33:
331:
Evening of Music and Poetry in Negro Life," performing at
Community Church. This project took place just months after Bond's debut solo performance at Town Hall in New York City, February 7, 1952. Ever a good friend, Hughes sent Bonds a Western Union telegram the afternoon of her performance, telling her how much he desired to be present and sending his best wishes.
562:
issues of the time. The performance with the
Chicago Symphony Orchestra was an historical moment, marking the first occasion a black performer had performed with them as soloist. Bonds connected her father's political activism with her mother's sense of musicianship. In addition, many well-known arrangements of African-American spirituals (
553:, greatly affecting her estate's intellectual property rights to her original music. Therefore, many of her manuscripts were lost after the time of her death. Due to the restrictions that women of color had during her lifetime, the majority of Margaret's works were unrecorded both during her lifetime and after her death. However, in 2013,
2314:
Helen Walker-Hill and others erroneously state that the
Montgomery Variations were composed in 1965, after the third Freedom March from Selma to Montgomery -- but the autograph is clearly dated 1964 and Bonds shared the work with Rorem and others in the autumn of that year, several months before the
282:
I was in this prejudiced university, this terribly prejudiced place…. I was looking in the basement of the
Evanston Public Library where they had the poetry. I came in contact with this wonderful poem, "The Negro Speaks of Rivers", and I'm sure it helped my feelings of security. Because in that poem
330:
Langston Hughes (1901-1967) was a prolific
African-American poet and writer. Hughes and Bonds became great friends after meeting in person in 1936, and she set much of his work to music. On May 22, 1952, Langston (poet), Bonds (pianist), and Daniel Andrews (baritone) collaborated on a project, "An
494:
In 1967, legendary choral director and vocal coach
Frederick Wilkerson featured the original piano/vocal version of her setting of W.E.B. Du Bois's civil-rights manifesto "Credo" in the first all-Bonds concert in Washington, D.C., and later that year the likewise legendary choral conductor Albert
239:
In 1940, Margaret Bonds married
Lawrence Richardson (1911-1990), a probation officer, after moving to New York City in 1939. The couple later had a daughter, Djane Richardson (1946-2011). When Bonds died on April 26, 1972, in Los Angeles, California, she was survived by her husband, daughter, and
561:
Special
Collections Archive. This collection includes sheet music, telegrams, letters, articles, and other documents that had been undiscovered up until this point. That being said, Margaret Bonds did much to promote the music of black musicians. Her own compositions and lyrics addressed racial
428:
where she edited music for a living and collaborated on several popular songs. She made her solo performing debut at Town Hall on
February 7, 1952. Around this same time, she formed the Margaret Bonds Chamber Society, a group of black musicians which performed mainly the work of black classical
215:
As a child, Margaret Bonds studied piano under the
Coleridge Taylor Scholarship, which was awarded to her by the Colereidge Taylor School of Music, where her mother worked as an educator for 20 years. During this time, she, at the ages of both 8 and 9 years old, won piano scholarships from the
277:
and composition. Bonds was one of the few Black students at Northwestern University; the environment was hostile, racist, and nearly unbearable. Although she was permitted to study at the university, she was not allowed to live on campus or use the practice facilities and the swimming pool.
202:
When her parents' troubled marriage ended in 1917, young Margaret's last name was changed to her mother's maiden name, Bonds. Despite the divorce, Margaret continued to stay in touch with her father, who, in 1920, wrote the first nursery rhyme storybook for African-American children called
312:, who upon looking at her work said that she needed no further study and refused to teach her. However, it is inconclusive whether Boulanger truly thought Bonds had no need of further instruction or was acting from a position of racial prejudice. The work Boulanger refers to is
450:, the so-called "brown king". It was originally written for voice and piano, but later revised for chorus, soloists, and orchestra, and eventually televised by CBS in 1960. A large work in nine movements, the piece combines elements of various black musical traditions, such as
283:
he tells how great the black man is. And if I had any misgivings, which I would have to have – here you are in a setup where the restaurants won't serve you and you're going to college, you're sacrificing, trying to get through school – and I know that poem helped save me.
342:
by Hughes. It premiered in 1960 at the 41st Street Theater. Other collaborations include "The Negro Speaks of Rivers," "Songs of the Seasons," and "Three Dream Portraits." Another work based on a text by Langston Hughes was first performed in February 2018 in
481:
for orchestra, a set of seven programmatic variations on the spiritual "I Want Jesus to Walk with Me." Bonds penned a program for the work which explains that it centered on Southern Blacks' decision no longer to accept the segregationist policies of the
2457:(confirmed in a list of select Bonds works that professor of musicology Cooper has compiled from numerous disparate scores into a complete score pending (2020) publication by the Hildegard Publishing Company, Bryn Mawr, Pennsylvania)
1204:
In the 1960s, Leontyne Price, the first African American opera singer to become internationally famous, commissioned and recorded some of Bonds' arrangements of spirituals. Some of Bonds' music, mainly piano pieces and
3024:
358:
The death of Langston Hughes in 1967 was difficult for Bonds. Afterward, she left her husband and daughter to move from New York to Los Angeles where she remained until her death on April 26, 1972.
1736:
156:, and teacher. One of the first Black composers and performers to gain recognition in the United States, she is best remembered today for her popular arrangements of African-American
2112:
185:, was an active force in the civil rights movement as a physician and writer. His work included founding a medical association for black physicians who were denied membership in the
1887:
1094:(soprano solo, baritone solo, SATB chorus, orchestra) (1967), text: W.E.B. Du Bois<ed. John Michael Cooper (Bryn Mawr, Pennsylvania: Hildegard Publishing Company, 2020)>
3100:
216:
Chicago Musical College. Margaret's piano teachers up until the age of 13 included Estella Bonds, Martha B. Anderson, and Tom Theodore Taylor. At 13, she began studying with
1088:(soprano solo, baritone solo, SATB chorus, piano) (1966), Text: W.E.B. Du Bois<ed. John Michael Cooper (Bryn Mawr, Pennsylvania: Hildegard Publishing Company, 2020)>
433:, and worked on many music projects in the neighborhood. She helped to establish a Cultural Community Center, and served as the minister of music at a church in the area.
3160:
191:
2043:
1495:
1865:
1706:
1416:
2326:
3080:
3085:
3065:
1302:
3155:
3140:
3095:
2408:
473:
As an outgrowth of her compositions for voice, Bonds later became active in the theater, serving as music director for numerous productions and writing two
3110:
3130:
3120:
1996:
3150:
3070:
1728:
3075:
3055:
564:
470:
for voice and piano, again setting Hughes' poetry, were published in 1959. D Minor Mass for chorus and organ was first performed in the same year.
