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Evening of Music and Poetry in Negro Life," performing at
Community Church. This project took place just months after Bond's debut solo performance at Town Hall in New York City, February 7, 1952. Ever a good friend, Hughes sent Bonds a Western Union telegram the afternoon of her performance, telling her how much he desired to be present and sending his best wishes.
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issues of the time. The performance with the
Chicago Symphony Orchestra was an historical moment, marking the first occasion a black performer had performed with them as soloist. Bonds connected her father's political activism with her mother's sense of musicianship. In addition, many well-known arrangements of African-American spirituals (
564:, greatly affecting her estate's intellectual property rights to her original music. Therefore, many of her manuscripts were lost after the time of her death. Due to the restrictions that women of color had during her lifetime, the majority of Margaret's works were unrecorded both during her lifetime and after her death. However, in 2013,
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Helen Walker-Hill and others erroneously state that the
Montgomery Variations were composed in 1965, after the third Freedom March from Selma to Montgomery -- but the autograph is clearly dated 1964 and Bonds shared the work with Rorem and others in the autumn of that year, several months before the
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I was in this prejudiced university, this terribly prejudiced place…. I was looking in the basement of the
Evanston Public Library where they had the poetry. I came in contact with this wonderful poem, "The Negro Speaks of Rivers", and I'm sure it helped my feelings of security. Because in that poem
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Langston Hughes (1901-1967) was a prolific
African-American poet and writer. Hughes and Bonds became great friends after meeting in person in 1936, and she set much of his work to music. On May 22, 1952, Langston (poet), Bonds (pianist), and Daniel Andrews (baritone) collaborated on a project, "An
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In 1967, legendary choral director and vocal coach
Frederick Wilkerson featured the original piano/vocal version of her setting of W.E.B. Du Bois's civil-rights manifesto "Credo" in the first all-Bonds concert in Washington, D.C., and later that year the likewise legendary choral conductor Albert
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In 1940, Margaret Bonds married
Lawrence Richardson (1911-1990), a probation officer, after moving to New York City in 1939. The couple later had a daughter, Djane Richardson (1946-2011). When Bonds died on April 26, 1972, in Los Angeles, California, she was survived by her husband, daughter, and
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Special
Collections Archive. This collection includes sheet music, telegrams, letters, articles, and other documents that had been undiscovered up until this point. That being said, Margaret Bonds did much to promote the music of black musicians. Her own compositions and lyrics addressed racial
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where she edited music for a living and collaborated on several popular songs. She made her solo performing debut at Town Hall on
February 7, 1952. Around this same time, she formed the Margaret Bonds Chamber Society, a group of black musicians which performed mainly the work of black classical
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As a child, Margaret Bonds studied piano under the
Coleridge Taylor Scholarship, which was awarded to her by the Colereidge Taylor School of Music, where her mother worked as an educator for 20 years. During this time, she, at the ages of both 8 and 9 years old, won piano scholarships from the
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and composition. Bonds was one of the few Black students at Northwestern University; the environment was hostile, racist, and nearly unbearable. Although she was permitted to study at the university, she was not allowed to live on campus or use the practice facilities and the swimming pool.
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When her parents' troubled marriage ended in 1917, young Margaret's last name was changed to her mother's maiden name, Bonds. Despite the divorce, Margaret continued to stay in touch with her father, who, in 1920, wrote the first nursery rhyme storybook for African-American children called
323:, who upon looking at her work said that she needed no further study and refused to teach her. However, it is inconclusive whether Boulanger truly thought Bonds had no need of further instruction or was acting from a position of racial prejudice. The work Boulanger refers to is
461:, the so-called "brown king". It was originally written for voice and piano, but later revised for chorus, soloists, and orchestra, and eventually televised by CBS in 1960. A large work in nine movements, the piece combines elements of various black musical traditions, such as
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he tells how great the black man is. And if I had any misgivings, which I would have to have – here you are in a setup where the restaurants won't serve you and you're going to college, you're sacrificing, trying to get through school – and I know that poem helped save me.
