Knowledge (XXG)

Marilyn Cotlow

Source đź“ť

20: 547:
at the time of their marriage. They have two sons, Daniel and Remy David. Cotlow stated that her opera career was cut short in the mid 1950s because of her decision to return to the United States with her husband. Her husband's violin career in Europe was not going well while her singing career was;
548:
and ultimately she decided to support him in his career by returning to America. She further felt, that her career had not been managed well in the United States and that she had less performance opportunities in America. From 1972-1981 Altschuler was concertmaster of the
68:. After 1957, Cotlow mainly retired from performance to devote time to teaching voice and being a mother; although she continued to perform periodically in recitals, on the stage, and on disc up into the 1990s. She has taught vocal music on the faculties of the 519:. Written specifically as a vehicle for her, the work premiered at Prince George's Publick Playhouse in Hyattsville, MD in December 1979. Earlier that year she starred in an evening opera scenes with the Prince George Civic Opera performed at the 344:
and is a sterling artist. She has a fine voice, perhaps a little too fine particularly in the lower register which was inaudible at times. However, her singing was quite perfect in harmony and she rendered the difficult
157:
as Monostatos. Cotlow also worked as a voice-over artist during the early to mid-1940s for Hollywood musical movies, often performing high notes in songs for artists who had difficulty singing in the upper register.
100:, on January 10, 1924, to Sander and Bernice Cotlow. She had two brothers: William and Phillip. While she was in Junior High School the Cotlow family lived in the home of Mr. Cunningham, a bass player with the 1717: 1086:
Brooks Atkinson (11 May 1947). "Operas Invade Broadway; Balance of Power Jarred: Menotti's Brief Productions, 'The Telephone' and 'The Medium' Survive Drama Critics' Scrutiny".
1697: 493:
After the mid 1950s, Cotlow performed rarely as her time became increasingly devoted to raising her children and teaching. In March 1961 she gave a recital at the
221:
Upon arriving in New York, Cotlow auditioned for several parts and heard that Efrem Zimbalist, Jr., and Chandler Cowles were producing a double bill of opera on
1712: 120: 1214:
Noel Straus (5 December 1948). "PELLETIER LEADS THOMAS' 'MIGNON': Marilyn Cotlow, in Her Debut, Performs the Role of Philine With Poise at Metropolitan".
1722: 1692: 287: 227: 214:. Her fellow cast mates included Met soprano Anne Bollinger, Met baritone Clifford Harvuot, mezzo Jane Hobson, tenor Joseph Laderoute, and bass 1286:
P.H. (29 May 1949). "Record Player: Seven Disk Awards Won By Columbia/ Barber: Sleep Now; also Hageman: At the Well. Marilyn Colton, soprano".
1732: 104:. Marilyn developed a love of classical music and opera by spending hours listening to his large collection of classical music recordings. 583:, became her daughter-in-law when Marc married her son Remy David. The couple has since divorced. Marc began studies with Cotlow in 1980. 1682: 902: 563:
In the late 1950s Cotlow took up teaching as her performance appearances became rare. She has taught voice privately out of her home in
315: 193: 52:
productions. She sang professionally during the 1940s and 1950s in the United States and Europe, performing with such companies as the
1707: 241:. The double bill premiered on February 18, 1947, at the Heckscher Theater, and the Broadway production opened on May 1, 1947, at the 80:
in addition to teaching privately from her home in Northern Virginia. Several of her students have had successful careers, including
1727: 1702: 1599: 907: 877: 1124:
Claudia Cassidy (12 Mar 1948). "ON THE RECORD: Menotti's 'The Telephone' and 'The Medium, Albums by Koussevitzky and Mitropoulos".