3060:
196:
2378:
402:
and Gerald Cook, with whom she performed piano duos in later years. In 1936, she opened the Allied Arts Academy where she taught art, music, and
195:(1893), and for his work as editor of several African-American newspapers. Her mother, Estelle C. Bonds, was a church musician and member of the
490:
in Birmingham. Bonds shared the completed work with Ned Rorem, a close friend and former student, in 1964. She eventually dedicated the work to
351:
Concert Choir under Frederick Binkholder. Entitled "Simon Bore the Cross", it is a cantata for piano and voice, and is based on the spiritual "
3125:
3090:
1573:
2104:
375:
won the prestigious national Wanamaker Foundation Prize, bringing her to the public's attention. On June 15, 1933, Bonds performed with the
3105:
2293:
1974:
2491:
2798:
1895:
1663:
2754:
2626:
2344:
2254:
2202:
2170:
2143:
2037:
1859:
1624:
1489:
1455:
1410:
1360:
1271:
557:
acquired 18 boxes of Margaret's manuscripts and correspondence, entitled the Margaret Bonds Papers, which were placed into the 2013
2073:
1209:, has been recorded on various labels, mostly on compilation albums of music by black composers. In 2019 the premiere recording of
2650:
352:
3145:
1817:
A study of the selected masses of twentieth-century black composers: Margaret Bonds, Robert Ray, George Walker, and David Baker
507:, working as Music Director and teaching piano at the Los Angeles Inner City Institute and at the Inner City Cultural Center.
1251:
1821:
1630:
3032:. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
1763:
2969:
Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division, The New York Public Library
495:
McNeil performed the choral/orchestral version of that same work, along with The Montgomery Variations, in San Francisco.
1688:
2830:
1348:
622:
438:
258:
217:
186:
1298:
322:' poem by the same title—the very poem which brought Bonds such comfort during her years at Northwestern University.
607:
487:
376:
314:
3115:
2400:
408:
308:, and Emerson Harper, and piano with Djane Herz. She also studied with Walter Gossett. She pursued lessons with
2809:
A Study of the Selected Masses of Twentieth-Century Black Composers: Margaret Bonds, Robert Ray, George Walker.
2705:
2618:
1192:
519:
for chorus and orchestra in 1972. Bonds died unexpectedly a few months later, shortly after her 59th birthday.
512:
371:
Bonds was active in her career throughout her studies at Northwestern University. In 1932, Bond's composition
224:. Margaret's mother often hosted other Black musicians, artists, and writers in her home. Among those included
2778:
2004:
398:
After graduation, Bonds continued to teach, compose, and perform in Chicago. Two of her notable students were
2882:
3135:
903:
262:
91:
3006:
2946:
2894:
1556:
Jackson, Barbara Garvey (September 30, 2020), De Lerma, Dominique-René (ed.), "Bonds , Margaret Allison",
491:
3019:
2219:
554:
550:
348:
182:
132:
1442:
Chicago's Most Wanted™: The Top 10 Book of Murderous Mobsters, Midway Monsters, and Windy City Oddities
442:, a large-scale work which was first performed in December 1954 in New York. It tells the story of the
3029:
2368:
1106:(S or T solo, SATB chorus, piano) (1968). Text: Janice Lovoos. (see also under 'Pieces for Solo Voice)
3050:
3045:
388:
2134:
Rorem, Ned. "Chapter V: Beyond Playing: A Composer's Life With the Piano". In Gaines, James (ed.).
1591:
MacAuslan, Janna (1989). "Noteworthy women: Price, Bonds, and Perry; Three Black Women Composers".
2350:
1693:
1100:(S solo, SATB chorus, piano) (1968). Text: Janice Lovoos. (see also under 'Pieces for Solo Voice)
1565:
1447:
1191:
List includes works compiled in a monograph published by the Center for Black Music Research at
2277:
2246:
1958:
1888:"The unsung legacies of composers Margaret Bonds and Florence Price – CSO Sounds & Stories"
2794:
2750:
2622:
2568:
2527:
2340:
2285:
2250:
2198:
2166:
2160:
2139:
2033:
2027:
1966:
1855:
1698:
1620:
1569:
1485:
1479:
1451:
1406:
1356:
1352:
1247:
413:
266:
2483:
2094:
John F Kennedy Center for the Performing Arts: Millennium Stage program for February 24, 2018
1937:
1849:
1400:
2332:
1561:
558:
297:
233:
3015:
2934:
2373:
1659:
1655:
655:
319:
309:
270:
161:
1263:
2672:
2162:
Langston Hughes and the Chicago Defender: Essays on Race, Politics, and Culture, 1942-62
2065:
2787:
2440:
2239:
1440:
999:
569:
443:
344:
254:
229:
225:
221:
2642:
2592:
ed. John Michael Cooper (Bryn Mawr, Pennsylvania: Hildegard Publishing Company, 2021).
3039:
2826:
2738:
2601:
ed. John Michael Cooper (Bryn Mawr, Pennsylvania: Hildegard Publishing Company, 2021)
2354:
1930:
1341:
884:
483:
459:
447:
425:
305:
293:
1788:
296:
after graduating from Northwestern University. There she attended the prestigious
2612:
1932:
The Pandora guide to women composers: Britain and the United States 1629- present
1815:
1614:
236:, all of whom would become influential to her future musical studies and career.
2223:
1759:
1213:(performed by The Dessoff Choirs and Orchestra) was released on the Avie label.
508:
504:
79:
2823:
From Spirituals to Symphonies: African-American Women Composers and Their Music
2195:
The Contributions of Four African-American Women Composers to American Art Song
1343:
From spirituals to symphonies: African-American women composers and their music
528:
National Association of Negro Musicians' Junior Music Association (High School)
2763:
Harris, C. C. Jr. "Three Schools of Black Composers and Arrangers 1900-1970."
2531:
463:
301:
157:
2572:
2289:
1970:
1702:
399:
32:
2521:
486:
South, focusing on the Montgomery Bus Boycotts and the 1963 bombing of the
2562:
2336:
1206:
339:
153:
145:
568:) were created by Bonds, the most popular being her setting in 1962 for
253:
During high school, Bonds continued to study piano and composition with
2401:"Margaret Bonds: Composer and Activist | Georgetown University Library"
178:
149:
60:
2994:
2551:
ed. John Michael Cooper (Worcester, Mass.: Hildegard Publishing, 2021)
2734:
474:
430:
403:
2816:
Fifteen Black American Composers with a Bibliography of their Works.
2697:
1384:
The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972)
406:. That same year, an adaptation of "Peach Tree Street" appeared in
334:
Bonds wrote several music-theater works. In 1959, she set music to
2614:
Music by Black Women Composers: A Bibliography of Available Scores
466:. Bonds was writing other works during this period of her career:
455:
274:
189:
on the basis of race. As an author, Majors is known for his book,
1154:
Fields of Wonder, song cycle, male chorus, Text: Langston Hughes
451:
2484:"Margaret Bonds (1913 – 1972) | Works in the Hildegard Catalog"
2328:
Margaret Bonds: "The Montgomery Variations" and Du Bois "Credo"
1025:
Stopping by the Woods on a Snowy Evening (1963), Text: R. Frost
261:. In 1929, at the young age of 16, Bonds began her studies at
2779:"Open Ears: The Endlessly Unfolding Story of Margaret Bonds"
2523:
Art songs and spirituals by African-American Women Composers
1997:"Open Ears: The Endlessly Unfolding Story of Margaret Bonds"
1616:
Black Women in America: An Historical Encyclopedia, Volume 1
1220:
549:
Margaret Bonds passed away 4 years before the advent of the
2564:
Black Women Composers: A Century of Piano Music (1893-1990)
2331:. Cambridge: Cambridge University Press. pp. 128, 38.
