Knowledge (XXG)

Maria Jane Williams

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22: 173:’. Despite later criticisms this book remains an important contribution to the knowledge of traditional Welsh music. The book contains 43 songs with Welsh words and accompaniments for the harp or piano. and also provides notes on the songs and a list of persons for whom copies of the work had been printed, which evidenced how well patronised Welsh 211:" songs was published which does not bear critical investigation.’ She claimed, however, that Maria Jane Williams was one of only two people in Britain at this time who were the exception to this rule. Maria Jane Williams claimed that: ‘The songs were given as...obtained,...in their wild and original state; no embellishments of the 284: 365:
Williams, M., J., Ancient National Airs of Gwent and Morgannwg (A Facsimile of the 1844 Edition with Introduction and Notes on the songs by Daniel Huws), The Welsh Folk Song Society, 1988, reprinted 1994,
165:, who later became her friend. At this event she was awarded the prize for the best collection of unpublished Welsh music. It was published in 1844 under the title of ‘The Ancient National Airs of 203:, and one of the earliest collectors of Celtic folk songs, in a scathing attack on the folklorists of the day, claimed that during the period 1800 to 1850, in Wales, as in the rest of 78:, Glynneath. She was the second daughter of Rees Williams (d. 1812) of Aberpergwm in the Vale of Neath, Glamorganshire, by his wife Ann Jenkins of Fforest Ystradfellte. She lived in 21: 434: 439: 399: 419: 404: 444: 327: 319: 102:
and traditions and had an extensive knowledge of music. She was especially acclaimed for her singing and was an accomplished player of the
314:
Davies, J., Jenkins, N., Baines, M., Lynch, P. I., ‘The Welsh Academy Encyclopaedia of Wales’, University of Wales Press Cardiff, 2008,
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In 1826–7 she made a collection of the fairy tales of the Vale of Neath, which was published in the supplemental volume of
114:
said that she was "the most exquisite amateur singer he had ever heard" She acquired the name ‘Llinos’ (the Welsh word for
414: 193:. In October 1838, at the ensuing Eisteddfod, she won a prize for the best arrangement of any Welsh air for four voices 349: 111: 178: 82:
but in her later years, at a house called Ynys-las, near Aberpergwm House. She died in 1873 and is buried at
409: 219: 389: 227: 119: 394: 170: 141:'s ‘Irish Fairy Legends’ and subsequently reprinted in an abridged form in the ‘Fairy Mythology’ of 223: 58: 367: 323: 315: 200: 166: 142: 87: 75: 41: 353: 204: 196: 138: 99: 383: 162: 79: 33: 182: 158: 126: 154: 37: 215:
have been attempted, and the accompanying words are those sung to the airs.’
174: 49: 45: 185:. Through this collection she rescued many songs, the best known being 346: 212: 115: 103: 208: 123: 53: 20: 177:
was during this period. The book has since been re-issued by the
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consulted her before publishing his two volumes of Welsh airs.
118:), and was associated with the Welsh cultural society known as 110:, having been taught by the famous harpist Parish-Alvars. 98:
Maria Jane Williams was well educated, a supporter of the
56:. She rescued many Welsh songs from obscurity, including 74:
Maria Jane Williams was born in either 1794 or 1795, at
285:"WILLIAMS, MARIA JANE (Llinos; 1795? – 1873), musician" 145:
who had suggested that she should make the collection.
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Dictionary of National Biography, 1885-1900, Volume 61