1687: 1583: 171: 861: 664: 638: 417: 271: 576: 162: 101: 77: 1591: 426: 150: 930:"TWO SINGERS BEST 800 IN OPERA TESTS: Marilyn Cotlow, Coloratura, and Frank Guarrera, Baritone, Signed by Metropolitan". 131:
Cotlow made her professional opera debut on June 26, 1942 with the California Opera Academy as the Queen of the Night in
1320:
Howard Taubman (11 Apr 1951). "SCHERMAN OFFERS OPERA BY MOZART: FLATTERING FLOWERS AND CONTOURS MARK SPRING MILLINERY".
557: 422: 549: 475: 504: 85: 31: 119:
in Los Angeles in 1939; studying with him until she relocated to New York six years later. She graduated from
1507:
Joseph McLellan (31 December 1979). "Macabre Opera: Two Gory Premieres At Publick Playhouse Macabre Opera".
1417:
Raven, Seymour (15 July 1956). "OPERATIC FARE MAIN OFFERING IN GRANT PARK: Soprano and Tenor Are Soloists".
1254: 790: 725: 712: 656: 643: 494: 430: 332: 296: 267: 242: 132: 1677: 720: 707: 568: 564: 520: 467: 197: 146: 97: 73: 65: 612: 363: 1436: 1126: 759: 690: 435: 262: 142: 40: 452:
From 1952-1955 Cotlow was actively performing in operas in Europe. In 1952, she joined the company of
1672: 738: 572: 544: 380: 69: 507:
with the Detroit Opera Theatre. In 1979 she starred in the world premiere of Thomas Czerny-Hydzik's
1651: 1634: 1543: 1526: 1509: 1473: 1456: 1288: 1035:
Howard Taubman (1 August 1948). "FESTIVAL IN WEST: Central City Does Operas By Mozart, Offenbach".
553: 512: 368: 200:
under Mitropoulos. She returned to the CCO in the summer of 1948 to perform as Despina in Mozart's
1617: 1560: 1402: 1339: 1322: 1305: 1233: 1216: 1194: 1192:"The News of Radio: Telephone Hour to Present Operatic Program on July 26, With Seven Soloists". 1177: 1105: 1071: 1054: 1037: 932: 695: 291: 238: 175: 166: 53: 35: 482:. In 1957 she performed a program of opera excerpts from works by Offenbach with the CSO under 361:
in March 1949. She sang only one other role at the Met during her career: Adina in Donizetti's
1595: 1160: 1143: 1088: 1017: 1000: 978: 873: 869: 803: 764: 651: 617: 604: 446: 408: 372: 358: 305: 270:
with the American Opera Company of Los Angeles. She performed that same role on tour with the
202: 188: 186:, and Jerome Hines. Soon after she performed Zerbinetta's aria "Großmächtige Prinzessin" from 474:. In 1956 she performed a concert of opera arias and duets with tenor Brian Sullivan and the 630: 479: 254: 246: 222: 211: 108: 49: 45: 1419: 1271: 785: 777: 751: 580: 516: 396: 304:
after this competition win. She made her Met debut on December 4, 1948 under the baton of
250: 137: 81: 998:
Isabel Morse Jones (27 June 1942). "'The Magic Flute' Given With English Book At Ebell".
319: 816: 798: 733: 599: 528: 499: 457: 327: 283: 215: 179: 57: 1141:
Allan, Ulrich (31 August 1980). "ALBUM REVIEWS, ALLA BREVE: SOUNDS OF THE ORCHESTRA".
1666: 625: 540: 462: 453: 388: 154: 61: 1103:
Bron (May 7, 1947). "Legitimate: Plays on Broadway - The Telephone and The Medium".
669: 487: 483: 323: 207: 183: 116: 19: 1558:"MARILYN COTLOW A BRIDE: Winner of Opera Air Auditions Wed to Eugene Altschuler". 1588:
From Johnson's Kids to Lemonade Opera: The American Classical Singer Comes of Age
811: 682: 471: 441: 958: 524: 404: 376: 233: 407:
in 1949. In 1950 she performed a concert of opera arias and duets with tenor
257:
in 1948. A financially profitable recording, it was later re-issued in 1980.