2917:
Yale University, Beinecke Rare Book and Manuscript Library
1851:
So You Want to Sing Music by Women: A Guide for Performers
2567:. Bryn Mawr, Pennsylvania: Hildegard Publishing Company.
2526:. Bryn Mawr, Pennsylvania: Hildegard Publishing Company.
1820:. University of Illinois at Urbana-Champaign. p. 9.
379:—the first black person in history to do so—during its
2774:
edited by S.A. Floyd. Chicago: Fitzroy Dearborn, 1999.
3025:
Margaret Bonds American National Biography of the Day
2561:
Various composers (1992). Walker-Hill, Helen (ed.).
2070:
Georgetown University. Department of Performing Arts
797:(1939), in collaboration with A. Razaf, and J. Davis
540:
National Association of Colored Women's Clubs (1962)
2989:
2981:
2973:
2965:
2929:
2921:
2913:
2877:
2869:
2861:
2853:
2197:. Ann Arbor: The Ohio State University. p. 5.
128:
105:
97:
87:
68:
42:
23:
2786:
2238:
1929:
1593:Hot Wire: The Journal of Women's Music and Culture
1439:
1340:
700:, music-theater work (1959), Text: Langston Hughes
648:, music-theater work (1959), Text: Langston Hughes
144:(March 3, 1913 – April 26, 1972) was an American
2643:"Leontyne Price | Biography, Opera, & Facts"
2520:Various composers (1995). Taylor, Vivian (ed.).
2138:. Harper Colophon Books. pp. 115, 118–120.
591:music-theater work (1938), Text: Langston Hughes
192:Noted Negro Women: Their Triumphs and Activities
2785:Smith, Jessie Carney; Phelps, Shirelle (2003).
2377:. Los Angeles. UPI. April 28, 1972. p. 3.
1242:Hawkins, Deborah. "Bonds, Margaret" (1999). in
1163:, spiritual, for soprano, chorus, and orchestra
2515:
2513:
2511:
2509:
954:Spring will be so sad when she comes this year
537:American Musicians' Welfare Association (1951)
2165:. University of Illinois Press. p. 251.
1339:Walker-Hill, Helen (2007). "Margaret Bonds".
1334:
1332:
1330:
1328:
1326:
1324:
1322:
1320:
1181:spiritual, for soprano, chorus, and orchestra
687:S solo, Bar solo, chorus and orchestra (1965)
177:Margaret Jeanette Allison Majors was born in
8:
2026:James A. Emanuel, Theodore L. Gross (1968).
395:composed by former teacher, Florence Price.
2811:D.M.A. diss., University of Illinois, 1983.
2772:International Dictionary of Black Composer,
1244:International Dictionary of Black Composers
1185:Sinner, please don't let this harvest pass,
1179:I wish I knew how it would feel to be free,
3101:African-American women classical composers
2962:
2953:
2910:
2901:
2850:
2841:
2478:
2476:
2474:
2472:
2470:
2468:
2466:
2218:"Noteworthy Female Composers Remembered".
2105:"GU Concert Choir: "Simon Bore the Cross""
1760:"Margaret Bonds Archives – Margaret Almon"
1246:. Chicago: Fitzroy Dearborn. pp. 131-137.
956:(1940), in collaboration with H. Dickinson
207:; he dedicated it to 7-year-old Margaret.
31:
20:
2434:
2432:
2430:
2428:
2426:
1923:
1921:
1919:
1917:
1915:
1913:
1566:10.1093/omo/9781561592630.013.90000318953
1076:(SATB, tenor solo), Text: Langston Hughes
1019:, Text: Langston Hughes and Arna Bontemps
962:, Text: Langston Hughes and Arna Bontemps
181:, Illinois on March 3, 1913. Her father,
16:American composer and pianist (1913–1972)
2818:Detroit: Information Coordinators, 1981.
1854:. Rowman & Littlefield. p. 36.
1169:(Lovoos), for soprano, chorus, and piano
642:Mass in D-Minor, chorus and organ (1959)
531:Alpha Kappa Alpha Sorority, Incorporated
3161:20th-century African-American musicians
2956:
2904:
2844:
1843:
1841:
1839:
1793:Afrocentric Voices in "Classical" Music
1689:"Margaret Bonds, 59, Pianist, Arranger"
1608:
1606:
1394:
1392:
1305:from the original on September 17, 2020
1299:"Margaret Bonds: Composer and Activist"
1274:from the original on September 11, 2022
1235:
1187:spiritual, for soprano and mixed chorus
911:"Women Have Loved Before as I Love Now"
534:National Guild of Piano Teachers (1951)
391:). She would return in 1934 to perform
197:National Association of Negro Musicians
2381:from the original on February 21, 2020
2115:from the original on February 26, 2018
1739:from the original on February 17, 2023
1157:Mass in D minor (only Kyrie is extant)
712:, music-theater work, Text: R. Dunmore
627:chorus, soloists, and orchestra (1954)
3081:20th-century American women composers
2494:from the original on October 22, 2020
2411:from the original on February 4, 2023
2066:"World Premiere Simon Bore the Cross"
1783:
1781:
1758:Almon, Margaret (February 13, 2017).
1683:
1681:
1666:from the original on February 6, 2023
1650:
1648:
1586:
1584:
1551:
1549:
1547:
1545:
1543:
1541:
1539:
1537:
1535:
1533:
1481:Choral Music in the Twentieth Century
1017:When the sun goes down in rhumba land
806:He's got the whole world in His hands
783:"Lord, I just can't keep from crying"
565:He's Got the Whole World in His Hands
436:Among Bonds' works from the 1950s is
7:
3086:African-American classical composers
3066:20th-century American women pianists
2731:The Pandora Guide to Women Composers
2708:from the original on January 9, 2023
2296:from the original on October 1, 2022
1531:
1529:
1527:
1525:
1523:
1521:
1519:
1517:
1515:
1513:
1293:
1291:
1289:
3156:20th-century African-American women
3141:Jazz-influenced classical composers
3096:African-American classical pianists
2032:. Simon and Schuster. p. 197.
1848:Matthew Hoch, Linda Lister (2019).
