Knowledge (XXG)

Marie Mattfeld

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614: 1119: 58:("The Met"); having previously made her debut with that company in 1901. She remained committed to the Met up until her death in 1927; giving a total of 900 performances in more than forty different operas. She was particularly admired for her portrayal of Hänsel in 641:. In addition to his work as a teacher, he also worked as an organist at a variety of churches in Manhattan and Brooklynn during his career, and occasionally served as his wife's accompanist in concert and recitals. Wilhelm Mattfeld died in 1925. 188:'s Boston based Castle Square Opera Company with whom she performed in both Massachusetts and New York. She appeared with that organization at T. Henry French's The American Theatre in New York City in 1899 as Magdalena in Wagner's 45:
canon of performance literature during the last decade of the 19th century and the first three decades of the 20th century. Beginning her career performing in concerts and operas in Munich in the early 1890s, she joined
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Mattfeld married the German-American organist, pianist, composer, and music educator Wilhelm Mattfeld (1863-1925) in Munich in July 1890, and performed under her married name. She was trained as a vocalist at the
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who trained him as an organist. He met and married his wife while in Munich in July 1890. When the couple moved to New York, he worked as a music teacher and chairman of the department of music at
259:. It was this role for which she was most closely associated during her career. She remained committed to the Met up until her death 21 years later, giving a total of 900 performances at the 1248: 50:'s newly created American opera company in 1896. After performing for several years in operas in the United States, she returned to Germany where she was committed to 111:
Born Marie Schmid in Munich, Germany in 1870, Marie Mattfeld was the daughter of Herman Schmid and Mary Schmid (née Friedl). Her father worked as a musician at the
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repertoire. She then returned to New York in 1906 to join the roster of principal artist at the Met where she was initially under contract as a
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International Who's who in Music and Musical Gazetteer: A Contemporary Biographical Dictionary and a Record of the World's Musical Activity
625:. Her husband was born in New York City to German parents, and like his wife, was trained as a musician in Munich where he was a pupil of 633:
in New York City. He was also a composer who wrote several Catholic masses and songs for use in music education programs. He co-authored
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during her tenure with the company. Highlights of her career at the Met included creating roles in the world premieres of four operas:
799: 1233: 747: 613: 1186:"The American songbook : for the use of schools, academies, and teachers' institutes / by John H. Haaren and Wilhelm Mattfeld" 601: 494: 190: 825: 768: 264: 250: 140: 59: 115:. Her uncle, Franz Joseph Schmid, was a composer, conductor, and organist who directed the United Singing Societies of Germany. 652:
in which she established a charitable home for orphaned children through donated funds given by the citizens of New York City.
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Mattfeld is best remembered for creating roles in the world premieres of several operas at the Met; including Humperdinck's
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Black's Dictionary of Music & Musicians: Covering the Entire Period of Musical History from the Earliest Times to 1924
1243: 482: 920:""TANNHAUSER" AT THE ACADEMY.; Beginning of the Second Week of Mr. Walter Damrosch's Season of Grand Opera in German" 530: 299:(1918, as Sister Dolcina). She also performed in the United States premieres of several operas at the Met, including 1146: 165:
in the title role. She remained with that company for three seasons, where her repertoire included the role of the
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The Marie Mattfeld House in Oberammergau, Germany where Mattfeld established a home for orphan children in 1923.
