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Marietta Piccolomini

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145: 42: 336:(Susanna). She had been working hard to improve her technique as a result of the criticism she had received the year before. She then made a provincial tour which included Liverpool, Manchester, Birmingham, Glasgow, Edinburgh, Bath, Bristol, Cheltenham, Brighton, and other places. Then she repaired again to Dublin. In November and December she went with 451:, and the following month she married the Marquis Francesco Caetani della Fargna (1824–1906), settling in Florence. Thereafter she retired from the stage, taking part only in rare charity concerts or making courtesy appearances. In 1863, however, she heard of the preparations in London for some benefit concerts in honour of 386: 249:, a role in which she became especially famous. The response in Turin was a spectacle not seen before in the world of entertainment. Throngs surrounded her hotel. Men tried to unharness the horses from her carriage so that they might draw it through the streets themselves but she would not permit this. 459:
of Her Majesty's Theatre, who had launched her international career seven years earlier and who was by then ruined. Driven by gratitude, she decided on her own initiative to make the long journey to London and took part in the performances which, given the unavailability of Her Majesty's Theatre, had
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in London, where she appeared for the first time on May 24, 1856. In spite of the doubts raised by music critics about her technical skills as a singer, audiences received her exceedingly well and she "was adopted at once as the pet (and afterwards how
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The birthdate given in this article is stated by the Register of baptisms — year 1834 — number 215 — of the former Parish of Saints Quiricus and Julitta in Sienna, while the death date given is engraved upon the singer's tombstone in the Florence
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In 1858 Mademoiselle Piccolomini took part both in the first experimental winter season of Her Majesty's Theatre and in the ordinary one, revisiting some of her repertoire roles and presenting for the first time in London
136:, which she performed in England, France, and the United States, as well as her native Italy. After her marriage in 1863, she retired from performing, making only rare charity or courtesy appearances thereafter. 496:). Therefore, the different conflicting dates reported by various sources (birthdates include 15 March 1834; death dates include 11 February, and 20 or 23 December 1899) are to be held unfounded. 167:
From the age of four years, Marietta had amused herself at playing at mock theatrical representations. She used to sing duets with her mother, a skilful amateur, and she had been instructed by
303:(whence the opera is drawn), but without success. Again, while critics remarked on the limitations of her voice and singing, they praised her natural talent and stage presence. When the 171:
Rosa Mazzarelli, and later trained with Pietro Romani (1791–1877), one of the first professional singing teachers in Italy. It was under his guidance that she debuted at Florence's
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heard that she had missed the most talked-about premiere in Paris, she sent word to Calzado, the director of the theatre, and a command performance was arranged for the Emperor
282:. Although these performances revealed her inexperience, critics praised her dramatic ability. Following her season in England, Picolomini sang in Dublin with great success. 922: 932: 716: 418:, and then moved to Philadelphia and several other large American cities, proposing her repertoire of operas by Verdi, Donizetti, Paisiello and 907: 519:, III, 2 May, p. 413, and 9 May 1857, p. 429). Also according to Clayton, the music had to be transposed or adapted to suit her capabilities. 822: 850: 164:, and her parents were horrified at her wanting to pursue a career in opera, but she succeeded in persuading them to allow her to do so. 410:
After her usual tour around the provinces and in Dublin, in October she left for the United States, where she debuted at the New York