1766:from the original on April 23, 2024
1729:"Margaret Bonds | Encyclopedia.com"
1656:"Collection: Margaret Bonds papers"
761:, Text: Roger Chaney and Andy Razaf
318:, a setting for voice and piano of
3111:American women classical composers
2770:Hawkins, D. "Bonds, Margaret." In
2653:from the original on June 30, 2023
2046:from the original on July 17, 2024
1868:from the original on July 17, 2024
1824:from the original on July 17, 2024
1633:from the original on July 17, 2024
1498:from the original on July 17, 2024
1419:from the original on July 17, 2024
1264:"· African Diaspora Music Project"
1022:The Pasture (1959), Text: R. Frost
1005:The way we dance in Chicago/Harlem
385:Concertino for Piano and Orchestra
14:
3131:Classical musicians from Illinois
3121:American women classical pianists
2076:from the original on June 6, 2023
1977:from the original on May 28, 2022
1709:from the original on June 1, 2022
1405:. A-R Editions, Inc. p. 40.
1386:. Florida State University, 2013.
1301:. Georgetown University Library.
1175:spiritual, for soprano and chorus
160:and frequent collaborations with
3151:African-American women musicians
3071:20th-century classical composers
2747:Black Women Composers: A Genesis
2003:. April 30, 2018. Archived from
1036:Lillian M. Bowles: For the piano
3076:20th-century classical pianists
3056:20th-century American composers
1268:africandiasporamusicproject.org
1173:Standin' in the need of prayer,
1125:I shall pass through this world
926:"What Lips My Lips Have Kissed"
848:Lonely little maiden by the sea
831:Joshua fit da battle of Jericho
661:Joshua Fit De Battle of Jericho
488:Sixteenth Street Baptist Church
118:
3061:20th-century American pianists
2621:. pp. 9, 46–47, 77, 104.
1697:. April 29, 1972. p. 34.
1484:. Amadeus Press. p. 187.
1446:. Potomac Books, Inc. p.
975:"Touch the Hem of His Garment"
821:I shall pass through the world
770:Five Creek-Freedmen spirituals
205:First Steps and Nursery Rhymes
1:
3126:Bienen School of Music alumni
2749:. Boston: Twayne Publishers.
2745:Green, Mildred Denby (1983).
2389:– via NewspaperArchive.
2325:Cooper, John Michael (2023).
2237:Smith, Jessie Carney (1992).
2193:Mohan, Carren Denise (1997).
1814:Thomas, André Jerome (1983).
1372:– via Internet Archive.
1139:(1962), Text: Langston Hughes
867:(1942), Text: Langston Hughes
669:, chorus and orchestra (1960)
603:, musical-theater work (1940)
353:He Never Said a Mumblin' Word
300:and studied composition with
3091:American classical composers
3007:How to use archival material
2947:How to use archival material
2895:How to use archival material
2831:University of Illinois Press
2789:Notable Black American women
2488:Hildegard Publishing Company
2315:1965 marches were organized.
2241:Notable Black American Women
1619:. Carlson Pub. p. 147.
1613:Hine, Darlene Clark (1993).
1349:University of Illinois Press
1211:The Ballad of the Brown King
1167:Touch the Hem of His Garment
1098:Touch the Hem of His Garment
1082:(SATB), Text: Vernon Glasser
883:, Text: Langston Hughes and
881:Pretty flower of the tropics
843:Let's make a dream come true
663:, voice and orchestra (1959)
623:The Ballad of the Brown King
439:The Ballad of the Brown King
265:, where she earned both her
187:American Medical Association
3106:American classical pianists
2611:Walker-Hill, Helen (1995).
1560:, Oxford University Press,
503:In 1969, Margaret moved to
3177:
2793:. Detroit: Gale Research.
1789:"Margaret Bonds Biography"
1438:Enright, Laura L. (2005).
1137:The Negro speaks of rivers
1115:Go tell it on the mountain
972:"No Man Has Seen His Face"
865:The Negro speaks of rivers
801:Go tell it on the mountain
735:Be a little savage with me
654:music-theater work, Text:
608:The Negro Speaks of Rivers
589:Don't You Want to Be Free,
429:composers. Bonds lived in
377:Chicago Symphony Orchestra
315:The Negro Speaks of Rivers
2245:. Gale Research. p.
2159:Hughes, Langston (1995).
1161:This Little light of mine
960:Sweet nothings in Spanish
816:I got a home in that rock
747:Cowboy from South Parkway
393:Piano Concerto in D Minor
298:Juilliard School of Music
288:Juilliard School of Music
30:
2619:Columbia College Chicago
1399:Price, Florence (2008).
1193:Columbia College Chicago
1104:No Man Has Seen His Face
1074:Ballad of the brown king
854:Market day in Martinique
786:"You can tell the world"
667:Ballad of the Brown King
585:, voice and piano (1932)
513:Los Angeles Philharmonic
446:, focusing primarily on
2647:Encyclopædia Britannica
2441:"My Published Editions"
1928:Fuller, Sophie (1994).
1892:csosoundsandstories.org
1478:Strimple, Nick (2005).
1402:Symphonies nos. 1 and 3
1013:, Text: Langston Hughes
1011:When the dove enters in
1007:, Text: Langston Hughes
934:, Text: Langston Hughes
904:Edna St. Vincent Millay
856:, Text: Langston Hughes
850:, Text: Langston Hughes
839:, Text: Langston Hughes
749:, Text: Langston Hughes
743:, Text: Langston Hughes
737:, Text: Langston Hughes
477:. In 1964, Bonds wrote
263:Northwestern University
249:Northwestern University
92:Northwestern University
3146:Musicians from Chicago
2439:Cooper, John Michael.
2405:library.georgetown.edu
2136:The Lives of the Piano
1149:You can tell the world
1143:You can tell the world
1131:Mary had a little baby
945:"Young love in spring"
902:Six Songs on Poems by
860:Mary had a little baby
789:"I'll reach to heaven"
679:Montgomery Variations,
639:voice and piano (1959)
637:Three Dream Portraits,
633:voice and piano (1955)
612:voice and piano (1942)
492:Martin Luther King Jr.
424:In 1939, she moved to
285:
142:Margaret Allison Bonds
47:Margaret Allison Bonds
3030:Margaret Bonds Papers
2995:Margaret Bonds papers
2935:Margaret Bonds papers
2883:Margaret Bonds papers
2857:Georgetown University
2445:cooperm55.wixsite.com
2337:10.1017/9781009053792
2109:Georgetown University
2007:on September 26, 2020
1227:(198004840682) 2022.
990:Three dream portraits
729:Pieces for solo voice
698:Shakespeare in Harlem
646:Shakespeare in Harlem
631:Songs of the Seasons,
555:Georgetown University
479:Montgomery Variations
468:Three Dream Portraits
349:Georgetown University
336:Shakespeare in Harlem
280:
199:. She died in 1952.
183:Monroe Alpheus Majors
133:Monroe Alpheus Majors
3016:Bonds Margaret Bonds
2821:Walker-Hill, Helen.
2698:"American Dissident"
2284:. February 7, 1952.
1898:on February 15, 2022
1382:Kilgore, Alethea N.
