972:
341:
176:
270:
122:
140:
290:
326:
308:
194:
158:
20:
252:
230:
212:
359:
77:
After the death of Louis-Auguste CĂ©zanne that same year, CĂ©zanne and his wife separated, the artist moving in with his sister and mother and declaring, "My wife only cares for
Switzerland and lemonade". The psychological distance between husband and wife appears to be reflected in the portraits where she gives the impression of being self-absorbed.
80:
She eventually settled in Paris. Although he continued to paint his wife until the 1890s, he disinherited her. After her husband's death in 1906, their one child, Paul (1872–1947) inherited his father's entire estate. The settlement that
Hortense received from her son was squandered through gambling.
76:
Fiquet and CĂ©zanne married on 28 April 1886, in the presence of the artist's parents, though by that time he had publicly said that he no longer had any feelings for her. Described by one scholar as "high-maintenance", Fiquet was to live separately from her husband for much of their married life.
340:
121:
72:
in the south of France. Afraid of offending his father, Louis-Auguste CĂ©zanne, a well-to-do banker, and compromising his allowance, he went to great lengths to conceal his liaison with Fiquet. The existence of their child Paul, born in 1872, was kept from Louis-Auguste for some years.
64:. This art school was used by a number of major artists as a place to meet each other and to paint the models who worked there. Fiquet's main job was as a bookseller or bookbinder, but she combined this with part-time work as a model. They started a relationship and when the
269:
102:
In the novel, Christine, also a model, marries a painter. However the book is not biographical in the strict sense; while the fictional painter bears some relation to CĂ©zanne, Christine poses nude, a far cry from CĂ©zanne's chaste portraits of Fiquet, and more reminiscent of
175:
139:
307:
289:
325:
708:
739:
959:
700:
193:
157:
229:
99:
novel which appeared in serial form the year before the CĂ©zannes' marriage. Zola was a friend to CĂ©zanne from their schooldays, although the novel caused some tension between them.
251:
211:
769:
276:
381:
358:
873:
561:
723:
527:
754:
451:
586:
1113:
403:
793:
995:
935:
661:
801:
432:
19:
1055:
881:
129:
646:
600:
554:
243:
105:
825:
368:
299:
1118:
842:
692:
149:
858:
889:
608:
317:
281:
203:
167:
31:
904:
623:
1123:
943:
547:
463:
834:
676:
951:
777:
1030:
785:
1108:
1103:
1047:
850:
809:
1076:
1070:
65:
491:"Cézanne and I (Cézanne et moi): The relationship of painter Paul Cézanne and novelist Émile Zola"
61:
927:
919:
731:
592:
523:
350:
261:
1063:
987:
631:
490:
185:
110:
570:
221:
45:
23:
48:
and the 27 portraits, mostly in oil, he painted of her between 1869 and the late 1890s.
60:, France on 22 April 1850. In 1869, she met CĂ©zanne at an art school in Paris called
1097:
684:
438:
239:
96:
91:
69:
515:
478:
Hidden in the Shadow of the Master: The Model-Wives of CĂ©zanne, Monet, and Rodin
41:
57:
120:
18:
543:
539:
701:
Mont Sainte-Victoire and the
Viaduct of the Arc River Valley
960:
La
Montagne Sainte-Victoire vue du bosquet du Château Noir
126:
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress
89:
Hortense may have provided inspiration for a character in
536:. Greenwich, Connecticut: New York Graphic Society, 1969
520:
The
Painted Face, Portraits of Women in France 1814–1914
404:
Author Gives Voice to
Artists’ Silent Muses, Their Wives
452:
Emotion, Color, CĂ©zanne1 (The
Portraits of Hortense)
1039:
1023:
1006:
979:
579:
418:
416:
503:This painting was posed by Manet's wife Suzanne.
