147:
motivating him to take jobs that do not suit him and for his unhappiness. He flees New York in a panic rather than marry
Marjorie, saying that he will not succeed as a writer and will return to studying philosophy. Having entered a sexual relationship with him, Marjorie is convinced that her only hope is to marry Noel. She decides that the best way to persuade him to marry her is to wait a year and then pursue him to Paris.
143:
birth name from Saul to Noel to escape his Jewish origins, he mocks her Jewish observances (such as her unwillingness to eat bacon) and taunts her for her 'Mosaic' unwillingness to engage in premarital sex. Noel tells
Marjorie that she is a "Shirley": a typical, well-brought-up New York Jewish girl who will want a stable husband and family while he is embarking on an artistic career.
138:
and lands the title role. As a result, she meets Marsha
Zelenko, who becomes her best friend (for a while). Marsha encourages Marjorie in her quest and helps her get a job as a drama counselor at the summer camp where Marsha teaches arts and crafts. That summer, Marsha persuades Marjorie to accompany
161:
She returns to New York free of her infatuation with Noel, and quickly marries, no longer caring whether Noel would describe her as a "Shirley". The novel concludes with an epilogue in the form of an entry in the diary of Wally
Wronken, the only character who did manage to have a successful artistic
142:
Marjorie idolizes Noel, who can sing, dance, compose, and speak several languages. They begin a relationship that determines the next four years of her life. He tells her that he has no interest in marrying or fitting in with the middle-class life that he tells her she will want. Having changed his
213:
I did my best to portray a bar-mitzva with accuracy and with affection. I thought I succeeded pretty well, for my pains I encountered the most bitter and violent objections from some fellow Jews. I had, they asserted, made a sacred occasion seem comical. There were comic touches in the picture, of
157:
She enjoys his company, he treats her well and speaks respectfully of her religious traditions, and he helps her locate Noel. In Paris, Noel tells her how happy he is to see her, but does not notice when she is hungry or hurt. He tells her that in his year in Paris he has not enrolled in school to
146:
Over the course of the novel, neither Noel nor
Marjorie finds professional success in the theater. Marjorie accepts that she will not succeed as a professional actress, and she spends more of her time reading and working. Noel takes and quits stable writing and editing jobs, blaming Marjorie for
201:
reviewer
William H. Hudson enjoyed the novel and observed that "a reaffirmation of traditional values, a submission to wisdom of the older generation and of authority and a reacceptance of individual responsibility" was a cornerstone of most of Wouk's fiction and a reflection of the author's
162:
career. Wally idolized
Marjorie as a young man, and he meets her again 15 years after she marries when she has happily settled into a role as a religious suburban wife and mother. Wally recalls the bright-eyed girl he once knew and marvels at how ordinary Marjorie seems at 39.
123:
Marjorie
Morgenstern, born 1916, is a Jewish girl in New York City in the 1930s. She is bright, beautiful, and popular. Her father is a prosperous businessman who has recently moved his family from a poorer, ethnically Jewish neighborhood in the Bronx to Manhattan's
158:
study philosophy and that he will return to the U.S. to take another stable writing job. He offers to marry her, but
Marjorie has realized that life with Noel will not make her happy and that it would be possible for her to fall in love with someone else.
139:
her on an excursion to South Wind, an exclusive resort with a staff of professional entertainers. There
Marjorie meets Noel Airman, an older man who has won some fame as a composer, as well as Wally Wronken, a younger man who hopes to become a playwright.
171:. The critic Dan Vogel writes that Wouk casts Noel as a "rasha" or bad or Satanic figure for leading Majorie in a descent from violating traditional Jewish laws of kashrut or kosher laws to violating traditional values of sexual morality.
131:
Marjorie aspires to become an actress, using Marjorie Morningstar as a stage name. (Morningstar is the word-for-word translation of "Morgenstern" from the original German.) She begins with her school's (Hunter College) production of
197:. Podhoretz was critical of Marjorie's return to traditional Jewish values at the end of the novel and considered her shallow for not realizing that many customs and traditions "die of their own irrelevance".
105:
has been called "the first Jewish novel that was popular and successful, not merely to a Jewish audience but to a general one". In 1958, the book was the basis for a Hollywood movie starring
329:, No. 30 (February 1956), pp. 186-88. However, Podhoretz praised the novel as "perhaps the first novel to treat American Jews intimately as Jews without making them seem exotic"(ibid.)
189:
The novel was controversial among Jewish writers and religious figures as well as among secular intellectuals. In particular, the depiction of New York Jews was criticized by
403:
423:
413:
408:
27:
367:
428:
375:
398:
393:
418:
111:
128:. Her mother hopes that the change of neighborhood will help Marjorie marry a man with a brighter future.
58:
214:
course, but I believe these lay in the folkway as it exists, not in the imagination of the writer.
152:
205:
Wouk's fictional depiction of a bar-mitzva was a particular target of criticism. In 1959 in
194:
125:
150:
However, en route to France, Marjorie meets a mysterious man named Mike Eden aboard the
190:
387:
106:
26:
167:
98:
40:
134:
165:
The character name Airman is a translation to English of the Yiddish word
288:
277:
303:(New Brunswick, NJ, and London: Transaction Books, 1984), p. 52.