1110:Ezek'el saw de wheel
996:To a brown girl dead
986:, Text: Roger Cheney
932:Songs of the Seasons
917:"Even in the Moment"
892:, Text: Roger Cheney
765:Ezekiel saw de wheel
741:Chocolate Carmencita
595:Wings over Broadway,
389:John Alden Carpenter
2777:Lauritzen, Brian.
1936:. Pandora. p.
1795:. February 10, 2016
1558:Oxford Music Online
826:I'll make you savvy
722:Wings over Broadway
675:men's voices (1963)
381:Century of Progress
218:William Levi Dawson
111:Lawrence Richardson
2702:American Dissident
2369:"Deaths elsewhere"
2282:The New York Times
2111:. April 30, 2018.
1963:The New York Times
1694:The New York Times
1225:American Dissident
966:Three Sacred Songs
837:Just a no good man
780:"Sit down servant"
706:, Text: R. Dunmore
601:Tropics After Dark
412:. She also taught
409:Gone With the Wind
273:(1934) degrees in
3012:
3011:
3001:
3000:
2952:
2951:
2941:
2940:
2900:
2899:
2889:
2888:
2767:14, no. 8 (1974).
1575:978-1-56159-263-0
673:Fields of Wonder,
414:Talib Rasul Hakim
267:Bachelor of Music
173:Family background
139:
138:
101:Composer, pianist
3168:
3116:Choral composers
2997:
2963:
2954:
2937:
2911:
2902:
2885:
2851:
2842:
2804:
2792:
2781:, April 30, 2018
2760:
2729:Fuller, Sophie.
2718:
2717:
2715:
2713:
2694:
2688:
2687:
2685:
2683:
2669:
2663:
2662:
2660:
2658:
2639:
2633:
2632:
2608:
2602:
2599:
2593:
2590:
2584:
2583:
2581:
2579:
2558:
2552:
2549:
2543:
2542:
2540:
2538:
2517:
2504:
2503:
2501:
2499:
2480:
2461:
2460:
2453:
2451:
2436:
2421:
2420:
2418:
2416:
2397:
2391:
2390:
2388:
2386:
2365:
2359:
2358:
2322:
2316:
2312:
2306:
2305:
2303:
2301:
2274:
2268:
2267:
2265:
2263:
2244:
2234:
2228:
2227:
2215:
2209:
2208:
2190:
2184:
2183:
2181:
2179:
2156:
2150:
2149:
2131:
2125:
2124:
2122:
2120:
2101:
2095:
2092:
2086:
2085:
2083:
2081:
2062:
2056:
2055:
2053:
2051:
2023:
2017:
2016:
2014:
2012:
1993:
1987:
1986:
1984:
1982:
1965:. May 22, 1952.
1955:
1949:
1948:
1946:
1944:
1935:
1925:
1908:
1907:
1905:
1903:
1894:. Archived from
1884:
1878:
1877:
1875:
1873:
1845:
1834:
1833:
1831:
1829:
1811:
1805:
1804:
1802:
1800:
1785:
1776:
1775:
1773:
1771:
1755:
1749:
1748:
1746:
1744:
1733:encyclopedia.com
1725:
1719:
1718:
1716:
1714:
1685:
1676:
1675:
1673:
1671:
1652:
1643:
1642:
1640:
1638:
1610:
1601:
1600:
1588:
1579:
1578:
1553:
1508:
1507:
1505:
1503:
1475:
1469:
1468:
1466:
1464:
1445:
1435:
1429:
1428:
1426:
1424:
1396:
1387:
1380:
1374:
1373:
1371:
1369:
1346:
1336:
1315:
1314:
1312:
1310:
1295:
1284:
1283:
1281:
1279:
1260:
1254:
1240:
1217:• Troubled Water
1080:Children's sleep
1047:Two Piano Pieces
1030:Pieces for piano
939:"Poem d'automne"
923:"I Know My Mind"
876:Peachtree street
692:Pieces for stage
681:orchestra (1964)
597:orchestra (1940)
559:Lauinger Library
234:Will Marion Cook
122:
120:
82:, California, US
75:
56:
54:
35:
21:
3176:
3175:
3171:
3170:
3169:
3167:
3166:
3165:
3036:
3035:
2993:
2933:
2881:
2840:
2801:
2784:
2757:
2744:
2726:
2724:Further reading
2721:
2711:
2709:
2696:
2695:
2691:
2681:
2679:
2671:
2670:
2666:
2656:
2654:
2641:
2640:
2636:
2629:
2610:
2609:
2605:
2600:
2596:
2591:
2587:
2577:
2575:
2560:
2559:
2555:
2550:
2546:
2536:
2534:
2519:
2518:
2507:
2497:
2495:
2482:
2481:
2464:
2449:
2447:
2438:
2437:
2424:
2414:
2412:
2399:
2398:
2394:
2384:
2382:
2374:New Castle News
2367:
2366:
2362:
2347:
2324:
2323:
2319:
2313:
2309:
2299:
2297:
2276:
2275:
2271:
2261:
2259:
2257:
2236:
2235:
2231:
2217:
2216:
2212:
2205:
2192:
2191:
2187:
2177:
2175:
2173:
2158:
2157:
2153:
2146:
2133:
2132:
2128:
2118:
2116:
2103:
2102:
2098:
2093:
2089:
2079:
2077:
2064:
2063:
2059:
2049:
2047:
2040:
2025:
2024:
2020:
2010:
2008:
1995:
1994:
1990:
1980:
1978:
1957:
1956:
1952:
1942:
1940:
1927:
1926:
1911:
1901:
1899:
1886:
1885:
1881:
1871:
1869:
1862:
1847:
1846:
1837:
1827:
1825:
1813:
1812:
1808:
1798:
1796:
1787:
1786:
1779:
1769:
1767:
1757:
1756:
1752:
1742:
1740:
1727:
1726:
1722:
1712:
1710:
1687:
1686:
1679:
1669:
1667:
1654:
1653:
1646:
1636:
1634:
1627:
1612:
1611:
1604:
1590:
1589:
1582:
1576:
1555:
1554:
1511:
1501:
1499:
1492:
1477:
1476:
1472:
1462:
1460:
1458:
1437:
1436:
1432:
1422:
1420:
1413:
1398:
1397:
1390:
1381:
1377:
1367:
1365:
1363:
1338:
1337:
1318:
1308:
1306:
1297:
1296:
1287:
1277:
1275:
1262:
1261:
1257:
1241:
1237:
1233:
1202:
1197:
1070:
1062:Spiritual Suite
1032:
978:"Faith in Thee"
759:Empty Interlude
753:Didn't it rain!