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by Hughes. It premiered in 1960 at the 41st Street Theater. Other collaborations include "The Negro Speaks of Rivers," "Songs of the Seasons," and "Three Dream Portraits." Another work based on a text by Langston Hughes was first performed in February 2018 in
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for orchestra, a set of seven programmatic variations on the spiritual "I Want Jesus to Walk with Me." Bonds penned a program for the work which explains that it centered on Southern Blacks' decision no longer to accept the segregationist policies of the
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In the 1960s, Leontyne Price, the first African American opera singer to become internationally famous, commissioned and recorded some of Bonds' arrangements of spirituals. Some of Bonds' music, mainly piano pieces and
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The death of Langston Hughes in 1967 was difficult for Bonds. Afterward, she left her husband and daughter to move from New York to Los Angeles where she remained until her death on April 26, 1972.
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196:, was an active force in the civil rights movement as a physician and writer. His work included founding a medical association for black physicians who were denied membership in the
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1105:(soprano solo, baritone solo, SATB chorus, orchestra) (1967), text: W.E.B. Du Bois<ed. John Michael Cooper (Bryn Mawr, Pennsylvania: Hildegard Publishing Company, 2020)>
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Chicago Musical College. Margaret's piano teachers up until the age of 13 included Estella Bonds, Martha B. Anderson, and Tom Theodore Taylor. At 13, she began studying with
1099:(soprano solo, baritone solo, SATB chorus, piano) (1966), Text: W.E.B. Du Bois<ed. John Michael Cooper (Bryn Mawr, Pennsylvania: Hildegard Publishing Company, 2020)>
444:, and worked on many music projects in the neighborhood. She helped to establish a Cultural Community Center, and served as the minister of music at a church in the area.
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As an outgrowth of her compositions for voice, Bonds later became active in the theater, serving as music director for numerous productions and writing two
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for voice and piano, again setting Hughes' poetry, were published in 1959. D Minor Mass for chorus and organ was first performed in the same year.
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and Gerald Cook, with whom she performed piano duos in later years. In 1936, she opened the Allied Arts Academy where she taught art, music, and
206:(1893), and for his work as editor of several African-American newspapers. Her mother, Estelle C. Bonds, was a church musician and member of the
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in Birmingham. Bonds shared the completed work with Ned Rorem, a close friend and former student, in 1964. She eventually dedicated the work to
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Concert Choir under Frederick Binkholder. Entitled "Simon Bore the Cross", it is a cantata for piano and voice, and is based on the spiritual "
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won the prestigious national Wanamaker Foundation Prize, bringing her to the public's attention. On June 15, 1933, Bonds performed with the
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acquired 18 boxes of Margaret's manuscripts and correspondence, entitled the Margaret Bonds Papers, which were placed into the 2013
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1220:, has been recorded on various labels, mostly on compilation albums of music by black composers. In 2019 the premiere recording of
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A study of the selected masses of twentieth-century black composers: Margaret Bonds, Robert Ray, George Walker, and David Baker
518:, working as Music Director and teaching piano at the Los Angeles Inner City Institute and at the Inner City Cultural Center.
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3043:. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
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Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division, The New York Public Library
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McNeil performed the choral/orchestral version of that same work, along with The Montgomery Variations, in San Francisco.
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333:' poem by the same title—the very poem which brought Bonds such comfort during her years at Northwestern University.
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319:, and Emerson Harper, and piano with Djane Herz. She also studied with Walter Gossett. She pursued lessons with
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A Study of the Selected Masses of Twentieth-Century Black Composers: Margaret Bonds, Robert Ray, George Walker.
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for chorus and orchestra in 1972. Bonds died unexpectedly a few months later, shortly after her 59th birthday.