68:broke out in 1871, they left Paris together for
770:Portrait of Madame CĂ©zanne with Loosened Hair
555:
277:Portrait of Madame CĂ©zanne with Loosened Hair
8:
823:
332:Portrait of Mme CĂ©zanne in a yellow armchair
128:(1888-90), oil on canvas, 116.5 x 89.5 cm,
562:
548:
540:
40:(22 April 1850 – 1922) was a French
740:Chestnut Trees and Farm at Jas de Bouffan
709:Chestnut Trees and Farm at Jas de Bouffan
44:. She is best known for her marriage to
724:Mont Sainte-Victoire seen from Bellevue
395:
135:
16:Model; wife of Paul Cezanne (1850–1922)
7:
755:Mont Sainte-Victoire with Large Pine
347:Woman in a Green Hat. Madame CĂ©zanne
218:Portrait of Marie-Hortense Fiquet,
14:
794:Still Life with Peaches and Pears
280:, c. 1883 – 1887,
970:
802:View of the Domaine Saint-Joseph
357:
339:
324:
314:Madame CĂ©zanne in the Greenhouse
306:
288:
268:
250:
228:
210:
192:
174:
156:
146:Madame CĂ©zanne in a red armchair
138:
28:Hortense CĂ©zanne in a Red Dress,
522:. Yale University Press, 2007.
882:Pipe Smoker Leaning on a Table
480:. Yale University Press, 2008.
130:The Metropolitan Museum of Art
1:
909:
894:
863:
814:
759:
744:
713:
666:
651:
636:
613:
244:The Detroit Institute of Arts
38:Marie-Hortense Fiquet CĂ©zanne
874:Portrait of Ambroise Vollard
826:Rideau, Cruchon et Compotier
369:Solomon R. Guggenheim Museum
300:Museum of Fine Arts, Houston
843:Portrait of Gustave Geffroy
693:Portrait of Louis Guillaume
150:Museum of Fine Arts, Boston
1140:
601:The Overture to Tannhäuser
383:Portrait of Madame CĂ©zanne
318:Metropolitan Museum of Art
282:Philadelphia Museum of Art
258:Portrait of Madame CĂ©zanne
204:Philadelphia Museum of Art
200:Portrait of Madame CĂ©zanne
164:Madame CĂ©zanne in a Garden
968:
534:CĂ©zanne: His Life and Art
464:"Marie-Hortense CĂ©zanne"
835:The Boy in the Red Vest
677:View of Auvers-sur-Oise
609:L'Estaque, Melting Snow
182:Portrait of Mme CĂ©zanne
106:Le déjeuner sur l'herbe
32:SĂŁo Paulo Museum of Art
1114:French artists' models
952:Still Life with Teapot
824:
778:The Banks of the Marne
624:The Hanged Man's House
296:Madame CĂ©zanne in Blue
133:
34:
1014:Marie-Hortense Fiquet
786:Pierrot and Harlequin
647:L'Après-midi à Naples
124:
22:
996:Mont Sainte-Victoire
936:The Bunch of Flowers
851:Bridge Across a Pond
810:The Basket of Apples
662:The Eternal Feminine
168:Musée de l'Orangerie
1077:Corbarimys cezannei
466:. 10 February 2015.
434:Carpenter of Colour
410:, September 3, 2008
66:Franco-Prussian War
1119:French booksellers
1056:The Impressionists
493:. 24 October 2019.
450:Susan Sidlauskas,
402:Cohen, Patricia. "
385:(Roy Lichtenstein)
134:
35:
1086:
1085:
1048:Homage to CĂ©zanne
920:Pyramid of Skulls
732:House in Provence
593:The Negro Scipion
587:List of paintings
528:978-0-300-11118-7
431:Laura Gascoigne,
351:Barnes Foundation
262:Barnes collection
1131:
1071:CĂ©zanne (crater)
1031:CĂ©zanne's studio
1016:(model and wife)
988:The Card Players
974:
973:
914:
911:
899:
896:
868:
865:
829:
819:
816:
764:
761:
749:
746:
718:
715:
671:
668:
656:
653:
641:
640: 1873-1874
638:
632:A Modern Olympia
618:
615:
573:
564:
557:
550:
541:
504:
501:
495:
494:
487:
481:
474:
468:
467:
460:
454:
448:
442:
429:
423:
420:
411:
400:
361:
343:
328:
310:
292:
272:
254:
232:
214:
196:
186:Berggruen Museum
184:, c. 1885,
178:
160:
142:
56:She was born in
1139:
1138:
1134:
1133:
1132:
1130:
1129:
1128:
1094:
1093:
1092:
1087:
1082:
1051:(1900 painting)
1035:
1019:
1002:
975:
971:
966:
912:
897:
866:
817:
762:
747:
716:
669:
654:
639:
616:
575:
571:
568:
532:Lindsay, Jack.
