is based upon a story my great-grandmother used to tell about her father who fled the bonds of slavery and traveled the country in search of his family." In 2010, it was rated as one of the top ten plays in the Bay Area.
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Gardley is among a new group of young African-American playwrights who have come to prominence during the "Age of Obama". These emerging playwrights are considered to be
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In addition to his work as a playwright, Gardley has written for several television series. He served as a staff writer on the Amazon Prime series
669: 1256: 1075: 150: 1163: 1151: 528: 1281: 1212: 485: 245:, features a black psychiatrist who prescribes that a white woman live as a black man for three days as a cure for her "negroidphobia". 793: 861: 1276: 739:"The Andrew W. Mellon Foundation and HowlRound Announce $ 5.58 Million in Grants through the National Playwright Residency Program" 1261: 250: 212: 102: 47: 208: 908:
Veale, Lisa (February 18, 2014). "Oakland Playwright Marcus Gardley Premieres New Play "The House That Will Not Stand"".
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was produced at the Cutting Ball Theater and has earned both positive reviews and two sold-out extensions.
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In 2013, Gardley contributed a short play to The New Black Fest as part of a collaborative project titled
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Chirico, Miriam (December 2014). "The House that will not Stand by Marcus Gardley (review)".
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being nominated for the National Critics Steinberg New Play Award. Gardley is the author of
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in 2004. Upon graduation, Gardley started teaching creative writing at Columbia University.
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artists. He has cited the Harlem art scene as influential to his work, with
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in Chicago and an assistant professor of Theater and Performance Studies at
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In 2013 Gardley began a three-year term as the Playwright in Residence at
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Elam Jr, Harry J (2014). "Post-World War II African American Theatre".
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in 2004. He is the recipient of the 2014 Glickman Award for his play
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Facing our truth : short plays on Trayvon, race, and privilege
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Creative Specialties award to Marcus Gardley for his adaptation of
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Writers Guild of America Award for Television: Long Form – Adapted
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Facing Our Truth: 10-Minute Plays on Trayvon, Race and Privilege,
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He was the recipient of the Helen Merrill Award in 2008 and the
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race relations. It was subsequently staged in London at the
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where it premiered in 2014, was revised for production at
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American dramatist, poet and screenwriter (born 1977/1978)
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David Geffen School of Drama at Yale University alumni
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Cole Porter Prize. He is a member of New Dramatists,