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Bonds was active in her career throughout her studies at Northwestern University. In 1932, Bond's composition
235:. Margaret's mother often hosted other Black musicians, artists, and writers in her home. Among those included
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2015:
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After graduation, Bonds continued to teach, compose, and perform in Chicago. Two of her notable students were
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Jackson, Barbara Garvey (September 30, 2020), De Lerma, Dominique-René (ed.), "Bonds , Margaret Allison",
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Chicago's Most Wanted™: The Top 10 Book of Murderous Mobsters, Midway Monsters, and Windy City Oddities
453:, a large-scale work which was first performed in December 1954 in New York. It tells the story of the
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1117:(S or T solo, SATB chorus, piano) (1968). Text: Janice Lovoos. (see also under 'Pieces for Solo Voice)
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399:
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Rorem, Ned. "Chapter V: Beyond Playing: A Composer's Life With the Piano". In Gaines, James (ed.).
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MacAuslan, Janna (1989). "Noteworthy women: Price, Bonds, and Perry; Three Black Women Composers".
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1111:(S solo, SATB chorus, piano) (1968). Text: Janice Lovoos. (see also under 'Pieces for Solo Voice)
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List includes works compiled in a monograph published by the Center for Black Music Research at
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1899:"The unsung legacies of composers Margaret Bonds and Florence Price – CSO Sounds & Stories"
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John F Kennedy Center for the Performing Arts: Millennium Stage program for February 24, 2018
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Langston Hughes and the Chicago Defender: Essays on Race, Politics, and Culture, 1942-62
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ed. John Michael Cooper (Bryn Mawr, Pennsylvania: Hildegard Publishing Company, 2021).
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ed. John Michael Cooper (Bryn Mawr, Pennsylvania: Hildegard Publishing Company, 2021)
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after graduating from Northwestern University. There she attended the prestigious
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1943:
The Pandora guide to women composers: Britain and the United States 1629- present
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247:, all of whom would become influential to her future musical studies and career.
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1224:(performed by The Dessoff Choirs and Orchestra) was released on the Avie label.
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2834:
From Spirituals to Symphonies: African-American Women Composers and Their Music
2206:
The Contributions of Four African-American Women Composers to American Art Song
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From spirituals to symphonies: African-American women composers and their music
539:
National Association of Negro Musicians' Junior Music Association (High School)
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Harris, C. C. Jr. "Three Schools of Black Composers and Arrangers 1900-1970."
2542:
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1981:
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South, focusing on the Montgomery Bus Boycotts and the 1963 bombing of the
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579:) were created by Bonds, the most popular being her setting in 1962 for
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During high school, Bonds continued to study piano and composition with
2412:"Margaret Bonds: Composer and Activist | Georgetown University Library"
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160:
71:
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ed. John Michael Cooper (Worcester, Mass.: Hildegard Publishing, 2021)
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485:
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2827:
Fifteen Black American Composers with a Bibliography of their Works.
2708:
1395:
The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972)
417:. That same year, an adaptation of "Peach Tree Street" appeared in
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Bonds wrote several music-theater works. In 1959, she set music to
2625:
Music by Black Women Composers: A Bibliography of Available Scores
477:. Bonds was writing other works during this period of her career:
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285:
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on the basis of race. As an author, Majors is known for his book,
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Fields of Wonder, song cycle, male chorus, Text: Langston Hughes
462:
2495:"Margaret Bonds (1913 – 1972) | Works in the Hildegard Catalog"
2339:
Margaret Bonds: "The Montgomery Variations" and Du Bois "Credo"
1036:
Stopping by the Woods on a Snowy Evening (1963), Text: R. Frost
272:. In 1929, at the young age of 16, Bonds began her studies at
2790:"Open Ears: The Endlessly Unfolding Story of Margaret Bonds"
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Art songs and spirituals by African-American Women Composers
2008:"Open Ears: The Endlessly Unfolding Story of Margaret Bonds"
1627:
Black Women in America: An Historical Encyclopedia, Volume 1
1231:
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Margaret Bonds passed away 4 years before the advent of the
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Black Women Composers: A Century of Piano Music (1893-1990)
2342:. Cambridge: Cambridge University Press. pp. 128, 38.