245:
and remained for more than 7 months. She also performed the work on London's
1541:
Joyce, Mike (23 December 1994). "ON RECORD: Robinson Joins Musical Styles".
746: 384: 301: 460:, where she sang roles for two seasons. She performed the role of Amina in 107:
Cotlow's father moved the family of five to Los Angeles in 1936 during the
1052:
Ross Parmenter (2 Feb 1947). "The World Of Music: Menotti'S New Opera".
412: 169:. The following summer she performed the role of Blondchen in Mozart's 772: 539:
On August 9, 1948 Cotlow married violinist Eugene Altschuler who was
470:
in October and November 1954. In 1955 she gave a concert tour in the
310: 112: 1488:
Tew (April 18, 1962). "Legitimate: Shows Out of Town - Masquerade".
677: 497:
in Washington D.C. In 1962 she performed the role of Rosalinde in
18: 567:
for many years and has also taught voice on the faculties of the
149:
in Los Angeles. The cast also included Brian Sullivan as Tamino,
1649:
Pamela Sommers (22 March 1985). "Outspoken Operatic Original".
1377:"International: Yank Soprano Set For Wexford (Ireland) Fete". 1632:
Joseph McLellan (12 May 1989). "For the Soprano, New Highs".
1358:"Legitimate: New Orleans Pacts Star Names for Opera Season". 1231:
Bron (December 8, 1948). "Radio Review: METROPOLITAN OPERA".
531:" with the Peter Robinson trio on their 1994 album Dancin' . 1396:
Ross Parmenter (22 August 1954). "WORLD OF MUSIC; Bellini's
1252:
Oliver J. Gingold (7 December 1948). "The Theatre: Mignon".
591: 552:, after which he served as assistant concertmaster with the 1158:"MUSIC AND MUSICIANS: L.A. Opera Troupe Sings This Week". 353:
Cotlow toured to Los Angeles with the Met's production of
260:
In September 1947 Cotlow performed the role of Rosina in
1015:
Bill Henry (22 May 1947). "By The Way with BILL HENRY".
1615:
Sanford Markey (August 5, 1981). "Chatter: Cleveland".
1337:"Legitimate: Olivia At Only; Bloomer, '12G', Toronto". 1718:
Winners of the Metropolitan Opera Auditions of the Air
1269:
Robert Sabin (February 1949). "Met L'Elizir D'amore".
1454:
Lembo, Elaine (25 December 1983). "Dial S for Song".
976:"Two Californians to Have Leading 'Met' Roles Here". 330:
as Lothario. Music critic Oliver J. Gingold wrote in
161:
In March 1946 Cotlow performed as a soloist with the
456:and stayed there for one year. In 1953, she joined 379:as Dr. Dulcamara, Paula Lenchner as Giannetta, and 318:. The production was staged by Desire Defrere with 294:(the "Met"). Cotlow was also engaged to perform on 290:. This competition win led to a contract with the 415:. In 1951 she performed the role of Blondchen in 274:with baritone Andrew Gainey as Almaviva in 1948. 34:best remembered for creating the role of Lucy in 153:(then billed as George Burnson) as Papageno and 1175:Carter Harman (12 Sep 1948). "World of Music". 895: 893: 891: 889: 322:in the title role. Other cast members included 278:Metropolitan Opera and later performance career 1069:Brooks Atkinson (2 May 1947). "The New Play". 