731:
704:Romey and Julie
694:
656:John Dos Passos
578:
547:
525:
501:
422:
369:
364:
328:
326:Langston Hughes
320:Langston Hughes
310:Nadia Boulanger
292:Bonds moved to
290:
271:Master of Music
257:and later with
251:
246:
232:, and composer
213:
175:
170:
162:Langston Hughes
124:
121: 1940)
116:
112:
88:Alma mater
83:
77:
73:
64:
58:
52:
50:
49:
48:
38:
26:
17:
12:
11:
5:
3174:
3172:
3164:
3163:
3158:
3153:
3148:
3143:
3138:
3136:Jazz arrangers
3133:
3128:
3123:
3118:
3113:
3108:
3103:
3098:
3093:
3088:
3083:
3078:
3073:
3068:
3063:
3058:
3053:
3048:
3038:
3037:
3034:
3033:
3027:
3022:
3010:
3009:
3003:
3002:
2999:
2998:
2991:
2987:
2986:
2983:
2979:
2978:
2975:
2971:
2970:
2967:
2959:
2958:
2950:
2949:
2943:
2942:
2939:
2938:
2931:
2927:
2926:
2923:
2919:
2918:
2915:
2907:
2906:
2898:
2897:
2891:
2890:
2887:
2886:
2879:
2875:
2874:
2871:
2867:
2866:
2863:
2859:
2858:
2855:
2847:
2846:
2839:
2838:External links
2836:
2835:
2834:
2819:
2812:
2805:
2800:978-0810347496
2799:
2782:
2775:
2768:
2765:Choral Journal
2761:
2755:
2742:
2725:
2722:
2720:
2719:
2689:
2664:
2634:
2627:
2603:
2594:
2585:
2553:
2544:
2505:
2462:
2422:
2392:
2360:
2345:
2317:
2307:
2269:
2255:
2229:
2210:
2203:
2185:
2171:
2151:
2144:
2126:
2096:
2087:
2057:
2038:
2018:
2001:Classical KUSC
1988:
1950:
1909:
1879:
1860:
1835:
1806:
1777:
1750:
1720:
1677:
1658:. Archives at
1644:
1625:
1602:
1580:
1574:
1509:
1490:
1470:
1456:
1430:
1411:
1388:
1375:
1361:
1316:
1285:
1255:
1234:
1232:
1229:
1201:
1198:
1189:
1188:
1182:
1176:
1170:
1164:
1158:
1155:
1152:
1146:
1140:
1134:
1128:
1122:
1117:
1112:
1107:
1101:
1095:
1089:
1083:
1077:
1069:
1066:
1065:
1064:
1058:
1057:
1054:
1053:"Tangamerican"
1050:
1049:
1044:
1041:Troubled water
1038:
1031:
1028:
1027:
1026:
1023:
1020:
1014:
1008:
1002:
1000:Countee Cullen
993:
987:
984:Tain't no need
980:
979:
976:
973:
969:
968:
963:
957:
950:
949:
948:"Summer storm"
946:
943:
940:
936:
935:
928:
927:
924:
921:
918:
915:
912:
908:
907:
899:
893:
887:
878:
873:
868:
862:
857:
851:
845:
840:
834:
828:
823:
818:
813:
808:
803:
798:
791:
790:
787:
784:
781:
778:
774:
773:
767:
762:
756:
750:
744:
738:
730:
727:
726:
725:
719:
713:
707:
701:
693:
690:
689:
688:
682:
676:
670:
664:
658:
649:
643:
640:
634:
628:
619:
616:Troubled Water
613:
604:
598:
592:
586:
579:
577:
574:
570:Florence Price
546:
543:
542:
541:
538:
535:
532:
529:
524:
521:
515:premiered her
500:
497:
444:Three Wise Men
421:
418:
368:
365:
363:
360:
345:Washington, DC
327:
324:
289:
286:
259:William Dawson
255:Florence Price
250:
247:
245:
242:
230:Lillian Evanti
226:Abbie Mitchell
222:Florence Price
212:
209:
174:
171:
169:
166:
137:
136:
130:
126:
125:
114:
110:
109:
107:
103:
102:
99:
95:
94:
89:
85:
84:
78:
76:(aged 59)
72:April 26, 1972
70:
66:
65:
63:, Illinois, US
59:
46:
44:
40:
39:
36:
28:
27:
25:Margaret Bonds
24:
15:
13:
10:
9:
6:
4:
3:
2:
3173:
3162:
3159:
3157:
3154:
3152:
3149:
3147:
3144:
3142:
3139:
3137:
3134:
3132:
3129:
3127:
3124:
3122:
3119:
3117:
3114:
3112:
3109:
3107:
3104:
3102:
3099:
3097:
3094:
3092:
3089:
3087:
3084:
3082:
3079:
3077:
3074:
3072:
3069:
3067:
3064:
3062:
3059:
3057:
3054:
3052:
3049:
3047:
3044:
3043:
3041:
3031:
3028:
3026:
3023:
3021:
3017:
3014:
3013:
3008:
3005:
3004:
2996:
2992:
2988:
2984:
2980:
2976:
2972:
2968:
2964:
2961:
2960:
2955:
2948:
2945:
2944:
2936:
2932:
2928:
2924:
2920:
2916:
2912:
2909:
2908:
2903:
2896:
2893:
2892:
2884:
2880:
2876:
2872:
2868:
2864:
2860:
2856:
2852:
2849:
2848:
2843:
2837:
2832:
2828:
2827:Champaign, IL
2824:
2820:
2817:
2814:Tischler, A.
2813:
2810:
2807:Thomas, A.J.
