315:
tended to become hard and occasionally strained in its upper registers, and others felt that her talents were better-suited to the stage than to the recording studio. Nevertheless, her small legacy of commercial recordings (supplemented by many off-air performances) assures her a significant place amongst the finest 20th-century operatic mezzo-sopranos.
314:
Although famed for its agility, her dark mezzo-soprano was heavier than that style usually associated with the
Rossini repertoire in which she achieved her earlier successes. Her range (Middle C to High D) was wide and true, her lower register rich in colour – although for some critics her voice
295:
After her marriage (1959) to the
Italian industrialist Giancarlo Villa, and the birth of their daughter Beatriz in 1961, her career took second place in her life – although she did achieve a major success in Pretoria during 1964, with performances as Azucena, Carmen, and Amneris in Verdi's
306:, with whom she regularly performed in Spanish voice-guitar recitals. In 1968 she showed the first signs of the serious illness which was to cause her definitive retirement, and her death in 1972 while undergoing treatment in Paris.
579:
703:
386:
698:
693:
445:
170:
418:
265:
150:
78:
618:
194:
240:. The theatre became her main base of operations in the following years, where she added Marfa in Mussorgsky's
248:
203:
179:
123:
688:
683:
422:
363:
260:
189:
166:
143:
She achieved international recognition when she appeared in the title role of
Angelina in Rossini's
130:, broadcasting Spanish and Hispano-American songs. Her stage debut was in the title role of Bizet's
233:
104:
392:
285:
609:
409:
359:
281:
254:
225:
198:
224:, she first appeared in 1954 as Angelina, repeating her signature role the following year in
648:
99:(Donostia) in 1917, Gabaráin initially trained in Italy with Giuseppe Pais, who also taught
96:
37:
559:
449:
396:
137:
229:
534:
351:
145:
119:
100:
83:
677:
592:
437:
277:
242:
115:
74:
62:
664:
157:. She repeated her success the following year, when the production was recorded for
371:
303:
289:
209:
154:
109:
280:, as well as concert appearances in Spanish repertoire under conductors including
613:
367:
184:
269:
273:
221:
174:
158:
127:
177:
in 1956. Further
Glyndebourne roles included Baba the Turk in Stravinsky's
302:. She also maintained a fruitful musical partnership with the guitarist
668:
132:
651:. Operadis-opera-discography.org.uk. Retrieved on 9 September 2020.
217:
298:
165:, and in 1954, when the production was also seen on tour at the
477:, Acento Editorial, 1997, p. 151. Other sources give 1925.
187:; and Preziosilla in the company's 1955 production of Verdi's
162:
87:
as
Angelina (Cinderella), which became her signature role.
370:(Ramiro), Chorus and Orchestra of Glyndebourne Festival,
201:, where her roles included Carmen, Rosina in Rossini's
73:(1917 – 13 June 1972) was a Spanish
57:
45:
30:
23:
473:1917 according to Joaquín Martín de Sagarmínaga,
169:in Berlin. The production was last staged at the
535:"Carmen 1949 | Tour | Opera Scotland"
183:in the opera's British premiere, conducted by
622:, Vol.IV, pp.1054–5 (Saur Verlag, Bern, 2003)
126:in 1950. Her first professional work was for
122:in London, under whom she graduated from the
8:
575:
573:
522:Diccionario de cantantes líricos españoles
475:Diccionario de cantantes líricos españoles
20:
232:in Buenos Aires in the world premiere of
81:in 1952, where she appeared in Rossini's
704:20th-century Spanish women opera singers
593:"Royal Opera House Performance Database"
325:
193:at the Edinburgh Festival, conducted by
554:
552:
550:
548:
516:
514:
490:
466:
264:to her repertoire. She appeared at the
512:
510:
508:
506:
504:
502:
500:
498:
496:
494:
401:CD: Warner Classics 9029538608 (2020)
118:in Paris, her final training was with
524:, Acento Editorial, 1997, p. 151
197:. She became a regular singer at the
7:
560:"Opera Archive – Marina de Gabaráin"
228:. In 1956 she first appeared at the
77:. Her international career began at
49:13 June 1972 (aged 54–55)
387:Siete canciones populares españolas
376:CD: Warner Classics 0288462 (2011)
419:Orchestra Dell'Angelicum Di Milano
14:
580:Gabarain Marina de / mezzosoprano
339:Orchestra, Chorus and Conductor
520:Joaquín Martín de Sagarmínaga,
323:Gabaráin's recordings include:
635:, Vol.30, issue ii (review of
446:Orchestre de la Suisse Romande
103:. Continuing her studies with
1:
427:LP: Angelicum LPA-972 (1959)
258:and Santuzza in Mascagni's
720:
582:(in German) operissimo.com
699:People from San Sebastián
597:www.rohcollections.org.uk
454:CD: Decca 4339082 (1999)
246:, Isabella in Rossini's
266:Grand Théâtre of Geneva
207:and Azucena in Verdi's
204:Il barbiere di Siviglia
140:'s Scottish 1949 tour.