115:. She began vocal studies with operatic tenor 340:"Marilyn Cotlow made her debut as Philine in 8: 349:with complete ease and at times perfection." 314:; a performance which was broadcast on the 1698:20th-century American women opera singers 1621:. Vol. 304, no. 1. p. 77. 1577: 1575: 1573: 1571: 1524:Paul Hume (23 May 1979). "Music Notes". 855: 853: 851: 849: 847: 845: 843: 841: 286:were selected as the two winners of the 1449: 1447: 1209: 1207: 1205: 993: 991: 989: 860:Karl-Josef Kutsch, Leo Riemens (2003). 837: 439:in Toronto, and as Violetta in Verdi's 288:Metropolitan Opera Auditions of the Air 196:(then called Robin Hood Dell) with the 30:(born January 10, 1924) is an American 1030: 1028: 253:in 1948. Cotlow recorded the role for 925: 923: 921: 919: 917: 7: 971: 969: 951: 949: 947: 945: 943: 1434:"Tonight's Program at Grant Park". 579:. One of her most famous students, 316:Metropolitan Opera radio broadcasts 194:Mann Center for the Performing Arts 1713:Classical musicians from Minnesota 908:International Biographical Centre 14: 1582:Victoria Etnier Villamil (2004). 962:. Vol. 13. 1949. p. 24. 556:and taught on the faculty of the 535:Teaching career and personal life 228:The Telephone, or L'Amour Ă  trois 16:American opera singer (born 1924) 1164:. 14 September 1947. p. C5. 903:International Who's Who in Music 429:. That same year she starred in 111:in an effort to find work as an 96:Marilyn Rose Cotlow was born in 665:Die Lustigen Weiber von Windsor 639:The Abduction from the Seraglio 418:The Abduction from the Seraglio 272:Charles L. Wagner Opera Company 172:The Abduction from the Seraglio 141:. The production was staged by 1723:American women music educators 1693:University of Michigan faculty 866:GroĂźes Sängerlexikon, volume 4 577:Catholic University of America 163:Minneapolis Symphony Orchestra 102:Minneapolis Symphony Orchestra 78:Catholic University of America 1: 1592:Northeastern University Press 1564:. 10 August 1948. p. 18. 1440:. 10 August 1957. p. 17. 511:; an opera adaptation of the 282:In May 1948 Cotlow and tenor 237:by a young Italian composer, 1385:(13): 25. September 1, 1954. 1366:(13): 68. September 5, 1951. 982:. 20 March 1949. p. D5. 558:Cleveland Institute of Music 423:The Little Orchestra Society 1733:21st-century American women 1198:. 16 July 1948. p. 38. 636:Blondchen & Constanze, 560:. Altschuler died in 2000. 550:Syracuse Symphony Orchestra 1749: 1683:American operatic sopranos 1309:. 30 May 1950. p. 19. 936:. 17 May 1948. p. 23. 476:Chicago Symphony Orchestra 206:in a production staged by 1708:Peabody Institute faculty 505:Detroit Institute of Arts 495:Phillips Memorial Gallery 1728:American women academics 1703:Singers from Minneapolis 1471:"Events in Area Today". 