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occasionally acted fops and footmen at Drury Lane and the
Haymarket, and was subsequently an actor and a cowkeeper in America. Her sister Adelaide, an actress in a line similar to her own, was popular in Newcastle upon Tyne.
436:. For her own and her husband's benefit, she played Lady Julia in 'Personation,’ 9 June 1819, when she retired. A solitary reappearance was made at Covent Garden on the occasion of the début as Juliet of her daughter
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157:'s ballet at the Opera House. She spoke no English and learned the language herself although she was tutored in other subjects. Two years later she appeared in
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211:. Her father had left her in England for Germany, where he died while she was still young; she picked up English, and played juvenile and small parts.
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414:, and the like. In 1813–14 and 1814–15, she was not engaged. On 12 December 1815, she made an appearance as Lady Emily Gerald in her own comedy
393:, 1808, was played at Covent Garden for the benefit of her husband, who enacted Colonel Freelove, 18 May 1808; she was Lady Elizabeth Freelove.
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121:, was an Archduchy of Austria-born English actress, singer, dancer and comic playwright on the stage. She was the wife of actor
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301:(George Colman the Younger), and in the same year she played Portia and Desdemona, followed at Drury Lane by Katherine in
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She then disappeared from the stage until 1818–19, when she played Mrs. Sterling, and was the original Madge
Wildfire in
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Accompanying the
Kembles to Covent Garden, she made her first appearance there, on 1 October 1806, as Maria in the
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Knight, Joseph (23 September 2004). "Kemble , Maria
Theresa (1777–1838), actress". In Crouch, K. A (ed.).
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considered that Earle's statement 'has the appearance of truth'. Lady Teazle, Miss Hoyden, Lady Plyant in
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on 17 January 1774 and brought to
England where she appeared as Cupid at the age of six years old in
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She was the daughter of Jeanne Dufour and George De Camp who were both performers. She was born in
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of 10 June, she denied the charge and asserted that her play was copied by Earle from recitation.
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For her benefit, on 3 May 1799, she gave at Drury Lane her own unprinted play of
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Austrian-born
English actress, singer, dancer & comic playwright (1774-1838)
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with James Harvey and his brother George D'Egville. She was then secured by
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In 1792 she was employed as a leading actor to play
Macheath in the
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720:. Vol. 30. London: Smith, Elder & Co. pp. 378–379.
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were some of the other parts she played before her marriage to
201:, where on 24 October 1786, she played Julie, a small part in
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in the presence of the royal family. On 21 June she danced in
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Match-making, or 'Tis a Wise Child that knows its own Father
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She also assisted her husband in the preparation of
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The Day after the
Wedding, or a Wife's First Lesson
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291:and that painting is now in the collection of the
189:, and on 7 July she appeared in a ballet entitled
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320:. In 1799 William Earle printed a piece called
251:She created the first version of Lindamira in
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225:at the Haymarket. She went on to appear in
416:Smiles and Tears, or the Widow's Stratagem
307:, and Hippolito in Kemble's alteration of
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630:Oxford Dictionary of National Biography
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663:, Southern Illinois University Press
279:. On 8 June 1796 she appeared in the
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792:Emigrants from the Holy Roman Empire
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661:A Biographical Dictionary of Actors
459:Besides Fanny Kemble, her daughter
350:, Little Pickle, and Dollalolla in
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261:and she stood in for the singers
787:Immigrants to the United Kingdom
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717:Dictionary of National Biography
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607:"CollectionsOnline | G0392"
410:, Mrs. Ford, and Juliana in the
360:, which took place 2 July 1806.
772:19th-century English actresses
767:18th-century English actresses
463:was known on the stage. A son
269:. She was the first Judith in
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732:Works by Maria Theresa Kemble
706:Knight, John Joseph (1892). "
659:P.H. Highfill et al. (1982)
647:UK public library membership
165:. After she appeared at the
738:(public domain audiobooks)
347:She Would and She Would Not
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492:George Colman the Younger
467:was a classical scholar.
277:George Colman the Younger
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98:dancer, singer and actor
37:Maria Theresa Kemble as
777:English stage actresses
451:, on 3 September 1838.
379:Catharine and Petruchio
304:Katherine and Petruchio
258:The Box-Lobby Challenge
639:10.1093/ref:odnb/15323
536:Lady Selina Vapour in
430:'s musical version of
407:Much Ado about Nothing
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247:The Recruiting Officer
183:James Harvey D'Egville
708:Kemble, Maria Theresa
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236:The Count of Narbonne
181:on 14 June 1786 with
131:Kemble acting dynasty
119:Marie Thérèse Du Camp
465:John Mitchell Kemble
208:Richard Cœur de Lion
169:she was employed by
155:Jean-Georges Noverre
147:Archduchy of Austria
115:Maria Theresa Kemble
25:Maria Theresa Kemble
682:, pp. 378–379.
557:Francis Ludlow Holt
552:The Land We Live In
539:Fashionable Friends
433:Heart of Midlothian
505:Frederick Reynolds
497:Elinor Bloomly in
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253:Richard Cumberland
199:Drury Lane Theatre
645:(Subscription or
575:Mrs Templeton in
337:The Double Dealer
285:The Good Shepherd
267:Anna Maria Crouch
227:Miss in her Teens
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151:Holy Roman Empire
117:(1774–1838), née
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69:(1838-09-03)
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762:1838 deaths
757:1774 births
712:Lee, Sidney
680:Knight 1892
510:Leonora in
364:As a Kemble
332:John Genest
310:The Tempest
195:Thomas King
179:The Nosegay
87:Nationality
751:Categories
690:References
649:required.)
544:Mary Berry
523:Elinor in
484:Judith in
422:Last years
283:of Patie (
159:La Colombe
137:Early life
75:Addlestone
578:Education
562:Fanny in
412:Honeymoon
353:Tom Thumb
81:, England
736:LibriVox
445:Chertsey
197:for the
714:(ed.).
704::
387:Citizen
90:British
710:". In
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585:(1813)
572:(1805)
559:(1804)
546:(1802)
533:(1798)
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507:(1797)
494:(1796)
449:Surrey
244:, and
242:Quaker
143:Vienna
103:Spouse
79:Surrey
57:Vienna
590:Notes
665:ISBN
265:and
240:the
64:Died
50:Born
734:at
635:doi
581:by
568:by
555:by
542:by
529:by
516:by
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490:by
376:'s
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229:(
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