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described Gardley in 2010 as "an interesting heir to
335:. It had subsequent productions at Yale Rep and the 67: 43: 28: 21: 200:. It was renewed in 2016 for another three years. 971:Marcus Gardley's profile on the World Theatre Map 515:Historical Dictionary of African American Theater 340:the Eugene O'Neill Memorial Scholarship, and the 309:the box: play about the prison industrial complex 511:Barnett, Douglas Q.; Hill, Anthony D. (2009). 269:More recently, he struck an overall deal with 1000: 8: 519:. Lanham, MD: The Scarecrow Press. pp.  299:(2007) have been named as the best plays in 1252:African-American dramatists and playwrights 371: 369: 273:and wrote the screenplay for the 2023 film 1007: 993: 985: 816:: CS1 maint: location missing publisher ( 18: 765:"2017 Theatre Bay Area Awards Recipients" 331:, which was commissioned and produced by 319:, which had a national tour in 2013; and 84:. He is an ensemble member playwright at 32:1977 or 1978 (age 45–46) 365: 1302:Writers Guild of America Award winners 1076:Christopher Markus and Stephen McFeely 809: 689:"NYTW / The House That Will Not Stand" 156:...And Jesus Moonwalks the Mississippi 151:...And Jesus Moonwalks the Mississippi 1287:San Francisco State University alumni 1247:21st-century African-American writers 714:"Mellon funds playwright residencies" 668:Hitchings, Henry (October 20, 2014), 546:The Oxford Handbook of American Drama 7: 1148:, Ben Nedivi and Matt Wolpert (2016) 588:"...and Jesus Walks the Mississippi" 453: 451: 166:inspired by Federico GarcΓ­a Lorca's 1267:American dramatists and playwrights 181:, with an Off-Broadway premiere at 590:. The Cutting Ball Theatre Company 484:Kennedy, Lisa (January 14, 2014). 431:"Marcus Gardley - News from Brown" 172:, had its world premiere with the 14: 458:Reid, Kerry (February 19, 2014). 317:The Road Weeps, the Well Runs Dry 1292:Writers from Oakland, California 610:"The House That Will Not Stand" 860:White, Peter (July 27, 2021). 305:Love is a Dream House in Lorin 297:Love is a Dream House in Lorin 251:Z: The Beginning of Everything 213:California Shakespeare Theater 164:The House That Will Not Stand, 103:San Francisco State University 71:Poet, playwright, screenwriter 48:San Francisco State University 1: 1257:African-American male writers 329:The House That Will Not Stand 293:This World in a Woman's Hands 209:Denver Center Theater Company 350:Lark Play Development Center 1282:Columbia University faculty 788:. Flores, Quetzal. . 2015. 237:premiering in New York City 194:Andrew W. Mellon Foundation 1318: 174:Berkeley Repertory Theatre 169:The House of Bernarda Alba 125:as a primary inspiration. 1022: 323:, which premiered at the 183:New York Theatre Workshop 1277:Brown University faculty 321:Dance of the Holy Ghosts 241:Gardley's piece, titled 96:Early life and education 82:West Oakland, California 1201:, Charlotte Stoudt and 889:. UMass Amherst Theater 675:London Evening Standard 410:Victory Gardens Theater 190:Victory Gardens Theater 86:Victory Gardens Theater 1262:African-American poets 325:Yale Repertory Theatre 289:Kesselring honor award 207:, commissioned by the 1218:Rebecca Brunstetter, 1041:James Henerson (1999) 820:) CS1 maint: others ( 406:"A WONDER IN MY SOUL" 379:(December 13, 2010). 