260:(New Brunswick, NJ, and London: Transaction Books, 1984), p. 53.
218:
With time these criticisms have abated, and two extracts from
186:
bestseller list, for months in the number one position.
272:
Vogel, D. (1994), "Remembering Marjorie Morningstar",
82:
74:
64:
54:
46:
36:
316:(New York: Criterion, 1960), pp. 41 & 249-52.
101:about a woman who wants to become an actress.
301:Herman Wouk: The Novelist as Social Historian
274:Studies in American Jewish Literature (1981-)
258:Herman Wouk: The Novelist as Social Historian
202:acceptance of traditional religious Judaism.
8:
276:, 13, 21-26. Accessed August 23, 2020, from
19:
342:(Garden City, NY: Doubleday, 1959), p. 113.
325:Norman Podhoretz, "The Jew as Bourgeois,"
25:
18:
268:
266:
234:
353:The Rise of American Jewish Literature
351:Charles Angoff and Meyer Levin, eds.,
224:The Rise of American Jewish Literature
222:have been included in a reader titled
355:(New York: Simon and Schuster, 1970).
7:
314:Love and Death in the American Novel
289:http://hawes.com/1956/1956-05-27.pdf
278:http://www.jstor.org/stable/41205839
404:American novels adapted into films
14:
424:Novels set in Columbia University
1:
414:Novels set in New York City
409:Doubleday (publisher) books
182:spent at least 37 weeks on
445:
242:"Books Published Today".
24:
16:1955 novel by Herman Wouk
246:: 21. September 1, 1955.
429:Jewish American novels
216:
399:Novels by Herman Wouk
211:
20:Marjorie Morningstar
394:1955 American novels
312:Cf. Leslie Fiedler,
220:Marjorie Morningstar
180:Marjorie Morningstar
112:Marjorie Morningstar
103:Marjorie Morningstar
94:Marjorie Morningstar
419:Novels set in Paris
184:The New York Times'
97:is a 1955 novel by
31:First edition cover
21:
377:Jewish Ideas Daily
244:The New York Times
209:, Wouk commented:
299:Arnold Beichman,
256:Arnold Beichman,
90:
89:
75:Publication place
70:September 1, 1955
436:
356:
349:
343:
336:
330:
323:
317:
310:
304:
297:
291:
286:
280:
270:
261:
254:
248:
247:
239:
195:Norman Podhoretz
66:Publication date
29:
22:
444:
443:
439:
438:
437:
435:
434:
433:
384:
383:
364:
359:
350:
346:
337:
333:
324:
320:
311:
307:
298:
294:
287:
283:
271:
264:
255:
251:
241:
240:
236:
232:
177:
126:Upper West Side
121:
83:Media type
67:
32:
17:
12:
11:
5:
442:
440:
432:
431:
426:
421:
416:
411:
406:
401:
396:
386:
385:
382:
381:
373:
363:
362:External links
360:
358:
357:
344:
340:This Is My God
331:
318:
305:
292:
281:
262:
249:
233:
231:
228:
207:This Is My God
199:New York Times
191:Leslie Fiedler
176:
173:
120:
117:
109:, also titled
88:
87:
84:
80:
79:
76:
72:
71:
68:
65:
62:
61:
56:
52:
51:
48:
44:
43:
38:
34:
33:
30:
15:
13:
10:
9:
6:
4:
3:
2:
441:
430:
427:
425:
422:
420:
417:
415:
412:
410:
407:
405:
402:
400:
397:
395:
392:
391:
389:
380:
378:
374:
372:
370:
366:
365:
361:
354:
348:
345:
341:
338:Herman Wouk,
335:
332:
328:
322:
319:
315:
309:
306:
302:
296:
293:
290:
285:
282:
279:
275:
269:
267:
263:
259:
253:
250:
245:
238:
235:
229:
227:
225:
221:
215:
210:
208:
203:
200:
196:
192:
187:
185:
181:
174:
172:
170:
169:
163:
159:
156:
154:
148:
144:
140:
137:
136:
129:
127:
118:
116:
114:
113:
108:
104:
100:
96:
95:
85:
81:
78:United States
77:
73:
69:
63:
60:
57:
53:
49:
45:
42:
39:
35:
28:
23:
376:
368:
352:
347:
339:
334:
326:
321:
313:
308:
300:
295:
284:
273:
257:
252:
243:
237:
223:
219:
217:
212:
206:
204:
198:
188:
183:
179:
178:
166:
164:
160:
151:
149:
145:
141:
133:
130:
122:
110:
107:Natalie Wood
102:
93:
92:
91:
99:Herman Wouk
41:Herman Wouk
388:Categories
327:Commentary
230:References
168:luftmensch
153:Queen Mary
135:The Mikado
175:Reception
59:Doubleday
55:Publisher
47:Language
379:article
371:article
50:English
37:Author
369:Slate
86:Print
193:and
119:Plot
390::
265:^
226:.
115:.
155:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.