Knowledge (XXG)

Marie Brassard

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20: 85:(The Fury of my Thoughts) at Espace Go in Montreal. The piece was later reprised at the FTA in Montreal and Carrefour in Quebec City and performed on tour in Madrid, Limoges and Amsterdam. In 2017, in company of her team, she staged the piece in its Japanese version. Created and originally performed in Tokyo, the play then toured through Japan in Kyoto, Hiroshima, Toyohashi et Kitakyushu. 55:
Darkness (2003), Peepshow (2005), The Glass Eye (2007), The Invisible (2008), Me Talking to Myself in the Future (2010), The Fury of my Thoughts (Nelly Arcan), Trieste (2013), Peepshow (version 2016), La vie utile (Évelyne de la Chenelière), Introduction to Violence (2019), Eclipse (2020) and Violence (2021).
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Marie Brassard performed and co-created with Robert Lepage between the years 1985 and 2000 in theatre (The Dragons' Trilogy, Polygraph, The Seven Streams of the River Ota, The Shakespeare Trilogy: Coriolanus, The Tempest and Macbeth), Geometry of Miracles, and in films ( Polygraph, NĂ” ). In 2001, she
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The success of the play led Brassard to found her own production company, Infrarouge, and to begin to work solo. Since then, in collaboration with guest artists from different disciplines and origins, she has created surreal theatre with innovative video, light and sound installations, including The
100:(2013). Brassard also choreographed several short pieces in collaboration with a number of choreographers. In different contexts, she worked with Dana Gingras, Anne Thériault, Annik Hamel, Jane Mappin, Anne Plamondon and Karine Denault. She danced in two Isabelle Van Grimde pieces ( 504: 111:
Brassard has appeared in a number of films, including those by Robert Lepage, Michael Winterbottom, Guy Maddin, Ryan McKenna, Denis Côté, Sophie Deraspe, Matthew Rankin and Stéphane Lafleur.
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in Berlin, the Halle G im Museums Quartier and Brut im KĂĽnstlerhaus in Vienna, the Kulturhuset in Stockholm, The Malthouse, Merlyn Theatre in Melbourne and the Teatro Espanol in Madrid.
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and later for her own French and English theatrical pieces, which have been presented in many countries in the Americas, Europe and in Australia.
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Brassard's plays have been performed in numerous countries in the Americas, Australia and Europe, among other places at the
59: 47:, within the framework of the Festival TransAmériques (although it appears it must have first been presented at Montreal's 71: 262: 313: 30:
is a Canadian actress, theatrical writer and director. She is known for her work with playwright and actor
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and director. She created two dance pieces in collaboration with dancer choreographer Sarah Williams:
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In 2013, she created a collage of texts by Nelly Arcan and staged the piece, titled in French
505:"Shows at Montreal's Festival TransAmériques explore memory from radically different angles" 247: 222: 372: 67: 322: 75: 549: 288: 31: 231: 476: 454: 439: 402: 89: 48: 271: 406:. Graduate Centre for Study of Drama, University of Toronto; 1990. p. 158. 296: 530: 480:. Vol. 10, Issues 14-22. That New Magazine, Incorporated; 1996. p. 18. 114:
In 2016, she was awarded L'Ordre des arts et des lettres du Québec.
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Moore, Nathaniel G. (2001). "Montreal: Edgy Women Festival".
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Later in her career, Brassard began working as a dance
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Humanist Vampire Seeking Consenting Suicidal Person
383:(Vampire humaniste cherche suicidaire consentant) 586:21st-century Canadian dramatists and playwrights 16:Canadian actress, theatrical writer and director 143:La vie utile (texte d'Évelyne de la Chenelière) 511:, Robert Everett-Green, MONTREAL May 29, 2017 596:Canadian dramatists and playwrights in French 8: 418:The New York Times Theater Reviews 1997-1998 149:The Fury of my Thoughts (Japanese version) 571:Canadian women dramatists and playwrights 394: 527:, Marie Brassard's Production Company 265:(Le Bonheur c'est une chanson triste) 7: 421:. Psychology Press; 2 January 2001. 51:festival a couple of months prior). 