783:The Queen of the Night, 383:conducting. She made an 357:for performances at the 127:Early performance career 92:Early life and education 32:lyric coloratura soprano 1688:American voice teachers 1255:The Wall Street Journal 791:Wolfgang Amadeus Mozart 726:Wolfgang Amadeus Mozart 713:Wolfgang Amadeus Mozart 657:Wolfgang Amadeus Mozart 644:Wolfgang Amadeus Mozart 333:The Wall Street Journal 326:as Wilhelm Meister and 297:The Bell Telephone Hour 268:Philharmonic Auditorium 243:Ethel Barrymore Theatre 133:Wolfgang Amadeus Mozart 1400:with Marilyn Cotlow". 721:Der Schauspieldirektor 708:Der Schauspieldirektor 569:University of Michigan 565:Falls Church, Virginia 521:University of Virginia 503:at the theatre of the 478:(CSO) under conductor 468:Wexford Festival Opera 403:which was released by 351: 198:Philadelphia Orchestra 147:Wilshire Ebell Theatre 98:Minneapolis, Minnesota 74:University of Michigan 66:Wexford Festival Opera 24: 1594:. pp. 212, 256. 1437:Chicago Daily Tribune 1127:Chicago Daily Tribune 760:The Tales of Hoffmann 731:Martha/Lady Harriet, 523:. She later recorded 436:The Chocolate Soldier 367:in January 1949 with 338: 263:The Barber of Seville 143:Theodore Bachenheimer 44:in both the original 22: 910:. 1951. p. 128. 739:Friedrich von Flotow 573:Peabody Conservatory 545:New Orleans Symphony 381:Giuseppe Antonicelli 121:Glendale High School 70:Peabody Conservatory 1652:The Washington Post 1635:The Washington Post 1544:The Washington Post 1527:The Washington Post 1510:The Washington Post 1474:The Washington Post 1457:The Washington Post 1289:The Washington Post 900:"Cotlow, Marilyn". 554:Cleveland Orchestra 509:The Tell-Tale Heart 369:Giuseppe Di Stefano 1561:The New York Times 1403:The New York Times 1323:The New York Times 1306:The New York Times 1217:The New York Times 1195:The New York Times 1178:The New York Times 1072:The New York Times 1055:The New York Times 1038:The New York Times 956:"Marilyn Cotlow". 933:The New York Times 718:Madame Vogelsang, 696:Gian Carlo Menotti 292:Metropolitan Opera 239:Gian Carlo Menotti 225:. The operas were 176:Central City Opera 167:Dmitri Mitropoulos 54:Metropolitan Opera 36:Gian Carlo Menotti 25: 1303:"ON TELEVISION". 1161:Los Angeles Times 1144:Los Angeles Times 1089:Los Angeles Times 1018:Los Angeles Times 1001:Los Angeles Times 979:Los Angeles Times 870:K. G. Saur Verlag 828: 827: 804:Johann Strauss II 765:Jacques Offenbach 618:Gaetano Donizetti 605:Johann Strauss II 447:New Orleans Opera 409:Walter Fredericks 373:Giuseppe Valdengo 359:Shrine Auditorium 306:Wilfrid Pelletier 189:Ariadne auf Naxos 1740: 1657: 1656: 1646: 1640: 1639: 1629: 1623: 1622: 1612: 1606: 1605: 1584:"Marilyn Cotlow" 1579: 1566: 1565: 1555: 1549: 1548: 1538: 1532: 1531: 1521: 1515: 1514: 1504: 1498: 1497: 1485: 1479: 1478: 1477:. 13 March 1961. 