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Yale University, Beinecke Rare Book and Manuscript Library
1862:
So You Want to Sing Music by Women: A Guide for Performers
2578:. Bryn Mawr, Pennsylvania: Hildegard Publishing Company.
2537:. Bryn Mawr, Pennsylvania: Hildegard Publishing Company.
1831:. University of Illinois at Urbana-Champaign. p. 9.
390:—the first black person in history to do so—during its
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edited by S.A. Floyd. Chicago: Fitzroy Dearborn, 1999.
3036:
Margaret Bonds American National Biography of the Day
2572:
Various composers (1992). Walker-Hill, Helen (ed.).
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Georgetown University. Department of Performing Arts
808:(1939), in collaboration with A. Razaf, and J. Davis
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National Association of Colored Women's Clubs (1962)
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2208:. Ann Arbor: The Ohio State University. p. 5.
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34:
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1940:
1604:Hot Wire: The Journal of Women's Music and Culture
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711:, music-theater work (1959), Text: Langston Hughes
659:, music-theater work (1959), Text: Langston Hughes
155:(March 3, 1913 – April 26, 1972) was an American
2654:"Leontyne Price | Biography, Opera, & Facts"
2531:Various composers (1995). Taylor, Vivian (ed.).
2149:. Harper Colophon Books. pp. 115, 118–120.
602:music-theater work (1938), Text: Langston Hughes
203:Noted Negro Women: Their Triumphs and Activities
2796:Smith, Jessie Carney; Phelps, Shirelle (2003).
2388:. Los Angeles. UPI. April 28, 1972. p. 3.
1253:Hawkins, Deborah. "Bonds, Margaret" (1999). in
1174:, spiritual, for soprano, chorus, and orchestra
2526:
2524:
2522:
2520:
965:Spring will be so sad when she comes this year
548:American Musicians' Welfare Association (1951)
2176:. University of Illinois Press. p. 251.
1350:Walker-Hill, Helen (2007). "Margaret Bonds".
1345:
1343:
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1339:
1337:
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1333:
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1192:spiritual, for soprano, chorus, and orchestra
698:S solo, Bar solo, chorus and orchestra (1965)
188:Margaret Jeanette Allison Majors was born in
8:
2037:James A. Emanuel, Theodore L. Gross (1968).
406:composed by former teacher, Florence Price.
2822:D.M.A. diss., University of Illinois, 1983.
2783:International Dictionary of Black Composer,
1255:International Dictionary of Black Composers
1196:Sinner, please don't let this harvest pass,
1190:I wish I knew how it would feel to be free,
3112:African-American women classical composers
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2912:
2861:
2852:
2489:
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2229:"Noteworthy Female Composers Remembered".
2116:"GU Concert Choir: "Simon Bore the Cross""
1771:"Margaret Bonds Archives – Margaret Almon"
1257:. Chicago: Fitzroy Dearborn. pp. 131-137.
967:(1940), in collaboration with H. Dickinson
218:; he dedicated it to 7-year-old Margaret.
42:
31:
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1934:
1932:
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1577:10.1093/omo/9781561592630.013.90000318953
1087:(SATB, tenor solo), Text: Langston Hughes
1030:, Text: Langston Hughes and Arna Bontemps
973:, Text: Langston Hughes and Arna Bontemps
192:, Illinois on March 3, 1913. Her father,
27:American composer and pianist (1913–1972)
2829:Detroit: Information Coordinators, 1981.
1865:. Rowman & Littlefield. p. 36.