2806:
2802:
2796:
2791:
2790:
2783:
2780:
2776:
2773:
2769:
2766:
2762:
2758:
2756:9780805794502
2752:
2748:
2743:
2740:
2739:HarperCollins
2736:
2732:
2728:
2727:
2723:
2707:
2703:
2699:
2693:
2690:
2678:
2674:
2668:
2665:
2652:
2648:
2644:
2638:
2635:
2630:
2628:0-929911-04-0
2624:
2620:
2616:
2615:
2607:
2604:
2598:
2595:
2589:
2586:
2574:
2570:
2566:
2565:
2557:
2554:
2548:
2545:
2533:
2529:
2525:
2524:
2516:
2514:
2512:
2510:
2506:
2493:
2489:
2485:
2479:
2477:
2475:
2473:
2471:
2469:
2467:
2463:
2459:
2458:
2446:
2442:
2435:
2433:
2431:
2429:
2427:
2423:
2410:
2406:
2402:
2396:
2393:
2380:
2376:
2375:
2370:
2364:
2361:
2356:
2352:
2348:
2346:9781009053792
2342:
2338:
2334:
2330:
2329:
2321:
2318:
2311:
2308:
2300:September 16,
2295:
2291:
2287:
2283:
2279:
2278:"Music Notes"
2273:
2270:
2258:
2256:9780810347496
2252:
2248:
2243:
2242:
2233:
2230:
2225:
2221:
2214:
2211:
2206:
2204:9780591412734
2200:
2196:
2189:
2186:
2174:
2172:9780252064746
2168:
2164:
2163:
2155:
2152:
2147:
2145:0-06-090997-8
2141:
2137:
2130:
2127:
2114:
2110:
2106:
2100:
2097:
2091:
2088:
2075:
2071:
2067:
2061:
2058:
2045:
2041:
2039:9780029095409
2035:
2031:
2030:
2029:Dark Symphony
2022:
2019:
2011:September 16,
2006:
2002:
1998:
1992:
1989:
1981:September 16,
1976:
1972:
1968:
1964:
1960:
1959:"Music Notes"
1954:
1951:
1939:
1934:
1933:
1924:
1922:
1920:
1918:
1916:
1914:
1910:
1902:September 16,
1897:
1893:
1889:
1883:
1880:
1867:
1863:
1861:9781538116074
1857:
1853:
1852:
1844:
1842:
1840:
1836:
1823:
1819:
1818:
1810:
1807:
1799:September 16,
1794:
1790:
1784:
1782:
1778:
1770:September 16,
1765:
1761:
1754:
1751:
1743:September 16,
1738:
1734:
1730:
1724:
1721:
1708:
1704:
1700:
1696:
1695:
1690:
1684:
1682:
1678:
1670:September 16,
1665:
1661:
1657:
1651:
1649:
1645:
1632:
1628:
1626:9780926019614
1622:
1618:
1617:
1609:
1607:
1603:
1598:
1594:
1587:
1585:
1581:
1577:
1571:
1567:
1563:
1559:
1552:
1550:
1548:
1546:
1544:
1542:
1540:
1538:
1536:
1534:
1532:
1530:
1528:
1526:
1524:
1522:
1520:
1518:
1516:
1514:
1510:
1497:
1493:
1491:9781574673784
1487:
1483:
1482:
1474:
1471:
1459:
1457:9781612340340
1453:
1449:
1444:
1443:
1434:
1431:
1418:
1414:
1412:9780895796387
1408:
1404:
1403:
1395:
1393:
1389:
1385:
1379:
1376:
1364:
1362:9780252074547
1358:
1354:
1350:
1345:
1344:
1335:
1333:
1331:
1329:
1327:
1325:
1323:
1321:
1317:
1309:September 16,
1304:
1300:
1294:
1292:
1290:
1286:
1278:September 11,
1273:
1269:
1265:
1259:
1256:
1253:
1249:
1245:
1239:
1236:
1230:
1228:
1226:
1222:
1221:Michael Noble
1218:
1214:
1212:
1208:
1199:
1196:
1194:
1186:
1183:
1180:
1177:
1174:
1171:
1168:
1165:
1162:
1159:
1156:
1153:
1150:
1147:
1144:
1141:
1138:
1135:
1132:
1129:
1126:
1123:
1121:
1118:
1116:
1113:
1111:
1108:
1105:
1102:
1099:
1096:
1093:
1090:
1087:
1084:
1081:
1078:
1075:
1072:
1071:
1068:Choral pieces
1067:
1063:
1060:
1059:
1055:
1052:
1051:
1048:
1045:
1042:
1039:
1037:
1034:
1033:
1029:
1024:
1021:
1018:
1015:
1012:
1009:
1006:
1003:
1001:
997:
994:
991:
988:
985:
982:
981:
977:
974:
971:
970:
967:
964:
961:
958:
955:
952:
951:
947:
944:
942:"Winter-moon"
941:
938:
937:
933:
930:
929:
925:
922:
919:
916:
913:
910:
909:
906:
905:
900:
897:
894:
891:
888:
886:
885:Arna Bontemps
882:
879:
877:
874:
872:
869:
866:
863:
861:
858:
855:
852:
849:
846:
844:
841:
838:
835:
832:
829:
827:
824:
822:
819:
817:
814:
812:
809:
807:
804:
802:
799:
796:
793:
792:
788:
785:
782:
779:
776:
775:
771:
768:
766:
763:
760:
757:
754:
751:
748:
745:
742:
739:
736:
733:
732:
728:
723:
720:
717:
716:The Migration
714:
711:
708:
705:
702:
699:
696:
695:
691:
686:
683:
680:
677:
674:
671:
668:
665:
662:
659:
657:
653:
650:
647:
644:
641:
638:
635:
632:
629:
626:
624:
620:
617:
614:
611:
609:
605:
602:
599:
596:
593:
590:
587:
584:
581:
580:
575:
573:
571:
567:
566:
560:
556:
552:
551:Copyright Act
544:
539:
536:
533:
530:
527:
526:
522:
520:
518:
514:
510:
506:
498:
496:
493:
489:
485:
480:
476:
471:
469:
465:
461:
457:
453:
449:
445:
441:
440:
434:
432:
427:
426:New York City
420:New York City
419:
417:
415:
411:
410:
405:
401:
396:
394:
390:
386:
382:
378:
374:
366:
361:
359:
356:
354:
350:
346:
341:
337:
332:
325:
323:
321:
317:
316:
311:
307:
306:Robert Starer
303:
299:
295:
294:New York City
287:
284:
279:
276:
272:
268:
264:
260:
256:
248:
243:
241:
237:
235:
231:
227:
223:
219:
210:
208:
206:
200:
198:
194:
193:
188:
184:
180:
172:
167:
165:
163:
159:
155:
151:
147:
143:
134:
131:
127:
108:
104:
100:
98:Occupation(s)
96:
93:
90:
86:
81:
71:
67:
62:
57:March 3, 1913
45:
41:
37:Bonds in 1956
34:
29:
22:
19:
2822:
2815:
2808:
2788:
2771:
2764:
2746:
2730:
2710:. Retrieved
2701:
2692:
2682:February 21,
2680:. Retrieved
2676:
2667:
2657:February 26,
2655:. Retrieved
2646:
2637:
2613:
2606:
2597:
2588:
2578:November 10,
2576:. Retrieved
2563:
2556:
2547:
2537:November 10,
2535:. Retrieved
2522:
2498:November 10,
2496:. Retrieved
2487:
2456:
2455:
2450:November 10,
2448:. Retrieved
2444:
2413:. Retrieved
2404:
2395:
2385:February 21,
2383:. Retrieved
2372:
2363:
2327:
2320:
2310:
2298:. Retrieved
2281:
2272:
2262:February 21,
2260:. Retrieved
2240:
2232:
2213:
2194:
2188:
2178:February 21,