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The American songbook : for the use of schools, academies, and teachers' institutes, and the family circle
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for his newly created opera company. She made her American debut with that company on March 9, 1896, at the
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from 1901 to 1905. In 1906 she returned to the United States to join the roster of resident artists at the
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parts, although she did occasionally get larger parts in addition to Hansel such as Lady Harriet in
1017: 904: 410: 404: 318: 210: 185: 154: 1124: 1090: 1070: 1053: 1036: 995: 978: 961: 944: 924: 776: 518: 434: 362: 333: 221: 55: 127:. She began her career performing as an opera and concert singer in Munich in the early 1890s. 804: 743: 714: 696: 638: 626: 416: 289: 199: 89: 488: 422: 392: 621:
In New York, Marie Mattfeld lived with her husband, Wilhelm Mattfeld, at 324 W. 51st St in
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A History of the New York Stage from the First Performance in 1732 to 1901, Volume 3
649: 506: 166: 500: 386: 1011: 700: 582: 351: 1032:"THE WORCESTER FESTIVAL; Forty-second Annual Week of Music a Financial Success" 710: 313: 162: 202:'s touring Sembrich Opera Company for performances of the roles of Siebel in 622: 476: 308: 242: 17: 637:(1898, King-Richardson Publishing Company) with the educator and historian 343: 249:. She made her first return appearance at that house in 1906 as Hänsel in 542: 452: 225: 645: 246: 42: 458: 402:. Other roles Mattfield performed on the Met stage included Alisa in 612: 548: 34: 648:, Germany. Four years prior to her death she purchased a home in 644:
Marie Mattfield died on September 18, 1927, while on vacation in
593:. These consisted of recorded excerpts of the roles of Pamina in 99:(1918). Her voice is preserved on two recordings made with the 237:
Mattfield returned to Germany, and was a resident artist at
194:; a role she later repeated with the company at the 1899 589:
During her career, Mattfeld made two recording with the
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Most of Mattfield's other roles at the Met were smaller
576:. She gave her last appearance at the Met as Annina in 1010:
Thomas Allston Brown (1903). "The American Theatre".
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from 1901 to 1905. There she performed roles in the
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Early life, education and initial career in Germany
1148:Supreme Court Appellate Division-Second Department 852:Who was who in American History, Arts and Letters 878:W. B. Henshaw. "Mattfeld, Wilhelm (1863-1925)". 135:Mattfeld left Germany when she was engaged by 1249:University of Music and Theatre Munich alumni 131:Later career in the United States and Germany 8: 734:Katharine Phenix (1996). "Mattfeld, Marie". 1171:The Musical Blue Book of America, Volume I 1153:New York Supreme Court, Appellate Division 1114: 1112: 1110: 1108: 691: 689: 687: 685: 220:. In April 1901 she made her debut at the 1120:"Mattfeld, Marie [Mezzo Soprano]" 937: 935: 893: 891: 763: 761: 759: 683: 681: 679: 677: 675: 673: 671: 669: 667: 665: 37:singer who performed repertoire from the 33:(1870 — September 18, 1927) was a German 898:Fannie Edgar Thomas (January 16, 1907). 