1468: 1462: 1461: 1451: 1442: 1441: 1431: 1425: 1424: 1414: 1408: 1407: 1393: 1387: 1386: 1374: 1368: 1367: 1355: 1349: 1348: 1334: 1328: 1327: 1317: 1311: 1310: 1300: 1294: 1293: 1283: 1277: 1276: 1266: 1260: 1259: 1249: 1243: 1242: 1228: 1222: 1221: 1211: 1200: 1199: 1189: 1183: 1182: 1172: 1166: 1165: 1155: 1149: 1148: 1138: 1132: 1131: 1121: 1115: 1114: 1100: 1094: 1093: 1083: 1077: 1076: 1066: 1060: 1059: 1049: 1043: 1042: 1032: 1023: 1022: 1012: 1006: 1005: 995: 984: 983: 973: 964: 963: 953: 938: 937: 927: 912: 911: 897: 884: 883: 862:"Cotlow Marilyn" 857: 631:Vincenzo Bellini 613:L'elisir d'amore 592: 513:1843 short story 480:Alfredo Antonini 364:L'Elisir d'Amore 255:Columbia Records 212:Donald Oenslager 165:under conductor 109:Great Depression 1748: 1747: 1743: 1742: 1741: 1739: 1738: 1737: 1663: 1662: 1661: 1660: 1648: 1647: 1643: 1631: 1630: 1626: 1614: 1613: 1609: 1602: 1581: 1580: 1569: 1557: 1556: 1552: 1540: 1539: 1535: 1523: 1522: 1518: 1506: 1505: 1501: 1487: 1486: 1482: 1470: 1469: 1465: 1453: 1452: 1445: 1433: 1432: 1428: 1420:Chicago Tribune 1416: 1415: 1411: 1395: 1394: 1390: 1376: 1375: 1371: 1357: 1356: 1352: 1336: 1335: 1331: 1319: 1318: 1314: 1302: 1301: 1297: 1285: 1284: 1280: 1272:Musical America 1268: 1267: 1263: 1251: 1250: 1246: 1230: 1229: 1225: 1213: 1212: 1203: 1191: 1190: 1186: 1174: 1173: 1169: 1157: 1156: 1152: 1140: 1139: 1135: 1123: 1122: 1118: 1102: 1101: 1097: 1085: 1084: 1080: 1068: 1067: 1063: 1051: 1050: 1046: 1034: 1033: 1026: 1014: 1013: 1009: 997: 996: 987: 975: 974: 967: 955: 954: 941: 929: 928: 915: 899: 898: 887: 880: 872:. p. 926. 859: 858: 839: 834: 829: 786:The Magic Flute 778:Ambroise Thomas 752:Giacomo Puccini 589: 581:Alessandra Marc 537: 517:Edgar Allan Poe 397:Richard Hageman 280: 251:Aldwych Theatre 138:The Magic Flute 129: 94: 86:Jennifer Wilson 82:Alessandra Marc 23:Cotlow in 1952. 17: 12: 11: 5: 1746: 1744: 1736: 1735: 1730: 1725: 1720: 1715: 1710: 1705: 1700: 1695: 1690: 1685: 1680: 1675: 1665: 1664: 1659: 1658: 1641: 1624: 1607: 1600: 1567: 1550: 1533: 1530:. p. D14. 1516: 1499: 1480: 1463: 1443: 1426: 1409: 1388: 1369: 1350: 1329: 1312: 1295: 1278: 1261: 1244: 1223: 1201: 1184: 1167: 1150: 1147:. p. u65. 1133: 1116: 1095: 1078: 1061: 1044: 1024: 1007: 985: 965: 939: 913: 885: 878: 836: 835: 833: 830: 826: 825: 821: 820: 817:Giuseppe Verdi 807: 799:Die Fledermaus 794: 781: 768: 755: 742: 729: 716: 701: 700: 699: 686: 673: 660: 652:Così fan tutte 647: 634: 621: 608: 600:Die Fledermaus 590: 588: 585: 536: 533: 529:September Song 500:Die Fledermaus 458:Theater Bremen 328:Nicola Moscona 308:as Philine in 284:Frank Guarrera 279: 276: 216:Lorenzo Alvary 203:Così fan tutte 180:Eleanor Steber 128: 125: 93: 90: 58:Theater Bremen 28:Marilyn Cotlow 15: 13: 10: 9: 6: 4: 3: 2: 1745: 1734: 1731: 1729: 1726: 1724: 1721: 1719: 1716: 1714: 1711: 1709: 1706: 1704: 1701: 1699: 1696: 1694: 1691: 1689: 1686: 1684: 1681: 1679: 1678:Living people 1676: 1674: 1671: 1670: 1668: 1655:. p. C7. 1654: 1653: 1645: 1642: 1638:. p. D2. 