243:No More Monsters Here 1158:, D.V. DeVincentis, 1066:Anne Meredith (2004) 1038:Anne Meredith (1998) 648:10.1353/tj.2014.0116 346:The Dramatists Guild 196:and administered by 107:Yale School of Drama 1272:American male poets 1203:Tracey Scott Wilson 354:Dramatists Magazine 36:Oakland, California 1044:David Black (2000) 948:. Brown University 381:"America, America" 203:In 2017, his play 143:Tennessee Williams 1229: 1228: 1164:Larry Karaszewski 1090:Kirk Ellis (2009) 1057:Kirk Ellis (2002) 926:. Playscripts Inc 530:978-0-8108-5534-2 75: 74: 1309: 1179:Maggie Cohn and 1168:Wally Wolodarsky 1108:Michelle Ashford 1104:Robert Schenkkan 1061:Bruce C. McKenna 1009: 1002: 995: 986: 958: 957: 955: 953: 946:"Marcus Gardley" 942: 936: 935: 933: 931: 924:"Marcus Gardley" 920: 914: 913: 905: 899: 898: 896: 894: 887:"Marcus Gardley" 883: 877: 876: 874: 872: 857: 851: 850: 848: 846: 836:"Marcus Gardley" 832: 826: 825: 815: 807: 782: 776: 775: 772:Theatre Bay Area 769: 761: 755: 754: 752: 750: 735: 729: 728: 726: 724: 710: 704: 703: 701: 699: 685: 679: 666: 660: 659: 631: 625: 624: 622: 620: 606: 600: 599: 597: 595: 584: 578: 577: 575: 573: 556: 550: 549: 541: 535: 534: 518: 508: 502: 501: 499: 497: 481: 475: 474: 472: 470: 464:AMERICAN THEATRE 455: 446: 445: 443: 441: 427: 421: 420: 418: 416: 402: 396: 395: 393: 391: 373: 337:Tricycle Theatre 276:The Color Purple 179:Tricycle Theatre 90:Brown University 19: 1317: 1316: 1312: 1311: 1310: 1308: 1307: 1306: 1232: 1231: 1230: 1225: 1199:Steven Levenson 1189:, Joel Fields, 1174:David E. Kelley 1156:Joe Robert Cole 1152:Scott Alexander 1142:Bob DeLaurentis 1081:No Award (2007) 1018: 1013: 967: 962: 961: 951: 949: 944: 943: 939: 929: 927: 922: 921: 917: 907: 906: 902: 892: 890: 885: 884: 880: 870: 868: 859: 858: 854: 844: 842: 834: 833: 829: 808: 796: 784: 783: 779: 767: 763: 762: 758: 748: 746: 745:. April 5, 2016 737: 736: 732: 722: 720: 712: 711: 707: 697: 695: 687: 686: 682: 667: 663: 636:Theatre Journal 633: 632: 628: 618: 616: 608: 607: 603: 593: 591: 586: 585: 581: 571: 569: 568:. April 2, 2010 558: 557: 553: 543: 542: 538: 531: 510: 509: 505: 495: 493: 490:The Denver Post 483: 482: 478: 468: 466: 457: 456: 449: 439: 437: 429: 428: 424: 414: 412: 404: 403: 399: 389: 387: 375: 374: 367: 362: 285: 148:Gardley's play 115: 98: 57:Yale University 55: 39: 33: 24: 17: 12: 11: 5: 1315: 1313: 1305: 1304: 1299: 1294: 1289: 1284: 1279: 1274: 1269: 1264: 1259: 1254: 1249: 1244: 1234: 1233: 1227: 1226: 1224: 1223: 1220:Marcus Gardley 1216: 1206: 1184: 1177: 1171: 1149: 1138:Steve Blackman 1135: 1129: 1123: 1117: 1111: 1101: 1094:Michael Strobl 1091: 1088: 1082: 1079: 1073: 1067: 1064: 1058: 1055: 1052:Thomas Rickman 1045: 1042: 1039: 1036: 1030: 1023: 1020: 1019: 1014: 1012: 1011: 1004: 997: 989: 983: 982: 976:Marcus Gardley 973: 966: 965:External links 963: 960: 959: 937: 915: 900: 878: 852: 827: 795:978-0573704260 794: 777: 756: 730: 705: 680: 661: 642:(4): 619–621. 626: 601: 579: 551: 548:. p. 389. 536: 529: 503: 476: 447: 422: 397: 385:The New Yorker 364: 363: 361: 358: 303:theater, with 284: 281: 271:Amazon Studios 185:in July 2018. 130:The New Yorker 114: 111: 97: 94: 78:Marcus Gardley 73: 72: 69: 65: 64: 45: 41: 40: 34: 30: 26: 25: 23:Marcus Gardley 22: 15: 13: 10: 9: 6: 4: 3: 2: 1314: 1303: 1300: 1298: 1295: 1293: 1290: 1288: 1285: 1283: 1280: 1278: 1275: 1273: 1270: 1268: 1265: 1263: 1260: 1258: 1255: 1253: 1250: 1248: 1245: 1243: 1242:Living people 1240: 1239: 1237: 1221: 1217: 1214: 1210: 1207: 1204: 1200: 1196: 1192: 1188: 1185: 1182: 1181:Tom Rob Smith 1178: 1175: 1172: 1169: 1165: 1161: 1157: 1153: 1150: 1147: 1143: 1139: 1136: 1133: 1132:Jane Anderson 1130: 1127: 1124: 1121: 1118: 1115: 1112: 1109: 1105: 1102: 1099: 1095: 1092: 1089: 1086: 1083: 1080: 1077: 1074: 1071: 1068: 1065: 1062: 1059: 1056: 1053: 1049: 1046: 1043: 1040: 1037: 1034: 1033:William Blinn 1031: 1028: 1027:Chris Gerolmo 1025: 1024: 1021: 1017: 1010: 1005: 1003: 998: 996: 991: 990: 987: 981: 977: 974: 972: 969: 968: 964: 947: 941: 938: 925: 919: 