32:(c.1795 – 10 November 1873) was a 19th-century 181:with a contemporary introduction and notes by 8: 161:in October 1837 was under the patronage of 16:Welsh musician and folklorist (c.1795–1873) 342: 340: 338: 336: 207:, ‘a mass of "traditional" and so-called " 239: 310: 308: 306: 278: 276: 274: 272: 270: 268: 253: 251: 249: 247: 245: 243: 7: 435:19th-century British philanthropists 347:http://www.tradsong.org/MJWILL99.PDF 199:, an ex-president and mentor of the 440:19th-century British folk musicians 191:Y Ferch o'r Sger (The Maid of Sker) 218:Maria Jane Williams also assisted 14: 400:British performers of early music 420:19th-century Welsh women singers 25:Maria Jane Williams, around 1865 405:Women performers of early music 291:. The National Library of Wales 122:and made her home a focus for ‘ 94:Education and scholarly studies 1: 289:Dictionary of Welsh Biography 187:Y Deryn Pur (The Gentle Dove) 445:19th-century Welsh musicians 461: 356:Retrieved 22 February 2010 283:Griffith, Robert David. 149:Book of Welsh folk songs 112:Henry Fothergill Chorley 179:Welsh Folk Song Society 26: 430:People from Glamorgan 425:Welsh philanthropists 120:Cymreigyddion y Fenni 24: 415:Welsh folk musicians 352:3 March 2016 at the 133:Book of Fairy Tales 30:Maria Jane Williams 86:in the grounds of 27: 328:978-0-7083-2154-6 320:978-0-7083-1953-6 201:Folk Song Society 84:St Cadoc's Church 65:Y Ferch o'r Sger. 61:(The Gentle Bird) 452: 374: 363: 357: 344: 331: 312: 301: 300: 298: 296: 280: 263: 262: 255: 222:to produce the ‘ 143:Thomas Keightley 88:Aberpergwm House 76:Aberpergwm House 42:Aberpergwm House 460: 459: 455: 454: 453: 451: 450: 449: 380: 379: 378: 377: 364: 360: 354:Wayback Machine 345: 334: 313: 304: 294: 292: 282: 281: 266: 257: 256: 241: 236: 151: 135: 129:’ enthusiasts. 96: 72: 17: 12: 11: 5: 458: 456: 448: 447: 442: 437: 432: 427: 422: 417: 412: 410:Women harpists 407: 402: 397: 392: 382: 381: 376: 375: 358: 332: 302: 264: 238: 237: 235: 232: 197:Lucy Broadwood 150: 147: 139:Crofton Croker 134: 131: 100:Welsh language 95: 92: 71: 68: 15: 13: 10: 9: 6: 4: 3: 2: 457: 446: 443: 441: 438: 436: 433: 431: 428: 426: 423: 421: 418: 416: 413: 411: 408: 406: 403: 401: 398: 396: 393: 391: 388: 387: 385: 373: 372:0-907158-30-7 369: 362: 359: 355: 351: 348: 343: 341: 339: 337: 333: 329: 325: 321: 317: 311: 309: 307: 303: 290: 286: 279: 277: 275: 273: 271: 269: 265: 260: 254: 252: 250: 248: 246: 244: 240: 233: 231: 229: 225: 221: 216: 214: 210: 206: 202: 198: 194: 192: 188: 184: 180: 176: 172: 168: 164: 163:Lady Llanover 160: 156: 148: 146: 144: 140: 132: 130: 128: 125: 121: 117: 113: 109: 105: 101: 93: 91: 89: 85: 81: 77: 69: 67: 66: 62: 60: 55: 51: 47: 43: 39: 36:musician and 35: 31: 23: 19: 390:1790s births 361: 322:(hardback), 293:. Retrieved 288: 258: 224:Welsh Harper 217: 195: 190: 186: 152: 136: 97: 80:Blaen Baglan 73: 64: 57: 29: 28: 18: 395:1873 deaths 330:(paperback) 295:19 February 228:John Thomas 183:Daniel Huws 159:Abergavenny 153:The fourth 127:Renaissance 59:Y Deryn Pur 384:Categories 234:References 220:John Parry 155:eisteddfod 106:, and the 38:folklorist 209:Druidical 175:folk song 171:Morgannwg 50:Glamorgan 46:Glynneath 350:Archived 52:, South 40:born at 205:Britain 370:  326:  318:  226:’ and 213:melody 124:Celtic 116:linnet 104:guitar 167:Gwent 54:Wales 34:Welsh 368:ISBN 324:ISBN 316:ISBN 297:2012 189:and 169:and 108:harp 70:Life 63:and 157:at 48:in 386:: 335:^ 305:^ 287:. 267:^ 242:^ 90:. 44:, 299:. 261:.

Index


Welsh
folklorist
Aberpergwm House
Glynneath
Glamorgan
Wales
Y Deryn Pur
Aberpergwm House
Blaen Baglan
St Cadoc's Church
Aberpergwm House
Welsh language
guitar
harp
Henry Fothergill Chorley
linnet
Cymreigyddion y Fenni
Celtic
Renaissance
Crofton Croker
Thomas Keightley
eisteddfod
Abergavenny
Lady Llanover
Gwent
Morgannwg
folk song
Welsh Folk Song Society
Daniel Huws

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