1180:(Lovoos), for soprano, chorus, and piano
653:Mass in D-Minor, chorus and organ (1959)
542:Alpha Kappa Alpha Sorority, Incorporated
3172:20th-century African-American musicians
2967:
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1850:
1804:Afrocentric Voices in "Classical" Music
1700:"Margaret Bonds, 59, Pianist, Arranger"
1619:
1617:
1405:
1403:
1316:from the original on September 17, 2020
1310:"Margaret Bonds: Composer and Activist"
1285:from the original on September 11, 2022
1246:
1198:spiritual, for soprano and mixed chorus
922:"Women Have Loved Before as I Love Now"
545:National Guild of Piano Teachers (1951)
402:). She would return in 1934 to perform
208:National Association of Negro Musicians
2392:from the original on February 21, 2020
2126:from the original on February 26, 2018
1750:from the original on February 17, 2023
1168:Mass in D minor (only Kyrie is extant)
723:, music-theater work, Text: R. Dunmore
638:chorus, soloists, and orchestra (1954)
3092:20th-century American women composers
2505:from the original on October 22, 2020
2422:from the original on February 4, 2023
2077:"World Premiere Simon Bore the Cross"
1794:
1792:
1769:Almon, Margaret (February 13, 2017).
1694:
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1677:from the original on February 6, 2023
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1492:Choral Music in the Twentieth Century
1028:When the sun goes down in rhumba land
817:He's got the whole world in His hands
794:"Lord, I just can't keep from crying"
576:He's Got the Whole World in His Hands
447:Among Bonds' works from the 1950s is
7:
3097:African-American classical composers
3077:20th-century American women pianists
2742:The Pandora Guide to Women Composers
2719:from the original on January 9, 2023
2307:from the original on October 1, 2022
1542:
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1304:
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3167:20th-century African-American women
3152:Jazz-influenced classical composers
3107:African-American classical pianists
2043:. Simon and Schuster. p. 197.
1859:Matthew Hoch, Linda Lister (2019).
1777:from the original on April 23, 2024
1740:"Margaret Bonds | Encyclopedia.com"
1667:"Collection: Margaret Bonds papers"
772:, Text: Roger Chaney and Andy Razaf
329:, a setting for voice and piano of
3122:American women classical composers
2781:Hawkins, D. "Bonds, Margaret." In
2664:from the original on June 30, 2023
2057:from the original on July 17, 2024
1879:from the original on July 17, 2024
1835:from the original on July 17, 2024
1644:from the original on July 17, 2024
1509:from the original on July 17, 2024
1430:from the original on July 17, 2024
1275:"· African Diaspora Music Project"
1033:The Pasture (1959), Text: R. Frost
1016:The way we dance in Chicago/Harlem
396:Concertino for Piano and Orchestra
25:
3142:Classical musicians from Illinois
3132:American women classical pianists
2087:from the original on June 6, 2023
1988:from the original on May 28, 2022
1720:from the original on June 1, 2022
1416:. A-R Editions, Inc. p. 40.
1397:. Florida State University, 2013.
1312:. Georgetown University Library.
1186:spiritual, for soprano and chorus
171:and frequent collaborations with
3162:African-American women musicians
3082:20th-century classical composers
2758:Black Women Composers: A Genesis
2014:. April 30, 2018. Archived from
1047:Lillian M. Bowles: For the piano
3087:20th-century classical pianists
3067:20th-century American composers
1279:africandiasporamusicproject.org
1184:Standin' in the need of prayer,
1136:I shall pass through this world
937:"What Lips My Lips Have Kissed"
859:Lonely little maiden by the sea
842:Joshua fit da battle of Jericho
672:Joshua Fit De Battle of Jericho
499:Sixteenth Street Baptist Church
129:
3072:20th-century American pianists
2632:. pp. 9, 46–47, 77, 104.
1708:. April 29, 1972. p. 34.
1495:. Amadeus Press. p. 187.
1457:. Potomac Books, Inc. p.
986:"Touch the Hem of His Garment"
832:I shall pass through the world
781:Five Creek-Freedmen spirituals
216:First Steps and Nursery Rhymes
1:
3137:Bienen School of Music alumni
2760:. Boston: Twayne Publishers.
