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42:
336:(Susanna). She had been working hard to improve her technique as a result of the criticism she had received the year before. She then made a provincial tour which included Liverpool, Manchester, Birmingham, Glasgow, Edinburgh, Bath, Bristol, Cheltenham, Brighton, and other places. Then she repaired again to Dublin. In November and December she went with
451:, and the following month she married the Marquis Francesco Caetani della Fargna (1824–1906), settling in Florence. Thereafter she retired from the stage, taking part only in rare charity concerts or making courtesy appearances. In 1863, however, she heard of the preparations in London for some benefit concerts in honour of
386:
249:, a role in which she became especially famous. The response in Turin was a spectacle not seen before in the world of entertainment. Throngs surrounded her hotel. Men tried to unharness the horses from her carriage so that they might draw it through the streets themselves but she would not permit this.
459:
of Her
Majesty's Theatre, who had launched her international career seven years earlier and who was by then ruined. Driven by gratitude, she decided on her own initiative to make the long journey to London and took part in the performances which, given the unavailability of Her Majesty's Theatre, had
265:
in London, where she appeared for the first time on May 24, 1856. In spite of the doubts raised by music critics about her technical skills as a singer, audiences received her exceedingly well and she "was adopted at once as the pet (and afterwards how
487:
The birthdate given in this article is stated by the
Register of baptisms — year 1834 — number 215 — of the former Parish of Saints Quiricus and Julitta in Sienna, while the death date given is engraved upon the singer's tombstone in the Florence
343:
In 1858 Mademoiselle
Piccolomini took part both in the first experimental winter season of Her Majesty's Theatre and in the ordinary one, revisiting some of her repertoire roles and presenting for the first time in London
136:, which she performed in England, France, and the United States, as well as her native Italy. After her marriage in 1863, she retired from performing, making only rare charity or courtesy appearances thereafter.
496:). Therefore, the different conflicting dates reported by various sources (birthdates include 15 March 1834; death dates include 11 February, and 20 or 23 December 1899) are to be held unfounded.
167:
From the age of four years, Marietta had amused herself at playing at mock theatrical representations. She used to sing duets with her mother, a skilful amateur, and she had been instructed by
303:(whence the opera is drawn), but without success. Again, while critics remarked on the limitations of her voice and singing, they praised her natural talent and stage presence. When the
171:
Rosa
Mazzarelli, and later trained with Pietro Romani (1791–1877), one of the first professional singing teachers in Italy. It was under his guidance that she debuted at Florence's
307:
heard that she had missed the most talked-about premiere in Paris, she sent word to
Calzado, the director of the theatre, and a command performance was arranged for the Emperor
282:. Although these performances revealed her inexperience, critics praised her dramatic ability. Following her season in England, Picolomini sang in Dublin with great success.
922:
932:
716:
418:, and then moved to Philadelphia and several other large American cities, proposing her repertoire of operas by Verdi, Donizetti, Paisiello and
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519:, III, 2 May, p. 413, and 9 May 1857, p. 429). Also according to Clayton, the music had to be transposed or adapted to suit her capabilities.
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850:
164:, and her parents were horrified at her wanting to pursue a career in opera, but she succeeded in persuading them to allow her to do so.
410:
After her usual tour around the provinces and in Dublin, in
October she left for the United States, where she debuted at the New York
912:
293:
owing to lack of copyright for his operas in France at the time, also supporting the claims of the French holder of the rights on
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on
December 6, 1856, was the first time the opera had been heard in France. Verdi tried to stop the opera from being performed at
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228:
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Marquise
Caetani della Fargna died of pneumonia on 11 December 1899 at her villa in Florence. She is interred in the
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petted!) child of Her
Majesty's Theatre". On June 26, Piccolomini appeared for the first time as Maria, in
126:; 5 March 1834 – 11 December 1899) was an Italian soprano. She was most famous for the role of Violetta in
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When word of her success in Turin reached
Britain, she was invited to sing the British premiere of
847:", Londra, years 1856, 1857, 1858, 1859, accessible online as a Google ebook-gratis, as follows:
379:
784:
304:
644:, "The Spectator", 9 August 1856, Volume 29, second six months, p. 847 (accessible online as a
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Marietta Piccolomini Clementini – La vicenda artistica di una cantante senese nel Risorgimento
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According to Ellen Creathorne Clayton (p. 386), on May 5 (thus before her London debut in
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447:'s entreaties to appear for the last time at Her Majesty's Theatre in the premiere of his
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515:. In fact, the date should be correctly referred to the 1857 opening performance (
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in sixteen or seventeen performances, the last of which being her London debut in
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435:. After touring around the provinces as usual, she finally returned to Italy.
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Piccolomini returned to the United Kingdom on April 21, 1857, and performed in
456:
156:
Marietta Piccolomini was born Maria Teresa Violante Piccolomini Clementini in
176:
783:, second edition, London, Skeffington, 1896 (accessible for free online at
88:
205:
549:
had refused to lend Her Majesty's Theatre to the organizing committee.
384:
218:
157:
143:
69:
797:, Sienna, Cantagalli (collection: "Le esperienze di Clio"), 2011.