1637: 1636: 1628: 1625: 1620: 1619: 1611: 1608: 1603: 1601:9781555536350 1597: 1593: 1589: 1585: 1578: 1576: 1574: 1572: 1568: 1563: 1562: 1554: 1551: 1546: 1545: 1537: 1534: 1529: 1528: 1520: 1517: 1513:. p. D1. 1512: 1511: 1503: 1500: 1495: 1491: 1484: 1481: 1476: 1475: 1467: 1464: 1460:. p. H3. 1459: 1458: 1450: 1448: 1444: 1439: 1438: 1430: 1427: 1423:. p. 29. 1422: 1421: 1413: 1410: 1406:. p. X7. 1405: 1404: 1399: 1398:La Sonnambula 1392: 1389: 1384: 1380: 1373: 1370: 1365: 1361: 1354: 1351: 1346: 1342: 1341: 1333: 1330: 1326:. p. 46. 1325: 1324: 1316: 1313: 1308: 1307: 1299: 1296: 1292:. p. L3. 1291: 1290: 1282: 1279: 1274: 1273: 1265: 1262: 1258:. p. 12. 1257: 1256: 1248: 1245: 1240: 1236: 1235: 1227: 1224: 1220:. p. 98. 1219: 1218: 1210: 1208: 1206: 1202: 1197: 1196: 1188: 1185: 1181:. p. X6. 1180: 1179: 1171: 1168: 1163: 1162: 1154: 1151: 1146: 1145: 1137: 1134: 1130:. p. A1. 1129: 1128: 1120: 1117: 1112: 1108: 1107: 1099: 1096: 1092:. p. C1. 1091: 1090: 1082: 1079: 1075:. p. 28. 1074: 1073: 1065: 1062: 1058:. p. X9. 1057: 1056: 1048: 1045: 1041:. p. X5. 1040: 1039: 1031: 1029: 1025: 1021:. p. A1. 1020: 1019: 1011: 1008: 1003: 1002: 994: 992: 990: 986: 981: 980: 972: 970: 966: 961: 960: 952: 950: 948: 946: 944: 940: 935: 934: 926: 924: 922: 920: 918: 914: 909: 905: 904: 896: 894: 892: 890: 886: 881: 879:9783598440885 875: 871: 867: 863: 856: 854: 852: 850: 848: 846: 844: 842: 838: 831: 824: 818: 814: 813: 808: 805: 801: 800: 795: 792: 788: 787: 782: 779: 775: 774: 769: 766: 762: 761: 756: 753: 749: 748: 743: 740: 736: 735: 730: 727: 723: 722: 717: 714: 710: 709: 705:Madame Herz, 704: 703: 702: 697: 693: 692: 691:The Telephone 687: 684: 680: 679: 674: 671: 667: 666: 661: 658: 654: 653: 648: 645: 641: 640: 635: 632: 628: 627: 626:La sonnambula 622: 619: 615: 614: 609: 606: 602: 601: 596: 595: 594: 593: 586: 584: 582: 578: 574: 570: 566: 561: 559: 555: 551: 546: 542: 541:concertmaster 534: 532: 530: 526: 522: 518: 514: 510: 506: 502: 501: 496: 491: 489: 485: 481: 477: 473: 469: 465: 464: 463:La Sonnambula 459: 455: 454:Theater Basel 450: 448: 444: 443: 438: 437: 432: 428: 427:The Town Hall 424: 420: 419: 414: 410: 406: 402: 398: 394: 390: 389:Samuel Barber 387:recording of 386: 382: 378: 374: 371:as Nemorino, 370: 366: 365: 360: 356: 350: 348: 343: 337: 335: 334: 329: 325: 321: 317: 313: 312: 307: 303: 299: 298: 293: 289: 285: 277: 275: 273: 269: 265: 264: 258: 256: 252: 248: 244: 240: 236: 235: 230: 229: 224: 219: 217: 213: 210:with sets by 209: 205: 204: 199: 195: 191: 190: 185: 181: 177: 174: 173: 168: 164: 159: 156: 155:Johnny Silver 152: 151:George London 148: 144: 140: 139: 134: 126: 124: 122: 118: 114: 110: 105: 103: 99: 91: 89: 87: 83: 79: 75: 71: 67: 63: 62:Theater Basel 59: 55: 51: 47: 43: 42: 41:The Telephone 37: 33: 29: 21: 1650: 1644: 1633: 1627: 1616: 1610: 1587: 1559: 1553: 1547:. p. 9. 