2756:Green, Mildred Denby (1983).
2400:– via NewspaperArchive.
2336:Cooper, John Michael (2023).
2248:Smith, Jessie Carney (1992).
2204:Mohan, Carren Denise (1997).
1825:Thomas, André Jerome (1983).
1383:– via Internet Archive.
1150:(1962), Text: Langston Hughes
878:(1942), Text: Langston Hughes
680:, chorus and orchestra (1960)
614:, musical-theater work (1940)
364:He Never Said a Mumblin' Word
311:and studied composition with
3102:American classical composers
3018:How to use archival material
2958:How to use archival material
2906:How to use archival material
2842:University of Illinois Press
2800:Notable Black American women
2499:Hildegard Publishing Company
2326:1965 marches were organized.
2252:Notable Black American Women
1630:. Carlson Pub. p. 147.
1624:Hine, Darlene Clark (1993).
1360:University of Illinois Press
1222:The Ballad of the Brown King
1178:Touch the Hem of His Garment
1109:Touch the Hem of His Garment
1093:(SATB), Text: Vernon Glasser
894:, Text: Langston Hughes and
892:Pretty flower of the tropics
854:Let's make a dream come true
674:, voice and orchestra (1959)
634:The Ballad of the Brown King
450:The Ballad of the Brown King
276:, where she earned both her
198:American Medical Association
3117:American classical pianists
2622:Walker-Hill, Helen (1995).
1571:, Oxford University Press,
514:In 1969, Margaret moved to
3188:
2804:. Detroit: Gale Research.
1800:"Margaret Bonds Biography"
1449:Enright, Laura L. (2005).
1148:The Negro speaks of rivers
1126:Go tell it on the mountain
983:"No Man Has Seen His Face"
876:The Negro speaks of rivers
812:Go tell it on the mountain
746:Be a little savage with me
665:music-theater work, Text:
619:The Negro Speaks of Rivers
600:Don't You Want to Be Free,
440:composers. Bonds lived in
388:Chicago Symphony Orchestra
326:The Negro Speaks of Rivers
2256:. Gale Research. p.
2170:Hughes, Langston (1995).
1172:This Little light of mine
971:Sweet nothings in Spanish
827:I got a home in that rock
758:Cowboy from South Parkway
404:Piano Concerto in D Minor
309:Juilliard School of Music
299:Juilliard School of Music
41:
2630:Columbia College Chicago
1410:Price, Florence (2008).
1204:Columbia College Chicago
1115:No Man Has Seen His Face
1085:Ballad of the brown king
865:Market day in Martinique
797:"You can tell the world"
678:Ballad of the Brown King
596:, voice and piano (1932)
524:Los Angeles Philharmonic
457:, focusing primarily on
2658:Encyclopædia Britannica
2452:"My Published Editions"
1939:Fuller, Sophie (1994).
1903:csosoundsandstories.org
1489:Strimple, Nick (2005).
1413:Symphonies nos. 1 and 3
1024:, Text: Langston Hughes
1022:When the dove enters in
1018:, Text: Langston Hughes
945:, Text: Langston Hughes
915:Edna St. Vincent Millay
867:, Text: Langston Hughes
861:, Text: Langston Hughes
850:, Text: Langston Hughes
760:, Text: Langston Hughes
754:, Text: Langston Hughes
748:, Text: Langston Hughes
488:. In 1964, Bonds wrote
274:Northwestern University
260:Northwestern University
103:Northwestern University
3157:Musicians from Chicago
2450:Cooper, John Michael.
2416:library.georgetown.edu
2147:The Lives of the Piano
1160:You can tell the world
1154:You can tell the world
1142:Mary had a little baby
956:"Young love in spring"
913:Six Songs on Poems by
871:Mary had a little baby
800:"I'll reach to heaven"
690:Montgomery Variations,
650:voice and piano (1959)
648:Three Dream Portraits,
644:voice and piano (1955)
623:voice and piano (1942)
503:Martin Luther King Jr.
