79:. In 1789 she went to Liverpool, and sang there with such success, both on the stage and at concerts, that she refused to return to Drury Lane unless her salary were raised. The management declining to grant her request, after waiting a few weeks, she came back to London and resumed her place at Drury Lane. Mrs. Bland remained attached to the Drury Lane company for the greater part of her life, but she also sang at the
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The following is a list of the principal engraved portraits of her: 1, in the 'Thespian
Magazine,' vol. i., by J. Condé (publisher 23 June 1795); 2, as Miss Notable in the 'Lady's Last Stake,' by De Wilde (published 23 June 1795); 3, as Nina in the 'Prisoner' (published 1 Feb. 1796); 4 and 5, as Mary
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Her parents came to London soon after their daughter's birth, and in the spring of 1773, through the influence of a hairdresser named Cady, obtained an engagement for their child at Hughes's Riding School. Her vocal talent developed at a very early age, and after singing at the Royal Circus she was
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Mrs. Bland's voice was a mezzo-soprano of very sweet quality. Her powers were limited, but as a singer of
English ballads she was singularly perfect and free from any blemish of style or taste. In person she was short and dark, but her acting was very bright and vivacious.
111:, who allowed her an annuity of ÂŁ80. She lived for the rest of her life with a family named Western, at the Broadway, Westminster, where she died of a fit of apoplexy on 15 January 1838. She was buried at
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to take her parts, which were those known as 'singing chambermaids.' Miss
Romanzini's first appearance at Drury Lane took place on 24 October 1786, when she played Antonio in an English version of
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156:. Her husband, whom it was said that she had treated badly, left her and went to America, where he died in 1807. She lived for more than a decade with the English actor
171:'s opera, and James, a bass, who began life as an opera singer, but later better known as an actor of burlesque, and who died at the Strand Theatre on 17 July 1861.
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On 5 July 1824 a performance was given for her benefit at Drury Lane, which produced (together with a public subscription) about ÂŁ800. The money was handed over to
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54:. The year of her birth is assumed to be historically correct, but as was common in the 18th century, the day and month went unrecorded.
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by Graham (published 21 Jan. 1796); 6, 'The Bland
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theatre during the last decade of the 18th century and the first two decades of the 19th century.
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for the Dublin
Theatre, where she sang with great success. In 1782, on the retirement of
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Mrs. Bland had had two sons: Charles, a tenor singer, who was the original
87:'s management, where her first appearance took place in 1791, as Wowski in
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https://anthonyjcamp.com/pages/anthony-j-camp-ancestry-0f-mrs-jordan
218: This article incorporates text from a publication now in the
238:. Vol. 5. London: Smith, Elder & Co. pp. 198–199.
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250:Genet's Hist. of the Stage vi. 424 ix. 240;
34:singer who enjoyed high popularity in the
224:Squire, William Barclay Squire (1886). "
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96:. She also sang for several seasons at
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253:Musical World. 19 and 26 Jan. 1838;
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311:British musical theatre actresses
291:National Portrait Gallery, London
160:before he also left for America.
152:, a minor actor and a brother of
235:Dictionary of National Biography
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148:On 21 October 1790 she married
50:, was born with the surname of
341:18th-century English actresses
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46:Maria Bland, the daughter of
113:St. Margaret's, Westminster
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326:Jewish classical musicians
256:Thespian Magazine, 1. 298;
244:Ann. Register, lxxx. 197;
287:Portraits of Maria Bland
131:The School for Guardians
137:The Surrender of Calais
247:Georgian Era, iv. 297;
316:British women singers
76:Richard Coeur-de-lion
66:, she was engaged at
226:Bland, Maria Theresa
119:Critical assessment
28:Maria Theresa Bland
18:Maria Theresa Bland
274:William Henry Husk
68:Drury Lane Theatre
30:(1769–1838) was a
272:information from
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81:Haymarket Theatre
64:Mary Ann Wrighten
16:(Redirected from
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199:Squire 1886
58:engaged by
305:Categories
240:Endnotes:
175:References
102:melancholy
269:, ii. 80;
260:Gent. Mag
52:Romanzini
265:Kelly's
140:(n.d.).
89:Arnold's
72:Grétry's
289:at the
232:(ed.).
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128:Ann in
32:British
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144:Family
85:Colman
83:under
36:London
169:Weber
42:Life
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