881:The Biographical Dictionary of the Organ 873: 871: 869: 867: 865: 1164: 1162: 1125:Metropolitan Opera Performance Archives 1091:Metropolitan Opera Performance Archives 819: 817: 815: 794: 792: 790: 788: 786: 661: 196:Worcester Music Festival, Massachusetts 845: 843: 777:Current Literature Publishing Company 337:in 1919 in the role of Chiarina; and 7: 959:"Notes of Music; The German Opera". 736:Subject Guide to Women of the World 900:"Musical Notes; Wilhelm Mattfield" 25: 948:. September 10, 1899. p. 11. 378:, the Marquise of Berkenfield in 317:in 1912 in the role of Willmers; 1057:. September 9, 1900. p. 18. 293:(1913, as Duenna) and Puccini's 141:Academy of Music (New York City) 1191:University of Rochester Library 942:"Castle Square Opera Company". 224:("the Met") in New York as the 27:German opera singer (1870–1927) 1229:German operatic mezzo-sopranos 1040:. October 1, 1899. p. 18. 824:Leander Jan De Bekker (1924). 602:Die Meistersinger von Nürnberg 591:Victor Talking Machine Company 191:Die Meistersinger von Nürnberg 101:Victor Talking Machine Company 1: 1074:. October 7, 1906. p. 9. 965:. March 22, 1896. p. 10. 631:Washington Irving High School 198:. In 1900 she was engaged by 1068:"Metropolitan Opera Plans". 993:"Die Götterdämmerung Sung". 982:. March 30, 1897. p. 6. 928:. March 10, 1896. p. 4. 709:(in German) (4th ed.). 273:(1910, as the Stable girl), 999:. April 3, 1897. p. 6. 976:"'Das Rheingold' Revived". 703:(2012). "Mattfeld, Marie". 495:Der Widerspänstigen Zähmung 486:, both Hedvige and Lene in 1265: 800:"Obituary: Marie Mattfeld" 558:, the Solo Madrigalist in 181:(1897) among other parts. 808:: 1135. December 1, 1927. 570:, and the Young Woman in 347:in the role of the aunt. 1234:German operatic sopranos 261:Metropolitan Opera House 184:In 1899 Mattfeld joined 609:Personal life and death 522:, the Lady of Honor in 143:as the Shepherd boy in 618: 375:The Marriage of Figaro 93:(1913), and Puccini's 616: 492:, the Housekeeper in 450:, a Flower Maiden in 429:The Barber of Seville 280:La fanciulla del West 265:Engelbert Humperdinck 251:Engelbert Humperdinck 217:The Barber of Seville 84:La fanciulla del West 60:Engelbert Humperdinck 1239:German opera singers 1018:Dodd, Mead & Co. 858:. 1975. p. 319. 779:. 1918. p. 413. 706:Großes Sängerlexikon 441:La forza del destino 381:La fille du régiment 369:Cavalleria rusticana 175:(1896 and 1897) and 1244:Singers from Munich 1155:. 1917. p. 59. 1086:"Performers Report" 905:The Musical Courier 850:"Mattfeld, Marie". 510:, the Innkeeper in 483:The Queen of Spades 480:, the Governess in 411:Francesca da Rimini 405:Lucia di Lammermoor 319:Gustave Charpentier 283:(1910, as Wowkle), 211:Lucia di Lammermoor 186:Henry Wilson Savage 121:Munich Conservatory 87:(1910), Damrosch's 1071:The New York Times 1054:The New York Times 1037:The New York Times 996:The New York Times 979:The New York Times 962:The New York Times 945:The New York Times 925:The New York Times 619: 586:on March 4, 1927. 