592:, Vol. 2, Hurst and Blackett, London (Digitized by Google Books)
804:, Londra, Smith, Elder & Co., 1863 (accessible online as a
160:, Italy on 5 March 1834. She was descended from Italian noble
735:"The Spectator", 15 October 1859, p. 20 (accessible online at
845:
The Saturday Review of Politics, Literature, Science, and Art
836:, Londra, Hurst & Blackett, 1864 (accessible online as a
231:. In Pisa in 1853, she sang, among others, the title role in
696:"The Saturday Review", VI, 10 e 24 July 1858, pp. 45 and 84.
629:, Smith, Elder & Co., London (digitized by Google Books)
710:
Marietta Piccolomini, una gentildonna prestata alla lirica
425:
In June 1859 she returned to London, appearing at the
422:, and enjoying almost as much success as in London.
104:
96:
77:
51:
32:
687:"The Saturday Review", V, 23 January 1858, p. 93.
358:(with all recitatives set to music), and Verdi's
340:on a starring tour through Holland and Germany.
237:, in Reggio Emilia, the same year, Leonora in
545:Out of hatred for Lumley, at the last moment
528:Including New Orleans where she performed in
199:. In November 1852 she was engaged at Rome's
8:
56:Maria Teresa Violante Piccolomini Clementini
175:in January 1852, taking the title role of
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29:
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285:Piccolomini's appearance in Paris in
243:, and in Turin, in 1855, Violetta in
203:, where she performed in Donizetti's
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7:
823:Dizionario Biografico degli Italiani
574:Dizionario Biografico degli Italiani
398:during her American tour (1858–1859)
590:Thirty years' Musical Recollections
443:In April 1860 she was persuaded by
25:
933:Deaths from pneumonia in Tuscany
469:Basilica di San Miniato al Monte
123:[mariˈettapikkoˈlɔːmini]
460:to be held at the Drury Lane.
229:I Lombardi alla prima crociata
1:
908:Grand Duchy of Tuscany people
46:Marietta Piccolomini ca. 1860
185:and later also appearing in
509:!) Piccolomini appeared in
949:
834:Reminiscences of the Opera
800:Ellen Creathorne Clayton,
714:"Blog Chitarra e Dintorni"
490:Cimitero delle Porte Sante
465:Cimitero delle Porte Sante
913:Italian operatic sopranos
427:Theatre Royal, Drury Lane
39:
623:Ellen Creathorne Clayton
586:Henry Fothergill Chorley
316:La figlia del reggimento
273:La figlia del reggimento
737:archive.spectator.co.uk
439:Marriage and retirement
407:
153:
817:Piccolomini, Marietta
388:
263:Her Majesty's Theatre
147:
928:House of Piccolomini
918:Musicians from Siena
678:Lumley, pp. 441–442.
492:(Giampaolo Bianchi,
391:Marietta Piccolomini
300:La Dame aux camélias
291:Théâtre des Italiens
276:, and on July 26 in
253:International career
188:Crispino e la comare
162:House of Piccolomini
115:Marietta Piccolomini
34:Marietta Piccolomini
27:Italian opera singer
881:Volume VIII, 1859/2
838:Google ebook-gratis
806:Google ebook-gratis
793:Gianpaolo Bianchi,
708:Angela Cingottini,
646:Google ebook-gratis
517:The Saturday Review
512:Lucia di Lammermoor
414:with her favourite
327:Lucia di Lammermoor
876:Volume VII, 1859/1
856:Volume III, 1857/1
826:- Volume 83 (2015)
719:2011-07-20 at the
640:Cf. for instance:
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380:Giovanni Paisiello
333:Le Nozze di Figaro
318:again and also in
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871:Volume VI, 1858/2
861:Volume IV, 1857/2
814:Federica Camata,
536:in March of 1859.
534:Théâtre d'Orleans
401:Daguerreotype by
395:Pasquale Brignoli
355:The Bohemian Girl
173:Teatro La Pergola
112:
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18:Maria Piccolomini
16:(Redirected from
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866:Volume V, 1858/1
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785:Internet Archive
781:My reminiscences
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376:La serva padrona
372:Vincenzo Bellini
201:Teatro Argentina
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81:11 December 1899
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777:Luigi Arditi
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361:Luisa Miller
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309:Napoleon III
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279:Don Pasquale
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240:Il trovatore
238:
234:Luisa Miller
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224:I masnadieri
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215:Don Bucefalo
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169:mezzosoprano
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114:
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83:(1899-12-11)
66:5 March 1834
903:1899 deaths
898:1834 births
530:La Traviata
416:La Traviata
324:(Zerlina),
259:La Traviata
246:La Traviata
129:La Traviata
97:Nationality
892:Categories
557:References
457:impresario
346:La zingara
105:Occupation
62:1834-03-05
547:Lord Ward
311:and her.
177:Donizetti
140:Biography
717:Archived
572:Camata (
507:Traviata
494:op. cit.
338:Giuglini
287:Traviata
119:Italian:
89:Florence
771:Sources
625:(1863)
588:(1862)
532:at the
467:at the
206:Poliuto
100:Italian
91:, Italy
72:, Italy
449:Almina
420:Mozart
820:, in
475:Notes
350:Balfe
219:Verdi
193:Luigi
158:Siena
70:Siena
330:and
268:much
227:and
217:and
195:and
78:Died
52:Born
378:by
370:by
352:'s
297:'s
261:at
221:'s
213:’s
191:by
179:'s
132:by
894::
832:,
779:,
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