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owing to lack of copyright for his operas in France at the time, also supporting the claims of the French holder of the rights on
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on December 6, 1856, was the first time the opera had been heard in France. Verdi tried to stop the opera from being performed at
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Marquise Caetani della Fargna died of pneumonia on 11 December 1899 at her villa in Florence. She is interred in the
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petted!) child of Her Majesty's Theatre". On June 26, Piccolomini appeared for the first time as Maria, in
126:; 5 March 1834 – 11 December 1899) was an Italian soprano. She was most famous for the role of Violetta in 332: 192: 349: 385: 713: 902: 897: 187: 645: 511: 326: 257:
When word of her success in Turin reached Britain, she was invited to sing the British premiere of
847:", Londra, years 1856, 1857, 1858, 1859, accessible online as a Google ebook-gratis, as follows: 379: 784: 304: 644:, "The Spectator", 9 August 1856, Volume 29, second six months, p. 847 (accessible online as a 795:
Marietta Piccolomini Clementini – La vicenda artistica di una cantante senese nel Risorgimento
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According to Ellen Creathorne Clayton (p. 386), on May 5 (thus before her London debut in
452: 447:'s entreaties to appear for the last time at Her Majesty's Theatre in the premiere of his 402: 294: 210: 144: 41: 196: 133: 891: 444: 366: 149: 776: 431: 364:, which was not however as warmly received. She also debuted the roles of Amina in 360: 320: 308: 278: 239: 233: 223: 168: 515:. In fact, the date should be correctly referred to the 1857 opening performance ( 429:
in sixteen or seventeen performances, the last of which being her London debut in
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Piccolomini returned to the United Kingdom on April 21, 1857, and performed in
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Marietta Piccolomini was born Maria Teresa Violante Piccolomini Clementini in
176: 783:, second edition, London, Skeffington, 1896 (accessible for free online at 88: 205: 549:
had refused to lend Her Majesty's Theatre to the organizing committee.
384: 218: 157: 143: 69: 797:, Sienna, Cantagalli (collection: "Le esperienze di Clio"), 2011. 592:, Vol. 2, Hurst and Blackett, London (Digitized by Google Books) 804:, Londra, Smith, Elder & Co., 1863 (accessible online as a 160:, Italy on 5 March 1834. She was descended from Italian noble 735:"The Spectator", 15 October 1859, p. 20 (accessible online at 845:
The Saturday Review of Politics, Literature, Science, and Art
836:, Londra, Hurst & Blackett, 1864 (accessible online as a 231:. In Pisa in 1853, she sang, among others, the title role in 696:"The Saturday Review", VI, 10 e 24 July 1858, pp. 45 and 84. 629:, Smith, Elder & Co., London (digitized by Google Books) 710:
Marietta Piccolomini, una gentildonna prestata alla lirica
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In June 1859 she returned to London, appearing at the
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In November 1852 she was engaged at Rome's 8: 56:Maria Teresa Violante Piccolomini Clementini 175:in January 1852, taking the title role of 40: 29: 618: 616: 614: 612: 610: 608: 606: 604: 602: 600: 348:, a highly successful Italian version of 923:19th-century Italian women opera singers 568: 566: 704: 702: 562: 480: 285:Piccolomini's appearance in Paris in 243:, and in Turin, in 1855, Violetta in 203:, where she performed in Donizetti's 121: 7: 823:Dizionario Biografico degli Italiani 574:Dizionario Biografico degli Italiani 398:during her American tour (1858–1859) 590:Thirty years' Musical Recollections 443:In April 1860 she was persuaded by 25: 933:Deaths from pneumonia in Tuscany 469:Basilica di San Miniato al Monte 123:[mariˈettapikkoˈlɔːmini] 460:to be held at the Drury Lane. 229:I Lombardi alla prima crociata 1: 908:Grand Duchy of Tuscany people 46:Marietta Piccolomini ca. 1860 185:and later also appearing in 509:!) Piccolomini appeared in 949: 834:Reminiscences of the Opera 800:Ellen Creathorne Clayton, 714:"Blog Chitarra e Dintorni" 490:Cimitero delle Porte Sante 465:Cimitero delle Porte Sante 913:Italian operatic sopranos 427:Theatre Royal, Drury Lane 39: 623:Ellen Creathorne Clayton 586:Henry Fothergill Chorley 316:La figlia del reggimento 273:La figlia del reggimento 737:archive.spectator.co.uk 439:Marriage and retirement 407: 153: 817:Piccolomini, Marietta 388: 263:Her Majesty's Theatre 147: 928:House of Piccolomini 918:Musicians from Siena 678:Lumley, pp. 441–442. 