573:L'amore dei tre re 519:Adriana Lecouvreur 435:Zar und Zimmermann 363:The Bartered Bride 334:La reine Fiammette 222:Metropolitan Opera 169:Wellgunde in both 161:as Elizabeth, and 56:Metropolitan Opera 856:Marquis Who's Who 826:"Mattfeld, Marie" 805:The Musical Times 769:"Marie, Mattfeld" 720:978-3-59-844088-5 639:John Henry Haaren 627:Josef Rheinberger 599:and Magdalena in 465:Roméo et Juliette 417:Der Rosenkavalier 366:, Mamma Lucia in 256:Hansel and Gretel 200:Marcella Sembrich 65:Hansel and Gretel 16:(Redirected from 1256: 1203: 1202: 1200: 1198: 1182: 1176: 1175: 1166: 1157: 1156: 1143: 1137: 1136: 1134: 1132: 1116: 1103: 1102: 1100: 1098: 1082: 1076: 1075: 1065: 1059: 1058: 1048: 1042: 1041: 1028: 1022: 1021: 1007: 1001: 1000: 990: 984: 983: 973: 967: 966: 956: 950: 949: 939: 930: 929: 916: 910: 909: 895: 886: 885: 875: 860: 859: 847: 838: 837: 821: 810: 809: 796: 781: 780: 765: 754: 753: 731: 725: 724: 713:. p. 2990. 693: 531:Madame Sans-Gêne 471:L'elisir d'amore 408:, Altichiara in 396:, and Teresa in 393:Madama Butterfly 372:, Marcellina in 214:, and Bertha in 155:Riza Eibenschütz 21: 1264: 1263: 1259: 1258: 1257: 1255: 1254: 1253: 1209: 1208: 1207: 1206: 1196: 1194: 1184: 1183: 1179: 1168: 1167: 1160: 1145: 1144: 1140: 1130: 1128: 1118: 1117: 1106: 1096: 1094: 1084: 1083: 1079: 1067: 1066: 1062: 1051:"Music Notes". 1050: 1049: 1045: 1030: 1029: 1025: 1009: 1008: 1004: 992: 991: 987: 975: 974: 970: 958: 957: 953: 941: 940: 933: 918: 917: 913: 897: 896: 889: 884:. Bardon Music. 877: 876: 863: 849: 848: 841: 834:A & C Black 823: 822: 813: 798: 797: 784: 767: 766: 757: 750: 742:. p. 378. 740:Scarecrow Press 733: 732: 728: 721: 695: 694: 663: 658: 611: 596:The Magic Flute 567:Götterdämmerung 564:, Wellgunde in 552:, the slave in 468:, Giannetta in 456:, Frasquita in 285:Walter Damrosch 275:Giacomo Puccini 172:Götterdämmerung 137:Walter Damrosch 133: 109: 79:Giacomo Puccini 48:Walter Damrosch 28: 23: 22: 15: 12: 11: 5: 1262: 1260: 1252: 1251: 1246: 1241: 1236: 1231: 1226: 1221: 1211: 1210: 1205: 1204: 1177: 1158: 1138: 1104: 1077: 1060: 1043: 1023: 1002: 985: 968: 951: 931: 911: 887: 861: 839: 836:. p. 377. 811: 782: 755: 748: 726: 719: 660: 659: 657: 654: 610: 607: 578:Giuseppe Verdi 528:, La Rossa in 516:, Jouvenot in 474:, Giovanna in 462:, Gertrude in 301:Ludwig Thuille 239:Theater Bremen 145:Richard Wagner 132: 129: 125:Ludwig Thuille 113:Bavarian court 108: 105: 52:Theater Bremen 31:Marie Mattfeld 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1261: 1250: 1247: 1245: 1242: 1240: 1237: 1235: 1232: 1230: 1227: 1225: 1222: 1220: 1217: 1216: 1214: 1193: 1192: 1187: 1181: 1178: 1173: 1172: 1165: 1163: 1159: 1154: 1150: 1149: 1142: 1139: 1127: 1126: 1121: 1115: 1113: 1111: 1109: 1105: 1093: 1092: 1087: 1081: 1078: 1073: 1072: 1064: 1061: 1056: 1055: 1047: 1044: 1039: 1038: 1033: 1027: 1024: 1019: 1015: 1014: 1006: 1003: 998: 997: 989: 986: 981: 980: 972: 969: 964: 963: 955: 952: 947: 946: 938: 936: 932: 927: 926: 921: 915: 912: 907: 906: 901: 894: 892: 888: 883: 882: 874: 872: 870: 868: 866: 862: 857: 853: 846: 844: 840: 835: 831: 827: 820: 818: 816: 812: 807: 806: 801: 795: 793: 791: 789: 787: 783: 778: 774: 770: 764: 762: 760: 756: 751: 749:9780810831902 745: 741: 737: 730: 727: 722: 716: 712: 708: 707: 702: 698: 697:Kutsch, K. J. 692: 690: 688: 686: 684: 682: 680: 678: 676: 674: 672: 670: 668: 666: 662: 655: 653: 651: 647: 642: 640: 636: 632: 628: 624: 615: 608: 606: 604: 603: 598: 597: 592: 587: 585: 584: 579: 575: 574: 569: 568: 563: 562: 561:Manon Lescaut 557: 556: 551: 550: 546:, Rosette in 545: 544: 539: 538: 533: 532: 527: 526: 525:Les Huguenots 521: 520: 515: 514: 513:Boris Godunov 509: 508: 503: 502: 