2176:. Retrieved
2161:
2154:
2135:
2129:
2117:. Retrieved
2108:
2099:
2090:
2080:February 21,
2078:. Retrieved
2069:
2060:
2050:February 21,
2048:. Retrieved
2028:
2021:
2009:. Retrieved
2005:the original
2000:
1991:
1979:. Retrieved
1962:
1953:
1943:February 21,
1941:. Retrieved
1931:
1900:. Retrieved
1896:the original
1891:
1882:
1872:February 21,
1870:. Retrieved
1850:
1828:February 21,
1826:. Retrieved
1816:
1809:
1797:. Retrieved
1792:
1768:. Retrieved
1753:
1741:. Retrieved
1732:
1723:
1711:. Retrieved
1692:
1668:. Retrieved
1637:February 21,
1635:. Retrieved
1615:
1596:
1592:
1557:
1502:February 21,
1500:. Retrieved
1480:
1473:
1463:February 21,
1461:. Retrieved
1441:
1433:
1423:February 21,
1421:. Retrieved
1401:
1383:
1378:
1368:February 21,
1366:. Retrieved
1342:
1307:. Retrieved
1276:. Retrieved
1267:
1258:
1243:
1238:
1224:
1216:
1215:
1210:
1203:
1190:
1184:
1178:
1172:
1166:
1160:
1148:
1142:
1136:
1130:
1124:
1119:
1114:
1109:
1103:
1097:
1091:
1085:
1079:
1073:
1061:
1056:"Fugal Dance
1046:
1040:
1035:
1016:
1010:
1004:
995:
989:
983:
965:
959:
953:
931:
901:
895:
890:Rainbow gold
889:
880:
875:
870:
864:
859:
853:
847:
842:
836:
830:
825:
820:
815:
810:
805:
800:
794:
769:
764:
758:
752:
746:
740:
734:
721:
715:
709:
703:
697:
684:
678:
672:
666:
660:
651:
645:
636:
630:
621:
615:
606:
600:
594:
588:
582:
563:
548:
516:
502:
478:
472:
467:
437:
435:
423:
407:
397:
392:
384:
380:
372:
370:
357:
335:
333:
329:
313:
291:
281:
252:
238:
214:
204:
201:
190:
176:
141:
140:
74:(1972-04-26)
18:
3051:1972 deaths
3046:1913 births
2974:Identifiers
2957:Archives at
2925:JWJ MSS 151
2922:Identifiers
2905:Archives at
2873:1930s-1970s
2862:Identifiers
2845:Archives at
2673:"Catalogue"
2617:. Chicago:
2415:January 28,
1127:(a capella)
898:, Spiritual
871:No good man
833:, Spiritual
777:"Dry Bones"
755:, Spiritual
576:Major works
523:Memberships
509:Zubin Mehta
505:Los Angeles
499:Los Angeles
269:(1933) and
80:Los Angeles
3040:Categories
2865:GTM-130530
2712:January 9,
2532:1176046867
1351:. p.
1252:1884964273
1231:References
1219:played by
1200:Recordings
914:"Hyacinth"
464:spirituals
302:Roy Harris
158:spirituals
53:1913-03-03
2985:1939-1972
2977:Sc MG 873
2573:682112961
2355:265531543
2290:0362-4331
2224:390163931
1971:0362-4331
1713:April 13,
1703:0362-4331
1207:art songs
583:Sea Ghost
448:Balthazar
400:Ned Rorem
373:Sea Ghost
347:, by the
244:Education
211:Childhood
129:Relatives
3020:AllMusic
2966:Location
2914:Location
2854:Location
2706:Archived
2651:Archived
2492:Archived
2409:Archived
2379:Archived
2294:Archived
2220:ProQuest
2113:Archived
2074:Archived
2044:Archived
1975:Archived
1866:Archived
1822:Archived
1764:Archived
1737:Archived
1707:Archived
1664:Archived
1631:Archived
1599:(3): 13.
1496:Archived
1417:Archived
1303:Archived
1272:Archived
998:, Text:
896:Sing aho
724:, ballet
718:, ballet
511:and the
484:Jim Crow
383:series (
340:libretto
240:sister.
154:arranger
146:composer
135:(father)
2833:, 2007.
2741:, 1994.
1120:Hold on
920:"Feast"
811:Hold on
795:Georgia
652:U.S.A.,
618:, piano
475:ballets
460:calypso
367:Chicago
179:Chicago
150:pianist
123:
115:
61:Chicago
2990:Source
2930:Source
2878:Source
2797:
2753:
2735:London
2625:
2571:
2530:
2353:
2343:
2288:
2253:
2222:
2201:
2169:
2142:
2119:May 7,
2036:
1969:
1858:
1701:
1623:
1572:
1488:
1454:
1409:
1359:
1250:
1151:(TTBB)
1133:(SSAA)
1043:(1967)
992:(1959)
772:(1946)
710:U.S.A.
685:Credo,
545:Legacy
462:, and
431:Harlem
404:ballet
362:Career
106:Spouse
2982:Dates
2870:Dates
2351:S2CID
1145:(SSA)
1092:Credo
1086:Credo
517:Credo
456:blues
275:piano
117:(
113:
2795:ISBN
2751:ISBN
2714:2023
2684:2020
2677:Avie
2659:2021
2623:ISBN
2580:2020
2569:OCLC
2539:2020
2528:OCLC
2500:2020
2452:2020
2417:2023
2387:2020
2341:ISBN
2302:2020
2286:ISSN
2264:2020
2251:ISBN
2199:ISBN
2180:2020
2167:ISBN
2140:ISBN
2121:2018
2082:2020
2052:2020
2034:ISBN
2013:2020
1983:2020
1967:ISSN
1945:2020
1904:2020
1874:2020
1856:ISBN
1830:2020
1801:2020
1772:2020
1745:2020
1715:2024
1699:ISSN
1672:2020
1660:Yale
1639:2020
1621:ISBN
1570:ISBN
1504:2020
1486:ISBN
1465:2020
1452:ISBN
1425:2020
1407:ISBN
1370:2020
1357:ISBN
1311:2020
1280:2022
1248:ISBN
452:jazz
338:, a
220:and
168:Life
69:Died
43:Born
3018:at
2333:doi
1562:doi
1448:286
1353:141
1223:on
387:by
355:".
3042::
2829::
2825:.
2737::
2733:.
2704:.
2700:.
2675:.
2649:.
2645:.
2508:^
2490:.
2486:.
2465:^
2454:.
2443:.
2425:^
2407:.
2403:.
2371:.
2349:.
2339:.
2292:.
2280:.
2249:.
2247:95
2107:.
2072:.
2068:.
2042:.
1999:.
1973:.
1961:.
1938:64
1912:^
1890:.
1864:.
1838:^
1791:.
1780:^
1762:.
1735:.
1731:.
1705:.
1691:.
1680:^
1662:.
1647:^
1629:.
1605:^
1595:.
1583:^
1568:,
1512:^
1494:.
1450:.
1415:.
1391:^
1355:.
1347:.
1319:^
1288:^
1270:.
1266:.
1195:.
572:.
458:,
454:,
416:.
304:,
228:,
164:.
152:,
148:,
119:m.
2803:.
2759:.
2716:.
2686:.
2661:.
2631:.
2582:.
2541:.
2502:.
2419:.
2357:.
2335::
2304:.
2266:.
2226:.
2207:.
2182:.
2148:.
2123:.
2084:.
2054:.
2015:.
1985:.
1947:.
1906:.
1876:.
1832:.
1803:.
1774:.
1747:.
1717:.
1674:.
1641:.
1597:5
1564::
1506:.
1467:.
1427:.
1313:.
1282:.
625:,
610:,
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