435:In 1939, she moved to
296:
153:Margaret Allison Bonds
58:Margaret Allison Bonds
18:Margaret Allison Bonds
3041:Margaret Bonds Papers
3006:Margaret Bonds papers
2946:Margaret Bonds papers
2894:Margaret Bonds papers
2868:Georgetown University
2456:cooperm55.wixsite.com
2348:10.1017/9781009053792
2120:Georgetown University
2018:on September 26, 2020
1238:(198004840682) 2022.
1001:Three dream portraits
740:Pieces for solo voice
709:Shakespeare in Harlem
657:Shakespeare in Harlem
642:Songs of the Seasons,
566:Georgetown University
490:Montgomery Variations
479:Three Dream Portraits
360:Georgetown University
347:Shakespeare in Harlem
291:
210:. She died in 1952.
194:Monroe Alpheus Majors
144:Monroe Alpheus Majors
3027:Bonds Margaret Bonds
2832:Walker-Hill, Helen.
2709:"American Dissident"
2295:. February 7, 1952.
1909:on February 15, 2022
1393:Kilgore, Alethea N.
1121:Ezek'el saw de wheel
1007:To a brown girl dead
997:, Text: Roger Cheney
943:Songs of the Seasons
928:"Even in the Moment"
903:, Text: Roger Cheney
776:Ezekiel saw de wheel
752:Chocolate Carmencita
606:Wings over Broadway,
400:John Alden Carpenter
2788:Lauritzen, Brian.
1947:. Pandora. p.
1806:. February 10, 2016
1569:Oxford Music Online
837:I'll make you savvy
733:Wings over Broadway
686:men's voices (1963)
392:Century of Progress
229:William Levi Dawson
122:Lawrence Richardson
2713:American Dissident
2380:"Deaths elsewhere"
2293:The New York Times
2122:. April 30, 2018.
1974:The New York Times
1705:The New York Times
1236:American Dissident
977:Three Sacred Songs
848:Just a no good man
791:"Sit down servant"
717:, Text: R. Dunmore
612:Tropics After Dark
423:. She also taught
420:Gone With the Wind
284:(1934) degrees in
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3012:
3011:
2963:
2962:
2952:
2951:
2911:
2910:
2900:
2899:
2778:14, no. 8 (1974).
1586:978-1-56159-263-0
684:Fields of Wonder,
425:Talib Rasul Hakim
278:Bachelor of Music
184:Family background
150:
149:
112:Composer, pianist
16:(Redirected from
3179:
3127:Choral composers
3008:
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2896:
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2792:, April 30, 2018
2771:
2740:Fuller, Sophie.
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1976:. May 22, 1952.
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1905:. Archived from
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1091:Children's sleep
1058:Two Piano Pieces
1041:Pieces for piano
950:"Poem d'automne"
934:"I Know My Mind"
887:Peachtree street
703:Pieces for stage
692:orchestra (1964)
608:orchestra (1940)
570:Lauinger Library
245:Will Marion Cook
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1073:Spiritual Suite
1043:
989:"Faith in Thee"
770:Empty Interlude
764:Didn't it rain!
742:
715:Romey and Julie
705:
667:John Dos Passos
589:
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339:
337:Langston Hughes
331:Langston Hughes
321:Nadia Boulanger
303:Bonds moved to
301:
282:Master of Music
268:and later with
262:
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243:, and composer
224:
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173:Langston Hughes
135:
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99:Alma mater
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68:March 3, 1913
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48:Bonds in 1956
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2721:. Retrieved
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2016:the original
2011:
2002:
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1954:February 21,
1952:. Retrieved
1942:
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1907:the original
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1067:"Fugal Dance
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85:(1972-04-26)
29:
3062:1972 deaths
3057:1913 births
2985:Identifiers
2968:Archives at
2936:JWJ MSS 151
2933:Identifiers
2916:Archives at
2884:1930s-1970s
2873:Identifiers
2856:Archives at
2684:"Catalogue"
2628:. Chicago:
2426:January 28,
1138:(a capella)
909:, Spiritual
882:No good man
844:, Spiritual
788:"Dry Bones"
766:, Spiritual
587:Major works
534:Memberships
520:Zubin Mehta
516:Los Angeles
510:Los Angeles
280:(1933) and
91:Los Angeles
3051:Categories
2876:GTM-130530
2723:January 9,
2543:1176046867
1362:. p.