512:
507:
502:
498:
489:
488:
484:
475:
471:
462:
461:
457:
449:
445:
430:
426:
421:
414:
401:
397:
393:
378:
371:
362:
353:
344:
335:
329:
320:
311:
302:
293:
284:
273:
264:
255:
246:
236:Madame CĂ©zanne,
233:
224:
215:
206:
197:
188:
179:
170:
161:
152:
143:
119:
87:
62:Académie Suisse
54:
17:
12:
11:
5:
1137:
1135:
1127:
1126:
1121:
1116:
1111:
1106:
1096:
1095:
1091:
1090:External links
1088:
1084:
1083:
1081:
1080:
1073:
1068:
1060:
1052:
1043:
1041:
1037:
1036:
1034:
1033:
1027:
1025:
1021:
1020:
1018:
1017:
1010:
1008:
1004:
1003:
1001:
1000:
992:
983:
981:
977:
976:
969:
967:
965:
964:
956:
948:
940:
932:
924:
916:
901:
886:
878:
870:
859:Seated Peasant
855:
847:
839:
831:
821:
806:
798:
790:
782:
774:
766:
751:
736:
728:
720:
705:
697:
689:
681:
673:
658:
643:
628:
620:
605:
597:
589:
583:
581:
577:
576:
569:
567:
566:
559:
552:
544:
538:
537:
530:
511:
508:
506:
505:
496:
482:
469:
455:
443:
424:
412:
408:New York Times
394:
392:
389:
388:
387:
377:
374:
373:
372:
365:Madame CĂ©zanne
363:
356:
354:
345:
338:
336:
330:
323:
321:
312:
305:
303:
294:
287:
285:
274:
267:
265:
260:, (1885–1887)
256:
249:
247:
234:
227:
225:
216:
209:
207:
198:
191:
189:
180:
173:
171:
162:
155:
153:
144:
137:
118:
115:
86:
83:
53:
50:
42:artists' model
15:
13:
10:
9:
6:
4:
3:
2:
1136:
1125:
1122:
1120:
1117:
1115:
1112:
1110:
1107:
1105:
1102:
1101:
1099:
1089:
1079:
1078:
1074:
1072:
1069:
1066:
1065:
1064:CĂ©zanne and I
1061:
1059:(2006 series)
1058:
1057:
1053:
1050:
1049:
1045:
1044:
1042:
1038:
1032:
1029:
1028:
1026:
1022:
1015:
1012:
1011:
1009:
1005:
998:
997:
993:
990:
989:
985:
984:
982:
978:
962:
961:
957:
954:
953:
949:
946:
945:
941:
938:
937:
933:
930:
929:
925:
922:
921:
917:
907:
906:
902:
892:
891:
890:Women Bathing
887:
884:
883:
879:
876:
875:
871:
861:
860:
856:
853:
852:
848:
845:
844:
840:
837:
836:
832:
828:
827:
822:
812:
811:
807:
804:
803:
799:
796:
795:
791:
788:
787:
783:
780:
779:
775:
772:
771:
767:
757:
756:
752:
742:
741:
737:
734:
733:
729:
726:
725:
721:
711:
710:
706:
703:
702:
698:
695:
694:
690:
687:
686:
685:Three Bathers
682:
679:
678:
674:
664:
663:
659:
649:
648:
644:
634:
633:
629:
626:
625:
621:
611:
610:
606:
603:
602:
598:
595:
594:
590:
588:
585:
584:
582:
578:
574:
565:
560:
558:
553:
551:
546:
545:
542:
535:
531:
529:
525:
521:
517:
514:
513:
509:
500:
497:
492:
486:
483:
479:
476:Ruth Butler,
473:
470:
465:
459:
456:
453:
447:
444:
441:, 8 July 2006
440:
439:The Spectator
436:
435:
428:
425:
419:
417:
413:
409:
405:
399:
396:
390:
386:
384:
380:
379:
375:
370:
366:
360:
355:
352:
349:, 1894–1895.