694:Spanish mezzo-sopranos
124:Royal College of Music
539:www.operascotland.org
151:Glyndebourne Festival
16:Spanish mezzo-soprano
619:Großes Sängerlexikon
261:Cavalleria rusticana
249:L'italiana in Algeri
190:La forza del destino
633:Music & Letters
252:, Orfeo in Gluck's
180:The Rake's Progress
171:Royal Court Theatre
665:Marina de Gabaráin
276:in Venice and the
71:Marina de Gabaráin
25:Marina de Gabaráin
610:Karl-Josef Kutsch
458:
457:
366:(Don Magnifico),
360:Sesto Bruscantini
282:Leopold Stokowski
255:Orfeo ed Euridice
199:Royal Opera House
68:
67:
40:(Donostia), Spain
711:
652:
646:
640:
631:from Eric Blom,
629:
623:
607:
601:
600:
589:
583:
577:
568:
567:
556:
543:
542:
531:
525:
518:
478:
471:
414:Historia Divitis
332:Composer – Opera
326:
234:Juan José Castro
113:
21:
719:
718:
714:
713:
712:
710:
709:
708:
674:
673:
667:discography at
661:
656:
655:
647:
643:
639:, Glyndebourne)
630:
626:
608:
604:
591:
590:
586:
578:
571:
558:
557:
546:
533:
532:
528:
519:
492:
487:
482:
481:
472:
468:
463:
450:Ernest Ansermet
441:
423:Umberto Cattini
397:John Barbirolli
393:Hallé Orchestra
355:
338:
333:
321:
312:
286:Ataúlfo Argenta
238:Bodas de Sangre
167:Städtische Oper
153:, conducted by
138:Carl Rosa Opera
107:
93:
53:
50:
41:
35:
26:
17:
12:
11:
5:
717:
715:
707:
706:
701:
696:
691:
686:
676:
675:
672:
671:
660:
659:External links
657:
654:
653:
641:
637:La Cenerentola
624:
602:
584:
569:
544:
526:
489:
488:
486:
483:
480:
479:
465:
464:
462:
459:
456:
455:
452:
443:
433:
429:
428:
425:
416:
407:
403:
402:
399:
390:
382:
378:
377:
374:
357:
352:La Cenerentola
348:
344:
343:
340:
335:
330:
320:
317:
311:
308:
195:John Pritchard
146:La Cenerentola
120:Elena Gerhardt
101:Renata Tebaldi
92:
89:
84:La Cenerentola
66:
65:
59:
55:
54:
51:
47:
43:
42:
36:
32:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
716:
705:
702:
700:
697:
695:
692:
690:
687:
685:
682:
681:
679:
670:
666:
663:
662:
658:
650:
649:Recordings on
645:
642:
638:
634:
628:
625:
621:
620:
615:
611:
606:
603:
598:
594:
588:
585:
581:
576:
574:
570:
565:
561:
555:
553:
551:
549:
545:
540:
536:
530:
527:
523:
517:
515:
513:
511:
509:
507:
505:
503:
501:
499:
497:
495:
491:
484:
476:
470:
467:
460:
453:
451:
447:
444:
440:
439:
438:El amor brujo
434:
431:
430:
426:
424:
420:
417:
415:
411:
408:
405:
404:
400:
398:
394:
391:
389:
388:
383:
380:
379:
375:
373:
369:
365:
361:
358:
354:
353:
349:
346:
345:
341:
336:
331:
328:
327:
324:
318:
316:
309:
307:
305:
301:
300:
293:
291:
287:
283:
279:
278:Opera di Roma
275:
272:in Brussels,
271:
267:
263:
262:
257:
256:
251:
250:
245:
244:
243:Khovanshchina
239:
235:
231:
227:
223:
219:
214:
212:
211:
206:
205:
200:
196:
192:
191:
186:
182:
181:
176:
172:
168:
164:
160:
156:
152:
148:
147:
141:
139:
135:
134:
129:
125:
121:
117:
116:Pierre Bernac
111:
106:
105:Lotte Leonard
102:
98:
97:San Sebastián
90:
88:
86:
85:
80:
76:
75:mezzo-soprano
72:
64:
63:mezzo-soprano
60:
56:
52:Paris, France
48:
44:
39:
38:San Sebastián
33:
29:
22:
19:
644:
636:
632:
627:
617:
605:
596:
587:
564:Glyndebourne
563:
538:
529:
521:
474:
469:
436:
413:
385:
372:Vittorio Gui
350:
322:
313:
304:Julian Bream
297:
294:
290:Lorin Maazel
259:
253:
247:
241:
237:
230:Teatro Colón
215:
210:Il trovatore
208:
202:
188:
178:
155:Vittorio Gui
149:at the 1952
144:
142:
131:
94:
82:
79:Glyndebourne
70:
69:
18:
689:1972 deaths
684:1917 births
614:Leo Riemens
435:de Falla –
384:de Falla –
368:Juan Oncina
364:Ian Wallace
362:(Dandino),
310:Vocal style
226:Monte Carlo
185:Paul Sacher
108: [
678:Categories
485:References
356:(Angelina)
319:Recordings
270:La Monnaie
58:Occupation
410:Carissimi
274:La Fenice
236:'s opera
222:Barcelona
175:Liverpool
136:, during
128:BBC Radio
61:Operatic
442:(Gitana)
95:Born in
669:Discogs
334:(role)
216:At the
342:Label
133:Carmen
461:Notes
337:Cast,
329:Year
218:Liceu
112:]
612:and
432:1959
406:1959
381:1957
347:1953
299:Aida
288:and
114:and
91:Life
46:Died
34:1917
31:Born
220:in
173:in
163:EMI
161:by
680::
616:,
595:.
572:^
562:.
547:^
537:.
493:^
448:,
421:,
412:–
395:,
292:.
284:,
268:,
213:.
159:LP
110:de
599:.
566:.
541:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.