1263:1884964273
1242:References
1230:played by
1211:Recordings
925:"Hyacinth"
475:spirituals
313:Roy Harris
169:spirituals
64:1913-03-03
2996:1939-1972
2988:Sc MG 873
2584:682112961
2366:265531543
2301:0362-4331
2235:390163931
1982:0362-4331
1724:April 13,
1714:0362-4331
1218:art songs
594:Sea Ghost
459:Balthazar
411:Ned Rorem
384:Sea Ghost
358:, by the
255:Education
222:Childhood
140:Relatives
3031:AllMusic
2977:Location
2925:Location
2865:Location
2717:Archived
2662:Archived
2503:Archived
2420:Archived
2390:Archived
2305:Archived
2231:ProQuest
2124:Archived
2085:Archived
2055:Archived
1986:Archived
1877:Archived
1833:Archived
1775:Archived
1748:Archived
1718:Archived
1675:Archived
1642:Archived
1610:(3): 13.
1507:Archived
1428:Archived
1314:Archived
1283:Archived
1009:, Text:
907:Sing aho
735:, ballet
729:, ballet
522:and the
495:Jim Crow
394:series (
351:libretto
251:sister.
165:arranger
157:composer
146:(father)
2844:, 2007.
2752:, 1994.
1131:Hold on
931:"Feast"
822:Hold on
806:Georgia
663:U.S.A.,
629:, piano
486:ballets
471:calypso
378:Chicago
190:Chicago
161:pianist
134:
126:
72:Chicago
3001:Source
2941:Source
2889:Source
2808:
2764:
2746:London
2636:
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2354:
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2130:May 7,
2047:
1980:
1869:
1712:
1634:
1583:
1499:
1465:
1420:
1370:
1261:
1162:(TTBB)
1144:(SSAA)
1054:(1967)
1003:(1959)
783:(1946)
721:U.S.A.
696:Credo,
556:Legacy
473:, and
442:Harlem
415:ballet
373:Career
117:Spouse
2993:Dates
2881:Dates
2362:S2CID
1156:(SSA)
1103:Credo
1097:Credo
528:Credo
467:blues
286:piano
128:(
124:
2806:ISBN
2762:ISBN
2725:2023
2695:2020
2688:Avie
2670:2021
2634:ISBN
2591:2020
2580:OCLC
2550:2020
2539:OCLC
2511:2020
2463:2020
2428:2023
2398:2020
2352:ISBN
2313:2020
2297:ISSN
2275:2020
2262:ISBN
2210:ISBN
2191:2020
2178:ISBN
2151:ISBN
2132:2018
2093:2020
2063:2020
2045:ISBN
2024:2020
1994:2020
1978:ISSN
1956:2020
1915:2020
1885:2020
1867:ISBN
1841:2020
1812:2020
1783:2020
1756:2020
1726:2024
1710:ISSN
1683:2020
1671:Yale
1650:2020
1632:ISBN
1581:ISBN
1515:2020
1497:ISBN
1476:2020
1463:ISBN
1436:2020
1418:ISBN
1381:2020
1368:ISBN
1322:2020
1291:2022
1259:ISBN
463:jazz
349:, a
231:and
179:Life
80:Died
54:Born
3029:at
2344:doi
1573:doi
1459:286
1364:141
1234:on
398:by
366:".
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62:(
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
