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as a young artist and spent her life contributing to his form of art, although at times her art was destroyed and criticized by Nazis because it was modern art. Moll was known for being very high spirited when it came to
Matisse and was known for building an "ultra-modern house" in Berlin designed by
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Margarethe married Oskar Moll and became known as the "Director's Wife" due to her husband's position. From 1907 to 1908, she studied at Académie
Matisse, Paris, and founded the Matisse School in Paris with her husband in 1908 to teach and promote the modernist aesthetics in art, including Matisse's
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The Molls had two daughters: Melita, born in 1908, and
Brigitte, born in 1918. She lived in several cities throughout her life, including Berlin, from 1908 to 1919, and Breslau, where she moved to in 1919 and remained until 1932. In 1934, she returned to Berlin and lived there throughout World War
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After her husband's death in 1947, Moll exhibited her work several times. She traveled to the United States where she was recognized as an artist who had promoted the importance of modern art in
Germany and throughout the world. In 1950 she met the sculptor
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in London and received a medal. She continued to work with GEDOK, an organization that helped female artists exhibit their work freely from 1930 to 1970. She was awarded a Groupe 1940 medal in Paris. When she was 70, she gave lectures at
227:. Their home, along with many of her works, was destroyed by the bombing of Berlin in 1943. She traveled to Europe and the United States after Oskar died in 1947. She lived in both Düsseldorf and Munich after 1952.
259:, a Breslau artist at the Galerie Flechtheim in 1931. Her works were bought by museums throughput Germany, but many of them were later removed and destroyed by the Nazis. One of her sculptures,
191:, a professor and director at the Breslau Academy. Marg also studied sculpture under Louise Schmidt in Frankfurt am Main. In 1905, she traveled to Rome and later studied at
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was found in ruins during excavation for a new train station in Berlin, along with ten other works. Her work was a victim of Hitler's campaign against so-called
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in London. When she began to work with
Matisse, she concentrated more heavily on sculpture, perfecting her technique and using all sorts of sculpting materials.
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Moll painted and sculpted her entire life, but her sculpting style over time changed from
Matisse-like figurative arts to a much more modern form of art like
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II. Though her family hid from the Nazis during the war, the Molls built a house in Berlin in 1943 designed by the German architect
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style. She experienced these forms of art as the wife of Oskar Moll, who was the director of
Breslau Academy. Moll once took an
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in
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Barndt, Kerstin (8 Dec 2011). "Working through Ruins: Berlin's Neues Museum".
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form of art. In 1908, the Molls met Henri
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Commanders
Crosses of the Order of Merit of the Federal Republic of Germany
362:"Académie Matisse and Its Relevance in the Life and Work of Sigrid Hjertén"
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A Cultural History of the Avant-garde in the Nordic Countries 1900-1925
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Die große Inspiration. Deutsche Künstler in der Académie Matisse
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from 1903 to 1905 and studied under painter Hans Volker in
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398:"Berlin Find: Art's Survivors Of Hitler's War"
187:. She also studied painting in Bavaria under
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360:Berg, Hubert Van Den (2012).
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502:Union List of Artist Names
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542:German modern sculptors
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275:Recognition and legacy
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282:Henry Moore
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407:1 December
381:1 December
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301:References
261:The Dancer
189:Oskar Moll
177:Mühlhausen
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64:1884-08-02
492:Marg Moll
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345:ignored (
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297:in 1977.
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185:Wiesbaden
171:Biography
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