498:, Hua-Qui in 497: 496: 491: 490: 485: 484: 479: 478: 473: 472: 467: 466: 461: 460: 455: 454: 449: 448: 444:, Dimitri in 443: 442: 437: 436: 431: 430: 425: 424: 420:, Antonia in 419: 418: 413: 412: 407: 406: 401: 400: 399:La sonnambula 395: 394: 389: 388: 384:, Musetta in 383: 382: 377: 376: 371: 370: 365: 364: 360:, Ludmila in 359: 358: 353: 348: 346: 345: 340: 336: 335: 330: 329:Xavier Leroux 326: 325: 320: 316: 315: 310: 306: 302: 298: 297: 296:Suor Angelica 292: 291: 286: 282: 281: 276: 272: 271: 266: 262: 258: 257: 252: 248: 244: 240: 235: 233: 232: 227: 223: 219: 218: 213: 212: 207: 206: 201: 197: 193: 192: 187: 182: 180: 179: 178:Das Rheingold 174: 173: 168: 164: 160: 159:Milka Ternina 156: 152: 151: 146: 142: 138: 130: 128: 126: 122: 116: 114: 106: 104: 102: 98: 97: 96:Suor Angelica 92: 91: 86: 85: 80: 76: 75: 69: 67: 66: 61: 57: 53: 49: 44: 40: 39:mezzo-soprano 36: 32: 19: 1195:. Retrieved 1189: 1180: 1170: 1147: 1141: 1129:. Retrieved 1123: 1095:. Retrieved 1089: 1080: 1069: 1063: 1052: 1046: 1035: 1026: 1020:p. 586. 1012: 1005: 994: 988: 977: 971: 960: 954: 943: 923: 914: 903: 880: 851: 829: 803: 772: 735: 729: 705: 701:Riemens, Leo 650:Oberammergau 643: 634: 620: 600: 594: 588: 581: 571: 565: 559: 553: 547: 541: 535: 534:, Marthe in 529: 523: 517: 511: 507:Il trovatore 505: 499: 493: 487: 481: 475: 469: 463: 457: 451: 445: 439: 433: 427: 421: 415: 414:, Annina in 409: 403: 397: 391: 390:, Suzuki in 385: 379: 373: 367: 361: 355: 349: 342: 339:Leoš Janáček 332: 322: 312: 304: 294: 288: 278: 270:Königskinder 268: 254: 236: 229: 228:Siegrune in 215: 209: 203: 189: 183: 176: 170: 167:Rhinemaidens 148: 134: 117: 110: 94: 88: 82: 74:Königskinder 72: 70: 63: 30: 29: 18:Marie Schmid 1224:1927 deaths 1219:1870 births 583:La traviata 438:, Curra in 432:, Browe in 426:, Berta in 352:comprimario 231:Die Walküre 208:, Alisa in 1213:Categories 711:De Gruyter 656:References 540:, Rose in 504:, Ines in 314:Versiegelt 163:Max Alvary 157:as Venus, 150:Tannhäuser 623:Manhattan 501:L'Oracolo 477:Rigoletto 387:La bohème 327:in 1914; 309:Leo Blech 307:in 1911; 243:soubrette 1197:April 9, 1131:April 8, 1097:April 8, 489:Germania 453:Parsifal 423:Tiefland 305:Lobetanz 226:Valkyrie 77:(1910), 646:Nauheim 247:soprano 43:soprano 746:  717:  555:Salome 459:Carmen 447:Fedora 357:Martha 344:Jenůfa 324:Julien 290:Cyrano 90:Cyrano 908:: 25. 549:Manon 543:Lakmé 537:Faust 205:Faust 153:with 35:opera 1199:2023 1133:2023 1099:2023 744:ISBN 715:ISBN 41:and 580:'s 341:'s 331:'s 321:'s 311:'s 303:'s 287:'s 277:'s 267:'s 253:'s 147:'s 81:'s 62:'s 1215:: 1188:. 1161:^ 1151:. 1122:. 1107:^ 1088:. 1034:. 1016:. 934:^ 922:. 902:. 890:^ 864:^ 854:. 842:^ 832:. 828:. 814:^ 802:. 785:^ 775:. 771:. 758:^ 738:. 699:; 664:^ 605:. 234:. 103:. 68:. 1201:. 1135:. 1101:. 752:. 723:. 20:)

Index

Marie Schmid
opera
mezzo-soprano
soprano
Walter Damrosch
Theater Bremen
Metropolitan Opera
Engelbert Humperdinck
Hansel and Gretel
Königskinder
Giacomo Puccini
La fanciulla del West
Cyrano
Suor Angelica
Victor Talking Machine Company
Bavarian court
Munich Conservatory
Ludwig Thuille
Walter Damrosch
Academy of Music (New York City)
Richard Wagner
Tannhäuser
Riza Eibenschütz
Milka Ternina
Max Alvary
Rhinemaidens
Götterdämmerung
Das Rheingold
Henry Wilson Savage
Die Meistersinger von Nürnberg

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