492:(Giampaolo Bianchi, 391:Marietta Piccolomini 300:La Dame aux camélias 291:Théâtre des Italiens 276:, and on July 26 in 253:International career 188:Crispino e la comare 162:House of Piccolomini 115:Marietta Piccolomini 34:Marietta Piccolomini 27:Italian opera singer 881:Volume VIII, 1859/2 838:Google ebook-gratis 806:Google ebook-gratis 793:Gianpaolo Bianchi, 708:Angela Cingottini, 646:Google ebook-gratis 517:The Saturday Review 512:Lucia di Lammermoor 414:with her favourite 327:Lucia di Lammermoor 876:Volume VII, 1859/1 856:Volume III, 1857/1 826:- Volume 83 (2015) 719:2011-07-20 at the 640:Cf. for instance: 408: 380:Giovanni Paisiello 333:Le Nozze di Figaro 318:again and also in 154: 871:Volume VI, 1858/2 861:Volume IV, 1857/2 814:Federica Camata, 536:in March of 1859. 534:Théâtre d'Orleans 401:Daguerreotype by 395:Pasquale Brignoli 355:The Bohemian Girl 173:Teatro La Pergola 112: 111: 18:Maria Piccolomini 16:(Redirected from 940: 866:Volume V, 1858/1 813: 792: 785:Internet Archive 781:My reminiscences 764: 758: 752: 746: 740: 733: 727: 725: 706: 697: 694: 688: 685: 679: 676: 670: 664: 658: 655: 649: 642:The opera season 638: 632: 620: 595: 583: 577: 570: 550: 543: 537: 526: 520: 503: 497: 485: 412:Academy of Music 376:La serva padrona 372:Vincenzo Bellini 201:Teatro Argentina 125: 120: 84: 81:11 December 1899 65: 63: 44: 30: 21: 948: 947: 943: 942: 941: 939: 938: 937: 888: 887: 851:Volume II, 1856 830:Benjamin Lumley 811: 790: 773: 768: 767: 759: 755: 747: 743: 734: 730: 723: 721:Wayback Machine 707: 700: 695: 691: 686: 682: 677: 673: 665: 661: 657:Lumley, p. 378. 656: 652: 639: 635: 621: 598: 584: 580: 571: 564: 559: 554: 553: 544: 540: 527: 523: 504: 500: 486: 482: 477: 453:Benjamin Lumley 441: 406: 403:Jeremiah Gurney 399: 397: 374:and Serpina in 305:Empress Eugénie 295:Alexandre Dumas 255: 211:Antonio Cagnoni 182:Lucrezia Borgia 142: 118: 92: 86: 82: 73: 67: 61: 59: 58: 57: 47: 35: 28: 23: 22: 15: 12: 11: 5: 946: 944: 936: 935: 930: 925: 920: 915: 910: 905: 900: 890: 889: 886: 885: 884: 883: 878: 873: 868: 863: 858: 853: 841: 827: 809: 802:Queens of Song 798: 788: 772: 769: 766: 765: 761:Arditi, p. 123 753: 741: 728: 698: 689: 680: 671: 659: 650: 633: 627:Queens of Song 596: 578: 561: 560: 558: 555: 552: 551: 538: 521: 498: 479: 478: 476: 473: 440: 437: 389: 254: 251: 197:Federico Ricci 148:Photograph by 141: 138: 134:Giuseppe Verdi 110: 109: 106: 102: 101: 98: 94: 93: 87: 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166: 155: 127: 114: 113: 83:(1899-12-11) 66:5 March 1834 903:1899 deaths 898:1834 births 530:La Traviata 416:La Traviata 324:(Zerlina), 259:La Traviata 246:La Traviata 129:La Traviata 97:Nationality 892:Categories 557:References 457:impresario 346:La zingara 105:Occupation 62:1834-03-05 547:Lord Ward 311:and her. 177:Donizetti 140:Biography 717:Archived 572:Camata ( 507:Traviata 494:op. cit. 338:Giuglini 287:Traviata 119:Italian: 89:Florence 771:Sources 625:(1863) 588:(1862) 532:at the 467:at the 206:Poliuto 100:Italian 91:, Italy 72:, Italy 449:Almina 420:Mozart 820:, in 475:Notes 350:Balfe 219:Verdi 193:Luigi 158:Siena 70:Siena 330:and 268:much 227:and 217:and 195:and 78:Died 52:Born 378:by 370:by 352:'s 297:'s 261:at 221:'s 213:’s 191:by 179:'s 132:by 894:: 832:, 779:, 739:). 712:, 701:^ 648:). 599:^ 565:^ 471:. 382:. 209:, 843:" 840:) 808:) 787:) 763:. 751:. 726:. 669:. 576:) 152:. 117:( 64:) 60:( 20:)

Index

Maria Piccolomini

Siena
Florence
[mariˈettapikkoˈlɔːmini]
La Traviata
Giuseppe Verdi

Camille Silvy
Siena
House of Piccolomini
mezzosoprano
Teatro La Pergola
Donizetti
Lucrezia Borgia
Crispino e la comare
Luigi
Federico Ricci
Teatro Argentina
Poliuto
Antonio Cagnoni
Verdi
I masnadieri
I Lombardi alla prima crociata
Luisa Miller
Il trovatore
La Traviata
Her Majesty's Theatre
La figlia del reggimento
Don Pasquale

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