916: 911: 910:Oakland Local 904: 901: 888: 882: 879: 867: 863: 856: 853: 845:September 20, 841: 837: 831: 828: 823: 819: 813: 805: 801: 797: 791: 787: 781: 778: 773: 766: 760: 757: 744: 740: 734: 731: 719: 715: 709: 706: 698:September 20, 694: 690: 684: 681: 677: 676: 671: 665: 662: 657: 653: 649: 645: 641: 637: 630: 627: 615: 611: 605: 602: 589: 583: 580: 567: 566: 565:BroadwayWorld 561: 555: 552: 547: 540: 537: 532: 526: 522: 517: 516: 507: 504: 491: 487: 480: 477: 469:September 20, 465: 461: 454: 452: 448: 440:September 20, 436: 432: 426: 423: 411: 407: 401: 398: 386: 382: 378: 372: 370: 366: 359: 357: 355: 351: 347: 343: 338: 334: 330: 326: 322: 318: 314: 313:black odyssey 310: 306: 302: 298: 294: 290: 282: 280: 278: 277: 272: 267: 265: 264: 259: 258: 253: 252: 246: 244: 240: 236: 231: 229: 228: 223: 218: 217:Linda Tillery 214: 210: 206: 205:black odyssey 201: 199: 195: 191: 186: 184: 180: 175: 171: 170: 165: 160: 157: 153: 152: 146: 144: 140: 136: 132: 131: 126: 124: 123:James Baldwin 120: 112: 110: 108: 104: 95: 93: 91: 87: 83: 79: 70: 68:Occupation(s) 66: 62: 58: 53: 49: 46: 42: 37: 31: 27: 20: 1219: 1120:Danny Strong 1070:Tony Kushner 950:. 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His plays 286: 274: 268: 261: 255: 249: 247: 242: 238: 234: 232: 225: 204: 202: 187: 167: 163: 161: 155: 149: 147: 135:Garcia Lorca 128: 127: 116: 99: 77: 76: 1213:Allan Scott 1209:Scott Frank 1195:Thomas Kail 1187:Debora Cahn 1160:Maya Forbes 1146:Noah Hawley 1126:Shawn Slovo 1114:Peter Gould 377:Als, Hilton 295:(2009) and 266:TV series. 1236:Categories 1191:Ike Holter 1048:John Logan 743:mellon.org 360:References 139:Pirandello 1098:Ross Katz 1085:Ken Nolan 812:cite book 804:910595854 656:190362982 619:April 12, 496:April 12, 435:brown.edu 390:April 13, 198:HowlRound 162:His play 119:postblack 44:Education 871:July 28, 866:Deadline 348:and the 301:Bay Area 263:Exorcist 952:June 9, 930:June 9, 893:June 9, 594:June 9, 257:The Chi 227:Odyssey 1215:(2021) 1205:(2020) 1183:(2019) 1176:(2018) 1170:(2017) 1134:(2015) 1128:(2014) 1122:(2013) 1116:(2012) 1110:(2011) 1100:(2010) 1087:(2008) 1078:(2006) 1072:(2005) 1063:(2003) 1054:(2001) 1035:(1997) 1029:(1996) 802:  792:  654:  527:  523:–201. 283:Awards 113:Career 38:, U.S. 768:(PDF) 652:S2CID 342:ASCAP 222:Homer 1211:and 1166:and 1106:and 1096:and 980:IMDb 954:2014 932:2014 895:2014 873:2021 847:2018 840:IMDb 822:link 818:link 800:OCLC 790:ISBN 751:2017 725:2017 700:2018 693:NYTW 621:2016 596:2014 574:2022 525:ISBN 498:2016 471:2018 442:2018 417:2017 392:2016 141:and 29:Born 978:at 644:doi 521:200 224:'s 61:MFA 52:BFA 1238:: 1197:, 1193:, 1162:, 1154:, 1144:, 1140:, 1050:/ 864:. 838:. 814:}} 810:{{ 798:. 770:. 741:. 716:. 691:. 672:, 650:. 640:66 638:. 612:. 562:. 488:. 462:. 450:^ 433:. 408:. 383:. 368:^ 356:. 279:. 230:. 137:, 92:. 1008:e 1001:t 994:v 956:. 934:. 912:. 897:. 875:. 849:. 824:) 806:. 774:. 753:. 727:. 702:. 678:. 658:. 646:: 623:. 598:. 576:. 533:. 500:. 473:. 444:. 419:. 394:. 239:. 63:) 59:( 54:) 50:(

Index

Oakland, California
San Francisco State University
BFA
Yale University
MFA
West Oakland, California
Victory Gardens Theater
Brown University
San Francisco State University
Yale School of Drama
postblack
James Baldwin
The New Yorker
Garcia Lorca
Pirandello
Tennessee Williams
...And Jesus Moonwalks the Mississippi
The House of Bernarda Alba
Berkeley Repertory Theatre
Tricycle Theatre
New York Theatre Workshop
Victory Gardens Theater
Andrew W. Mellon Foundation
HowlRound
Denver Center Theater Company
California Shakespeare Theater
Linda Tillery
Homer
Odyssey
Z: The Beginning of Everything

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