1542: 1536: 1525: 1519: 1508: 1502: 1493: 1489: 1483: 1472: 1466: 1455: 1435: 1429: 1418: 1412: 1401: 1397: 1391: 1382: 1378: 1372: 1363: 1359: 1353: 1344: 1338: 1332: 1321: 1315: 1304: 1298: 1287: 1281: 1270: 1264: 1253: 1247: 1238: 1232: 1226: 1215: 1193: 1187: 1176: 1170: 1159: 1153: 1142: 1136: 1125: 1119: 1110: 1104: 1098: 1087: 1081: 1070: 1064: 1053: 1047: 1036: 1016: 1010: 1004:. p. 9. 999: 977: 957: 931: 901: 865: 822: 810: 797: 784: 771: 758: 745: 732: 719: 706: 689: 676: 670:Otto Nicolai 663: 662:Frau Fluth, 650: 637: 624: 611: 598: 562: 538: 508: 498: 492: 488:Joshua Hecht 484:Julius Rudel 461: 451: 440: 434: 431:Oscar Straus 416: 400: 392: 375:as Belcore, 362: 354: 352: 346: 341: 339: 331: 324:James Melton 320:RisĂ« Stevens 309: 295: 281: 261: 259: 232: 226: 220: 208:Herbert Graf 201: 187: 184:Felix Knight 170: 160: 136: 130: 117:Hans Clemens 106: 95: 39: 27: 26: 1673:1924 births 812:La Traviata 796:Rosalinde, 683:Leo Delibes 587:Opera roles 472:Netherlands 442:La traviata 401:At the Well 178:(CCO) with 1667:Categories 959:Opera News 868:. Munich: 832:References 809:Violetta, 525:Kurt Weill 486:with bass 405:RCA Victor 377:Italo Tajo 234:The Medium 64:, and the 1241:(14): 24. 770:Philine, 757:Olympia, 747:La Boheme 744:Musetta, 649:Despina, 393:Sleep Now 302:NBC Radio 123:in 1942. 1496:(8): 64. 1347:(6): 60. 1113:(9): 68. 247:West End 223:Broadway 113:attorney 50:West End 46:Broadway 1618:Variety 1490:Variety 1379:Variety 1360:Variety 1340:Variety 1234:Variety 1106:Variety 675:Lakme, 623:Amina, 610:Adina, 597:Adele, 543:of the 466:at the 445:at the 413:WWOR-TV 347:Polacca 249:at the 192:at the 145:at the 1598:  876:  823: 773:Mignon 734:Martha 688:Lucy, 575:, and 571:, the 355:Mignon 342:Mignon 311:Mignon 76:, and 72:, the 678:Lakme 421:with 1596:ISBN 874:ISBN 527:'s " 395:and 231:and 84:and 48:and 1494:226 1383:195 1364:183 1345:183 1239:172 1111:166 515:by 433:'s 425:at 411:on 399:'s 391:'s 300:on 266:at 135:'s 38:'s 1669:: 1590:. 1586:. 1570:^ 1492:. 1446:^ 1381:. 1362:. 1343:. 1237:. 1204:^ 1109:. 1027:^ 988:^ 968:^ 942:^ 916:^ 906:. 888:^ 864:. 840:^ 490:. 449:. 385:LP 336:, 218:. 182:, 88:. 60:, 56:, 1604:. 1275:. 882:. 819:) 815:( 806:) 802:( 793:) 789:( 780:) 776:( 767:) 763:( 754:) 750:( 741:) 737:( 728:) 724:( 715:) 711:( 698:) 694:( 685:) 681:( 672:) 668:( 659:) 655:( 646:) 642:( 633:) 629:( 620:) 616:( 607:) 603:(

Index


lyric coloratura soprano
Gian Carlo Menotti
The Telephone
Broadway
West End
Metropolitan Opera
Theater Bremen
Theater Basel
Wexford Festival Opera
Peabody Conservatory
University of Michigan
Catholic University of America
Alessandra Marc
Jennifer Wilson
Minneapolis, Minnesota
Minneapolis Symphony Orchestra
Great Depression
attorney
Hans Clemens
Glendale High School
Wolfgang Amadeus Mozart
The Magic Flute
Theodore Bachenheimer
Wilshire Ebell Theatre
George London
Johnny Silver
Minneapolis Symphony Orchestra
Dmitri Mitropoulos
The Abduction from the Seraglio

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