591:21st-century Canadian women writers 179:Me talking to Myself in the Future 14: 282:(Continental, un film sans fusil) 280:Continental, a Film Without Guns 1: 542:. The Canadian Encyclopedia. 403:Histoire du théâtre au Canada 43:created her first solo play, 167:La Fureur de ce que je pense 83:La Fureur de ce que je pense 72:Haus der Berliner Festspiele 62:in Paris, The Studio at the 458:. Talonbooks; 1 July 2001. 612: 137:Introduction Ă  la violence 561:Canadian stage actresses 342:(Vic+Flo ont vu un ours) 581:Actresses from Montreal 566:Canadian film actresses 263:Happiness Is a Sad Song 161:The Darkness, revisited 340:Vic and Flo Saw a Bear 307:(Les grandes chaleurs) 106:The Bodies in Question 24: 576:Writers from Montreal 455:Modern Canadian plays 440:London Theatre Record 102:Perspectives Montreal 22: 94:Moving in this World 316:(Les signes vitaux) 509:The Globe and Mail 250:(La Loi du cochon) 70:in London UK, the 66:in Australia, the 60:Théâtre de l'OdĂ©on 25: 464:978-0-88922-437-7 452:Jerry Wasserman. 427:978-0-8153-3341-8 603: 540:"Marie Brassard" 512: 502: 496: 495: 487: 481: 473: 467: 450: 444: 436: 430: 415:New York Times. 413: 407: 399: 215:Film appearances 98:States of Transe 611: 610: 606: 605: 604: 602: 601: 600: 546: 545: 521: 516: 515: 503: 499: 489: 488: 484: 474: 470: 451: 447: 437: 433: 414: 410: 400: 396: 391: 373:Mistral Spatial 333:(LĂ  oĂą je suis) 225:(Le Polygraphe) 217: 155:Peepshow (2015) 120: 68:Barbican Centre 40: 17: 12: 11: 5: 609: 607: 599: 598: 593: 588: 583: 578: 573: 568: 563: 558: 548: 547: 544: 543: 537: 531:Marie Brassard 528: 520: 519:External links 517: 514: 513: 497: 482: 468: 445: 431: 408: 393: 392: 390: 387: 386: 385: 376: 368: 360: 352: 344: 335: 326: 318: 309: 300: 292: 284: 275: 267: 258: 252: 243: 235: 227: 216: 213: 212: 211: 205: 199: 193: 187: 181: 175: 169: 163: 157: 151: 145: 139: 133: 127: 119: 116: 39: 36: 28:Marie Brassard 23:Marie Brassard 15: 13: 10: 9: 6: 4: 3: 2: 608: 597: 594: 592: 589: 587: 584: 582: 579: 577: 574: 572: 569: 567: 564: 562: 559: 557: 556:Living people 554: 553: 551: 541: 538: 536: 532: 529: 526: 523: 522: 518: 510: 506: 501: 498: 493: 492:Broken Pencil 486: 483: 479: 478: 472: 469: 465: 461: 457: 456: 449: 446: 442: 441: 435: 432: 428: 424: 420: 419: 412: 409: 405: 404: 398: 395: 388: 384: 382: 377: 375: 374: 369: 367: 366: 361: 359: 358: 353: 351: 350: 345: 343: 341: 336: 334: 332: 327: 325: 324: 319: 317: 315: 310: 308: 306: 301: 299: 298: 293: 291: 290: 285: 283: 281: 276: 274: 273: 268: 266: 264: 259: 257: 253: 251: 249: 248:The Pig's Law 244: 242: 241: 236: 234: 233: 228: 226: 224: 219: 218: 214: 210: 206: 204: 200: 198: 194: 192: 191:The Glass Eye 188: 186: 185:The Invisible 182: 180: 176: 174: 170: 168: 164: 162: 158: 156: 152: 150: 146: 144: 140: 138: 134: 132: 128: 126: 122: 121: 117: 115: 112: 109: 107: 103: 99: 95: 91: 86: 84: 79: 77: 73: 69: 65: 61: 56: 52: 50: 46: 37: 35: 33: 32:Robert Lepage 29: 21: 508: 500: 491: 485: 477:Theater Week 475: 471: 453: 448: 438: 434: 416: 411: 401: 397: 379: 371: 363: 355: 347: 338: 329: 321: 312: 303: 295: 287: 278: 270: 261: 256:Past Perfect 255: 246: 238: 230: 221: 208: 203:The Darkness 202: 196: 190: 184: 178: 172: 166: 160: 154: 148: 142: 136: 130: 124: 113: 110: 105: 101: 97: 93: 87: 82: 80: 76:Sophiensaele 64:Sydney Opera 57: 53: 44: 41: 27: 26: 314:Vital Signs 550:Categories 525:Infrarouge 494:(16): 8–9. 429:. p. 274–. 389:References 331:Where I Am 90:dramaturge 49:Edgy Women 305:Heat Wave 272:Congorama 240:The Claim 223:Polygraph 466:. p. 70. 323:ÉsimĂ©sac 297:Cadavres 197:Peepshow 125:Violence 74:and the 349:Roberta 173:Trieste 131:Eclipse 462:  425:  378:2023: 370:2022: 365:Viking 362:2022: 354:2015: 346:2014: 337:2013: 328:2012: 320:2012: 311:2009: 302:2009: 294:2008: 289:Babine 286:2008: 277:2007: 269:2006: 260:2004: 254:2002: 245:2001: 237:2000: 229:1998: 220:1997: 207:2001: 201:2003: 195:2005: 189:2007: 183:2008: 177:2010: 171:2013: 165:2013: 159:2014: 153:2015: 147:2017: 141:2018: 135:2019: 129:2020: 123:2021: 38:Career 357:Corbo 209:Jimmy 118:Plays 45:Jimmy 535:IMDb 460:ISBN 423:ISBN 104:and 533:at 108:). 552:: 507:. 232:NĂ´

Index


Robert Lepage
Edgy Women
Théâtre de l'Odéon
Sydney Opera
Barbican Centre
Haus der Berliner Festspiele
Sophiensaele
dramaturge
Polygraph
NĂ´
The Claim
The Pig's Law
Happiness Is a Sad Song
Congorama
Continental, a Film Without Guns
Babine
Cadavres
Heat Wave
Vital Signs
Ésimésac
Where I Am
Vic and Flo Saw a Bear
Roberta
Corbo
Viking
Mistral Spatial
Humanist Vampire Seeking Consenting Suicidal Person
Histoire du théâtre au Canada
The New York Times Theater Reviews 1997-1998

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