348:
342:
337:
333:
327:
322:
319:
316:, 1891–1892.
315:
309:
304:
301:
297:
291:
286:
283:
279:
278:
271:
266:
263:
259:
253:
248:
245:
241:
240:Oil on canvas
237:
231:
226:
223:
219:
213:
208:
205:
201:
195:
190:
187:
183:
177:
172:
169:
166:, 1879-1880,
165:
159:
154:
151:
147:
141:
136:
131:
127:
123:
116:
114:
112:
111:Édouard Manet
108:
107:
100:
98:
94:
93:
85:In literature
84:
82:
78:
74:
71:
67:
63:
59:
51:
49:
47:
43:
39:
33:
29:
26:(1839–1906),
25:
21:
1124:Paul CĂ©zanne
1075:
1062:
1054:
1046:
1013:
994:
986:
958:
950:
942:
934:
926:
918:
905:Lady in Blue
903:
888:
880:
872:
857:
849:
841:
833:
808:
805:(late 1880s)
800:
792:
784:
776:
768:
753:
738:
730:
722:
707:
699:
691:
683:
675:
660:
645:
630:
622:
607:
599:
591:
572:Paul CĂ©zanne
533:
519:
499:
485:
477:
472:
458:
446:
433:
427:
407:
398:
382:
364:
346:
331:
313:
295:
275:
257:
235:
222:Musée Granet
217:
199:
181:
163:
145:
125:
104:
101:
90:
88:
79:
75:
55:
46:Paul CĂ©zanne
37:
36:
27:
24:Paul CĂ©zanne
1109:1922 deaths
1104:1850 births
1067:(2016 film)
999:(1904–1906)
991:(1890–1895)
955:(1902–1906)
947:(1898–1905)
944:The Bathers
939:(1902–1904)
931:(1902–1904)
913: 1900
898: 1900
885:(1895–1900)
867: 1892
854:(1895–1898)
838:(1894–1895)
830:(1893–1894)
818: 1893
797:(1888–1890)
789:(1888–1890)
773:(1883–1887)
763: 1887
748: 1886
717: 1884
704:(1882–1885)
696:(1879–1882)
688:(1879–1882)
670: 1877
655: 1876
617: 1871
516:Garb, Tamar
367:, 1885–87.
334:, 1893–1895
220:1885–1887,
1098:Categories
391:References
132:, New York
97:Émile Zola
680:(1879–80)
580:Paintings
238:c. 1886,
70:L'Estaque
376:See also
298:, 1890,
202:, 1885,
148:, 1877.
58:Saligney
30:c.1890,
1040:Related
1024:Museums
510:Sources
422:Lindsay
117:Gallery
92:L'Ĺ’uvre
1007:Family
980:Series
963:(1904)
928:Forest
923:(1901)
877:(1899)
869:–1896)
846:(1895)
781:(1888)
735:(1885)
727:(1885)
627:(1873)
604:(1869)
596:(1867)
526:
95:, an
524:ISBN
52:Life
406:".
109:by
1100::
910:c.
895:c.
864:c.
815:c.
760:c.
745:c.
714:c.
667:c.
652:c.
637:c.
614:c.
518:.
437:,
415:^
242:,
113:.
915:)
908:(
900:)
893:(
862:(
820:)
813:(
765:)
758:(
750:)
743:(
719:)
712:(
672:)
665:(
657:)
650:(
642:)
635:(
619:)
612:(
563:e
556:t
549:v
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
